The Service of Great Vespers
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
SAINT MARY ORTHODOX CHURCH October 1St 2017
SAINT MARY ORTHODOX CHURCH The Self-Ruled Antiochian Orthodox Christian Archdiocese of North America “The disciples were first called Christians in Antioch.” (Acts 11:26) 6330 W. 127th St., Palos Heights, IL 60463 Phone : (708) 239-0004, Fax : (708) 221-6449 www.stmaryoc.org ([email protected]) Church Office Hours : Monday - Friday 10:00am-3:00pm St. Mary Parish Clergy st V. Rev. Fr. Mousa Haddad, Pastor October 1 2017 V. Rev. Fr. Malek Rihani Rev. Fr. Danial Doss (OCA) Seventeenth Sunday after Pentecost & Second Sunday of Luke Rev. Archdeacon Saed Rihani Subdn. John Andoun, Youth Director Apostle Ananias of the Seventy, First Bishop of Damascus Parish Council Luai Sweiss - Chairman & Righteous Father Romanos the Melodist Isa Riadi - Vice Chairman Fadi Abu Manneh - Treasurer Scott Abdo - Financial Secretary John Eannace - Secretary Magida Abudayyeh Nidal Al-Farah Jason Haddad Natalie Salman Rashid Sweis Parish Ministries Sunday School - Philip Riske SOYO - Jehan Tadros YAM - Marram Salman Antiochian Women - Nihad Sweis Fundraising - Rashid Sweis Humanitarian - Shireen Salman OCLife - Nancy Cannon Fishers of Men - John Eannace Athletics - Nidal Haddad Choir - Michael Rascia Chanters - Khaled Salman, Faris Samawi and Danny Haddad Webmaster - Sana Sweis Ushers - Jamal Swais, Louis Sweiss Office May Sweis [email protected] Church Hall Rental Call the church office or email our Office Administrator Weekly Schedule of Services: Saturday Great Vespers 5:00pm (Confessions heard after Great Vespers) Sunday Orthros 8:45am followed by Divine Liturgy 10:00am Wednesday Morning Prayers followed by Arabic Bible Study 10:00am Check our website for feast day services and all other services Welcome to St. -
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District November 2 - 4: Panels, Registration and Book Exhibits will take place at Hellenic College Holy Cross campus November 2 - 3: Coaches to Hellenic College Holy Cross campus depart each morning at 8:00 a.m. from the Hilton Downtown Financial District only. Coaches for the return trip to the Hilton Downtown Financial District will depart in front of the Archbishop Iakovos Library Building after the end of the receptions. On Saturday, coaches to take participants to the Cathedral Center will depart at 1:00 p.m., also from the Archbishop Iakovos Library Building. November 2 - 4: A small exhibition of Greek, Roman and Byzantine objects from the Archbishop Iakovos Collection, curated by the Very Reverend Dr. Joachim (John) Cotsonis and Dr. Maria Kouroumali, will be on display in the Archbishop Iakovos Museum, Third Floor, Archbishop Iakovos Library Building. Opening hours of exhibition: 10:00 a.m. - 6:00 p.m. (Fri - Sat.); 10:00 a.m. - 4:00 p.m. (Sun) Thursday, November 1, 2012 Hilton Hotel Boston Downtown Financial District 5:00 p.m. - 8.00 p.m. Registration Hilton Lobby 6:30 p.m. - 7:30 p.m. The Mary Jaharis Center for Byzantine Art and Culture Informal Welcome Reception Kellogg Ballroom 8:00 - 10:00 p.m. BSANA Governing Board Meeting William Fly Room Friday, November 2, 2012 Hellenic College Holy Cross campus Continental Breakfast: 8:00 a.m. - 9.00 a.m. Maliotis Cultural Center Lobby Registration and Book Exhibits (all day) Maliotis Cultural Center Upper Wing 9:00 a.m. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
The Orthodox Post Page 3
The Orthodox Post Page 3 THE ORTHODOX October 2014 Volume X, Issue 9 POST 2009 St. Nicholas Albanian Orthodox Church, 181-14 Midland Parkway, Jamaica Estates, New York, NY 11432 Volume V, Issue 6 Web site: www.stnicholasalbanian.org E-mail: [email protected] Tel: (718) 380-5684 Pastor’s Message INSIDE THIS ISSUE by Fr. Nathan Preston Pastor’s Message & President’s Message 1 There were, when I worked at the shelter, certain Daughters’ Corner & Flea Mkt/Bake Sale 2 maxims—ideas needing to be remembered—to help one throughout Golf Outing 3 the day and throughout the job. And the longer I worked there, after Community News & General Meeting 4 the sheen of novelty had long worn from my tasks, and as more 2015 Pledge Program 5 responsibility was handed over to me, particularly that responsibility to help and direct and inspire others in our jobs, the return to these September Feast Days 6 fundamental ideas, these maxims, became a necessity. One of these Merchant Ads 7-9 of which I needed routinely to be reminded and to remind was quite Major Events & Ushers’ Sunday Schedule 10 simple: “To walk through those doors is an act of bravery,” those My life now as your priest is differently frenzied than it was doors being the front doors of our building off a side street in before. The fights I have to break up are not physical; the food and downtown Newark. And though the bravery referred to might be welfare to be expended not always so immediate; the case planning, thought to be that of the staff, who so often endured thankless though, is sometimes quite similar. -
"Lord, I Have Cried ...", 6 Stichera: 3 for the Apostle, in Tone IV: Spec
THE 1st DAY OF THE MONTH OF OCTOBER COMMEMORATION OF THE HOLY APOSTLE ANANIAS OF THE SEVENTY COMMEMORATION OF OUR VENERABLE FATHER ROMANUS THE MELODIST AT VESPERS On "Lord, I have cried ...", 6 stichera: 3 for the apostle, in Tone IV: Spec. Mel.: "Called from on high ...": When, at the behest of the Most High, Saul was blinded * and held fast in darkness, * he came unto thee, * begging divine cleansing, * O thou who hadst received divine illumination; * then, as a wise hierarch, O most blessed one, * thou didst make him a son by adoption through baptism, * and he later adopted the whole world. * Wherefore, we bless thee with him * as an apostle of Christ, * O divinely wise Ananias: * Pray ye, that we be saved! Having all-gloriously learned things divine, * thundering forth, O blessed one, * thou didst rouse those sleeping in the graves of vanity, * who cast off mortality; * and thou didst sound the clarion * of the saving Word of God, * Who dwelt among mortals * and hath transformed those held fast in Hades, * whom thou hast made precious vessels * of Jesus the Master * and Savior of our souls, * Who hath slain death. As a bearer of light, * as preacher of God, * as a divinely chosen witness * to the sufferings of Christ * and a fellow heir and partaker * of the glory which is to come, * in that thou art with the Master, * ever delighting in the effulgence which floweth forth * from the never-waning Light, * O divinely eloquent Ananias, * by thy supplications deliver from dark misfortunes * those who now celebrate thy splendid feast. -
Pna 35/2020 109 Artiklar
“THE GREAT INITIATE OF GOD’S GRACE”: A KONTAKION ON ST NICHOLAS BY PSEUDO-ROMANOS Uffe Holmsgaard Eriksen ([email protected]) University of Southern Denmark Abstract: During the ninth and tenth centuries, St Nicholas of Myra became increasingly popular as a saint, eventually rising to rank of the apostles in veneration. This article presents an investigation into the monastic piety which brought St Nich- olas onto the stage of the Byzantine liturgical storyworld as one of the most im- portant saints. Through a closer examination of how he was presented from the ninth century onwards in hagiography in general, the main focus of the article is a kontakion on the saint attributed to the great poet Romanos the Melodist (ca. 485–560) in particular. The question of authorship, time and place of origin of the kontakion is discussed. The article finally brings a new translation of the kontakion into English. Key words: Keywords: pseudo-Romanos, Romanos the Melodist, kontakion, kanon, Byzan- tine hymnography, St Nicholas of Myra, St Nicholas of Sion, hagiography PNA 35/2020 109 ARTIKLAR Hagiographical Hymns in General Scholarly work on Byzantine hymns devoted to saints is still a desider- atum. This goes not only for a large amount of unedited hagiographical kanons,1 but also for the kontakia2 on saints’ lives. Most of these hagio- graphical kontakia, several hundred,3 remain unedited, but because of the high esteem and popularity of Romanos the Melodist among Byz- antinists we have 20 kontakia devoted to apostles or saints attributed to him in a critical edition. The edition was originally prepared by Paul Maas but it was his collaborator, Constantine Trypanis, who finished the volume after Maas’ death based on his notes and personal commu- nication.4 Maas and Trypanis regarded all the kontakia in this edition spurious, and Trypanis’ verdict on the quality of the hymns could easily scare away interested scholars (see below). -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Aposticha Stichera (Tone 6)
6 October: Glorification of St. Innocent of Moscow, Apostle to Alaska The Aposticha at Great Vespers Kuskokwim Chant ‐ Tone 6 Sticheron 1 arr. from Abb. Kievan Chant Soprano Alto Called to the New World by the grace of God as a skilled helmsman Tenor Bass of the ship of Christ, you en‐‐ dured dan gers on the sea, as you led those adrift in darkness, delusion, and the storms of pas‐‐‐ sions to the calm harbor of sal va tion. Pray for us now, Ho‐‐‐‐‐‐‐ ly Fa‐ ther In no cent, // be fore the Ho ly Trin i ty! Musical setting © 2020 Fr. Simeon and Mat. Beth Johnson | Text © 2020, Orthodox Church in America Permission to Copy for Liturgical use only. All other rights reserved. Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers Cantor: Choir: The steps of a good man are or‐ dered by the Lord. Sticheron 2 A prophet raised up from a‐‐‐ mong the Al e uts heard from an angel that you would jour‐‐ ney a far, leav ‐ ing your family to speak with a great man. Once his words had been ful‐ filled, by the infinite wis‐‐ dom and mer cy of God we re ‐ ceived you again as the first bishop to rule our land. // ~ pg 2 ~ Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers bish‐ op to rule our land. // Intercede now for the flock you have gath‐ ered! Cantor: Choir: The Lord knows the way of the up‐ right, and their in‐‐‐ her it ance Sticheron 3 shall be for‐‐ ev er. -
Sunday, January 12, 2020 – 30 Th Sunday After Pentecost, Afterfeast of the Theopany
SAINT NICHOLAS RUSSIAN ORTHODOX CHURCH 980 Bridle Path Road | Bethlehem, PA 18017-3120 | T: 610-867-0402 stnicholasoca.org Reverend Matthew Joyner, Rector Cell: 570-468-2261 Email: [email protected] Very Reverend James Mason, Attached Deacon Geoffrey LoBalbo Ms. Patty Felix, Council Chair Reader Nicholas Lezinsky, Choir Director Jennifer Bzik, Administrative Assistant Email: [email protected] Note to our Guests and Friends Visiting St. Nicholas: We offer a most sincere and heart-felt welcome to St. Nicholas Church! Please be advised that according to the ancient traditions of the Orthodox Church, the Sacrament of Holy Communion is to be administered only to Orthodox Christians who have prepared themselves to receive the Holy Sacrament. (Please note – Information to be included in next week’s bulletin must be submitted by noon on Thursday. Thank you! ~ Jennifer N. Bzik) Schedule for the Week of January 12, 2020 30th SUNDAY AFTER PENTECOST — Tone 5. Afterfeast of the Theophany. Sunday after Theophany. Martyr Tatiana of Rome and those who suffered with her (226-235). Ven. Martinian, Abbot of Belozersk (1483). Martyr Mertius of Mauretania (284-305). Martyr Peter Apselamus of Palestine (309-310). Ven. Eupraxia of Tabenna, in Egypt (393). The “AKATHIST” and “THE MILKGIVER” Icons of the Most-holy Theotokos. Icon of the Mother of God, the “Priestly”. Coffee Hour Hosted By: The Lungu Family In Honor of Mom & Dad Father Matthew’s Office Hours This Week Office Hours during house blessing season will be irregular. Please call if -
I – the Triodion
I – The Triodion ON THE ISLAND OF ZAKYNTHOS a unique ceremony takes place at the beginning of the Triodion. The book of the Triodion is placed on a stand before the icon of Christ. Before the first hymn from this book is chanted, the volume is presented to the bishop. He venerates it as if it were an icon, followed by all the clergy. Then the book is presented to the chanter who intones the first hymn. The time of the Triodion has begun. The term Triodion refers to the ten weeks leading up to Pascha as well as to the book which contains the hymns, readings and prayers proper to this season. Triodion literally means “three odes” and refers to the canons at daily Orthros which contain three rather than the usual nine odes. The Triodion as we have it today was organized by Studite monks in ninth-century Constantinople. They drew chiefly on texts from the Patriarchate of Jerusalem by a number of outstanding hymnographers, including Andrew of Crete, Cosmas of Maiuma and John of Damascus – some twenty composers in all. In general the prayers and services of the Triodion may be considered a great catechesis for the faithful, setting forth the entire scope of divine revelation through the reading of several books from the Old Testament and allusions to many others in the Great Canon and other hymns as well as patristic homilies and chants based on still other sacred texts. This catechesis is not about imparting information but about motivating us to embrace the great task of the season: repentance and the renewal of our life in Christ.