Doing Literary Criticism Helping Students Engage with Challenging Texts

Total Page:16

File Type:pdf, Size:1020Kb

Doing Literary Criticism Helping Students Engage with Challenging Texts Doing Literary Criticism Helping Students Engage with Challenging Texts Essays on Literary Criticism for Students to Read Bonus Resources for Teachers Additional Chapter on Postmodern Literary Criticism What You Have in This CD This CD includes a wealth of extra features to support you in doing literary criticism with your students. Each chapter includes classroom-ready essays for students to read, and many of the chapters have extra resources for teachers. There is also a complete additional chapter on postmodern criticism. Roam around a bit. I hope you will fi nd some useful materials for your classroom! Essays on Literary Criticism for Students to Read The essays aimed at students are linked to the different critical approaches addressed in this book. (They are basically streamlined versions of the information you read in each chapter, offering the same sort of overview, brief history, and benefi ts and limitations of each approach.) Though they are challenging, these essays have been extensively tested in classrooms with students. For each critical theory, two student essays are offered: a short version and a long version. The short versions generally run two pages, so they can be duplicated front- and-back on a single sheet of paper. The long versions generally run from four to six pages. I have always printed these long versions front-and-back, too, so the packets I handed out to students were never forbiddingly longer than three sheets with text on both sides. If you decide to try out the essays with your students, you’ll have to choose whether to use the long or short versions. The short versions offer a quick overview of each critical lens for students, and the long versions provide a more in-depth explanation. I mostly used the long versions with advanced or particularly motivated classes of seniors. The short versions I used with all my classes. You have permission to print out, duplicate, and use either the long or short essays with students in your classroom only, as long as you duplicate them as is, including giving proper credit to the author and to Stenhouse Publishers on every copy. Bonus Resources for Teachers The bonus resources for teachers supplement and extend the studies of different critical approaches outlined in Doing Literary Criticism. For example, to go along with Chapter 7, “Genre Criticism,” I have added a section on the modern genre of magic realism. To supplement Chapter 10, “Feminist Criticism,” the CD includes a history of women writers for the last 2,000 years. To add dimension to Chapter 11, “Political Criticism,” the CD has an extended description of many varieties of advocacy criticism. Additional resources for Chapter 12, “Formalist Criticism,” include a brief overview of close reading and a lengthy list of literary terms for students. Additional Chapter on Postmodern Literary Criticism Finally, this CD also offers an extra chapter on the most complicated of critical lenses, postmodern literary theory. The book in your hands simply could not be made long enough to accommodate this lengthy chapter on the complex ideas of modernism, postmodernism, and deconstruction. As with the other literary lenses in this book, an extensive discussion of the history, benefi ts, and limitations of postmodern criticism is offered, along with teaching suggestions and considerations and plenty of resource ideas. The bonus chapter also includes one student essay—a long version—to accompany its focus on “po-mo lit crit.” Try as I might, I just could not manage to squeeze all those ideas into a short version for students. So, if you decide to give postmodern criticism a try, you’ve got to go big! CD Contents: Supplementary Materials Chapter 1: Bonus Materials: An Overview of Literary Criticism An Introduction to Literary Criticism for Students: Short Version .....................CD 1 An Introduction to Literary Criticism for Students: Long Version ......................CD 4 Chapter 2: Bonus Materials on Reader Response Criticism Reader Response Criticism for Students: Short Version ....................................CD 11 Reader Response Criticism for Students: Long Version .....................................CD 13 Chapter 3: Bonus Materials on Biographical Criticism Biographical Criticism for Students: Short Version ...........................................CD 20 Biographical Criticism for Students: Long Version ...........................................CD 23 Bonus Feature: On Authorial Identity and Authenticity ................................CD 28 Bonus Feature: An Example of the Contents of a Student-Produced Biographical Criticism Anthology ..................................................................CD 31 Chapter 4: Bonus Materials on Historical Criticism Historical Criticism for Students: Short Version ................................................CD 33 Historical Criticism for Students: Long Version .................................................CD 36 Chapter 5: Bonus Materials on Psychological Criticism Psychological Criticism for Students: Short Version .........................................CD 43 Psychological Criticism for Students: Long Version ..........................................CD 46 Bonus Feature: Some Other Useful Psychological Theories and Frameworks for Analyzing Literature .............................................................CD 53 Chapter 6: Bonus Materials on Archetypal Criticism Archetypal Criticism for Students: Short Version ..............................................CD 55 Archetypal Criticism for Students: Long Version ...............................................CD 58 Bonus Feature: Using the Shadow or “Other” Archetype ..............................CD 65 Bonus Feature: Story Archetypes ....................................................................CD 68 Chapter 7: Bonus Materials on Genre Criticism Genre Criticism for Students: Short Version ......................................................CD 69 Genre Criticism for Students: Long Version .......................................................CD 72 Bonus Feature: A Collection of Essay Exam Questions About Genre ...............CD 76 Bonus Feature: An Extra Modern Genre: Magic Realism ..............................CD 82 Chapter 8: Bonus Materials on Moral Criticism Moral Criticism for Students: Short Version ......................................................CD 85 Moral Criticism for Students: Long Version .......................................................CD 88 Bonus Feature: A Booklist of Classroom-Tested Texts That Raise Complex Moral Issues .....................................................................................CD 95 Bonus Feature: A Collection of Quotes to Further Stimulate Discussion and Writing About Moral Criticism ..............................................CD 96 Chapter 9: Bonus Materials on Philosophical Criticism Philosophical Criticism for Students: Short Version .........................................CD 99 Philosophical Criticism for Students: Long Version ........................................CD 102 Chapter 10: Bonus Materials on Feminist Criticism Feminist Criticism for Students: Short Version ................................................CD 107 Feminist Criticism for Students: Long Version ................................................CD 110 Bonus Feature: The Issue of Gender Versus Sex ..........................................CD 117 Bonus Feature: An Extended History of Women Writers and Feminist Literary Criticism ............................................................................................CD 118 Chapter 11: Bonus Materials on Political or Advocacy Criticism Political or Advocacy Criticism for Students: Short Version ...........................CD 137 Political or Advocacy Criticism for Students: Long Version ............................CD 140 Bonus Feature: Varieties of Political Criticism .............................................CD 147 Bonus Feature: A Collection of Quotes About Political or Advocacy Criticism ...................................................................................CD 169 Chapter 12: Bonus Materials on Formalist Criticism Formalist Criticism for Students: Short Version ..............................................CD 172 Formalist Criticism for Students: Long Version ...............................................CD 175 Bonus Feature: The Methodology of Close Reading ....................................CD 182 Bonus Feature: A List of Literary Terms .......................................................CD 184 Bonus Feature: A Collection of Quotes to Spur Discussion About Formalist Criticism........................................................................................CD 193 Bonus Chapter: On Postmodern Criticism Bonus Feature: On Postmodern Criticism ...................................................CD 194 Postmodern Criticism for Students: Long Version ...........................................CD 241 CD 1 An Introduction to Literary Criticism for Students By Tim Gillespie The only critical method is to be intelligent. —T. S. Eliot A dozen critics can extract a dozen meanings from the same text. Which is right? All of them and none. The name of the critical game is not certainty, it’s having fun. —Margot Peters What Is Literary Criticism? Sometimes the word criticism puts people off, because in everyday use it has negative connotations. We usually think of a “critic” as the kind of grumpy person who seems to exist solely to fi nd problems and stress faults. The word means more than
Recommended publications
  • Resounding Time: a Review Vincent Wixon, Joanna Haney, and Casey Elizabeth Tim Barnes Newbegin
    A Newsletter For Poets & Poetry TAFFORD S Volume 18, Issue 1 - Spring/Summer 2013 ARA B AR B William Stafford: An Annotated Bibliography. By then fell to others: Erickson, Paul Merchant, head of James W. Pirie. Oak Knoll Press / Lewis & Clark the Stafford archives until last year, Jeremy Skinner, College, 2013. archives and special collections librarian, and others BOARD OF TRUSTEES interested in Stafford’s work, some of whom have Chair: Dennis Schmidling done introductions to sections of this bibliography: Resounding Time: A Review Vincent Wixon, Joanna Haney, and Casey Elizabeth Tim Barnes Newbegin. If I went further in mentioning the people This book has a glow to it, a weight, that comes from Patricia Carver involved, I would be foolish. This is a monumental its dimensionality, physical and intellectual. It’s a achievement, literally and figuratively, and the number Don Colburn beautifully designed book, with arresting graphics of names in the acknowledgments page reflects it. dividing up its content-opulent sections. It is literally An annotated bibliography is a listing of publications Barbara Drake weighty because it is a hardback of 541 pages and that goes beyond just the title of the work, the philosophically weighty because it is the cynosure Martha Gatchell publication, and the date. A scholarly annotated for the life of William Stafford as it is evidenced in bibliography includes information on variant Bill Howe print, the work he sent into the world to read. The printings and editions, book design and material, the dimensionality of this book comes from the way it contents (the pages each poem is on), the particular Paulann Petersen gathers the past, visually realizes the present, and circumstances of publication of each book, broadside, offers the future the opportunity to form itself.
    [Show full text]
  • Just Begun to Write: Poet
    TAFFORD S A Journal & Newsletter For Poets & Poetry ARA B AR Volume 19, Issue 2 - Fall 2014 B no, in fact they don’t need an MFA or PhD to be a Just Begun to Write: poet. A Call to Creative Nonvio- In a way, I’m also teaching myself that a life of BOARD OF TRUSTEES lence as Pedagogy for the making art is a daily, daring act with no diploma. Now Chair: Dennis Schmidling in my thirties, I, too, am a product of the creative “9/11 Generation” writing boom in American academia that offers just Tim Barnes By Becca J.R. Lachman over 800 programs.3 Holding three degrees related to poetry, I adjunct at a large university, hoping that my Patricia Carver In 1944, my then eighteen-year-old Grandpa Ivan students’ lives will be extraordinary—and not just as Don Colburn became a smokejumper in the American West. future writers. I anticipate an American generation He joined 12,000 other conscientious objector that will re-learn revolutionary nonviolence as the best John DesCamp WWII draftees in Civilian Public Service (or CPS), fuel for social change, and however I can be a part of that ongoing education, I want to offer up my best Barbara Drake a groundbreaking compromise between historic peace churches and the U.S. Selective Service.1 energies. I want to salvage the idea of “occupation” Martha Gatchell While conducting interviews with Mennonite CPS from its otherwise violent and entitled definition. veterans still living near my hometown, I felt drawn And like many of the American Occupy Movement Paulann Petersen to the life and work of William Stafford—poet, participants, ask it to embody something bigger than ourselves, a greater good that we are constantly Susan McKee Reese educator, and CPS serviceman.
    [Show full text]
  • This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?
    Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable.
    [Show full text]
  • 150 Oregon Books for the Oregon Sesquicentennial
    150 Oregon Books for the Oregon Sesquicentennial Is there a better way to celebrate Oregon’s 150th birthday than by curling up with a good Oregon book? Here are 150 books, carefully selected for your reading enjoyment by librarians at the Oregon State Library in Salem. The list includes books for young readers as well as for older readers. It includes fiction, non-fiction, history and poetry. Some of these books are in-print and available at bookstores, and some are long out-of-print classics. Your local library should have many of them, or library staff can get them for you. Print out this list and start reading! Books for Young Readers Across the Wide and Bess's Log Cabin Quilt Lonesome Prairie: Dear (1995) D. Anne Love. America (1997) Kristina With her father away and Gregory. In her diary, her mother ill with fever, thirteen-year-old Hattie ten-year-old Bess works chronicles her family's hard on a log cabin quilt to arduous 1847 journey on the save the family farm. Oregon Trail. Apples to Oregon: Being the (Slightly) True Narrative of How a Brave Pioneer Father Bobbi: A Great Collie Brought Apples, Peaches, (1926) Charles Alexander. Pears, Plums, Grapes, and The true story of Bobbie, Cherries (and Children) who was separated from his Across the Plains (2004) owners in Indiana and made Deborah Hopkinson. A his way home unaided to pioneer father moves his Silverton, Oregon. family and his beloved fruit trees across the country to Oregon. An Oregon Reads 2009 selection. B is for Beaver: An Oregon Bound for Oregon (1994) Alphabet (2003) Marie and Jean Van Leeuwen.
    [Show full text]
  • The Anxiety of Influence: a Theory of Poetry Free
    FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics.
    [Show full text]
  • Vol 9 Issue 3-Winter
    A Newsletter For Poets & Poetry Volume 9, Issue 3 – Winter 2004-05 Stafford Studies: Experiencing the Gift By Sulima Malzin Open your mind and let the wind The Gift pass through those corridors where Time wants to show you a different country. It's the one minutes equal centuries. Stand here. that your life conceals, the one waiting outside It’s real. You’ll hear it. (WS) journal when curtains are drawn, the one Grandmother hinted at d r entry, July 12, 1993 o f f in her crochet design, the one almost found a t S t over at the edge of the music, after the sermon. i K On the morning of July 12, 2004, / o t o these words greeted us, nine eager h It's the way life is, and you have it, a few years given. P students, all writers, some teachers, You get killed now and then, violated as we arrived on the Lewis & Clark in various ways. (And sometimes it's turn about.) BOARD OF TRUSTEES: College campus to immerse ourselves Chair: Joseph Soldati, Portland You get tired of that. Long-suffering, you wait in the Northwest Writing Institute’s Nan Atzen, Sherwood and pray, and maybe good things come—maybe five-day summer program titled Elizabeth Barton, Vancouver the hurt slackens and you hardly feel it any more. “Stafford Studies.” Patricia Carver, Lake Oswego You have a breath without pain. It is called happiness. Don Colburn, Portland The registration packet included It's a balance, the taking and passing along, Martha Gatchell, Drain Stafford's poem, “The Gift,” and a the composting of where you've been and how people Sulima Malzin, Portland copy of a 1969 lecture, “Today’s and weather treated you.
    [Show full text]
  • Principle and Poetry
    A Newsletter For Poets & Poetry Volume 15, Issue 1 - Spring 2010 Photo/Kit Stafford Principle and Poetry by Tim Barnes BOARD OF TRUSTEES Refusing War, Affirming Peace: A History of Civilian of CPS #21 flourish was a camp director of integrity, Chair: Dennis Schmidling Public Service Camp No. 21 at Cascade Locks. Jeffrey leadership, and moral courage, Mark Schrock; a large pro tem Kovac. Oregon State University, 2009. number of writers, artists, and musicians; and perhaps Tim Barnes most crucial, according to Kovac, a certain kind of Can Poetry Save the Earth? A Field Guide to Nature CO. He calls them “transformers,” those COs who Patricia Carver Poems. John Felstiner. Yale University Press, 2009. mostly cooperated with the CPS system because they hoped to accomplish certain goals so they could “create Don Colburn These two books speak to things vital to understanding a more peaceful world after the war.” Other types Arnold Dyer Bill Stafford’s life and work. Refusing War, Affirming were “resisters,” those who rejected conscription and Peace tells us about the kind of community in which the CPS; “servants,” those who accepted conscription Martha Gatchell Bill honed the principles that influenced the life and cooperated fully, and “separatists,” often Jehovah’s that made the poems we love. Can Poetry Save the Witnesses, hostile to state interference with their Linda Gelbrich Earth? looks at a kind of poetry of which Bill was evangelism. These transformers, people like Stafford, Paulann Petersen a master—the nature poem—and claims in a way tried to create a community of individuals who could I think Bill would have approved that the ethos of realize a vivid alternative to the way of the world Shelley Reece the serious nature poem is salvific, that the attention that led to their isolation and estrangement from the to the earth that fine nature poems offer could save general citizenry.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Misery Is the True Script For
    UNIVERSITY OF CALIFORNIA Los Angeles Misery is the True Script for Comedy: A Study of Italian Film Comedy in the 1950s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Italian by Christopher Burton White 2014 © Copyright by Christopher Burton White 2014 ABSTRACT OF THE DISSERTATION Misery is the True Script for Comedy: A Study of Italian Film Comedy in the 1950s by Christopher Burton White Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Thomas J. Harrison, Chair This dissertation fills a lacuna in the history of Italian cinema, formally analyzes a selection of significant film comedies from the 1950s, and challenges many of the assumptions that have been made about postWar Italian cinema. The conservative atmosphere of the fifties, the detrimental effects of censorship on Italian cinema, and the return of popular genres after the end of the widely-acclaimed neorealist period have led to assumptions about a limited engagement With contemporary Italian society in the motion pictures produced in Italy during the 1950s. While most critics and film historians vieW these years in Italian cinema as the disappointing aftermath of neorealism, a decade in Which conservative elements in Italian society pushed national cinema in the direction of facile optimism and escapism, this dissertation demonstrates that many comedies in fact engaged with Italian society, ii offering incisive critiques of contemporary Italy that pinpoint and satirize hypocrisy, inequality, and a host of other ills of the Italian republic in the 1950s. This study considers existing scholarship on Italian cinema and reevaluates films starring the popular Neapolitan actor Antonio De Curtis (Totò), Renato Castellani’s Due soldi di speranza (Two Cents Worth of Hope, 1952) and other examples of neorealismo rosa (rosy or pink neorealism), and the movies directed by Federico Fellini featuring Alberto Sordi, both in terms of aesthetics as well as subject matter.
    [Show full text]
  • Death on the Mississippi, an Archetypal Analysis Of
    DEATH ON THE MISSISSIPPI, AN ARCHETYPAL ANALYSIS OF HARK TWAIN'S HUCKLEBERRY FINN A Thesis Presented to the Faculty of the Department of English Kansas State Teachers College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Robert Greg-ory 1-atterson July 197J PREFACE Actual and metaphorical deaths recur frequently in Twain's Huckleberry Finn. However, the patterns of these death incidents are not so easily deciphered as one might expect, for while there are indeed many deaths in Huckle­ berry Finn, to study everyone in detail would not necessarily prove that death itself is an important motif in the work. When one examines the circumstances sur­ rounding these deaths, however, a number of distinct and rather curious, even bizarre, patterns appear. It seems that a surprising number of deaths in Huckleberry Finn are accompanied by superstitious ritual, grotesque social pro­ tocol, and/or graphic demonstrations of the awesome power of natural forces. These deaths assume many forms; some are human demises, some are non-human expirations, and many are purely fie-urative "deaths." The theory posited here is not entirely new, nor is it without critical precedent and support. Richard P. Adams, 1n his "Introduction to Hark Twain" in American Literary Masters, sees the pattern of death and rebirth as the largest struc­ tural element in Huckleberry Finn. Bernard DeVoto, in ~ T\vain at \~ork, recognizes the death imagery in Huckleberry Finn as evidence of Twain's death-oriented thinking and observes that additional critical research must be conducted "to determine why death, the images and humors and disgusts 11 of death, the fear of death, and the threat of death colored his phantasy from childhood on." Selected death-incidents in Twain's life which might have influenced his art will be mentioned in this study, but the major focus \iill be upon an examination of and evaluation of recurrent death patterns in Hucl<leberry Finn, based on a Juneian archetypal critical approach.
    [Show full text]
  • A Biographical Criticism in the Novel to Kill a Mockingbird
    A BIOGRAPHICAL CRITICISM IN THE NOVEL TO KILL A MOCKINGBIRD SKRIPSI Submitted In Partial Fulfillment of the Requirements For the Degree of Sarjana Pendidikan (S.Pd) English Education Program By: JIMY PRAYOGO PURBA NPM. 1402050172 FACULTY OF TEACHER TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH SUMATERA UTARA MEDAN 2018 ABSTRACT Purba, Jimy Prayogo. 1402050172. A Biographical Criticism in the Novel To Kill A Mockingbird. Skripsi. English Department of Faculty of Teacher Training and Education University of Muhammadiyah Sumatera Utara. (UMSU). 2018. This research was completed by using descriptive qualitative research which showed that the biography of the author indirectly attached and gave an overview of the actual content of the novel. The relationship between Harper Lee as an author with her literary work entitled To Kill A Mockingbird was a major topic of discussion. The objectives of this research to find out the relationship between the novel To Kill A Mockingbird with Harper Lee’s biography and to describe the inspiration of Harper Lee so that she wrote the novel. The source of the data was taken from the novel To Kill A Mockingbird by Harper Lee. In collecting the data, some references related to the biographical criticism was applied. The data were analyzed by reading the novel, underlining statement of To Kill A Mockingbird novel that related to Harper Lee’s biography, analyzing and describing the relationship between To Kill A Mockingbird novel with Harper Lee’s biography. From the analysis, the researcher found sixty data from the novel which related to the biography of the author and the researcher also found the identification of the theme in the novel they are Grows up, Social, Economic, Religion, Law, and the similarity of the personality of the characters which inspire the writing of Harper Lee.
    [Show full text]
  • Full Metal Jhacket
    Full Metal Jhacket Full Metal Jhacket Matthew Derby University of Michigan Press Ann Arbor Copyright © 2015 by Matthew Derby All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America 2018 2017 2016 2015 4 3 2 1 DOI: http://dx.doi.org/10.3998/tfcp.13240730.0001.001 ISBN 978-0-472-03615-8 (paper : alk. paper) ISBN 978-0-472-12096-3 (e-book) For William Derby Contents Acknowledgments ix 1. January in December 1 2. Dokken 18 3. The Snipe 29 4. Full Metal Jhacket 46 5. The Past, Uncorrected 68 6. Thirty Years of Prosperity for Every Fifteen Years of 79 Hard Work 7. Yeti 93 8. How the Rebels Took Port Harcourt 102 9. Heightmap of Her Countenance 117 10. KraftMark 127 11. Walden Galleria Prayer 138 Books in the Series 145 Acknowledgments “January in December” originally appeared in ; “The Snipe” originally Guernica appeared as a JR Van Sant Chapbook Series selection; “Dokken” and “Heightmap of Her Countenance” originally appeared in ; “Full Metal Unstuck Jhacket” originally appeared in ; “The Past, Uncorrected” origi- The Collagist nally appeared in ; “Thirty Years of Prosperity for Every Fif- Caketrain Journal teen Years of Hard Work” originally appeared in ; “Yeti” The Columbia Journal originally appeared in Ben Marcus’s ; “How The Rebels Took Port Smallwork Harcourt” originally appeared in ; “KraftMark” originally The Columbia Journal appeared in anthology; and “Walden Galleria Prayer” The Apocalypse Reader originally appeared in anthology.
    [Show full text]
  • Hack Proofing Your Network, Second Edition
    194_HP_Net2e_FC 2/22/02 10:01 AM Page 1 1 YEAR UPGRADE BUYER PROTECTION PLAN ™ The Only Way to Stop a Hacker is to Think Like One David R. Mirza Ahmad Dan “Effugas” Kaminsky Ido Dubrawsky F. William Lynch Hal Flynn Steve W. Manzuik Joseph “Kingpin” Grand Ryan Permeh Robert Graham Ken Pfeil Norris L. Johnson, Jr. Rain Forest Puppy K2 Ryan Russell Technical Editor UPDATED BESTSELLER! 194_HPYN2e_FM.qxd 2/15/02 2:36 PM Page i [email protected] With more than 1,500,000 copies of our MCSE, MCSD, CompTIA, and Cisco study guides in print, we continue to look for ways we can better serve the information needs of our readers. One way we do that is by listening. Readers like yourself have been telling us they want an Internet-based ser- vice that would extend and enhance the value of our books. Based on reader feedback and our own strategic plan, we have created a Web site that we hope will exceed your expectations. [email protected] is an interactive treasure trove of useful infor- mation focusing on our book topics and related technologies. The site offers the following features: I One-year warranty against content obsolescence due to vendor product upgrades. You can access online updates for any affected chapters. I “Ask the Author” customer query forms that enable you to post questions to our authors and editors. I Exclusive monthly mailings in which our experts provide answers to reader queries and clear explanations of complex material. I Regularly updated links to sites specially selected by our editors for readers desiring additional reliable information on key topics.
    [Show full text]