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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Canon EOS R Specifications in Detail
Canon EOS R Specifications in detail Image Sensor Type 36 x 24 mm CMOS Effective Pixels Approx. 30.3 megapixels Total Pixels Approx. 31.7 megapixels Aspect Ratio 3:2 Low-Pass Filter Built-in/Fixed Sensor Cleaning EOS integrated cleaning system Colour Filter Type Primary Colour Image Processor Type DIGIC 8 Lens Lens Mount RF (EF and EF-S lenses can be attached using Mount Adapter EF-EOS R, Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R. EF-M lenses not compatible) Focal Length Equivalent to 1.0x the focal length of the lens with RF and EF lenses 1.6x with EF-S Focusing Type Phase-difference detection system with image sensor (Dual Pixel CMOS AF) AF System/ Points With Area 88% horizontal and 100% vertical AF working range EV -6 – 18 (at 23°C & ISO100) AF Modes One Shot Servo AF AF Point Selection Automatic selection: Face + tracking Manual selection: 1-point AF (AF frame size can be changed) Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding Manual selection: Zone AF (all AF points divided into 9 focusing zones) Manual selection: Large Zone AF (Vertical) Manual selection: Large Zone AF (Horizontal) AF Lock Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo AF Assist Beam Emitted by built in LED or optional dedicated Speedlite (flash) Manual Focus Selected on lens Exposure Control Metering modes Real-time with image sensor, 384-zone metering. -
Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
AUTO LENS ADAPTER User Manual LAE-CR-CEF Canon EF/EF-S Lens to Canon RF Mount THANK YOU for CHOOSING VELLO
AUTO LENS ADAPTER User Manual LAE-CR-CEF Canon EF/EF-S Lens to Canon RF Mount THANK YOU FOR CHOOSING VELLO This Vello Auto Lens The inside of the adapter is Adapter is for attaching coated to reduce any stray Canon EF and EF-S lenses reflections and maximize to a Canon RF mount. It picture quality. The tripod maintains autoexposure foot is detachable and (AE) and autofocus (AF), as will work with most well as delivering metadata brands of ball heads. for your pictures. 2 PRECAUTIONS • Do not attempt to • Clean the adapter by • Keep this unit away from disassemble or repair the wiping it with a soft, water and flammable equipment—doing so will dry cloth. gases or liquids. void the warranty, and Vello will not responsible • Do not use solvents such • Handle the unit with for any damage. as benzene, alcohol, or care. detergents to clean the • Avoid sandy or dusty adapter. • Please read and follow environments when using these instructions, and this adapter. • Be sure to read the keep this manual in a operating instructions for safe place. • Handle the adapter with your digital camera. care—don’t drop it, and • All images are for avoid bumps and shocks. • Keep this unit away from illustrative purposes only. children. 3 OVERVIEW Front Back EF-S Lens Alignment Dot (White) Camera Mount Lens Release Alignment Dot EF Lens Alignment Dot (Red) EF/EF-S Lens Mount Canon RF Tripod Foot Mount Tripod Foot Mounting Wheel 1/4-20 Tripod Socket 4 CONTENTS • Vello LAE-CR-CEF Lens Adapter for Canon EF/EF-S lens to Canon RF mount • Front and Rear Caps • Removable Tripod Foot • User Manual 5 MOUNTING THE LENS ADAPTER Note: Place the lens and 3. -
Canon EOS R 5 a Field Review
Canon EOS R 5 A field review All text and photos © SimonDP/Actionimage 2020, unless otherwise noted (web: www.actionimage.co.za email: [email protected]) INTRODUCTION AND BACKGROUND The Canon EOS R5 continues the newer direction that Canon is taking with their full-frame mirrorless range of cameras using their RF lens mount system. Along with the previously released R and RP, Canon now offers the R5 at the upper end of the scale in terms of features, performance and pricing. This camera also came with the lens mount adapter, of which three different models are offered, to make the RF mount compatible with the current huge range of Canon EF and EF-S lenses. The standard EF/EF-S to RF adapter was provided boxed with the camera. Standard disclaimer: I do my reviews in the way a camera is likely to be used; out in the field, real life conditions with real life subjects. There are enough intelligent guys out there for the lab tests and special sensor resolution tests etc. What I present is how the camera fared under certain conditions using typical lenses. If a parameter does not work for me, it does not mean it won’t work for someone else. We all have our own requirements and preferences when choosing camera equipment. When I reviewed the Canon EOS R some time ago, it initially left me a little cold, and warming up to it after some time using it. But I never got really intrigued by the EOS R to the point where I wanted to go out and buy one. -
Photography 2021 Equipment Recommendation
DEPARTMENT: PHOTOGRAPHY 2021 EQUIPMENT RECOMMENDATION Student work: Nicole van Niekerk FIRST YEAR / ONE YEAR PROGRAM + Digital DSLR camera body or Interchangeable Mirrorless camera + 1x Good multi-purpose zoom lens, wide to telephoto range (16-55mm) (Generic lenses like SIGMA and Tamron is more than adequate. Please discuss your options with the relevant service providers attached later in the document.) + 1x Reflector board (107 - 110cm). Please do not buy a reflector smaller than this. + 1x Strong sturdy tripod (invest in a good tripod that can support your camera and lens) + 1x Cable Release + 1x Extra Camera battery + 2x Memory card (with a write speed of atleast 150mb/s) + 1x Grey card + Cleaning kit RECOMMENDED CAMERA BODIES FujiFilm, Nikon, Canon and Sony are the only four digital camera brands we recommend. Although there are other great brands on the market; we have found that in terms of product range and support these brands have a very strong presence in South Africa. The following camera bodies are especially popular: (Please refer to the FAQ section at the end of the document for more information) 02 2021 Photography Equipment List Open Window FUJIFILM MIRRORLESS CAMERAS FUJIFILM X-T30 FUJIFILM X-T3 FUJIFILM X-S10 FUJIFILM X-T4 FUJIFILM GFX-50S FUJIFILM GFX-100 FUJIFILM LENSES FUJIFILM XF 16 – 55MM F2.8 NICE TO HAVE (FUJIFILM XF 56MM F1.2) FUJIFILM XF 16 – 80MM F4 NICE TO HAVE (FUJIFILM XF 80MM F2.8 MACRO) 03 2021 Photography Equipment List Open Window NIKON MIRRORLESS NIKON Z6 II NIKON Z7 II NIKON Z5 NIKON MIRRORLESS LENSES -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
From Advanced Photography and Movies to the Perfect Lightweight
COMPARE THE EOS R RANGE EOS RP EOS R EOS R6 EOS R5 Pure speed. From advanced photography and Product concept Lightweight, entry to EOS R system The pioneer Professional mirrorless re-defined Pure mirrorless movies to the perfect lightweight Target market Full-frame upgraders Enthusiasts Enthusiasts Professionals travel companion, the EOS R Effective pixels (approx. MP) 26.2 Megapixel full-frame 30.3 Megapixel full-frame 20.1 Megapixel full-frame 45.0 Megapixel full-frame range offers a full-frame solution ISO up to 40,000 ISO up to 40,000 ISO up to 102,400 ISO up to 51,200 In-camera Image Stabilizer No, electronic and lens IS only No, electronic and lens IS only Yes, 5-axis in-body IS. Yes, 5-axis in-body IS. for every stage of your creative Up to 8-stops when used with Up to 8-stops when used with journey. compatible Image Stabilizer RF lenses compatible Image Stabilizer RF lenses Subject detection Face, Eye Face, Eye Body, Face, Eye, Animal Body, Face, Eye, Animal Low light AF Sensitive to -5 EV [1] Sensitive to -6 EV [1] Sensitive to -6.5 EV [1] Sensitive to -6.5 EV [1] Continuous shooting speed 5 fps fixed AF4 fps with Servo AF 8 fps fixed AF 12 fps with Servo AF 12 fps with Servo AF (fps) 5 fps with Servo AF 20 fps with Electronic, silent shutter 20 fps with Electronic, silent shutter and Servo AF and Servo AF Movies 4K movie at 25 fps 4K movie at 25/24 fps 4K movie at up to 60 fps 8K movie at up to 30 fps 4K time-lapse mode Full HD movies at 60 fps 4K time-lapse mode 4K movie at up to 120 fps Full HD movies at 60 fps HD at 120 fps -
Canon EOS R System Cameras
COMPARE THE EOS R RANGE EOS RP EOS R EOS R6 EOS R5 Pure speed. From advanced photography and Product concept Lightweight, entry to EOS R system The pioneer Professional mirrorless re-defined Pure mirrorless movies to the perfect lightweight Target market Full-frame upgraders Enthusiasts Enthusiasts Professionals travel companion, the EOS R Effective pixels (approx. MP) 26.2 Megapixel full-frame 30.3 Megapixel full-frame 20.1 Megapixel full-frame 45.0 Megapixel full-frame range offers a full-frame solution ISO up to 40,000 ISO up to 40,000 ISO up to 102,400 ISO up to 51,200 In-camera Image Stabilizer No, electronic and lens IS only No, electronic and lens IS only Yes, 5-axis in-body IS. Yes, 5-axis in-body IS. for every stage of your creative Up to 8-stops when used with Up to 8-stops when used with journey. compatible Image Stabilizer RF lenses compatible Image Stabilizer RF lenses Subject detection Face, Eye Face, Eye Body, Face, Eye, Animal Body, Face, Eye, Animal Low light AF Sensitive to -5 EV [1] Sensitive to -6 EV [1] Sensitive to -6.5 EV [1] Sensitive to -6.5 EV [1] Continuous shooting speed 5 fps fixed AF4 fps with Servo AF 8 fps fixed AF 12 fps with Servo AF 12 fps with Servo AF (fps) 5 fps with Servo AF 20 fps with Electronic, silent shutter 20 fps with Electronic, silent shutter and Servo AF and Servo AF Movies 4K movie at 25 fps 4K movie at 25/24 fps 4K movie at up to 60 fps 8K movie at up to 30 fps 4K time-lapse mode Full HD movies at 60 fps 4K time-lapse mode 4K movie at up to 120 fps Full HD movies at 60 fps HD at 120 fps -
Rental List V
Rental List V. 2018.1 February 1, 2018 Leo's Camera Supply -- Rental List Page 1 of 16 Terms and Conditions of Leo's Camera Supply Rentals Availability: Product availability is not guaranteed. To help ensure availability, please book your rental as far in advance as possible (maximum 4 weeks ahead). To aid the staff of Leo's & the renting public, please inform us ASAP of any change in your bookings. This allows us to re-circulate the equipment. Overdue rentals are subject to full daily charge (see late & overdue Rentals). Please call the store to make a booking. We can not guarantee bookings made via email! If a RENTER has a two "NO-SHOW" rental bookings, rental reservation privileges will be suspended. Deposits & Payment: All rentals are prepaid in full at time of pickup. (Visa, M/C, Debit or Cash) Rental Deposits can be made by Visa, M/C, Bank Draft or cash (if paid via credit card, card holder must be present at the time of deposit). (Debit not accepted.) Valid Picture ID is required for all rentals. If the renter is from within B.C. (Picture ID with current local address, i.e., B.C. Drivers License or BCID is acceptable) then a lower deposit applies. (Passport will only accept as proof of ID with recent Government issue letters with local address). If renter is from out of province (out of country) Leo's will request a deposit based on the full replacement value of the equipment to be rented! (see below for additional information.) Leo's Cameras may request a deposit equal to the replacement value of said equipment at their discretion unless prior arrangements have been made. -
Lens Mount and Flange Focal Distance
This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm.