Pentax 645N Brochure
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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Pentaxslr.Com Camera: K20D Lens: SMCP DA* 16-50Mm F/2.8 ED AL (IF) SDM Body, Lens and Flash Experience the PENTAX DSLR System
pentaxslr.com Camera: K20D Lens: SMCP DA* 16-50mm F/2.8 ED AL (IF) SDM Body, Lens and Flash Experience the PENTAX DSLR System PENTAX digital SLR camera systems combine the latest in digital technology with legendary PENTAX optics, craftsmanship and functionality that are essential to your photography experience. Go ahead and grip the perfectly balanced, compact, lightweight bodies reinforced with a high-rigidity steel chassis, and experience the unmistakably clear, high-precision viewfinder. Connect with the vast heritage of PENTAX Super-multi-coated optics that provide seemingly limitless opportunities to create crystal-clear imagery with enhanced color and definition. Unleash the power of advanced, wireless P-TTL auto flash and high-speed synchronization of powerful PENTAX flash attachments. PENTAX digital SLR camera systems blend perfectly to offer ease of use, performance and portability to satisfy everyone from the novice photographer to the most discerning enthusiast. Shake Reduction K-mount Heritage Center plate The PENTAX-developed “Shake Reduction” technology PENTAX has manufactured over 24 million lenses Image sensor solves one of the oldest photographic problems: blur in the last six decades. For every assignment, we caused by handheld camera shake. The K Series Digital believe there needs to be a lens that matches Back plate SLRs produce sharp photos in challenging situations each photographer’s style – amateur and without having to use a tripod. Hand-held photography professional alike. PENTAX DSLR bodies offer Position support is now possible with long telephoto lenses or when long backward compatibility with each and every ball bearing exposure times are required due to poor lighting. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
Rental List V
Rental List V. 2018.1 February 1, 2018 Leo's Camera Supply -- Rental List Page 1 of 16 Terms and Conditions of Leo's Camera Supply Rentals Availability: Product availability is not guaranteed. To help ensure availability, please book your rental as far in advance as possible (maximum 4 weeks ahead). To aid the staff of Leo's & the renting public, please inform us ASAP of any change in your bookings. This allows us to re-circulate the equipment. Overdue rentals are subject to full daily charge (see late & overdue Rentals). Please call the store to make a booking. We can not guarantee bookings made via email! If a RENTER has a two "NO-SHOW" rental bookings, rental reservation privileges will be suspended. Deposits & Payment: All rentals are prepaid in full at time of pickup. (Visa, M/C, Debit or Cash) Rental Deposits can be made by Visa, M/C, Bank Draft or cash (if paid via credit card, card holder must be present at the time of deposit). (Debit not accepted.) Valid Picture ID is required for all rentals. If the renter is from within B.C. (Picture ID with current local address, i.e., B.C. Drivers License or BCID is acceptable) then a lower deposit applies. (Passport will only accept as proof of ID with recent Government issue letters with local address). If renter is from out of province (out of country) Leo's will request a deposit based on the full replacement value of the equipment to be rented! (see below for additional information.) Leo's Cameras may request a deposit equal to the replacement value of said equipment at their discretion unless prior arrangements have been made. -
Sctl.Lgofl INSTRUCTIONS ,I .7X TELECONVE RTE R.PENTAX 1 1 O
sctl.lGoFl INSTRUCTIONS ,I .7X TELECONVE RTE R.PENTAX 1 1 O Congratulations! You have iust become the proud owner of a Soligor photographic product. In photo- graphy, Soligor is your assurance of advanced technology, reliabll p.irioir'inJr, quality, unsurpassed 6ptiial exceptional speed and unusually compact size.Y6ur Soligor t.Zi teteconverter for a pintax quality 110 camera is a high optic which willgive you many years of-exc.ii.nipriotographic usage. Your. Soligor teleconverter is used in conjunction with your Pentax 110 camera to increase the focal length of the original camera lens. This teleconverter is a rear converter which fits between you'. c"mJ' and lens.aldgivgl you.:l 1.7X magnific4tion. When_-coupled your."rer", circuitryisperfect|ysetbythemountofihE-Tens"Yo-ticanusethisG|econu.ffito automatic diaphrasm l^en1es. However, for maxim_um telephoto effect, a- fOmm lens should be used. In conjunction t"itfr /our loligor teleconverter, the Pentax 50mm lens will be converted to an gsm; lens. please read the following instructions carefully so that you can obtain the maximum enjoyment and performanie from your new teleconverter. OPE RATION: 1. Remove the camera lens from the camera body. your 2. Mount Soligor teleconverter onto the camera body in exactly the same manner as you did your camera lens in accordance with your camera's instructio'n manual. 3. Mount-your lens onto the teleconverter in the same identical manner. 4- Compensation of the f/stop value is not required since this is taken care of automaticaly when the teleconverter and lens are mounted onto the camera. ln this same regard, compensaiion is not _ lequired when using electronic flash, since this is also taken care of artoriti."ity. -
Lens Mount and Flange Focal Distance
This is a page of data on the lens flange distance and image coverage of various stills and movie lens systems. It aims to provide information on the viability of adapting lenses from one system to another. Video/Movie format-lens coverage: [caveat: While you might suppose lenses made for a particular camera or gate/sensor size might be optimised for that system (ie so the circle of cover fits the gate, maximising the effective aperture and sharpness, and minimising light spill and lack of contrast... however it seems to be seldom the case, as lots of other factors contribute to lens design (to the point when sometimes a lens for one system is simply sold as suitable for another (eg large format lenses with M42 mounts for SLR's! and SLR lenses for half frame). Specialist lenses (most movie and specifically professional movie lenses) however do seem to adhere to good design practice, but what is optimal at any point in time has varied with film stocks and aspect ratios! ] 1932: 8mm picture area is 4.8×3.5mm (approx 4.5x3.3mm useable), aspect ratio close to 1.33 and image circle of ø5.94mm. 1965: super8 picture area is 5.79×4.01mm, aspect ratio close to 1.44 and image circle of ø7.043mm. 2011: Ultra Pan8 picture area is 10.52×3.75mm, aspect ratio 2.8 and image circle of ø11.2mm (minimum). 1923: standard 16mm picture area is 10.26×7.49mm, aspect ratio close to 1.37 and image circle of ø12.7mm. -
Operating Manual
Operating Manual TToo eensurensure tthehe bbestest pperformanceerformance ffromrom yyourour ccamera,amera, pleaseplease readread tthehe OOperatingperating ManualManual beforebefore usingusing thethe camera.camera. Welcome to the Fantastic World of Pentax Icon indicators used in this manual Medium Format Photography This medium format 672 camera gives an image area four Operation direction times larger than that of the 35 mm SLR camera, assuring the photographer of fine-grained, superior quality image Automatic operation definition on enlargements. The Aperture-Priority AE Mode and the metering modes of Attention the Multi (6) Segment Metering, Center-Weighted Metering and Spot Metering Modes are available when the AE Lamp blinking Pentaprism Finder 672 is attached. Read this instruction manual carefully to get a full Correct explanation of operations before use. Incorrect The operating manual explains the camera with an optional AE Pentaprism 672 attached. Lenses and accessories produced by other manufacturers are not made to our precise specifications and therefore may cause difficulties with or actual damage to your Pentax camera. We do not assume any responsibility or liability for difficulties resulting from the use of lenses and PENTAX and SMC PENTAX are trademarks of HOYA accessories made by other manufacturers. CORPORATION. FOR SAFE USE OF YOUR CAMERA Although we have carefully designed this camera for safe operation, please be sure to follow precautions given on this WARNING page. ● Wrapping the strap around your neck is dangerous. Make sure that small children do not get the strap WARNING caught around their neck. This mark indicates precautions that, if not followed, could ● Do not look directly at the sun through the camera, as result in serious injury to the operator. -
Operating Manual Before Using the Camera
OOPERATINGPERATING MMANUALANUAL TToo eensurensure tthehe bbestest pperformanceerformance ffromrom yyourour camera,camera, pleaseplease readread thethe OperatingOperating ManualManual beforebefore usingusing thethe camera.camera. To ensure the best performance from your camera, please read the Operating Manual before using the camera. Welcome to the Fantastic World of Pentax With a 645 A- or FA lens attached, the Autofocus Multi-Mode Medium Format Pho- imprints relevant information (frame number, tography shutter speed, aperture setting, exposure con- trol and auto-bracketing mode.) The Pentax , our latest development in The Pentax is a professional camera the area of the medium format SLR, promises a possessing a number of highly sophisticated superior 6 x 4.5cm result with 120, 220, or features: built-in automated film wind, an exter- 70mm film. nal LCD information panel and clearly visible LCD information in the viewfinder. Made possible through our vast experience and technology accumulated over the years, the new autofocus multi-mode assures pin- sharp focus accuracy with AF Spot and AF Lenses and accessories produced by other manu- Wide selection, and the 6-segment multi-pattern facturers are not made to our precise specifications metering allows precise exposure control under and therefore may cause difficulties with or actual widely varying conditions. Unsurpassed versa- damage to your Pentax camera. We do not assume tility is assured through the utilizing of a full any responsibility or liability for difficulties resulting range of exposure modes (Programmed AE, from the use of lenses and accessories made by Aperture-Priority AE and Shutter-Priority AE, other manufacturers. Metered Manual and TTL auto flash control), an exposure compensation control and auto-brack- eting mode and a new user-set Pentax Function to customize the to meet the for user's shooting preferences. -
General Lens Catalog
LENS CATALOGUE 2019.8.E Di series for DSLR cameras Di II series for APS-C DSLR cameras 17 SP 15-30mm F/2.8 Di VC USD G2 (Model A041) 16 10-24mm F/3.5-4.5 Di II VC HLD (Model B023) 16 17-35mm F/2.8-4 Di OSD (Model A037) 19 16-300mm F/3.5-6.3 Di II VC PZD MACRO (Model B016) 13 SP 24-70mm F/2.8 Di VC USD G2 (Model A032) 21 SP AF17-50mm F/2.8 XR Di II VC (Model B005) 21 SP AF28-75mm F/2.8 XR Di (Model A09) 21 SP AF17-50mm F/2.8 XR Di II (Model A16) 20 28-300mm F/3.5-6.3 Di VC PZD (Model A010) 19 18-200mm F/3.5-6.3 Di II VC (Model B018) 14 35-150mm F/2.8-4 Di VC OSD (Model A043) 19 18-270mm F/3.5-6.3 Di II VC PZD (Model B008TS) 22 SP 70-200mm F/2.8 Di VC USD G2 (Model A025) 18 18-400mm F/3.5-6.3 Di II VC HLD (Model B028) 23 SP AF70-200mm F/2.8 Di (Model A001) 22 70-210mm F/4 Di VC USD (Model A034) 23 SP 70-300mm F/4-5.6 Di VC USD (Model A030) 23 SP 70-300mm F/4-5.6 Di VC USD (Model A005) Di III series for mirrorless interchangeable-lens cameras 23 AF70-300mm F/4-5.6 Di (Model A17) 24 100-400mm F/4.5-6.3 Di VC USD (Model A035) 20 14-150mm F/3.5-5.8 Di III (Model C001) 25 SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) 10 17-28mm F/2.8 Di III RXD (Model A046) 25 SP 150-600mm F/5-6.3 Di VC USD (Model A011) 20 18-200mm F/3.5-6.3 Di III VC (Model B011) 08 SP 35mm F/1.4 Di USD (Model F045) 12 28-75mm F/2.8 Di III RXD (Model A036) 26 SP 35mm F/1.8 Di VC USD (Model F012) 26 SP 45mm F/1.8 Di VC USD (Model F013) 26 SP 85mm F/1.8 Di VC USD (Model F016) 27 SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) 27 SP AF90mm F/2.8 Di MACRO 1:1 (Model 272E) TAMRON PHOTO LENSES UNCOVER YOUR CREATIVITY With Tamron’s unique lens portfolio, photographers can use their camera’s entire potential. -
PENTAX K-1 Mark II Body Kit
Product Lineup PENTAX’s years-long tradition as a leading field camera brand PENTAX K-1 Mark II Body Kit “It’s better to be small if you want to carry it outdoors.” e PENTAX *ist-D, PENTAX’s rst digital SLR “It must withstand the rain, mist or dust.” camera, was the world’s smallest, lightest model in PENTAX K-1 Mark II its category.* e PENTAX K10D and 645D, both In response to comments such as these from both of which were named triple-crown winners of the 28-105WR Lens Kit professional and amateur photographers, PENTAX has world’s most prestigious camera awards, greatly provided compact, lightweight and dependable eld expanded the boundary of outdoor photography by cameras since the time of lm photography. assuring outstanding dustproof, weather-resistant and cold-proof performance. ere were famed medium-format lm cameras, such as the PENTAX 6x7 and 645. e PENTAX LX boasted e PENTAX K-1 and its successor PENTAX K-1 the world’s rst dustproof, weather-resistant Mark II feature a host of innovative functions construction.* e PENTAX ME and MX became the highly useful in outdoor photography, and are world’s smallest, lightest models.* While they le their expected to further expand the possibilities of eld names in camera history because of their remarkable photography. maneuverability and superb imaging power, they were also epoch-making cameras which helped PENTAX gain PENTAX remains a leading eld camera brand, and a reputation as the world’s leading brand of eld cameras. its illustrious history continues into the future.