The Steam Packet History
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Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
New Mexico Daily Lobo, Volume 078, No 41, 10/21/1974." 78, 41 (1974)
University of New Mexico UNM Digital Repository 1974 The aiD ly Lobo 1971 - 1980 10-21-1974 New Mexico Daily Lobo, Volume 078, No 41, 10/ 21/1974 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1974 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 078, No 41, 10/21/1974." 78, 41 (1974). https://digitalrepository.unm.edu/daily_lobo_1974/121 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1974 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. .. ... a ' ~- ........ .. .. ....rift_..,.,.~·· -··. ( ' u! c: ~· -StudY ' '.· Talk OfFtJ.iqg.lJnfon By SARAH SEIDMAN organize· the fiut. m.e.eti:ng · aren't ·gift.," they're work and we . : ., .1\bou t 20 work-study and '11UU'Iday, said, ••The P.roblem ii . &bould be .re11pected u workers," ':..part··ti me student workers that students aJe cloing:hard WQllk .be Pid. .. · ·. conc:e.med with their low wages and aren't getting paid fnoulilb foi Co-organi~r Geoff Beckett said . are trying to form an independent 'it." . ·. that most campu.atudent workeis :atudent Workers Union at UNM. "We ·ne!'d an oJ~anization that would object to the dues required ·. ·Michael-· Hersh,. who hela:ted will protect oua: rilhtl •.. jobl by Ute nation4111aoor unions, "so we'd "like to organize an · H ·· A. J independ,ent union of our own." <>\N o ·· ·· em pen ·.-_· po -Qgy. -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band. -
Muni 20081106
MUNI 20081106 JAZZ ROCK, FUSION… 01 Ballet (Mike Gibbs) 4:55 Gary Burton Quartet : Gary Burton-vibes; Larry Coryell-g; Steve Swallow-b; Roy Haynes-dr. New York, April 18, 1967. RCA LSP-3835. 02 It’s All Becoming So Clear Now (Mike Mainieri) 5:25 Mike Mainieri -vib; Jeremy Steig-fl; Joe Beck-elg; Sam Brown-elg,acg; Warren Bernhardt-p,org; Hal Gaylor-b; Chuck Rainey-elb; Donald MacDonald-dr. Published 1969. Solid State SS 18049. 03 Little Church (Miles Davis) 3:17 Miles Davis -tp; Steve Grossman-ss; Chick Corea, Herbie Hancock-elp; Keith Jarrett-org; John McLaughlin-g; Dave Holland-b,elb; Jack DeJohnette-dr; Airto Moreira-perc; Hermeto Pascoal-dr,whistling,voc,elp. New York, June 4, 1970. Columbia C2K 65135. 04 Medley: Gemini (Miles Davis) /Double Image (Joe Zawinul) 5:56 Miles Davis -tp; Wayne Shorter-ss; Joe Zawinul, Chick Corea-elp; John McLaughlin-g; Dave Holland-b; Khalil Balakrishna-sitar; Billy Cobham, Jack DeJohnette-dr; Airto Moreira-perc. New York, February 6, 1970. Columbia C2K 65135. 05 Milky Way (Wayne Shorter-Joe Zawinul) 2:33 06 Umbrellas (Miroslav Vitouš-W. Shorter-J. Zawinul) 3:26 Weather Report : Wayne Shorter -ss,ts; Miroslav Vitouš-b; Joe Zawinul -p,kb; Alphonse Mouzon-dr; Airto Moreira-perc. 1971. Columbia 468212 2. 07 Birds of Fire (John McLaughlin) 5:39 Mahavishnu Orchestra : John McLaughlin -g; Jerry Goodman-vio; Jan Hammer-kb,Moog syn; Rick Laird-b; Billy Cobham-dr. New York, 1973. Columbia KC 31996. 08 La Fiesta (Chick Corea) 7:49 Return to Forever : Joe Farrell-ss; Chick Corea -elp; Stanley Clarke-b; Airto Moreira-dr,perc; Flora Purim-perc. -
Julie Driscoll, Brian Auger & the Trinity Streetnoise Mp3
Julie Driscoll, Brian Auger & The Trinity Streetnoise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Streetnoise Country: Andorra Released: 2002 Style: Folk Rock, Rhythm & Blues, Prog Rock MP3 version RAR size: 1492 mb FLAC version RAR size: 1917 mb WMA version RAR size: 1852 mb Rating: 4.2 Votes: 562 Other Formats: AU DTS VOX MP2 DXD XM AC3 Tracklist 1 Tropic Of Capricorn 5:29 2 Czechoslovakia 6:19 3 Take Me To The Water 4:16 4 A Word About Clour 1:36 5 Light My Fire 4:20 6 Indian Rope Man 3:21 7 When I Was Young 7:02 8 Flesh Failures (Let The Sunshine In) 3:02 9 Ellis Island 4:08 10 In Search Of The Sun 4:21 11 Finally Found You Out 4:10 12 Looking In The Eye Of The World 5:01 13 Vauxhall To Lambeth Bridge 6:30 14 All Blues 5:40 15 I've Got A Life 4:26 16 Save The Country 3:55 Companies, etc. Phonographic Copyright (p) – Disconforme SL Copyright (c) – Disconforme SL Recorded At – Advision Studios Credits Acoustic Guitar, Vocals, Bass – Dave Ambrose* Drums, Percussion – Clive Thacker Organ, Piano, Electric Piano, Vocals – Brian Auger Producer – Giorgio Gomelsky Vocals, Acoustic Guitar – Julie Driscoll Notes Recorded at Advision Studios,London 1969. Comes with 8-page fold-out insert with original liner notes as well as 1998 liner notes by Jordi Soley, plus credits. ℗© 2002 by Disconforme Made in Spain Barcode and Other Identifiers Barcode: 8 436006 493218 Other versions Category Artist Title (Format) Label Category Country Year Julie Driscoll, Brian Julie Driscoll, Auger & The Trinity - 608005/6 Brian Auger & Marmalade -
Julie Driscoll, Brian Auger & the Trinity Jools Mp3, Flac
Julie Driscoll, Brian Auger & The Trinity Jools mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jools Country: Australia Released: 1982 MP3 version RAR size: 1452 mb FLAC version RAR size: 1994 mb WMA version RAR size: 1672 mb Rating: 4.4 Votes: 933 Other Formats: AUD AC3 DTS XM AAC MIDI DXD Tracklist A1 Tramp A2 Why (Am I Treated So Bad) A3 A Kind Of Love In A4 Break It Up A5 Season Of The Witch B1 In And Out B2 Isola Natale B3 Black Cat B4 Lament For Miss Backer B5 Goodbye Jungle Telegraph Other versions Category Artist Title (Format) Label Category Country Year Brian Auger, Julie Open (LP, Album, 607002 Driscoll And The Marmalade 607002 UK 1967 Mono, Upt) Trinity* Brian Auger, Julie Open (CD, Album, Ghostown QSCD 4029 Driscoll And The QSCD 4029 US 2004 RE, RM) Records Trinity* Brian Auger, Julie SLIR 22.014 Driscoll And The Open (LP, Album) Ricordi SLIR 22.014 Italy 1967 Trinity* Brian Auger, Julie Open (Cass, 914 554 Driscoll And The Polydor 914 554 Germany 1967 Album) Trinity* Julie Driscoll, Brian Open (CD, Album, One Way OW 30641 OW 30641 US 1994 Auger & The Trinity RE) Records Related Music albums to Jools by Julie Driscoll, Brian Auger & The Trinity Julie Driscoll & Brian Auger - Julie Driscoll & Brian Auger The Crazy World Of Arthur Brown / Julie Driscoll And The Brian Auger Trinity - Fire / This Wheel's On Fire Brian Auger And The Trinity - Mod Jazz Years Featuring Jullie Driscoll Various - Common Originals Julie Driscoll Brian Auger And The Trinity - Julie Driscoll - Brian Auger And The Trinity Julie Driscoll - Julie Driscoll The Brian Auger Trinity - What You Gonna Do? (¿Que Vas A Hacer?) Brian Auger & The Trinity - What You Gonna Do? Julie Driscoll, Brian Auger & The Trinity - Streetnoise Brian Auger & The Trinity - Black Cat / In And Out Julie Driscoll, Brian Auger & The Trinity - Take Me To The Water / Let The Sunshine In Various - Pop Party!. -
Brian Auger Master Clinic and Master
2006/2007 Master Clinics and Master Performances Brian Auger Brian Auger’s Oblivion Express “Brian Auger is one of the best B-3 artists I have ever heard in my life. His technique is awesome and the amount of energy he generates is unparalleled and relentless. He is a tremendous talent with a wonderfully warm and compassionate personality, a combination that is hard to beat. He deserves all the accolades.” -Herbie Hancock “Auger continues to prove himself as a consummate performer, deeply rooted in jazz and always packing a powerful groove. His sold- out performance at the 2004 Tri-C JazzFest was one of The legendary Brian Auger’s Oblivion Express has the highlights of the festival." Terri Pontremoli, returned. The famed B3 and keyboard player, has Executive Director – Tri-C created a distinct voice that combines jazz, rock, soul JazzFest Cleveland and funk, that is clearly recognizable to his millions of “Auger and Oblivion Express fans. With over 20 recordings to his name and lengthy are giving American stints on the RCA and Warner Bros. labels, Brian audiences a taste of the organ-heavy soul-funk that a Auger has accumulated a Grammy Nomination, 10 growing number of albums charting in Billboards Hot 100, a #1 single, and musicians and collectors have been digging into for the title of “The Godfather of Acid Jazz”. Brian’s bands years.” over the years have featured Rod Stewart, Long John John Adamian Baldry, Julie Driscoll and even Jimi Hendrix. In addition Hartford Advocate Brian has recorded with great luminaries as The Yardbirds, Eric Clapton, Van Morrison, Eric Burdon and Down To The Bone. -
Bill Runge-CV2021
Bill Runge-Curriculum Vitae-2021 Background Information Citizenship: Canadian (current valid passport) Date of Birth: April 27,1955 Residence: #2508-501 Pacific St., Vancouver, B.C., Canada V6Z-2X6 Telephone: 604-893-8394 Cel: 604-910-5638 Email: [email protected] Website: <www.billrunge.com> Affiliations: A.F.of M., S.O.C.A.N., C.M.R.R.A., Guild of Canadian Film Composers Primary Skills Musician, Composer, Arranger, Orchestrator, Producer, Conductor, Contractor, Clinician. Instruments Played: Saxophones (Baritone/Tenor/Alto/Soprano), Flutes (C/Alto/Piccolo), Clarinets (Bb/Bass), Keyboards, Bass Guitar, Acordion, Guitar, Pennywhistle. Other Skills Computer Programming and Sequencing, Accounting, Executive Board (10 years-V.M.A.) Music Adjudication- Juno Judge 1998/2008 (Jazz) & Fraser Macpherson Scholarship Fund. Education 1968-Trumpet & Theory with Lloyd Abrams-Vancouver, B.C. 1969-Jazz Studies with Jamey Aebersold, Marion McPartland, & Lou Marini-University of Washington, Seattle. 1970/73-Composition, Arranging, Improvisation & Instrumental studies with Faust Pinto-Vancouver, B.C. 1973-High School Diploma/Fine Arts-Vancouver, B.C. 1973-Pit Orchestra, Mussoc/U.B.C.-Vancouver, B.C. 1974-Pit Orchestra-Western Canada Theatre Co. under Tom Kerr, Kamloops, B.C. 1980-Saxophone Clinic with David Liebman-Vancouver, B.C. 1987/88-Banff School Of The Fine Arts Summer Jazz Workshop with: George Russell, Anthony Davis, Don Thompson, Hugh Fraser, Dave Holland, Steve Coleman, Kevin Eubanks, Kenny Wheeler, Pat Labarbera, John Abercrombie, Julian Priester, and Muhal Richard Abrams-Banff, Alberta. 1989/90-Financial Management Studies, B.C.I.T.-Vancouver, B.C. 1993/94-Computer Programming, B.C.I.T.-Vancouver, B.C. -
Brian Auger´S Oblivion Express Feat. Alex Ligertwood
Brian Auger´s Oblivion Express feat. Alex Ligertwood Alex Ligertwood (li.) und Brian Auger (re.) „Brian Auger (* 18. Juli 1939 in London) ist einer der profiliertesten Jazz- und Rock-Keyboarder der Gegenwart. Für seine Millionen Fans ist der einzigartige Sound, der seine Wurzeln im Jazz, Rock, Soul und Funk hat, ein unverkennbares Markenzeichen des berühmten Hammond - und Keyboard -Spielers. Schon früh erhielt Auger Klavierunterricht. 1962 formierte er sein Brian Auger Trio mit Rick Laird und Schlagzeuger Phil Kinorra als zunächst reine Jazzcombo. 1965 gründete er zusammen mit Rod Stewart, Julie Driscoll und John Baldry die Gruppe The Steampacket. Nachdem Rod Stewart und John Baldry die Gruppe verlassen hatten, gründete Auger mit Julie Driscoll die Gruppe Trinity. In dieser Besetzung hatte die Band mehrere Single-Hits (Road ToCairo, This Wheel's on Fire, Season Of The Witch) und brachte das viel beachtete Doppelalbum „Streetnoise“ (1969) heraus. Nachdem Driscoll 1969 Trinity verließ, besetzte Auger die Gruppe um (mit Gary Boyle), doch konnte er nicht mehr an die Erfolge der späten 1960er Jahre anknüpfen und löste Trinity 1970 auf. Auch mit seiner anschließend gegründeten Band Oblivion Express hatte Auger zunächst keinen übermäßigen Erfolg. Seit dem Album „CloserToIt“ (1973), das es in die Charts schaffte, festigte sich der Gruppenstil zu einer groove-betonten Mischung aus rhythmischen Elementen des R&B und Funk und harmonischen und melodischen Elementen des Jazz. Brian Auger trat auch mit Klaus Doldinger, Alexis Korner, Pete York, Eric Burdon und anderen Größen der populären Musik auf. 1974 zog Auger in die USA, wo er weiter Alben aufnahm. In den USA bekam er wieder Kontakt zu Julie Tippetts-Driscoll. -
We Offer Thanks to the Artists Who've Played the Nighttown Stage
www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.