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FSGW Midwinter Festival
Volume 49, Number 5 NEWSLETTERwww.fsgw.org January 2013 FSGW Midwinter Festival Takoma Park Middle School 7611 Piney Branch Rd., Silver Spring, MD Saturday, February 2, 2013 12 noon–10:30 pm Hooray! It’s time for the FSGW Mini-Fest—dancers and dumbeks, washboards and waltzing, tales and the tango, blues and ballads, morris and more! With two all-day dance tracks, and seven workshop and performance sites, plus unscheduled hallway shenanigans, there’s no shadow of a doubt that it’ll cure your winter blues!! Daytime Performance/Workshops. Check fsgw.org for updates; as of December 16, the schedule is as follows (see grid on page 27): In the Cafetorium, fabulous music programmed by Charlie Baum— Shenandoah Run at noon. Then at 1, The Chro- matics, an a cappella group with a distinctive scientific bent, followed by the versatile Capitol Hillbillies and by Sarenica’s rousing tamburitza music. Kensington Station is next, with folk music of the 60s. And lastly, the Bumper Jacksons with traditional jazz and Appalachian hollers. (Food will also be available in the Cafetorium, from noon until 7:30 pm.) The “Roots Americana” room, programmed by Emily Hilliard, opens with a Shape Note Singing, followed by a “Party at Ralph’s House” featuring Jeff Place, Smithsonian Folkways Archivist. At 2, ballads and traditional singing, and at 3 FSGW explores Foodways Traditions, a panel discussion of historic and current foods and traditions with folklorists and food producers. Also, discover what exciting new plans are developing at FSGW in the realm of food lore. End the day here with string-band music and an open jam. -
BUFFALO BILLS @ NEW ENGLAND PATRIOTS SUNDAY, OCTOBER 2, 2016 1:00 P.M
REGULAR SEASON WEEK 4: BUFFALO BILLS @ NEW ENGLAND PATRIOTS SUNDAY, OCTOBER 2, 2016 1:00 p.m. CBS-TV BILLS HEAD OUT TO NEW ENGLAND BROADCAST INFO TELEVISION: CBS-TV The Buffalo Bills will take on the New England Patriots at Gillette Stadium on PRODUCER: Mark Wolff DIRECTOR: Bob Fishman Sunday with kickoff scheduled for 1:00 p.m. Sunday’s game will be the 113th PLAY-BY-PLAY: Ian Eagle regular season meeting between Buffalo and New England. COLOR ANALYST: Dan Fouts SIDELINE: Evan Washburn BILLS RADIO NETWORK BILLS-PATRIOTS REGULAR SEASON SERIES PLAY-BY-PLAY: John Murphy (29th year, 13th • Overall regular season record: 42-69-1 as play-by-play) COLOR ANALYST: Mark Kelso (11th year) • Bills on the road at Patriots: 20-26 SIDELINE: Sal Capaccio (3rd year) • Last meeting on the road: 11/23/15, L 13-20 NATIONAL RADIO BROADCAST • First regular season meeting: 9/23/1960, W 13-0 at Boston BROADCAST: Sports USA PLAY-BY-PLAY: Larry Kahn • Last regular season meeting: 11/23/2015, L 13-20 at New England COLOR ANALYST: Mark Carrier SIDELINE: Troy West MEDIA SCHEDULE 2016 SCHEDULE (1-2) TUESDAY, SEPT. 27 No Media Availability WEEK DATE OPPONENT TIME/RESULT WEDNESDAY, SEPT. 28 1 9/11/16 at Baltimore Ravens L, 7-13 Patriots HC Bill Belichick Conference Call: 9:20 AM Conference call dial-in information: 2 9/15/16 NEW YORK JETS L, 31-37 Dial-in Number: 712.432.3100 Conference Code: 713834 3 9/25/16 ARIZONA CARDINALS W, 33-18 Patriots WR Julian Edelman Conference Call: 11:45 AM 4 10/2/16 at New England Patriots 1:00 p.m. -
School News Student Profiles Windows on Saint Mary’S Anniversary60th Contents
ALUMNI Volume 3 | No 2 MagnificatSaint Mary’s College Preparatory High School Alumni Association Magazine | Winter 2009 Wishing you a very blessed Christmas season and a New Year filled with peace & joy! IN THE SPOTLIGHT The Class of 1953: The First St. Mary’s High School Alumni Gaels Society Member Msgr. John J. McCann ‘57 SCHOOL NEWS Student Profiles Windows on Saint Mary’s Anniversary60th contents March 5-6, 2010 Sports Night sections Brother Kenneth Robert Gymnasium Doors open 7:30 PM | Showtime 8:00 PM alumni association | 5 March 11, 2010 Ladies’ Night Out: Boutique, Fashion Show and Dinner Leonard’s | Dolce Vita student profiles | 10 555 Northern Boulevard Great Neck, New York 6:30 PM Cocktails | 7:30 PM Dinner in the spotlight | 17 Join honorary Sports Night captains Sr. Mariette Quinn, IHM (White) and Mrs. Diane Papa (Blue) for a night of memories and school news | 18 tradition. Sponsored by the Gaels Parents’ Association. April 22, 2010 reunions | 24 60th Anniversary Celebration of St. Mary’s High School Plandome Country Club gael winds | 32 Plandome, New York 6:00 PM Cocktails & Buffet Dinner Join former faculty members, coaches, in memoriam | 38 administrators and classmates for a night celebrating the rich tradition and educational mission that has been St. Mary’s since its founding in 1949. Formal invitations to follow. April 24, 2010 Lacrosse Reunion Denihan Field All lacrosse alumni are invited to an alumni game and reception. Invitations to follow. On the Cover: One of the five blue gray terra cotta spandrels with life-sized scenes from the life of the Blessed Virgin fired in gold leaf on Immaculata September 23, 2010 Hall’s façade. -
2016 FOOTBALL ROSTER RATINGS SHEET Updated 8/1/2017
2016 FOOTBALL ROSTER RATINGS SHEET Updated 8/1/2017 AFC East 37 35 39 BUFFALO OFFENSE 37 35 39 POSITION B P R B P R B P R B P R B P R B P R QB Tyrod Taylor 3 3 4 EJ Manuel 2 2 2 Cardale Jones 1 1 1 HB LeSean McCoy 4 4 4 Mike Gillislee OC 3 3 3 Reggie Bush TC OC 2 2 2 Jonathan Williams 2 2 2 WR Robert Woods 3 3 3 Percy Harvin 2 2 2 Dezmin Lewis 1 1 1 Greg Salas 1 2 1 TE Charles Clay 3 3 3 Nick O'Leary OC 2 2 2 Gerald Christian 1 1 1 T Cordy Glenn 3 3 4 Michael Ola 2 2 2 Seantrel Henderson 2 2 2 T Jordan Mills 4 3 4 Cyrus Kouandjio 2 3 2 G Richie Incognito 4 4 4 G John Miller 3 3 3 WR Marquise Goodwin 3 3 3 Justin Hunter 2 2 2 C Eric Wood 4 3 4 Ryan Groy 2 3 2 Garrison Sanborn 2 2 2 Gabe Ikard 1 1 1 Patrick Lewis 1 1 1 WR Sammy Watkins 3 3 3 Walt Powell 2 2 2 Brandon Tate TA TB OA OB 1 1 1 FB/TE Jerome Felton OC 2 2 2 Glenn Gronkowski 1 1 1 AFC East 36 38 34 BUFFALO DEFENSE 36 38 34 POSITION B P R B P R B P R B P R B P R B P R DT Adolphus Washington 2 3 2 Deandre Coleman 1 1 1 DT/DE Kyle Williams 3 4 3 Leger Douzable 3 3 3 Jerel Worthy 2 2 2 LB Lorenzo Alexander 5 5 5 Bryson Albright 1 1 1 MLB Preston Brown 3 3 3 Brandon Spikes 2 2 2 LB Zach Brown 5 5 5 Ramon Humber 2 2 2 Shaq Lawson 2 2 2 LB Jerry Hughes 3 3 3 Lerentee McCray 2 2 2 CB Ronald Darby 3 3 2 Marcus Roberson 2 2 2 CB Stephon Gilmore 3 3 3 Kevon Seymour 2 2 2 FS Corey Graham 3 3 3 Colt Anderson 2 2 2 Robert Blanton 2 2 2 SS Aaron Williams 3 3 2 Sergio Brown 2 2 2 Jonathan Meeks 2 2 2 NT Marcell Dareus 3 3 3 Corbin Bryant 2 3 2 DB James Ihedigbo 3 3 2 Nickell Robey-Coleman 2 3 -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
AUSTIN PEAY (0-6) Vs. MURRAY STATE (2-4) SCHEDULE Oct
AUSTIN PEAY FOOTBALL MEDIA CONTACT Brad Kirtley, Sports Information Director Winfield Dunn Center • Clarksville, TN 37040 E: [email protected] • P: 931-221-6561 • C: 931-801-7875 2014 GAME NOTES | THE MURRAY GAME AUSTIN PEAY (0-6) vs. MURRAY STATE (2-4) SCHEDULE Oct. 18, 2014 ■ GOVERNORS STADIUM ■ CLARKSVILLE, Tenn. Aug. 30 at Memphis (ESPN3) L, 0-63 THE MATCHUP ■ AT THE KICKOFF Sept. 13 No. 14/17 Chattanooga (OVCDN) L, 6-42 YEAR 78 Sept. 20 *at Eastern Illinois (OVCDN) L, 7-63 ■ A win would snap Austin Peay’s 18-game overall losing Sept. 27 at No. 22/23 Illinois State L, 6-55 streak. The Govs have not won since downing Tennes- Oct. 4 *No. 18/19 Eastern Kentucky (OVCDN) 1L, 0-3 see Tech, 38-31, Nov. 17, 2012, in Governors Stadium. Oct. 11 at Mercer (ESPN3) L, 21-49 ■ APSU’s 18-game losing streak is the longest in FCS. Oct. 18 *Murray State (ESPN3) 6 p.m. ■ During the season’s first five weeks,the Governors Oct. 25 *at UT Martin (OVCDN) 2 p.m. played three ranked Football Championship Subdivi- Nov. 1 *at Jacksonville State (OVCDN) 3 p.m. AUSTIN PEAY MURRAY STATE sion teams: they lost to No. 14/17 Chattanooga, 42-6; 2014 RECORD 2014 RECORD Sept. 13; No. 22/23 Illinois State, 55-6, Sept. 27, and Nov. 8 *Tennessee State (OVCDN)# 4 p.m. 0-6 ■ 0-2 OVC 2-4 ■ 1-2 OVC No. 18/19 Eastern Kentucky, 31-0.. The season’s Nov. 15 *at Southeast Missouri (OVCDN) 1 p.m. -
2021 NFL DRAFT NOTES #Cardsdraft
2021 NFL DRAFT NOTES #CardsDraft Mark Dalton - Senior Vice President, Media Relations Chris Melvin - Director, Media Relations Mike Helm - Manager, Media Relations Imani Suber - Media Relations Coordinator Chase Russell - Media Relations Coordinator CARDS 2021 NFL DRAFT SELECTIONS 2021 NFL DRAFT - FIRST ROUND The 2021 NFL Draft will consist of 222 traditional selections in The Cardinals currently hold six picks in the 2021 NFL rounds one through seven and 37 compensatory picks with a total Draft: one selection in rounds one, two, five and six, of 259 players being selected. plus two in the seventh round. Arizona acquired a sixth- 2021 First-Round Selection Order (as of 4/21/21) round pick (223rd overall) from Minnesota and a sev- Pick Team Pick Team enth-rounder (247th overall) from Las Vegas via trades. 1. Jacksonville 17. Las Vegas 2. NY Jets 18. Miami Round Round # Overall # 3. San Francisco (from Mia via Hou) 19. Washington 1 16 16 4. Atlanta 20. Chicago 2 17 49 5. Cincinnati 21. Indianapolis 5 16 160 6. Miami (from Phi) 22. Tennessee 6 39 223 (from Min in Mason Cole trade) 7. Detroit 23. NY Jets (from Sea) 7a 16 243 8. Carolina 24. Pittsburgh 7b 20 247 (from LV in Rodney Hudson trade) 9. Denver 25. Jacksonville (from LAR) 10. Dallas 26. Cleveland THIRD DRAFT FOR KEIM AND KINGSBURY 11. NY Giants 27. Baltimore 12. Philadelphia (from Mia via SF) 28. New Orleans 13. LA Chargers 29. Green Bay After the first two drafts produced the 2019 14. Minnesota 30. Buffalo Associated Press Offensive Rookie of the 15. -
COLOR FRONT COVER COLOR PAGE 2: Festival1 COLOR PAGE: Festival2/CGOTT COLOR DEER CREEK
COLOR FRONT COVER COLOR PAGE 2: Festival1 COLOR PAGE: Festival2/CGOTT COLOR DEER CREEK WELCOME TO OUR 22ND YEAR! In this catalog you will find a year's worth of events and activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music, arts and humanities organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this now venerable program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the understanding that we can improve ourselves and our world by searching for the common ground in one another, through the lens of our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. Walt Michael, Founder & Executive Director “You owe it to yourself to attend one of the sessions… Common Ground on the Hill is a cornucopia of artistic expression.” ~ The Baltimore Sun Welcome 1 CONTENTS 22nd Annual Common Ground on the Hill Overview .................................................................................................. 3 Traditions Week 1(List of Classes and Events by Category ) ........................................................................................ -
Ethnic and Racial Formation on the Concert Stage: a Comparative Analysis of Tap Dance and Appalachian Step Dance
Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Janet Kathleen Schroeder, MFA Graduate Program in Dance Studies The Ohio State University 2018 Dissertation Committee: Harmony Bench, Advisor Melanye White Dixon Kwaku Larbi Korang Hannah Kosstrin Copyright by Janet Kathleen Schroeder 2018 Abstract “Ethnic and Racial Formation on the Concert Stage: A Comparative Analysis of Tap Dance and Appalachian Step Dance” is a revisionist project that explores the shared aesthetics and historical trajectories of these two percussive dance practices, which have ultimately developed into two distinct forms of dance. This dissertation investigates the choreographic and representational strategies choreographers use to transfer the histories and legacies of tap dance and Appalachian step dance to the stage, namely through a process I call concertization. In each analysis, I pay particular attention to representations of the complex ethnic and racial identities affiliated with each form and ways concertization highlights or obscures such affiliations. Additionally, I aim to understand the relationship between the practices of tap dance and Appalachian step dance and what I see as a contested idea of “America” as it is represented through choreography. My analyses suggest the migration of rhythm tap dance and Appalachian step dance from vernacular and social contexts to the concert stage is in tension with the ways these dance forms, as vernacular practices, also engage in the consolidation of ethnic and racial identities. -
View the Latest Issue
Letter from the Executive Director The year 2020 brought us COVID-19 and around Confederate monuments and the pandemic. communities means there are more questions we Gismondi, Diana Williams, and Charlie Shelton- a nationwide racial reckoning we haven’t seen the And despite the challenges of working remotely, our must ask, issues we must examine, and stories we Ormond. We also said farewell to Lilia Fuquen, likes of since the civil rights movement of the 1960s. With Good Reason staff continued producing weekly must amplify. These include the disproportionate who led the Food & Community project for the last These events exposed divisions and inequities we radio shows addressing vital questions raised by harm the coronavirus has had on people of color, the two years. In August, we gathered in a virtual send- long knew were there. But our resilience in the antiracist demonstrations, the ways COVID-19 has gender inequality of caregiving labor and its impact off to celebrate Jon Lohman, our state folklorist face of the coronavirus and the more deep-seated affected schools, and how to combat burnout among on women, what it means to memorialize, and the who served as the director of the Virginia Folklife virus of racism have also revealed and underscored doctors and nurses caring for victims of the virus. importance of Indigenous voices as we reckon with Program for nineteen years. His work in building something that gives me a reason to hope: the the history of racism in the United States. Such that program, supporting artists and artisans, importance of community. With the passage of the Coronavirus Aid, Relief, explorations of the human experience are at the and documenting and preserving folk traditions, is and Economic Security (CARES) Act by Congress, heart of our work, and the work we support. -
Ken Koldner, Elke Baker Brad Kolodner
FSGW Special Event WES Auditorium, DC The Ken Koldner, Folklore Society of Elke Baker Greater Washington and Brad Kolodner in Concert Friday, January 7 · 8 pm You probably know Ken Kolodner as a hammered dulcimer virtuoso and member of the trio Helicon and other collabora- tions. He plays old-time, Celtic and other ethnic traditions, dance tunes, classical and chamber music, and just about everything in between. While teaching regularly in Baltimore and at far-flung festivals and music camps, Ken continues to perform and play for dances. He’s been heard on NPR, German National Radio, the CBC and Voice of America. His ten recordings (featuring both his hammered dulcimer and fiddle work) have earned significant recognition, as have his five instructional CDs. Elke Baker has been a regional presence since before she won the 1995 U.S. National Scottish Fiddle Championship. Since then, she has been a competition judge, plays for danc- es, teaches the history and performance of Celtic music at the Washington Conservatory of Music, and gives concerts across this country and around the world. She too is an active collab- orator in duos, trios, a sextet even – performing traditional and in-the-traditions music from old time to the classic Scottish composers, and dance tunes from contras to tangos. Her four recordings have also been well received. Brad Kolodner took up clawhammer banjo in summer 2007, inspired by a beginners’ class at a music camp. Before long, he’d developed his own style, combining old-time technique with melodic style. Of course, he’s been absorbing his father’s music through the years, and has already begun writing in old-time style. -
AWARDS CEREMONIES 6 – 9 November 2018 2018 AWARD CEREMONIES
AWARDS CEREMONIES 6 – 9 November 2018 2018 AWARD CEREMONIES AS YOU GRADUATE TODAY YOU WILL NOTICE THAT YOUR CERTIFICATE BEARS THE UNIVERSITY WELCOME TO THIS OF WORCESTER’S COAT OF ARMS. JOYOUS CELEBRATION Te central element of the coat of arms is Te crest depicts the mythical Sabrina after A CELEBRATION OF SUCCESS, ACHIEVEMENT AND LEARNING the Shield, which, along with the motto, whom the River Severn is said to have been dates back to when the institution was frst named, framed by two bulrushes which established in 1946. make an allusion to the University campuses Words by Professor David Green | University of Worcester Vice Chancellor threaded along either bank. he beauty and grandeur of Worcester Our graduates in subjects such as business, TCathedral provides a magnifcent, most psychology, computing, sports science and ftting setting in which to congratulate our coaching are well-equipped to progress in graduates and to thank the parents, family, the fast-paced world of today’s professional friends and supporters who have contributed workplace, while our many actors, artists, so much to their success. Te University’s authors and designers are already helping coat of arms bears the motto ‘Ad Inspirandum to produce the dynamic, creative culture Aspiramus’ – ‘We Aspire to Inspire’. Tis which is such an important feature of a goal of the University is embraced and civilised society. carried on by our graduates as they tackle the exciting, demanding challenges This week’s graduates join an of the 21st Century. illustrious community of over 100,000 Worcester graduates At the University of Worcester May fortune who have made, and are making, we provide excellent higher an immense contribution to education.