Toronto's Roy Thomson Hall Renovation Shownet SN110 Ethernet Nodes Key to Networking Solution

Total Page:16

File Type:pdf, Size:1020Kb

Toronto's Roy Thomson Hall Renovation Shownet SN110 Ethernet Nodes Key to Networking Solution Fall 2002 S T R A N D N e w s Toronto's Roy Thomson Hall Renovation ShowNet SN110 Ethernet Nodes Key to Networking Solution Strand Lighting is excited distribution, and new light- to be part of the recent reno- ing control platforms. vation of the Roy Thomson The lighting control Hall in Toronto. Home to the system has been de- Toronto Symphony Orches- signed to meet the ever tra, the hall is widely re- changing needs of the garded as elegant, intimate Hall. The 520 consoles and aesthetically engaging. provide rapid focusing Originally designed by Arthur and programming for the Erikson, Roy Thomson Hall new Vari*lite moving represented the leading lights quickly refocusing edge of technology and de- them regardless of their sign when it opened in 1982. trim height which varies While still regarded as “an with the position of the architectural jewel,” the canopy and the type of Hall’s acoustical perform- performance on stage. All ance has been the subject of lighting information is fierce debate for much of its distributed over a Strand history. ShowNet network using Russell Johnson of Artec SN110 dual port nodes. Consultants, one of the The nodes can be rapidly world’s foremost acousti- configured as DMX inputs cians, and Tom Payne of the or outputs allowing the Canadian architectural firm operators to connect and of Kuwabara Payne manage touring consoles McKenna Blumberg (KPMB) or add more automated were invited to update the lighting or colour scrollers. acoustic design of the build- Adding to the system flexi- ing. These two are in charge bility is a new Strand of the acoustical reengineer- wireless remote based on ing and aesthetic enhance- the popular Compaq iPaq ments to the Hall. Final cost family of personal digital of the project is expected to assistants. The new re- exceed $20 million. mote allows operators to The acoustic canopies above the stage at Roy Thomson Hall Strand Canada’s Richard access all of the functions Goode worked closely of the lighting consoles INSIDE THIS ISSUE: with the Artec team in and set up 45 SN110 specifying all of the up- nodes in the system from Roy Thomson Hall Auditorium Renovation 1 dated lighting technology anywhere in the building. New Consoles and Control Devices 2 that would be integrated The system also supports into this extensive renova- stage managers with di- New 230/240V Dimmers & Location Lights 3 tion. Enhancements in- rect access over the net- cluded the addition of work to a dozen lighting College Lighting Lab & 'Witches' Down Under 4 status reporting dimming, set ups by simple Ethernet network capabil- pushbutton stations. 'Oklahoma!' Returns to Broadway 5 ity, moving light technol- The staff can now quickly ogy, custom electrical meet the needs of all of Console Programming Tips 6 the users of the facility. New Strand Products Page 2 New 100 & 200 Series Consoles Strand introduces 2 new Joining the ‘100’ are the manual control consoles to new 200 Series portable replace the highly consoles, which offer successful LX and MX lines. enhanced control capability. The new compact 100 Available in either 12/24 or Series manual console is a 24/48 channel portable desk that quickly configurations, these come converts to rack mount as with all the features of the needed, and is ideally suited 100, plus two pages of for small venues. Designed submasters, providing up to as a 12-channel/2-scene 96 submaster memories. preset board, it can also Effects capability has been operate in 24-channel/ increased to a total of 24 single-scene preset mode, effects with 99 steps each. using a special “Hold” The 200’s have fully function that allows proportional electronic patch seamless crossfading for 512 dimmers. between scenes. All the All of the new desks are other features are there that available with either 120V or 100 Series Control Console you would expect: DMX 512 230/240V power supplies. output, split crossfader with These powerful consoles time fade, bump buttons, offer excellent value for a grand master and blackout. wide range of applications. There’s even an effect playback! New 301 Back-up Control Console Joining the popular 300 cations. The 301 can also Series consoles and Show- serve as a 12-channel man- controller is the new 301 ual console with DMX Back-up Control Console, patch. It can also receive up a versatile multi-function to 12 analog inputs, and system that can be used as uses an LCD display for set- either a back-up platform, a up and configuration. An timed event controller, or a audible ‘DMX Fail’ warning manual console. Simplicity is sounds in the event of DMX the key to this new console. interruption, and provides Back-up mode features 12 an automatic bypasses on pages of 12 back-up looks system failure. The 301 is (144 total back-up cues). As designed for either table or a timed event controller, you 19-inch rack mounting (7U have access to 12 events, high), and is available with making this desk ideal for either a 120V UL/cUL or 301 Back up Control Console Stage Manager panel appli- 230/240V CE power supply. New 72 way DMX-Analogue Demux Looking for a simple way Constructed with a 19-inch of controlling all of those rack-mount form factor (1U effects machines and high), this device has a front analogue dimmers? Strand panel LED display showing introduces the new S72 address and operation Strand Demux. This is a mode. It has a built-in 72- DMX 512 or MIDI controlled way chase, and a single- DMX to Analogue demulti- scene back-up upon ‘DMX SS72 Strand Demux plexer, providing up to 72 +/- Fail.’ The unit is CE 72-way DMX -Analogue Demultiplexer 10, 12 or 15VDC user marked, and designed for selectable analogue outputs. 230/240V, 50Hz operation. New 230/240 Volt Dimmer Packs - Page 3 Act 6 Digital & SD 6 Strand is introducing 2 front panel keypad and LCD new dimmer packs for display. 24 back up cues 230/240V applications. The are available along with the ACT 6 Digital wall mounted capability of linking multiple dimmer pack is ideal for packs. Dimmers have indi- small permanent installa- vidual Min/Max settings and tions like churches, schools curve selection. Chase and or nightclubs. The SD 6 rack scene pattern libraries are mount dimmer pack is better on board for stand alone suited for portable or touring operation. Both packs are applications. Both of these available with numerous new packs provide six 13- output configurations. The Amp dimmers with fully digi- SD 6 has a single output per tal control electronics, and dimmer, while the Act 6 Digi- will accept either single or tal has dual outputs. both of three phase power input. these new units are CE SD 6 Rack Mount Dimmer Pack Set-up is simple using a marked. New Lights From Quartzcolor - 6kW HMI PAR & Fresnel, Redhead Strand introduces 2 new easy identification. Both of high-powered HMI location the heads feature LCD elec- lights under its Quartzcolor tronic hour counters for ac- banner: the 6kW Daylight curate lamp-life and service Fresnel, and the 6kW Day tracking. LITE PAR. These new HMI At the other end of the lights use the MSR 6000W location lighting spectrum is single ended lamp (G38 an update on one of our base), and have new, spe- most popular luminaires, the cifically designed lens and Redhead. reflector systems. These So how do we improve new enhancements offer upon this rugged and reli- superior optical perform- able location legend? By ance, and significantly taking it apart and scrutiniz- higher light output. Both ing every last element for heads are manufactured to ways of making it even more the same high quality stan- reliable and better function- Quartzcolor 6kW HMI Fresnel dards that you would come ing. Hardware points have to expect from Quarztcolor. been strengthened with They’re rugged, durable, brass. The lamp sockets and above all – light weight: have been improved to 40kG (88lbs) for the fresnel, make lamp replacement and 33kG (73lbs) for the easier. Even the focus ad- PAR. Other enhancements justment mechanism has include a newly designed 3- been overhauled. The end rail guide system, coupled result is a bullet-proof loca- with a centrally aligned rear tion workhorse that will last focus knob provides smooth even longer and take any and precise focus adjust- punishment you throw at it. ment. The newly designed Take one out and have a lens doors feature cast alu- look at it. We think that you minum ears with encased will be pleased with what bearings for smooth you see. barndoor or lens rotation. PAR lenses are mounted in Ianebeam 1000W Redhead colour-coded frames for UK College Drama Lab Page 4 level drama work was could experiment. can also be used for desk equipped last year, so it was Some equipment was programming and editing. decided to take a slightly recovered from the old stu- One of the reasons for different approach for the dio, curtain tracks, dimmers choosing the 300 was com- new space. and some lanterns. A series patibility with the 500 series Performances are under- of technical facility connec- desk at the Playhouse, so taken during the year at tion panels were installed that work could be done in various local venues, includ- around the laboratory to advance on shows for per- ing The Playhouse Theatre, carry audio, communica- formance there. A new and the department has a tions, video and network sound system has also been strong interest in the practi- signals as well as dimmed, Strand 300 Series Console installed.
Recommended publications
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • MISS SAIGON: LONDON's LATESTDAZZLER Julian Williams Scoops the Technical Story from Lighting Designer David Hersey
    MISS SAIGON: LONDON'S LATESTDAZZLER Julian Williams scoops the technical story from lighting designer David Hersey September 25th saw the opening, at the some time, going through a number of with stuff. Theatre Royal Drury Lane, of the much drafts, and was designed last year - in a "Obviously , as anyone who has been heralded new musical 'Miss Saigon' by Alain completely different form from the one we around for a while will know , you do Boublil and Claude-Michel Schonberg, are now doing. develop a kind of style of your own. There directed by Nicholas Hytner. The designer "I began serious work on it in April this year are certain kinds of ingredients you like to was John Napier, and lighting designer David to develop the rig," he continued . "The have around as part of your 'kit'. And those Hersey. model was available, and there were certain ingredients you tend to develop from show known elements for a long time . The idea of to show - so there are not always the same The show's opening scene pictures Saigon in using a helicopter was developed some time ingredients, but there is a kind of logical pro­ 1975 as the last of the Ame ricans are prepar­ ago, as was the idea of using moving screens gression. The light curtain is a case in point." ing to leave, and in the Dreamland Night on each side. While talking about equipment , I asked Club there is a 'Miss Saigon' competition in "John Napier's ideas of the set were well David Hersey if there was anything in this progress.
    [Show full text]
  • Catalogue 47 Vs 5.Qxd
    COLOUR FILTERS FOG Swatchbooks . .3 Fog Machines . .46 Supergel . .4 Fog Fluids . .52 Roscolux . .6 E-Colour+ . .8 Cinegel . .10 RoscoView . .18 PAINT RoscoShades . .19 Scenic Paints . .54 Cinegel Kits . .20 Coatings and Glazes . .58 Permacolor . .21 Roscoflamex . .60 Filter Accessories . .23 Paint Accessories . .61 Digital Compositing . .62 BACKDROPS/DIGITAL IMAGING .24 TV/Video Paints . .63 GOBOS STAGE HARDWARE . .64 Steel . .26 Glass . .28 FLICKER CANDLES . .65 Gobo Accessories . .32 FLOOR PRODUCTS LIGHTING EQUIPMENT Floors . .66 X24 X-Effects Projector . .34 Floor Accessories . .70 Vortex 360 Dual Rotator . .35 Gobo Rotators . .36 Controllers . .37 TAPES . .71 Infinity . .38 I-Cue Intelligent Mirror . .39 DESIGNER PRODUCTS . .72 LitePad . .40 Power Supply Units . .41 INDEX . .76 PROJECTION EQUIPMENT THE ROSCO SALES TEAM . .78 iPro Image Projector . .42 LIGHTING DESIGN/CONTROL Keystroke . .44 SCREENS . .45 2 www.rosco.com SWATCHBOOKS Colour filter swatchbooks have been, for many years, the lighting designer’s favourite tool for colour filter selection. Available at Rosco dealers everywhere, the swatchbooks contain samples of every colour and its transmission chart. All Rosco swatchbooks are dated and users are advised to have an up-to-date swatchbook on hand. Contact Rosco or your nearest dealer for a free swatchbook. The Designer Colour Selector and Lightlab Editions will have a charge. Contact Rosco for pricing. Supergel No. 99101 Supergel Swatchbook No. 99018 Supergel Designer Colour Selector approximate size 7.5cm x 15.24cm cm. Roscolux No.9979 Roscolux Swatchbook No. 990109 Roscolux Designer Colour Selector approximate size 7.5cm x 15.24cm The E-Colour+ swatchbook now includes the 5000 series.
    [Show full text]
  • Trust News Editor: Carole Long Membership Secretary: Carol Martin
    MARCH, 1985 Vol 9 No 2 ISSN 0314 - 0598 A publication of the Australian Eli zabethan Theatre Trust Cats Opens in July CATS by Andrew Lloyd Webber Based on 'Old Possum's Book of Practical Cats' by T. S. Eliot Directed by Trevor Nunn Assistant Director and Choreographer: Gillian Lynne Designed by John Napier Lighting design by David Hersey Theatre Royal he eagerly awaited Australian pro­ T duction of the Andrew Lloyd-Weber musical CATS opens in Sydney in July. The production will feature an all­ Australian cast (yet to be announced) with the London production team. CATS, which has been playing in Lon­ don since May 1981, is the first major musical written by Andrew Lloyd Web­ ber without the collaboration of Tim Rice. Their previous successes were JOSEPH AND THE AMAZING TECHNICOLOR DREAM COAT (1967), JESUS CHRIST SUPERSTAR (1970) and EVITA (1975). CATS is based Footrot Flats An on T. S. Eliot's "Old Possum's Book of Practical Cats" which was published in October 1939. Eliot had a great affection Hilarious Musical Frolic for cats and 'Possum' was his nickname There is little attempt at plot. The show among his friends. Based on the cartoon strip by Murray Ball Most of the poems compris'ing the book Written {or the stage by Roger Hall works instead through a series of sket­ have been set to music complete and in Music by A. K. Grant ches within the framework of some their originally published form; a few Lyrics by Philip Norman familiar themes: town against country, have been subject to a minor revision and Directed by Brian Debnam conservation against expediency, and, Musical direction by Denis Follington last but not least, the love of a good eight lines have been added to "The Song Choreography by Kevan Johnston woman against anything that stands in of the Jellicles".
    [Show full text]
  • Rosco-Gobo-Catalogo.Pdf
    s Page Page t n e Custom Gobos Glass Colour 54 t n Online Catalogue 3 Abstract 54 o Breakups 55 C Effects Glass 4 Rotation 55 f Colorizers 4 Scene 57 O Prismatics 4 Image Glass 5 Sizes, Holders,Tech Info 59 e l ColorWaves 6 Details for choosing the right gobo size, type b and holder for the fixtures you’re using. a T Steel 7 Custom Gobos 61 Breakups 7 Tips and details for ordering a custom-made gobo. Foliage Breakups 11 Trees & Flowers 14 Abstract 16 Gobo Rotators 63 Graphics 19 Graphics & Grills 22 iPro Image Projector 64 Rotation 23 Symbols & Signs 27 X24 X-Effects Projector 65 World Around Us 28 Churches & Heraldics 32 Equipment 66 Windows, Doors & Blinds 33 Rosco’s Infinity and I-Cue Intelligent Mirror Boundaries & Wildlife 36 Clouds & Sky 37 Creative Combinations 67 Water & Sky 38 Combining gobos and rotating them can Fire & Ice 40 create stunning effects. Architectural & Retails 41 Occasions & Holidays 42 Index, Numerical 69 Text 47 Index, Alphabetical 75 Glass B/W 48 Abstract 48 Breakups 50 Rotation 51 Scene 52 Rosco Gobo 77785 Number DHA Gobo 238-285 Number Gobo Sharp Breakup (Medium) Name Tom Skelton Gobo Designer ©1984 – 2016 Rosco Laboratories, Inc. (“Rosco”). Copyright claim includes but is not limited to all Rosco Gobo patterns/designs. The names and numerical designations of Rosco Gobo patterns/designs are trademarks of Rosco. Rosco reserves all copyright and trademark rights. 2 Custom Gobos s o Rosco has long been involved in the production of gobos, catalogue and custom, metal and glass, monochrome and colour.
    [Show full text]
  • Catalog 10-29-04
    TABLE OF CONTENTS FILTERS . .3 SCREENS . .35 Supergel . .4 Cinegel . .6 PAINT/SCENIC PRODUCTS . .36 E-Colour+ . .5 Permacolor . .11 DIGITAL COMPOSITING . .44 Filter Kits . .13 Specialized Filters . .14 STAGE HARDWARE . .46 Filter Accessories . 15 Filmmaking Tools . 16 SOFTWARE . .47 GOBOS . .18 FOG . .49 Steel . .18 Machines . .49 Glass . .20 Fog Fluid . .55 PROJECTION/LIGHTING FLICKER CANDLES . .56 EQUIPMENT . .25 ImagePro . .25 FLOORS . .57 iPro Slides . .26 Tape . .62 Gobo Rotators . .28 Accessories . .30 Infinity . .31 DESIGNER PRODUCTS . .63 Power Supply Units . .32 I-CUE . .32 INDEX . .66 X-Effects . .33 Rosco is not responsible for errors or omissions, and specifications are subject to change without notice. 2 www.rosco.com FILTERS Supergel Cinegel E-Colour + Supergel, the most widely used colour filter The Rosco Cinegel range includes over Rosco’s comprehensive system of European range in the world, currently offers more than 147 tools for controlling light. Since it’s colour filters for film, theatre and video 125 colours and diffusers. Its popularity is introduction in 1970, Cinegel has production. E-Colour+ includes different due partly to the wide choice of colours, but continually developed and grown to meet filters and materials for colour correction, also because this engineered plastic is the the working needs of the professional. In colour effects, diffusion and reflection. most durable filter available. 1974, Cinegel won an Academy Award They’re manufactured with the latest dye for technical achievement. formulations and bonding technology to Virtually the entire range of colours is assure the highest levels of reliability. tri-extruded (three rolls of plastic film extruded simultaneously) on a polycarbonate base.
    [Show full text]
  • Plasa.Orq/News
    September 2001 The Entertainment Technoloi2v Monthly .plasa.orQ/news LIVEAT EARLS COURT 9-12SEPTEMBER 2001 LJ"!HY !:il1re I u t at t Rob Halliday follows My Fair Lady from the National to Drury Lane Only history will show whether it turns out to be true, but the (the original stage production featured Beaton's costumes >, statement, espoused in a number of recent newspaper interviews, is with sets by Oliver Smith). this: that Cameron Mackintosh, the world's leading producer of Of course, this isn't a new challenge to Ward, whose designs replaced musicals, will not be producing any more new shows. Too much Sean Kenny's original Oliveri set for the 1994 London Palladium trouble - something to leave to the next generation. Instead, production. Besides, Ward has a particular style all of his own, Mackintosh's company will concentrate on spreading its back bypassing comparison with Beaton's legendary Ascot costumes with catalogue to parts of the world as-yet unconquered, and on reviving one particularly bold step: discovering that the year the show is set in classic musicals in stellar new productions. was also the year of the 'black Ascot', with racegoers wearing black Hence, perhaps, My Fair Lady. Technically this is a National Theatre to commemorate the recent death of King Edward VII - that is how production, but Mackintosh's touch is obvious, particularly in the he clothed the scene. creative team: Trevor Nunn directing, Matthew Bourne The set contains many of the designer's familiar trademarks: a choreqgraphing, Anthony Ward designing, David Hersey as lighting double-layered painted gauze cyclorama backing a permanent designer and Paul Groothuis as sound designer - a team who, in standing set of a framework of arched pillars that shrink progressively various combinations, have contributed to Cats, LEI$Mis, Miss Saigon, upstage with a sharply-forced perspective, immediately setting the Carousel, Oklahoma/, Oliveri and Swan Lake, which Mackintosh location as London's Covent Garden.
    [Show full text]
  • Entire Catalog
    Page Page Custom Gobos Glass Color 54 Online Catalog 3 Abstract 54 Breakup 55 Effects Glass 4 Rotation 55 Colorizers 4 Scene 56 Prismatics 4 ImageGlass 5 Sizes, Holders, ColorWaves 6 Tech Info 59 Details for choosing the right gobo size, type Steel 7 and holder for the fixtures you’re using. Breakups 7 Custom Gobos 61 able Of Contents Foliage Breakups 11 T Trees & Flowers 14 Tips and details for ordering a custom-made gobo. Abstract 16 Graphics 19 Gobo Rotators 63 Graphics & Grills 22 Rotation 23 iPro Image Projector 64 Symbols & Signs 27 World Around Us 28 X24 X-Effects Projector 65 Churches & Heraldics 32 Windows, Doors & Blinds 33 Equipment 66 Boundaries & Wildlife 36 Rosco’s Infinity and I-Cue Intelligent Mirror Clouds & Sky 37 Water & Sky 38 Creative Combinations 67-68 Combining gobos and rotating them can Fire & Ice 40 create stunning effects. Architectural & Retails 41 Occasions & Holidays 42 Index, Numerical 69-74 Text 47 Index, Alphabetical 75-79 Glass B/W 48 Abstract 48 Breakup 50 Rotation 51 Scene 52 Rosco Gobo Number 77785 Rosco DHA 238-285 Gobo Number Gobo Name Sharp Breakup (Medium) Tom Skelton Gobo Designer 2 Custom Gobos Custom gobos can be made to fit virtually any stationary or moving light. Your artwork may be a logo, text, a photo or any image. But the critical decision is choosing the right vendor. When you place your order with a dealer, the dealer will prob- ably recommend that your custom gobo be manufactured at Rosco. Here’s why: Rosco manufactures its own dichroic glass in its purpose-built facility in Round Rock, Texas.
    [Show full text]
  • LSA Template
    MEMOIR Copyright Lighting &Sound America August 2011 http://www.lightingandsoundamerica.com/ATheatreProject.pdf Adventures in the Lighting Trade In this exclusive excerpt from his new memoir, A Theatre Project , Richard Pilbrow recalls the excitement and tumult of working as a lighting designer and producer in the West End of the 1960s (Editor’s note: In his new memoir, A Theatre Project , ers. The team quickly grew to include John B. Read, who Richard Pilbrow recalls his rich career and the rise, fall, was to become renowned for his stunning lighting of ballet and rise again of his firm, Theatre Projects [TP]. Filled for the Royal Ballet and around the world; David Hersey, with legendary names and often outrageously funny who went on to light Cats , Evita , Les Misérables and many anecdotes, the book recalls the birth of theatrical lighting other major musicals and plays; Andy Bridge, who hit the and sound design and theatre consulting as legitimate big time with Phantom of the Opera ; Nick Chelton; John professions. It is also a profoundly cautionary tale of the Harrison; Howard Eldridge; and Michael Wilson. Molly perils of managing a fast-growing business in this indus - Freidel, Graham Large, Steve Kemp, Durham Marenghi, try. The narrative begins in London during the Blitz and Benny Ball, and even Australian designer Nigel Levings extends up to the day before yesterday, delving into the later joined the team. creation of some of the world’s leading performing art The excitement among us was infectious. We lived, ate, centers. In the following excerpt, Pilbrow recalls his early and drank stage lighting.
    [Show full text]
  • CATS Is Back and Better Than Ever!” – the Huffington Post
    FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell “CATS is back and better than ever!” – The Huffington Post Playing under the stars at Starlight July 9-14 only! KANSAS CITY, Mo. – One of the biggest hits in theatrical history, the iconic and beloved musical CATS comes to Kansas City to play Starlight Theatre July 9-14 as part of the 2019 AdventHealth Broadway Series. Composed by Andrew Lloyd Webber and based on T.S. Eliot’s Old Possum’s Book of Practical Cats, the record-breaking musical spectacular features new sound design, direction and choreography for a new generation—experience CATS for the first time as it begins a new life, or let it thrill you all over again! “This fantastic, straight-from-Broadway tour of CATS is truly the audience’s chance to see and share a piece of theatre history—right here on the Starlight stage,” Rich Baker, President and CEO of Starlight, said. “Plus, with fantastic choreography by Andy Blankenbueler of Hamilton fame, based on the original choreography by Gillian Lynne, CATS features some of the most dance-intensive (and impressive!) choreography on the road today.” The cast of Jellicle cats include Phillip Deceus as “Alonzo,” McGee Maddox as “Bill Bailey/Rum Tum Tugger,” Lexie Plath as “Bombalurina,” Mariah Reives as “Cassandra,” PJ DiGaetano as “Coricopat,” Liz Schmitz as “Demeter,” Keri René Fuller as “Grizabella,” Kaitlyn Davidson as “Jellylorum,” Emily Jeanne Phillips as “Jennyanydots,” Tion Gaston as “Mistoffelees,” Tony d'Alelio as “Mungojerrie,” Dan Hoy as “Munkustrap,” Timothy Gulan as “Peter/Bustopher Jones/Asparagus,” Tyler John Logan as “Plato/Macavity,” Anthony Michael Zas as “Pouncival,” Rose Iannaccone as “Rumpelteazer,” Ahren Victory as “Sillabub,” Ethan Saviet as “Skimbleshanks,” Laura Katherine Kaufman as “Tantomile,” Devin Neilson as “Tumblebrutus,” Brandon Michael Nase as “Victor/Old Deuteronomy,” Caitlin Bond as “Victoria,” along with Zachary S.
    [Show full text]
  • Aladdin2005.Pdf
    a new version by Bille Brown Director Sean Mathias original score by Gareth Valentine Designer John Napier additional song 'I Believe in You' Choreographer Wayne McGregor music by Elton John & lyrics by Lee Hall Musical Supervisor Gareth Valentine Costumes Mark Bouman Producer David Liddiment Lighting David Hersey Executive Producer Colin Ingram Casting Director Jill Green CDG Sound Fergus O'Hare Production Manager Dominic Fraser Orchestrations Chris Walker Assistant Director Paul Warwick Griffin Assistant Choreographer Laila Diallo Musical Director Kevin Amos Additional script Paul Alexander Designs inspired bythe drawings of Flo Perry First performance at The Old Vic Wednesday 7 December 2005 CARST in ORDER F OR LADD IN 0F AP FE ARANC Am Abbanazar Roger Allam Company Manager (OVTQ Jane Semark Aladdin Neil McDermott Stage Manager Simon Ash Hanky Matthew Wolfenden Deputy Slage Manager Nicole Keighley Panky Andrew Spillett Assistant Stage Managers Martha Mamo Dim Sum Frances Barber Sarah Winborn WidowTwankey Ian McKellen Costume Supervisor Tracey Stiles Princess Kate Gillespie Head of Wardrobe (OVTQ Fiona Lehmann Emperor Paul Grunert Deputy Head of Wardrobe (OVTQ Louise Askins Genie Tee Jaye Wigs Supervisor Joanna Taylor Ensemble Marina Abdeen Head of Wigs Rick Strickland Madalena Alberto Deputy I lead of Wigs Emma Sharp Gary Amers Properties Supervisor Tracey Clarke Alistair David Head of Lighting (OVTC) Stuart Crane Steve Fortune Deputy Head of Lighting (OVTQ Andrew Taylor Emma Harris Head of Stage (OVTQ PJ Holloway Victoria Hinde Deputy
    [Show full text]
  • BRIGHT SHADOWS —We Create Shadow—
    GOBOLAND NEWSLETTER • 2007 • n°5 BRIGHT SHADOWS —We Create Shadow— WYatt ENEVER JOINS GOBOLAND Goboland would like to announ– ce the appointment of gobo guru Wyatt Enever as exclusive consultant to their fast growing, innovative company. Based in the UK office alongside Head of UK Operations Vicky Fairall, Enever will become part of the expanding international team which covers the USA and Asia photo: Lee Baldock as well as Europe. Ivo Dielen, Managing Director of Goboland says, ‘We are very pleased to have Wyatt on board. We pride ourselves on our innovation and the way we respond to customers’ demands in technical devel- opment. To have someone of Wyatt’s experience and knowledge working with us will be invaluable in the future development of the company’ A leading light in the technical development of gobo manufacture and production, Enever was a found- ing member of DHA Lighting Ltd, alongside David Hersey, where he was Managing Director for almost 20 years. When DHA Lighting was finally sold to Rosco in 2005, Enever returned to his photographic roots by setting up Studio Wyatt, specialising in large format projection work and producing large format slides for the Royal National Theatre, the Royal Opera House, the RSC and various other set and lighting designers using PANI, PIGI, EDITORIAL DERKSEN, GRIVEN and STARK projectors. Enever was also responsible for producing numerable bespoke projection solutions, such as renewed versions of some older established VSFX cloud Dear Lighting Professional, and rain discs, using traditional as well as digital photographic tech- niques and in house Cibachrome production. This 5th edition of Bright Shad- Two years down the line Enever has returned to his specialism in ows brings you news of the rapid expansion of Goboland.
    [Show full text]