Performative State-Formation in the Early
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Interpreting Balinese Culture
Interpreting Balinese Culture: Representation and Identity by Julie A Sumerta A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Public Issues Anthropology Waterloo, Ontario, Canada, 2011 © Julie A. Sumerta 2011 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. Julie A. Sumerta ii Abstract The representation of Balinese people and culture within scholarship throughout the 20th century and into the most recent 21st century studies is examined. Important questions are considered, such as: What major themes can be found within the literature?; Which scholars have most influenced the discourse?; How has Bali been presented within undergraduate anthropology textbooks, which scholars have been considered; and how have the Balinese been affected by scholarly representation? Consideration is also given to scholars who are Balinese and doing their own research on Bali, an area that has not received much attention. The results of this study indicate that notions of Balinese culture and identity have been largely constructed by “Outsiders”: 14th-19th century European traders and early theorists; Dutch colonizers; other Indonesians; and first and second wave twentieth century scholars, including, to a large degree, anthropologists. Notions of Balinese culture, and of culture itself, have been vigorously critiqued and deconstructed to such an extent that is difficult to determine whether or not the issue of what it is that constitutes Balinese culture has conclusively been answered. -
Summer 2020 REDO for Online.Indd
Summer 2020 REVISED Summer 2020 at | cmu.edu/osher w CONSIDER A GIFT TO OSHER To make a contribution to the Osher 4.0 Capital Project, please call the office at 412.268.7489, go through the Osher website with a credit card, or mail a check to the office. All checks must be made payable to: "Carnegie Mellon University," with a memo of "Osher 4.0 Capital Project". Thank you in advance for your generosity. BOARD OF DIRECTORS CURRICULUM COMMITTEE OFFICE STAFF Jim Reitz, President Gary Bates Lyn Decker, Executive Director Allan Hribar, Vice-President Lester Berkowitz Olivia McCann, Administrator / Programs Jan Hawkins, Secretary John Brown Chelsea Prestia, Administrator / Publications Marcia Taylor, Treasurer Maureen Brown Kate Lehman, Administrator / General Office John Olmsted, Past President Flip Conti Ann Augustine Jan Davis Rosalie Barsotti Lyn Decker CATALOG EDITORS Gary Bates Mary Duquin Chelsea Prestia, Editor Jeffrey Holst Anna Estop Olivia McCann Ann Isaac Byron Gottfried Helen-Faye Rosenblum Raja Sooriamurthi Marilyn Maiello Rosalyn Treger Jeffrey Swoger Enid Miller Kate Lehman Randy Weinberg Helen-Faye Rosenblum Mark Winer Judy Rubinstein CONTACT INFORMATION Rochelle Steiner Osher Lifelong Learning Institute Jeffrey Swoger Carnegie Mellon University Rebecca Culyba, Randy Weinberg Associate Provost 4614 Wean Hall and University Liaison 5000 Forbes Avenue Pittsburgh, PA 15213-3815 Please include your return address on all mail sent to the Osher office. Phone: 412.268.7489 Email: [email protected] Website: cmu.edu/osher ON THE COVER Though the Gates and Hillman Centers usually provide a space for intellectual stimulation, the outdoor volleyball court allows for a sense of relaxation and rejuvenation for the CMU community. -
Tenth Conference on Cuban and Cuban-American Studies
Cuban Research Institute School of International and Public Affairs Tenth Conference on Cuban and Cuban-American Studies “More Than White, More Than Mulatto, More Than Black”: Racial Politics in Cuba and the Americas “Más que blanco, más que mulato, más que negro”: La política racial en Cuba y las Américas Dedicated to Carmelo Mesa-Lago February 26-28, 2015 WELCOMING REMARKS I’m thrilled to welcome you to our Tenth Conference on Cuban and Cuban-American Studies. On Friday evening, we’ll sponsor the premiere of the PBS documentary Cuba: The Forgotten Organized by the Cuban Research Institute (CRI) of Florida International University (FIU) Revolution, directed by Glenn Gebhard. The film focuses on the role of the slain leaders since 1997, this biennial meeting has become the largest international gathering of scholars José Antonio Echeverría and Frank País in the urban insurrection movement against the specializing in Cuba and its diaspora. Batista government in Cuba during the 1950s. After the screening, Lillian Guerra will lead the discussion with the director; Lucy Echeverría, José Antonio’s sister; Agustín País, Frank’s As the program for our conference shows, the academic study of Cuba and its diaspora brother; and José Álvarez, author of a book about Frank País. continues to draw substantial interest in many disciplines of the social sciences and the humanities, particularly in literary criticism, history, anthropology, sociology, music, and the On Saturday, the last day of the conference, we’ll have a numerous and varied group of arts. We expect more than 250 participants from universities throughout the United States and presentations. -
Artist, Attorney Present Two Views of the Innocence Project by Beth Orbison, Esq
the side bar THE NEWSLETTER OF THE WESTMORELAND BAR ASSOCIATION VOLUME XXI, NUMBER 4 AUGUST 2009 Wrongful Convictions Artist, Attorney Present Two Views of The Innocence Project by Beth Orbison, Esq. is a series of breathtaking portraits done in an rongful expressionistic style that convictions are depicts the complicated, W not isolated, emotional landscapes of rare events. Innocent men who have suffered people languishing in years of incarceration prison or worse—being put for crimes they did not to death for crimes they did commit. In doing these not commit—should be paintings for the exhibit— intolerable to everyone,” simply entitled “Resurrected” says Dan Bolick about why in the Walsh Gallery at the he was inspired to paint Westmoreland Museum larger-than-life portraits of until September 6, 2009— ten wrongfully convicted L Bolick wanted to humanize men who were exonerated Artist Daniel Bolick and Innocence Project Staff Attorney Craig the men, literally giving a as a result of the efforts of Cooley were the featured speakers at the WBA Summer Quarterly face to their plight, and to The Innocence Project. Meeting held at the Westmoreland Museum of American Art in July. demonstrate that this could The Innocence Project is happen to anyone. an organization dedicated to using the meeting at the Westmoreland Museum Mr. Cooley, a native of Plum latest scientific evidence to exonerate of American Art where featured Borough in Allegheny County, is wrongfully convicted men and women. speakers—artist Daniel Bolick and one of six full-time staff attorneys who Founded in 1992 by Barry C. Scheck Craig M. -
Body of Tradition: Becoming a Woman Dalang in Bali
Body of Tradition: Becoming a Woman Dalang in Bali A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jennifer L. Goodlander August 2010 © 2010 Jennifer L. Goodlander. All Rights Reserved. 2 This dissertation titled Body of Tradition: Becoming a Woman Dalang in Bali by JENNIFER L. GOODLANDER has been approved for the Interdisciplinary Arts and the College of Fine Arts by William F. Condee Professor of Theater Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GOODLANDER, JENNIFER L., Ph.D., August 2010, Interdisciplinary Arts Body of Tradition: Becoming a Woman Dalang in Bali (248 pp.) Director of Dissertation: William F. Condee The role of women in Bali must be understood in relationship to tradition, because “tradition” is an important concept for analyzing Balinese culture, social hierarchy, religious expression, and politics. Wayang kulit, or shadow puppetry, is considered an important Balinese tradition because it connects a mythic past to a political present through public, and often religiously significant ritual performance. The dalang, or puppeteer, is the central figure in this performance genre and is revered in Balinese society as a teacher and priest. Until recently, the dalang has always been male, but now women are studying and performing as dalangs. In order to determine what women in these “non-traditional” roles means for gender hierarchy and the status of these arts as “traditional,” I argue that “tradition” must be understood in relation to three different, yet overlapping, fields: the construction of Bali as a “traditional” society, the role of women in Bali as being governed by “tradition,” and the performing arts as both “traditional” and as a conduit for “tradition.” This dissertation is divided into three sections, beginning in chapters two and three, with a general focus on the “tradition” of wayang kulit through an analysis of the objects and practices of performance. -
State-In-Society 2.0: Toward Fourth-Generation Theories of the State
Review Article State-in-Society 2.0: Toward Fourth-Generation Theories of the State Yuhua Wang James C. Scott, Against the Grain: A Deep History of the Earliest States (New Haven: Yale University Press, 2017). David Stasavage, The Decline and Rise of Democracy: A Global History from Antiquity to Today (Princeton: Princeton University Press, 2020). Daron Acemoglu and James A. Robinson, The Narrow Corridor: States, Societies, and the Fate of Liberty (New York: Penguin Press, 2019). Keywords: the state, state formation, state development, democracy, state–society relations. The state is the most powerful organization in human history. Since the first signs of an early state in Mesopotamia around 4000 to 2000 BCE, the state as an institutional structure has undergone numerous transformations in size, function, form, and strength. It has become an organization we cannot live without. How were states formed? Why did they take different paths of development? Why are some states strong and others weak? Why are some states ruled by a democratically elected leader, while others are ruled by an autocrat? These are among the most time- honored questions that have produced generations of remarkable scholarship in the social sciences. I characterize modern social scientific studies of the state as comprising three generations. The first generation, represented in pluralist, structural-functionalist, and neo- Marxisttraditionsdatingbacktothe1950s–70s, takes a society-centered perspective: it views the state as an arena in which different social groups and classes vie for power. The second generation, best reflectedinthemovementto“bring the state back in” in the 1980s, takes a state-centered perspective: it treats the state as an independent actor that is doi: 10.5129/001041521X16184035797221 1 Comparative Politics October 2021 autonomous from society. -
The Trial of David Bradford by William Cameron © 2019 Page | 1 (A
The Trial of David Bradford by William Cameron © 2019 P a g e | 1 (A courtroom. The actor portraying Daniel REDICK, in plain contemporary dress, addresses the audience.) REDICK David Bradford got away. The Whiskey Rebellion’s notorious leader escaped and never faced trial for his allegedly treasonous actions during the Insurrection of 1794. According to the tale that everyone tells but no one believes, David Bradford was enjoying the comforts of his palatial home, perhaps enjoying a whiskey, when word came that a cavalry unit with orders to arrest him was just outside the gate. Our intrepid protagonist leapt from a rear second-story window onto his faithful steed who, by some miracle, was not only saddled up and ready to go, but knew just where to stand. David then rode off into the autumn night, the cavalry hot on his trail but clearly no match for his superior horsemanship. (The actor begins to don his costume—suitable for a prominent attorney in 1795 America.) It’s nonsense, of course. In truth, Bradford left town in a most unhurried fashion and traveled in relative comfort on a coal barge down the Ohio River. I’m sure it was a most pleasant voyage. (Beat, as the actor dons his wig, continues to prepare.) I like to believe David Bradford made up that first story himself. It does allow him a mythical status that, perhaps, he deserves. Of course, he could’ve secured that status in another way, and that is what brings us here this evening. Let’s imagine, shall we, that, oh…say, when David Bradford leapt from that rear window, his horse wasn’t quite so accommodating, and the poor man ended up on his seditious backside in the rose bushes. -
Mvskoke-Nene Momis Komet Yvkvpvkkeyetos/We Keep Walking
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2021 Mvskoke-Nene momis komet Yvkvpvkkeyetos/We Keep Walking the Mvskoke Path: A Reflexive and Phenomenological Ethnographic Study of the Ceremonial Beliefs and Practices of a Modern Mvskoke Community in Florida Christopher B. Bolfing University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Religious Thought, Theology and Philosophy of Religion Commons, and the Social and Cultural Anthropology Commons Citation Bolfing, C. B. (2021). Mvskoke-Nene momis komet Yvkvpvkkeyetos/We Keep Walking the Mvskoke Path: A Reflexive and Phenomenological Ethnographic Study of the Ceremonial Beliefs and Practices of a Modern Mvskoke Community in Florida. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3963 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Mvskoke-Nene momis komet Yvkvpvkkeyetos/We Keep Walking the Mvskoke Path: A Reflexive and Phenomenological Ethnographic Study of the Ceremonial Beliefs and Practices of a Modern Mvskoke Community in Florida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology by Christopher B. Bolfing Texas State University – San Marcos Bachelor of Arts in Philosophy and Anthropology, 2010 Texas State University – San Marcos Master of Arts in Anthropology, 2012 May 2021 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. _________________________________ Kirstin Erickson, Ph.D. Dissertation Director _________________________________ ________________________________ JoAnn D’Alisera, Ph.D. -
Performance, Not Performativity: an Embodied Critique of Post-Structural IR Theory
Performance, Not Performativity: An Embodied Critique of Post-Structural IR Theory Ringmar, Erik 2014 Link to publication Citation for published version (APA): Ringmar, E. (2014). Performance, Not Performativity: An Embodied Critique of Post-Structural IR Theory. Paper presented at Performativity and Agency in International Politics, Goethe Universitet, Frankfurt/Main, Germany. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 04. Oct. 2021 Performance, Not Performativity: An Embodied Critique of Post-structural IR Theory Erik Ringmar, Lund University, Sweden Much of what takes place in world politics is best described not as events but as performances. Things are not just happening by themselves, but they are staged and made to happen, and to appear, in a certain fashion. -
Emergence of Chiefdoms and States: a Spectrum of Opinions
Emergence of Chiefdoms and States: A Spectrum of Opinions Leonid E. Grinin Volgograd Centre for Social Research Andrey V. Korotayev Institute of Oriental Studies, Russian Academy of Sciences, Moscow INTRODUCTION As has been already mentioned in the introductory editorial com- ment that opens this issue, the discussion has demonstrated a pro- found interest in its subject, and we would like to express our grati- tude to Carneiro and all the discussants. This discussion presents a very wide spectrum of opinions on a rather wide range of impor- tant topics. One can also find a wide spectrum of opinions, a sort of unique snapshot of the current state of Political Anthropology as regards the study of the emergence of chiefdoms and states, as well as the driving forces of sociopolitical evolution. The discussion has demonstrated that none of the proposed ap- proaches can be characterized as being absolutely right. In certain respects the presented critique of some points of Carneiro's theory looks convincing, but in some other cases Carneiro's reasoning ap- pears more persuasive. Below we shall try to make as more an ob- jective assessment of the present discussion as possible. CARNEIRO'S UNEXPECTED DECISION Carneiro's circumscription theory has become very widely recog- nized in the sense that it is always taken into account when the leading approaches to the study of state formation are analyzed. Almost all the discussants (further also referred to as participants) recognize certain merits of this theory, even when disagreeing with Carneiro or criticizing its certain points. Some participants of our Social Evolution & History, Vol. -
The Whiskey Rebellion and a Fractured Early Republic
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 12-2013 A Nation That Wasn't: The Whiskey Rebellion and a Fractured Early Republic Kevin P. Whitaker Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the United States History Commons Recommended Citation Whitaker, Kevin P., "A Nation That Wasn't: The Whiskey Rebellion and a Fractured Early Republic" (2013). All Graduate Plan B and other Reports. 345. https://digitalcommons.usu.edu/gradreports/345 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. A NATION THAT WASN'T: THE WHISKEY REBELLION AND A FRACTURED EARLY REPUBLIC by Kevin P. Whitaker A plan-B thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ________________________ ________________________ Kyle T. Bulthuis Keri Holt Major Professor Committee Member __________________________ James E. Sanders Committee Member UTAH STATE UNIVERSITY Logan, UT 2013 1 Scholars often present nationalism as a cohesive social construction, modeled on Benedict Anderson's theory of imagined communities.1 The strength and popularity of Anderson's immensely useful paradigm of nationalism, however, perhaps leads to excited scholars over-extending his theory or seeing imagined communities that are little more than imaginary. The early Republic forms one such historical time period where, evidence suggests, historians have conjured nationalism where only a fractured nation existed. -
The Following Excerpt from the Book "Law Miscellanies" by Hugh Henry
The following excerpt from the book "Law Miscellanies" by Hugh Henry Backenridge was edited and published on this site by Richard R Gideon In 1814, two years before his death, Pennsylvania Supreme Court Justice Hugh Henry Brackenridge published a book that he intended as an introduction to the study of law. It had the ponderous title, "LAW MISCELLANIES: AN INTRODUCTION TO THE STUDY OF THE LAW, NOTES ON BLACKSTONE'S COMMENTARIES, SHEWING THE VARIATIONS OF THE LAW OF PENNSYLVANIA FROM THE LAW OF ENGLAND, AND WHAT ACTS OF ASSEMBLY MIGHT REQUIRE TO BE REPEALED OR MODIFIED; OBSERVATIONS ON SMITH'S EDITION OF THE LAWS OF PENNSYLVANIA; STRICTURES ON DECISIONS OF THE SUPREME COURT OF THE UNITED STATES, AND ON CERTAIN ACTS OF CONGRESS, WITH SOME LAW CASES, AND A VARIETY OF OTHER MATTERS, CHIEFLY ORIGINAL." Although meant for law students, and rather dry in most places, Brackenridge nonetheless opens up new perspectives on the early Federal period in America. Hugh Henry Barckenridge was born in Scotland and emigrated to America with his parents when only five years of age. He was possessed of a superior intellect and took degrees from Princeton University, then know as the College of New Jersey. Admitted to the practice of law in 1781, and deciding there were too many lawyers in his Philadelphia hometown, Brackenridge removed to the Western country and the village of Pittsburgh. He quickly established himself in practice and local politics. Over time Brackenridge's career took many twists and turns; he was at times very popular with the locals, but often exercised his talent for rubbing people the wrong way.