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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
The Broken Ideals of Love and Family in Film Noir
1 Murder, Mugs, Molls, Marriage: The Broken Ideals of Love and Family in Film Noir Noir is a conversation rather than a single genre or style, though it does have a history, a complex of overlapping styles and typical plots, and more central directors and films. It is also a conversation about its more common philosophies, socio-economic and sexual concerns, and more expansively its social imaginaries. MacIntyre's three rival versions suggest the different ways noir can be studied. Tradition's approach explains better the failure of the other two, as will as their more limited successes. Something like the Thomist understanding of people pursuing perceived (but faulty) goods better explains the neo- Marxist (or other power/conflict) model and the self-construction model. Each is dependent upon the materials of an earlier tradition to advance its claims/interpretations. [Styles-studio versus on location; expressionist versus classical three-point lighting; low-key versus high lighting; whites/blacks versus grays; depth versus flat; theatrical versus pseudo-documentary; variety of felt threat levels—investigative; detective, procedural, etc.; basic trust in ability to restore safety and order versus various pictures of unopposable corruption to a more systemic nihilism; melodramatic vs. colder, more distant; dialogue—more or less wordy, more or less contrived, more or less realistic; musical score—how much it guides and dictates emotions; presence or absence of humor, sentiment, romance, healthy family life; narrator, narratival flashback; motives for criminality and violence-- socio- economic (expressed by criminal with or without irony), moral corruption (greed, desire for power), psychological pathology; cinematography—classical vs. -
UNIVERSITY CHAPTER Adelphi University Phi Upsilon Ashland
The chapters listed below took in their full complement (3% of FSL community), or more than 75 new members during the 2016-2017 academic year, and are eligible to have 3 members apply for our Fall scholarship awards. Please contact HQ with any questions about this information. UNIVERSITY CHAPTER Adelphi University Phi Upsilon Ashland University Epsilon Alpha Austin Peay State University Iota Chi Baylor University Theta Lambda Birmingham-Southern College Eta Xi Bridgewater State University Rho Nu Bryant University Nu Beta California State University, San Bernardino Kappa Omega California State University, San Marcos Chi Lambda California University of Pennsylvania Omicron Omicron Capital University Rho Omicron Centenary College of Louisiana Tau Theta Christopher Newport University Iota Iota Clarion University of PA Xi Lambda Clarkson University Eta Iota Clemson University Epsilon Kappa Coastal Carolina University Sigma Eta Colorado School of Mines Mu Theta Colorado State University Epsilon Delta Cornell University Beta Upsilon DePauw University Gamma Upsilon Dickinson College Sigma Omicron Doane College Phi Delta East Central University Xi Kappa Eastern Illinois University Alpha Theta The chapters listed below took in their full complement (3% of FSL community), or more than 75 new members during the 2016-2017 academic year, and are eligible to have 3 members apply for our Fall scholarship awards. UNIVERSITY CHAPTER Eastern Kentucky University Beta Epsilon Edinboro University of Pennsylvania Sigma Upsilon Embry-Riddle Aeronautical University (Prescott) Sigma Omega Florida Institute of Technology Lambda Psi Florida International University Lambda Phi Franklin College Omicron Xi Gettysburg College Iota Tau Hartwick College Eta Chi Heidelberg University Theta Alpha Illinois Institute of Technology Tau Eta Illinois State University Epsilon Theta Jacksonville State University Gamma Epsilon Jacksonville University Beta Zeta John Carroll University Upsilon Rho Johnson & Wales University, N. -
Sun Valley Serenade Orchestra Wives
Sun Valley Serenade Orchestra Wives t’s funny how music can define an entire come one of Miller’s biggest hits, “Chattanooga We also get some wonderful Harry Warren and era, and Glenn Miller’s unique sound did Choo Choo,” which, in the film, is a spectacu- Mack Gordon songs, including “At Last” (the Ijust that. It is not possible to think of World lar production number with Dandridge and The castoff from Sun Valley Serenade), “Serenade War II without thinking of the Miller sound. It Nicholas Brothers. Another great new song, “At in Blue,” “People Like You and Me,” and the was everywhere – pouring out of jukeboxes, Last,” was also recorded for the film, but wasn’t instant classic, “I’ve Got a Gal in Kalamazoo.” radios, record players. Miller had been strug- used, except as background music for several The latter was, like “Chattanooga Choo Choo,” gling in the mid-1930s and was dejected, but scenes. The song itself would end up in the nominated for an Oscar for Best Song. It knew he had to come up with a unique sound next Miller film. lost to a little Irving Berlin song called “White to separate him from all the others – and, of Christmas.” course, the sound he came up with was spec- “Chattanooga Choo Choo” hit number one on tacular and the people ate it up. His song the Billboard chart in December of 1941 and George Montgomery’s trumpet playing was “Tuxedo Junction” sold 115,000 copies in one stayed there for nine weeks. The song was dubbed by Miller band member, Johnny Best week when it was released. -
For More Information About Organizations at the University Of
Engineers Climbing Club American Society of Civil Engineers Cognition, Learning, and Development Student American Society of Interior Designers Organization American Society of Landscape Architects Student College of Agricultural Sciences & Natural Chapter Resources Advisory Board American Society of Mechanical Engineers College of Business Administration Student For more information about organizations at Amnesty International Advisory Board the University of Nebraska–Lincoln, check out Animal Science Graduate Student Association College of Business Administration Student involved.unl.edu or call Student Involvement Anthro Group Ambassador Program at 402.472.6797 Arnold Air Society College of Education & Human Sciences Advisory Art League Board 453 Disaster Relief Art Without Walls College of Engineering Ambassadors Abel Residence Association Arts and Sciences Student Advisory Board College of Journalism and Mass Communications ACACIA Asian World Alliance (CoJMC) Ambassadors Actuarial Science Club Associated General Contractors College Republicans Advertising Club Association for Computing Machinery Collegiate Entrepreneurs Organization Afghan Renascent Youth Association Association of Non-Traditional Students Collegiate Music Educators National Conference Afghan Student Association ASUN “Communication Studies Club, UNL” African Student Association Athletic Training Student Association Computer Science and Engineering Graduate Afrikan Peoples Union Azerbaijani American Association Student Association Agricultural Communicators of Tomorrow -
What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas
Exploring American Music: What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas Table of Contents Acknowledgement of the Symphony League 1 History of the SOST 2 What is an Orchestra? 3 Who is the Conductor? 4 Audience Etiquette 5 Exploring American Music—What Is Jazz?: An Overview 6 Exploring American Music—What Is Jazz?: Repertoire Duke Ellington (1899–1974): “It Don’t Mean Thing” 9 Scott Joplin (c. 1867–1917): “The Ragtime Dance” 11 Dr. Tim Dueppen: What Is Improvisation? 13 George Gershwin (1898-1937): “Summertime” from Porgy and Bess 15 Joseph Haydn (1732-1809): Concerto for Piano [Soloist: Seth Weeks] 17 Satchmo! A Tribute to Louis Armstrong: arr. Ted Ricketts 19 “A Salute to the Big Bands”: arr. Custer 21 My Concert Journal 23 Musical Terms 24 About the Teacher’s Guide 25 0 Exploring American Music: What Is Jazz? Concert on April 15, 2020 Symphony of Southeast Texas Acknowledgement of the Symphony League of Beaumont In 1955 a group of dedicated symphony supporters formed the Beaumont Symphony Women’s League Inc. Although the name changed in 1993 to the Symphony League of Beaumont, the purpose and commitment remain the same. The League’s mission is to support and promote the growth of the Symphony of Southeast Texas (SOST) and to foster and encourage musical education, participation, and appreciation of the membership and the general public. This organization provides generous financial support and essential services to the orchestra. Their annual String Competition, Youth Guild, Symphony Belles debutante program, and Junior Escorts encourage future generations of musicians, music lovers, and Symphony supporters. -
Copper Issue 15
Copper Issue 15 September 12, 2016 Table of Contents Opening Salvo: Future And Past ........................................................................................... 1 Incoming Letters: What’s New? ............................................................................................. 3 Quibbles and Bits: Sigma–Delta Modulators – Part I ........................................................ 12 The Audio Cynic: Wes Phillips: RIP ..................................................................................... 16 Music, Audio, and Other Illnesses: The Tuesday Night Music Club ............................... 18 Back to Basics: What is a CD player? ................................................................................. 21 Too Much Tchaikovsky: The Fine Print ............................................................................... 25 Make It Yourself: How to Make a $50 High-End XLR Interconnect ................................ 28 Behind the Glass: Wingin’ It ................................................................................................ 36 Vintage Whine: Where Are They Now? ............................................................................... 39 Music to My Ears: Swing, Swing, Swing ............................................................................. 43 Featured: Subwoofery: Trick or Treat? .............................................................................. 46 Featured: Who Are The Modern Audiophiles? .................................................................. -
G Sisterh~ to Lfe
g Sisterh~ to Lfe Volume 106, Issue I The official magazine ot Sigma Kappa Sorority founded at Colby College. Waterville. ME. November 9. 1874 Sigma Kappa National Headquarters SERENDIPITOUS SISTERS 8733 Founders Road Indianapolis. IN 46268 Telephone: 317-872-3275 A Chance Meeting Leads to Friendship FAX: 317-872-0716 www.slgmakappa.org Hours of operation: 8 a.m.-5 p.m. Anetwork of sisters across the country is one of the perks of being a part of a Monday-Friday national organization such as Sigma Kappa, and sometimes, a chance meeting Director of Publications with a sister can lead to a great friendship. Nicole Flier, Theta Kappa, Mallory R. Curtis. Delta Delta University of Southern California, and Alexandra Shultz, Zeta, George Associate Director of Publications Washington University, have such a story. Alexandra is a writer for Rachel M . Nelson Boca Alumnae Editor Magazine, a popular publication in her hometown of Boca Raton, Florida. Melissa Wilmer Seeley. Epsilon Tau She was asked to interview Nicole, who had recently won an award for young 13816 Loretta Drive professionals, for the magazine. While doing some background research, she Tustin. CA 92780 ColJegiate Editor was excited to find out that Nicole was also a Sigma Kappa. "On the day of Lauren Bennett Cameron. XI our interview," said Nicole, "we spent more time talking about Sigma Kappa 2826 Valley View Terrace Jefferson City. MO 651 09-1 054 days than we did interviewing!" They connected over their Sigma Kappa bond Production and struck up an immediate friendship. Nicole shared that "you never know United Litho. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
2020 Chapter City Assignments (Updated September 24, 2019)
2020 CHAPTER CITY ASSIGNMENTS (UPDATED SEPTEMBER 24, 2019) Chapter city assignments are based on proximity to the Pi Kapp College for Chapter Officers location and hotel capacity. Requests to change your chapter’s city assignment should be e-mailed to Assistant Director of Training & Development Rebecca Curtis ([email protected]) by no later than Wednesday, December 4th. Chapter City Alpha Phi (Illinois Tech) CMH Alpha AC (College of Charleston) CLT Alpha Chi (Miami) CLT Beta (Presbyterian) CLT Alpha Psi (Indiana) CMH Gamma (UC - Berkeley) LAX Alpha Omega (Oregon) LAX Delta (Furman) CLT Beta Alpha (NJIT) BDL Zeta (Wofford) CLT Beta Beta (Florida Southern) ATL Theta (Cincinnati) CMH Beta Gamma (Louisville) CMH Iota (Georgia Tech) ATL Beta Epsilon AC (Missouri) CMH Kappa (UNC - Chapel Hill) CLT Beta Theta (Arizona) LAX Lambda (Georgia) ATL Beta Iota (Toledo) CMH Mu (Duke) CLT Beta Kappa (Georgia State) ATL Nu (Nebraska) DFW Beta Lambda (Tampa) ATL Xi (Roanoke) CLT Beta Nu (Houston) DFW Omicron (Alabama) ATL Beta Xi (Central Michigan) CMH Rho (Washington & Lee) CLT Beta Omicron (Northwestern State) DFW Sigma (South Carolina) CLT Beta Upsilon (Virginia) CLT Tau (NC State) CLT Gamma Beta (Old Dominion) CLT Upsilon (Illinois) CMH Gamma Gamma (Troy) ATL Chi (Stetson) ATL Gamma Epsilon (Western Carolina) CLT Psi (Cornell) BDL Gamma Theta (UNC - Wilmington) CLT Omega (Purdue) CMH Gamma Kappa (Georgia Southern) ATL Alpha Alpha (Mercer) ATL Gamma Lambda (Missouri S&T) CMH Alpha Gamma (Oklahoma) DFW Gamma Nu (LaGrange) ATL Alpha Delta (Washington) -
Indigenous Peoples' Innovation
indigenous peoples’ innovation Intellectual Property Pathways to Development indigenous peoples’ innovation Intellectual Property Pathways to Development Edited by Peter Drahos and Susy Frankel Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Indigenous people’s innovation : intellectual property pathways to development / edited by Peter Drahos and Susy Frankel. ISBN: 9781921862779 (pbk.) 9781921862786 (ebook) Notes: Includes bibliographical references. Subjects: Ethnoscience. Traditional ecological knowledge. Intellectual property. Indigenous peoples--Legal status, laws, etc. Other Authors/Contributors: Drahos, Peter, 1955- Frankel, Susy. Dewey Number: 346.048 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2012 ANU E Press Contents Acknowledgements . .vii List of Acronyms . ix List of Contributors . xiii Preface: Indigenous Innovation: New Dialogues, New Pathways . xv Antony Taubman Director, Intellectual Property Division World Trade Organization 1 . Indigenous Peoples’ Innovation and Intellectual Property: The Issues . 1 Peter Drahos and Susy Frankel 2 . Ancient but New: Developing Locally Driven Enterprises Based on Traditional Medicines in Kuuku I’yu Northern Kaanju Homelands, Cape York, Queensland, Australia . 29 David J. Claudie, Susan J. Semple, Nicholas M. Smith and Bradley S. Simpson 3 . ‘It would be good to know where our food goes’: Information Equals Power? . -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.