Manual for Preserving and Digitising AV Archives
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Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
Dumb Crooks Tech~No
DUMB CROOKS TECH~NO Even more proof that crime doesn't pay. For every new electronic gadget that flies off the shelves, a dozen more sit there and gather dust. Here are some techno-flops. OVE AT FIRST SLICE "Police in New Castle County, Delaware, say three young INIDISCS Lmen ordered two pepperoni pizzas from Domino's Pizza, and To compete with the compact disc in 1992, Sony intro· when the 18-year-old delivery woman arrived they stole the pizzas Mduced the MiniDisc: a three-inch CD housed in a clear (along with $20). A few minutes later one of them called the plastic case. It combined the sound quality of a CD with the com woman to ask her out on a date. 'He said, "I'm sorry I robbed you. pactness and portability of a cassette. Despite Sony's huge market· You're pretty,"' said police chief David McAllister. She politely ing push on MTV, American consumers didn't bite-the MiniDisc declined his offer, then turned his cell phone number over to the was perceived as just a miniature CD. Minis also cost $5 more cops, who charged him with second-degree robbery. 'I suppose he than COs, and the new player they required cost more than $500. hopes she doesn't believe in first impressions,' said McAllister." Sony slowly discontinued prerecorded MiniDiscs in the United -CNN States, but blank ones are still a popular format for musicians recording demo tapes. PAINTING HIMSELF INTO A CORNER "In the category of dumbest criminals, consider the fugitive who HIWAYHI-FI took the job painting the Jacksonville Beach Police Department's In 1955 Peter Goldmark of CBS Research (part of Columbia headquarters in March. -
The Criminalization of Private Debt a Pound of Flesh the Criminalization of Private Debt
A Pound of Flesh The Criminalization of Private Debt A Pound of Flesh The Criminalization of Private Debt © 2018 AMERICAN CIVIL LIBERTIES UNION Contents Executive Summary .................................................................................................................................... 4 How the Court System Is Used to Send Debtors to Jail .................................................................... 5 The Role of Civil Court Judges ............................................................................................................. 6 Prosecutors and Debt Collectors as Business Partners ................................................................... 7 A System That Breeds Coercion and Abuse ....................................................................................... 7 Key Recommendations ......................................................................................................................... 7 A Nation of Debtors on the Financial Edge .............................................................................................. 9 The Debt-to-Jail Pipeline ............................................................................................................................12 State and Federal Laws That Allow the Jailing of Debtors .............................................................14 When Judges Reflexively Issue Arrest Warrants for Debtors .......................................................15 How Courts Use the Threat of Jail to Extract Payment ...................................................................16 -
4-16-2005 and God Said
1 “And God Said is far more amazing, inspiring, challenging, profound…than I ever could have imagined.” - Nancy Franken Version: 4-16-2005 AND GOD SAID ______________ a collection of Ancient Plays of Israel __________________ music by Ron Melrose _______________ as directed by Jeff Barker Jeff Barker 321 Albany Avenue NE Orange City, IA 51041 [email protected] 712-707-7093 (office) 712-737-8090 (home) 712-441-3231 (cell) 2 “Stories contain the wisdom and truth of the ages.” Paul Sills, creator of Story Theatre 3 Perusal scripts and sample scores for “And God Said” This script is available for free download at nwciowa.edu/barkerplays In addition, several downloadable, printable segments of the score are available at that site. Complete perusal scores To obtain a complete perusal score, send e-mail address and a check for $25, payable to Winter Bride Music, Inc., to Ron Melrose Winter Bride Music, Inc. 35-07 24th Avenue Astoria, NY 11103 Rights to produce “And God Said” To obtain rights to produce “And God Said,” contact Ron Melrose - at address above - or by phone (718) 721-2730 - or e-mail [email protected] Ron will send out a licensing application and price sheet for full score, vocal score, and instrumental parts. If you’ve already purchased a full perusal score, that amount will be applied as a full credit to the score-and-parts package you select. ALL SCORES AND PARTS WILL BE SENT AS .pdf FILES TO BE PRINTED AT YOUR LOCATION. 4 Acknowledgements The project emanates from the scholarship of Dr. -
Finding Aid for the Moving Images Collection at the Grand Rapids Public Library Collection 175
Finding aid for the moving images collection at the Grand Rapids Public Library Collection 175 This finding aid was produced using ArchivesSpace on August 09, 2021. Describing Archives: A Content Standard Grand Rapids History and Special Collections 111 Library Street NE Grand Rapids, Michigan 49503 [email protected] URL: https://www.grpl.org/research/history/ Finding aid for the moving images collection at the Grand Rapids Public Library Collection 175 Table of Contents Summary Information ......................................................................................................................................... 5 Biographical / Historical ...................................................................................................................................... 8 Scope and Contents .............................................................................................................................................. 9 Arrangement ........................................................................................................................................................ 10 Administrative Information ............................................................................................................................. 11 Controlled Access Headings ............................................................................................................................. 11 Format Codes ...................................................................................................................................................... -
Mellon Guide.Qxd
THE FILM PRESERVATION GUIDE THE BASICS FOR ARCHIVES, LIBRARIES, AND MUSEUMS National Film Preservation Foundation San Francisco, California National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2004 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data The film preservation guide : the basics for archives, libraries, and museums. p. cm. Includes bibliographical references and index. ISBN 0-9747099-0-5 (alk. paper) 1. Motion picture film—Preservation. I. National Film Preservation Foundation (U.S.) TR886.3F58 2003 778.5’8—dc22 2003024032 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Credits Except as noted below, all photographs were provided by Barbara Galasso and the L. Jeffrey Selznick School of Film Preservation at George Eastman House. The following contributed illustrations and text material: American Museum of Natural History (94), Anonymous (67), California Pacific Medical Center (57), Chace Productions Inc. (12 center and right), Duke University (48 top), Estate of Edith Lutyens Bel Geddes and the Harry Ransom Humanities Research Center at the University of Texas at Austin (84), Florida Moving Image Archive (91), Image Permanence Institute at the Rochester Institute of Technology (10 top), Library of Congress (48 bottom, 51, 63, 87), Minnesota Historical Society (92), National Center for Jewish Film (90), Nebraska State Historical Society (69, 73, 74), Northeast Historic Film (back cover, 62 bottom, 76, 85), Oklahoma Historical Society (5), Pacific Film Archive at the University of California at Berkeley (back cover), Sabucat Productions (93), UCLA Film and Tele- vision Archive (86), University of Alaska Fairbanks (40), University of South Carolina Newsfilm Library (89), Visual Communications (58). -
Introduction Developing a Collection Plan
DEVELOPING A COLLECTION PLAN FOR GATHERING VIDEO EVIDENCE FILMING Filming for human rights can be dangerous. It can put you, the people you are filming and the communities you are filming in at risk. Carefully assess the risks before you press “record”. Do your best to implement the guidance below, but understand that nothing stated in this guide is absolute and you should modify the practices to fit your needs. When possible, seek support from local experts. Even if you cannot fully implement this guidance, your footage may still provide valuable information that could lead human rights organizations and advocates to answers and, in turn, to the protection of our basic human rights. INTRODUCTION A Collection Plan is essentially a list that is created by investigators, lawyers, and in some cases human rights activists, to detail: FOR MORE • The Elements of a Crime or Defense, which are the specific things that a lawyer has to prove to: INFORMATION i) find a defendant guilty; or ii) free someone who has been falsely accused of a crime. Elements of a Crime • Any type of evidence (i.e. video, photos, medical records, testimony) the lawyer has already are briefly defined collected to prove each element, or in other words, the “Completed” List; and below, but you can also learn more in • Any type of evidence the lawyer still needs to collect to prove each element, or in other “All About the Law” words, the “To Do” List. bit.ly/ WITNESSLibrary_ VaE 1 VIDEO AS EVIDENCE: COLLECTION PLAN V 1.0 vae.witness.org Who Is THis For? Collection planning is an advanced practice for human rights activists who intentionally seek to capture video footage for human rights documentation and use as potential evidence for long-term justice and accountability. -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll. -
Manual of Analogue Sound Restoration Techniques
MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6 -
Sony : Odwp.Product Information.Title : HDW-D1800 (HDWD1800) : United
Product Information HDW-D1800 HDCAM video tape recorder with CineAlta re- cord feature and MPEG IMX and Digital Betacam playback smooth your transition to the world of high A high definition VTR for prestige and definition. mainstream programme production Features HDCAM recording and playback HDCAM uses intra-frame DCT compression using a compression ratio of about 7:1. There are four channels of 48kHz digital audio at 20-bit resolution. Sony recognises that your needs as a programme Selectable frame rates maker will vary depending upon the type of pro- gramme being made. This has driven the develop- The HDW-D1800 can record and replay at 1080/ ment of a multi-format high definition product of- 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ fering, including HDV for entry-level HD operation, 23.98P and 1080/24P. HDCAM for mainstream and prestige productions and HDCAM SR for productions where only the ul- timate quality will suffice. Compatible replay of standard definition digital cassettes HDCAM has long been associated with the creation of the most prestigious movies, commercials and Both 625/50 and 525/50 MPEG IMX and Digital television programmes. The recent expansion of Betacam cassettes can be replayed. the HDCAM product line up has transformed the economics of HD for mainstream television pro- Built-in up and down converters duction, with models such as the HDW-730S HDCAM camcorder making HD acquisition access- The HDW-D1800 has a built in HD to SD downcon- ible to those working on standard definition verter and a built-in SD to HD upconverter. -
How to Use Folksongs. How to Do It Series, Number 25
DOCUMENT RESUME ED 081 653 SO 006 000 AUTHOR Dufty, David; Scott, John Anthony TITLE How to Use Folksongs. How to Do It Series, Number 25. INSTITUTION National Council for the Social Studies, Washington, D.C. PUB DATE 69 NOTE 8p. AVAILABLE FROMNational Council for the Social Studies, 1201 Sixteenth Street, N.W., Washington, D.C. 20036 ($0.25; Quantity Discounts) EDRS PRICE MF-$0.65 HC Not Available from EDRS. DESCRIPTORS Area Studies; Assembly Programs; Bibliographic Citations; Choruses; *Classroom Techniques; Clubs; Elementary Education; *Folk Culture; *Music; Secondary Education; Singing; *Social Studies; *Teaching Methods; Teaching Models; Teaching Techniques; World Geography IDENTIFIERS *Folksinging ABSTRACT The purpose of this bulletin, one of a series designed to aid the social studies teacher, is to indicate ways in which folksongs can be used in the classroom as a vivid reflection of the history and culture of the common people. An explanation is given of the value of the use of folksongs in the social studies classroom, followed by sections on general principles in using folksongs in the home, nursery school, kindergarten and elementary school, in unit teaching, in high school history courses, in world geography, and extra curricular activities such as folk music assemblies and clubs.. A guide to further study suggests activities for classes, and lists of books, records, and periodicals that may prove helpful to both teacher and student. Although this series is aimed at helping the social studies teacher, English and music instructors will also find this of use in their classes. Related documents are: SO 005 979 through SO 006 000.