DOCSLIB.ORG

Claire Mccardellmccardell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Claire Mccardellmccardell ClaireClaire MM cC cC ard ard ell ell FounderFounder ofof AmericanAmerican ReadyReady--toto--WearWear BackgroundBackground ¾¾BornBorn onon MayMay 2424th 19051905 inin FrederickFrederick MarylandMaryland ¾¾SheShe studiedstudied atat Parson’sParson’s SchoolSchool ofof DesignDesign ¾¾HerHer careercareer startedstarted byby workingworking asas aa modelmodel andand assistantassistant designerdesigner forfor RobertRobert Turk.Turk. ¾¾LaterLater onon sheshe designeddesigned clothesclothes underunder thethe labellabel TownleyTownley FrockFrock byby ClaireClaire McCardellMcCardell.. PhiPhilosophylosophy onon StyleStyle ¾¾HerHer casual,casual, butbut sophisticatedsophisticated clothesclothes withwith functionalfunctional designsdesigns reflectedreflected thethe lifestyleslifestyles ofof thethe AmericanAmerican womanwoman inin thethe 40s40s andand 50s.50s. ¾¾McCardellMcCardell pioneeredpioneered casual,casual, comfortablecomfortable AmericanAmerican sportswearsportswear forfor women.women. PhiPhilosophylosophy onon StyleStyle ¾¾SheShe believedbelieved thatthat women’swomen’s clothesclothes shouldshould bebe durable,durable, versatile,versatile, comfortable,comfortable, flattering,flattering, andand easyeasy toto carecare for.for. ¾¾ “I’ve“I’ve alwaysalways wonderedwondered whywhy women’swomen’s clothesclothes hadhad toto bebe delicatedelicate –– whywhy theythey couldn’tcouldn’t bebe practicalpractical andand sturdysturdy asas wellwell asas feminine.”feminine.” InfluencesInfluences ¾¾WhileWhile studyingstudying forfor aa yearyear inin ParisParis sheshe redraftedredrafted designsdesigns byby ChanelChanel andand Vionnet.Vionnet. ¾¾ThisThis ledled thethe wayway forfor herher ownown style.style. VionnetVionnet’s’s InfluenceInfluence ¾¾McCardellMcCardell waswas ableable toto simplifysimplify Vionnet’sVionnet’s cutcut inin orderorder toto createcreate readyready--toto--wearwear designs.designs. ¾¾Vionnet’sVionnet’s biasbias cutcut ideaidea isis incorporatedincorporated intointo manymany ofof McCardell’sMcCardell’s designs.designs. ChanelChanel’’ss InfluenceInfluence ¾¾McCardellMcCardell updatedupdated Chanel’sChanel’s “little“little blackblack dress”dress” ¾¾InIn 19461946 sheshe createdcreated thethe “Baby“Baby Dress”Dress” whichwhich resembledresembled Chanel’sChanel’s DD e e sign sign TrademTradem arks arks ¾¾WrapWrap aroundaround effectseffects ¾¾SpaghettiSpaghetti shouldershoulder strapsstraps oror beltsbelts ¾¾ShortsShorts ¾¾DirndlDirndl skirtsskirts ¾¾StripedStriped cottoncotton ¾¾DENIMDENIM ¾¾DoubleDouble toptop--stitchingstitching ¾¾BrassBrass hardwarehardware replacingreplacing buttonsbuttons ¾¾LargeLarge patchpatch pocketspockets ¾¾ManyMany waistlineswaistlines MM ajor ajor ContributionsContributions ¾¾PopoverPopover DressDress--19421942 • Unstructured, waist less, wraparound dress, made of unpretentious materials such as denim and calico. • “You just pop it over something nicer underneath” ¾¾MonasticMonastic DressDress-- 19381938 • Waistless, dartless, bias-cut tent dress made of wool jersey • Caused a sensation in 1938 • Extremely radical for that time period This is an example of what the Popover dress looked like. SS wim wim s s uit uit StylesStyles ¾¾SheShe usedused nonnon traditionaltraditional fabricsfabrics inin herher designsdesigns likelike woolwool andand cotton.cotton. ¾¾HalterHalter necks,necks, hoods,hoods, sleeves,sleeves, andand wrappedwrapped waistswaists areare otherother featuresfeatures youyou wouldwould seesee inin herher designs.designs. AA d d apting apting toto thethe ttiimes…mes… ¾¾WWIIWWII actuallyactually helpedhelped herher careercareer ratherrather thanthan hurthurt it.it. ¾¾SheShe adaptedadapted wellwell toto thethe warwar becausebecause thethe guidelineguideline setset byby thethe governmentgovernment didn’tdidn’t effecteffect herher simplesimple stylestyle ofof design.design. ¾¾WhenWhen shoesshoes werewere rationedrationed sheshe introducedintroduced thethe balletballet slipperslipper asas streetstreet wear.wear. AA d d apting apting toto thethe ttiimes…mes… ¾¾TravelTravel waswas becomingbecoming moremore popularpopular andand thethe clothesclothes ofof thethe timetime didn’tdidn’t traveltravel well.well. ¾¾McCardellMcCardell designeddesigned aa sixsix--piecepiece interchangeable,interchangeable, coordinatedcoordinated wardrobewardrobe ofof separatesseparates thatthat allowedallowed womenwomen toto havehave aa varietyvariety ofof choiceschoices withwith justjust aa fewfew garments.garments. ¾¾ByBy thethe 1950s,1950s, herher successsuccess earnedearned herher internationalinternational recognitionrecognition andand ledled toto collaborationscollaborations withwith suchsuch renownedrenowned artistsartists asas Picasso,Picasso, MiroMiro,, andand Chagall,Chagall, allall ofof whomwhom designeddesigned fabricsfabrics forfor McCardell'sMcCardell's 19551955 collections.collections. FF a a shion shion WW alk alk ofof FamFam e e ClaireClaire McCardellMcCardell "One"One ofof thethe mostmost importantimportant fashionfashion designersdesigners ofof thethe 20th20th Century,Century, ClaireClaire McCardellMcCardell helpedhelped createcreate "The"The AmericanAmerican Look."Look." McCardellMcCardell pioneeredpioneered thethe AmericanAmerican stylestyle ofof casualcasual sportswear.sportswear. FF a a shion shion WW alk alk ofof FamFam e e InspiredInspired byby activeactive wearwear andand menswear,menswear, sheshe mademade practical,practical, comfortablecomfortable andand wearablewearable clothes.clothes. SheShe waswas dedicateddedicated toto thethe democratizationdemocratization ofof fashion.fashion. AsAs sheshe onceonce said,said, "I"I belongbelong toto aa massmass productionproduction countrycountry wherewhere anyany ofof us,us, allall ofof us,us, deservedeserve thethe rightright toto goodgood fashion."fashion." The dress on the left is Chanel’s and on the right is McCardell’s. .
Load more

Recommended publications
  • Looking Back at Mccardell: It's a Lot Like Looking at Todayi4
    58 L-f THE NEW YQRK TIMES, WEDNESDAY, MA\ Y 24,1972 — yamily /ood fashions' /iirntshirigs: Looking Back at McCardell: It's a Lot Like Looking at Todayi4 . By BERVADilME MORRIS The Paris fashion world has Chanel as its monument. New 1 ^Yorlc has_CJaire McCardehV "Both- women, though de­ ceased, have influenced the current casual mood of fash­ ion. Chanel invented the sweater, McCardell invented the American Look. » It was born in the Depres-' sion-ridden nineteen-thirties-, flourished during the war •yeara of the forties, felLoff at the end of the fifties (McCardell died in 1958), and all but disappeared, in the sixties, when_Paris regained^ center-stage" with swinging , London close behind. "Now that sportswear, the crux of the American Look, . has: become the dominant- • trend-on Seventh Avenue and other satellite fashion cen­ ters, the Fashion Institute of. Technology felt the time was -rightfor. a McCardell retro- • apettlve. • • • • • ' —• Tt.wasjhcld Monday night In the school's auditorium, 227. West 27th Street, fol­ lowed by a $125-a-person black tie supper dance in the lobby. Like a Premiere Seventh Avenue, which supports the state-run col­ lege, came out in droves. Stu­ dents lined up outside trie *"scTibo1"to cheer arrival fit tlie limousines carrying such per­ sonalities as Lynn Revson (whose- husband,' ChBrles, heads Revlon) in her sequin- sparkling red jacket over a black dress by Norman No- rel);—Beth Levine, the shoe designer, in her Halston caf­ tan, and Jerry Silverman, the., manufacturer, with Pauline Trigdre, in herTrigore. It had all the earmarks of a Hollywood premiere, way hack when.
    [Show full text]
  • THESE THREE TENORS from Broadway to The
    Newsletter of the Hewlett- Woodmere Public Library OverlJULY I AUGUST I SEPTEMBEReaf 2010, VOLUME 46, NUMBER 1 WHAT’S INSIDE OVERLEAF JR. REMOVABLE INSERT Events & Performances Pages 2 Films Pages 6-7 Great Books Discussion Page 4 Great Decisions Page 4 H-WPL Readers Page 5 In the Gallery Page 7 Lectures & Courses Pages 3-5 Become a Friend of the Library The Friends of the Hewlett- Woodmere Public Library take pride and pleasure in enhancing the library experience for the community through cultural programs, concerts, children’s programs, book bags, and giving “gifts” to enhance the facility beyond the budgeting process. So, be a Friend, and join today! All are welcomed to volunteer for Friends’ activities. As a Friend you will have the satisfaction of knowing you are Michael Crouse, Rinaldo Toglia, Thomas Stallone helping your community. Members also participate in advance ticket distribu- ÌF Stuart Fishman Memorial Concert tion days for all Friends’ ticketed events such as concerts and special programs. Out-of-district supporters THESE THREE TENORS are welcomed! Friends’ programs and concerts are identified In Overleaf From Broadway to the Met with an ÌF symbol. Michael Crouse, Rinaldo Toglia, Thomas Stallone To join, fill out forms available at I Sunday, October 3, 2:30 pm the Information Desk, in the Lobby, Now in their tenth year of performing together, These Three Tenors have or at Friends’ programs. performed in major venues throughout the country, overwhelming audiences with Lenore Kramer, President their masterfully arranged programs of classics, ranging from Opera to Broadway. Irene Levy, VP Administration Michael Crouse (“a gifted dramatic tenor.” — The New York Times) brings a Claire Zimmerman, VP Programs dramatic and physical presence to the ensemble.
    [Show full text]
  • Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
    DOCUMENT RESUME ED 449 105 SO 032 503 TITLE Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. INSTITUTION Maryland'State Dept. of Education, Baltimore. SPONS AGENCY Maryland State Dept. of Human Resources, Baltimore.; Maryland State Commission for Women, Baltimore. PUB DATE 2000-00-00 NOTE 160p.; This kit contains a booklet of activities and a packet of black and white photographs of notable Maryland women with profiles of their lives. AVAILABLE FROM Equity Assurance and Compliance Branch, Maryland State Department of Education, 200 West Baltimore Street, Baltimore, MD 21201. Tel: 410-767-0433. PUB TYPE Historical Materials (060) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS *Community Involvement; *Females; *Leaders; *Leadership; Leadership Qualities; *Recognition (Achievement); Secondary Education; Social Studies; State History; *Womens History IDENTIFIERS Biodata; *Maryland ABSTRACT This resource packet highlights over 30 contemporary Maryland women who reveal motivating stories from diverse backgrounds and occupations. The purpose of the packet is to recognize representative women of achievement and to ensure that teachers have the necessary tools to illustrate the extensive leadership and community involvement of Maryland women. The resource packet has three components:(1) display photographs of contemporary Maryland women;(2) descriptive captions to accompany each photograph; and (3)a resource booklet which contains a brief biographical profile of each woman pictured; personal reflections; suggested activities; and a resource directory. (BT) Reproductions supplied_by_EDRS are_the_best that can_be made from the original document. Maryland Women Who Dare: Paving the Way to the New Millennium. Maryland Women's History Display Kit 2000. Maryland State Dept.
    [Show full text]
  • Radio TV Mirror
    . Destroys hidden decay and bad-breath bacteria. It's yours today—a tooth paste with a wonder ingredient so effective /A/-^W4 JjbOtotiC it destroys most decay and bad-breath bacteria with every single brushing. with /> And Ipana combines this protection bacteria-destroyer WD-9 with a new minty flavor your family # IpBna will prefer. Topped all leading tooth pastes in 3159 taste tests. New-formula Ipana Product of Bristol-Myers beat all other leading brands in 3159 "masked-tube" taste tests. It's the best- tasting way to fight decay . stop bad breath all day. Taste it . enjoy it . trust your family's precious teeth to it. At all drug counters in yellow and red- striped carton. Send for generous sample tube. Mail coupon to- day for trial tube (enough for about 25 brusbings) Bristol-Myers Co., Dept. T-114, Hillside, New Jersey Please send trial tube of new-formula Ipana. Enclosed is 3 stamp to cover part cost of handling. Name MAKE YOUR OWN TASTE TEST Street ...., Ipana A/C Tooth Paste (Ammoniated City Zone State Chlorophyll) also contains bacteria-de- {Offer good in continental U.S.A. only. Expires Jan . 31, 1955.) stroyer WD-9 (Sodium lauryl Sulfate) . — NEW! RADIO NOVEMBER, 1954 TVMIRROR VOL. 42, NO. 6 DOCTORS Keystone Edition Ann Higginbotham, Editor DEODORANT Ann Mosher, Executive Editor Jack Zasorin, Art Director Teresa Buxton, Managing Editor Frances Maly, Associate Art Director Ellen Taussig, Associate Editor Joan Clarke, Art Assistant DISCOVERY Claire Safran, Editorial Assistant Betty Mills, West Coast Editor SAFELY STOPS ODOR 24
    [Show full text]
  • Maryland Historical Magazine, 1999, Volume 94, Issue No. 2
    /v^^^-^£^d ^?S-^ r,HALL OF RECORDS LIBRARY Summer 1999 KrTVV L AND Historical Magazine 7 lib • \i ' >* p W- 1* 1 Hf> Ai THE MARYLAND HISTORICAL SOCIETY Founded 1844 Dennis A. Fiori, Director The Maryland Historical Magazine Robert I. Cottom, Editor Donna B. Shear, Managing Editor Patricia Dockman Anderson, Associate Editor David Prencipe, Photographer Robin Donaldson Goblentz, Christopher T. George, Jane Gushing Lange, Mary Markey, and Robert W. Schoeberlein, Editorial Associates Regional Editors John B. Wiseman, Frostburg State University Jane G. Sween, Montgomery County Historical Society Pegram Johnson III, Accoceek, Maryland Acting as an editorial hoard, the Publications Committee of the Maryland Historical Society oversees and supports the magazine staff. Members of the committee are: John W. Mitchell, Upper Marlboro; Trustee/Chair John S. Bainbridge Jr., Baltimore County Jean H. Baker, Goucher College James H. Bready, Baltimore Sun Robert J. Brugger, The Johns Hopkins University Press Lois Green Carr, St. Mary's City Commission Suzanne E. Chapelle, Morgan State University Toby L. Ditz, The Johns Hopkins University Dennis A. Fiori, Maryland Historical Society, ex-offtcio David G. Fogle, University of Maryland Jack G. Goellner, Baltimore Roland C. McConnell, Morgan State University Norvell E. Miller III, Baltimore Charles W. Mitchell, Williams & Wilkins Richard Striner, Washington College lohn G. Van Osdell, Towson University Alan R. Walden, WBAL, Baltimore Brian Weese, Bibelot, Inc., Pikesville Members Emeritus John Higham, The Johns Hopkins University Samuel Hopkins, Baltimore Charles McC. Mathias, Chevy Chase ISSN 0025-4258 © 1999 by the Maryland Historical Society. Published as a benefit of membership in the Maryland Historical Society in March, June, September, and December.
    [Show full text]
  • Celebrating Trailblazers Across Generations
    Maryland Women’s Hall of Fame and Maryland Women of Tomorrow 2017 Induction and Awards Ceremony Celebrating Trailblazers Across Generations Thursday, March 16, 2017 Miller Senate Office Building 5:30 - 7:30 p.m. Ceremony Conference Room East 7:30 - 8:30 p.m. Reception Conference Room West Presented by Maryland Commission for Women Women Legislators of Maryland Maryland Department of Human Resources Friends of the Maryland Commission for Women Maryland Commission for Women 51 Monroe Street, Suite 1034 Rockville, MD 20850 301-610-4523 www.marylandwomen.org The Maryland Commission for Women was first established in 1965 and was set in state law in 1971. An office in the Department of Human Resources, the Commission is a 25-member advisory board whose duties outlined in its enabling legislation include: study the status of women in our state, recommend methods of overcoming discrimination, recognize women’s accomplishments and contributions, and provide informed advice to the executive and legislative branches of government on the issues concerning the women of our state. Commissioners are appointed to four-year terms by the Governor, with confirmation by the Maryland State Senate, and serve without compensation. Lee Bachu, Chair Officers: Mythili (Lee) Bachu, Chair, Montgomery County A. Diane Williams, Vice Chair, Prince George’s County Wandra Ashley-Williams, Secretary, Howard County Commissioners: Homayara Haque Aziz, M.D., Howard County Marion C. Manski, Baltimore County Tawanda A. Bailey, Frederick County April Nyman, Anne Arundel County Marianne Hyang Nam Brackney, Howard County Betsy H. Ramirez, Prince George’s County Tammy Bresnahan, Anne Arundel County Anita L. Riley, Carroll County Deborah L.
    [Show full text]
  • Maryland Women of Tomorrow
    Maryland Women’s Hall of Fame and Maryland Women of Tomorrow 2018 Induction and Awards Ceremony Changing Our World: A Legacy of Leadership, Service and Excellence Thursday, March 15, 2018 5:30 p.m. Ceremony Conference Room East 7:30 p.m. Reception Conference Room West Miller Senate Office Building Annapolis, Maryland Presented by Maryland Commission for Women Women Legislators of Maryland Maryland Department of Human Services The Maryland WAG Foundation: The Fund for Maryland’s Women & Girls, Inc. Maryland Commission for Women 51 Monroe Street, Suite 1034 Rockville, MD 20850 301-610-4523 www.marylandwomen.org The Maryland Commission for Women was first established in 1965 and was set in state law in 1971. An office in the Department of Human Resources, the Commission is a 25-member advisory board whose duties outlined in its enabling legislation include: study the status of women in our state, recommend methods of overcoming discrimination, recognize women’s accomplishments and contributions, and provide informed advice to the executive and legislative branches of government on the issues concerning the women of our state. Commissioners are appointed to four-year terms by the Governor, with confirmation by the Maryland State Senate, and serve without compensation. Lee Bachu, Chair Officers Mythili (Lee) Bachu, Chair, Montgomery County A. Diane Williams, Vice Chair, Prince George’s County Wandra Ashley-Williams, Secretary, Howard County Commissioners: Homayara Haque Aziz, M.D., Howard County Marion C. Manski, Baltimore County Tawanda A. Bailey, Frederick County April Nyman, Anne Arundel County Marianne Hyang Nam Brackney, Howard County Anita L. Riley, Carroll County Tammy Bresnahan, Anne Arundel County Carole Jaar Sepe, Frederick County Deborah L.
    [Show full text]
  • DOCUMENT RESUME Maryland Women Leading the Way. Maryland
    DOCUMENT RESUME ED 418 043 SO 028 734 TITLE Maryland Women Leading the Way. Maryland Women's History Display Kit, 1997. INSTITUTION Maryland State Dept. of Education, Baltimore. SPONS AGENCY Maryland State Commission for Women, Baltimore. PUB DATE 1997-00-00 NOTE 101p.; Contains a booklet of activities and a packet of black and white photographs of notable Maryland women with profiles of their lives. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Elementary Secondary Education; *Females; Leadership; *Local History; Multicultural Education; Social Studies; *State History; United States History; *Womens Studies IDENTIFIERS *Maryland ABSTRACT This display kit highlights the contributions of contemporary Maryland women leaders in many fields. The kit contains a packet of black and white photographs of Maryland women leaders in a variety of areas, with descriptive captions for each picture. The booklet contains an introductory lesson about women and leadership from a historical perspective. The "Profiles and Reflections" section features biographical sketches and personal thoughts about leadership by each woman featured. Sample activities are included for classroom and community use. A resource directory offers sources of information on women leaders. (EH) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ******************************************************************************** 0 V) 01 Il00 Zr 41 Mal e , U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) laioThis document has been reproduced as received from the person or organization originating it. Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI osition or polic CI) (." -\ PERMISSION TO REPRODUCE AND N DISSEMINATE THIS MATERIAL HAS BEEN GRANTED BY N00 I C-9A__.
    [Show full text]
  • Bonnie Cashin 1908 - 2000
    Bonnie Cashin 1908 - 2000 Memorialized by the BONNIE CASHIN FUND in The New York Community Trust raditional Japanese kimonos. Military uniforms. A chorus line. A sporty convertible. These were the makings of mid-20th century American style, as Tdefined by the singular Bonnie Cashin. Cashin never formally trained as a fashion designer—in fact, she disdained the very term—but from her quiet start as a ballet-costume designer in the 1930s, Cashin would become one of the premier names in American sportwear. As fashion historians point out, during an era when the chicest clothing fashion came to the United States from Paris and Milan, Bonnie Cashin was among the first clothing designers to export American style and ingenuity. BEGINNER’S LUCK One might say that Bonnie Cashin was born to design. Her father, Carl, was a photographer and inventor; her mother Eunice a dressmaker. Born in Fresno, California in 1908, as a young child Bonnie played with her mother’s fabric scraps and drafted clothing illustrations. Eunice fiercely encouraged her daughter’s creativity, and she would prove to be a lifelong mentor and design partner. Away from the sewing table, Bonnie loved to dance, and in high school she went to try out for the chorus line of a local vaudeville company, Fanchon and Marco. Losing her nerve before the audition, Bonnie instead ended up showing her drawings to the company director, and was hired on the spot as a costume designer. It was a turning point in her career. After two years working with Fanchon and Marco and taking drawing classes at the Chouinard School of Art, Bonnie followed the company director to New York City and the Roxy 1 Sketches of costume designs for New York’s Roxyettes; and a young Bonnie in one of her early designs.
    [Show full text]
  • MCW 2020 HOF & WOT Their Legacy, Our Future
    Maryland Women’s Hall of Fame and Maryland Women of Tomorrow 2020 Induction and Awards Ceremony Valiant Women Their Legacy, Our Future Thursday, March 19, 2020 4 p.m. Ceremony Conference Room East 6 p.m. Reception Conference Room West Miller Senate Office Building Annapolis, Maryland Presented by Maryland Commission for Women The Women Legislators of the Maryland General Assembly, Inc. Maryland Department of Human Services The Foundation for the Maryland Commission for Women, Inc. Maryland Commission for Women 51 Monroe Street, Suite 1034 Rockville, MD 20850 301-610-4523 www.marylandwomen.org The Maryland Commission for Women was first established in 1965 and was set in state law in 1971. An office in the Department of Human Resources, the Commission is a 25-member advisory board whose duties outlined in its enabling legislation include: study the status of women in our state, recommend methods of overcoming discrimination, recognize women’s accomplishments and contributions, and provide informed advice to the executive and legislative branches of government on the issues concerning the women of our state. Commissioners are appointed to four-year terms by the Governor, with confirmation by the Maryland State Senate, and serve without compensation. Officers Yun Jung Yang, Chair Yun Jung Yang, Esq., Chair, Montgomery County Tawanda A. Bailey, First Vice Chair, Frederick County Carole Jaar Sepe, Second Vice Chair, Frederick County Commissioners: Tammy Bresnahan, Anne Arundel County Bonnie Nelson Luna, Wicomico County Deborah L. Cartee, Anne Arundel County Brenda J. McChriston, Howard County Gloria Chang, Montgomery County Ishrat N. Memon, Howard County Maureen Colburn, Montgomery County April Nyman, Anne Arundel County Amanda L.
    [Show full text]
  • 2013 Program and Honorees
    2013 Induction Ceremony Presentation of Honoree Plaque Maryland Women’s Hall of Fame 1 Induction Ceremony Presentation of Honoree Plaque 2013 Maryland Women’s Hall of Fame HONOREES Helen Delich Bentley Nominated by Gloria Lawlah, President Women Legislators of Maryland Foundation Jean B. Cryor (Posthumously) Nominated by Judith Vaughan-Prather, Executive Director Montgomery County Commission for Women Dr. Charlene Mickens Dukes Nominated by Oretha Bridgwaters-Simms, Vice Chairman, Board of Trustees Prince George’s County Community College Honorable Ellen R. Sauerbrey Nominated by Honorable Kathy Szeliga, Ladies in Leadership Linda A. Shevitz Nominated by Susan Shaffer, President Mid-Atlantic Equity Consortium, Inc. Beatrice Tignor, Ed.D. Nominated by Oretha Bridgwaters-Simms, Vice Chairman, Board of Trustees Prince George’s County Community College MARYLAND COMMISSION FOR WOMEN The Maryland Commission for Women, was created in 1965 and established as an independent agency by an act of the Maryland General Assembly in 1971, is a 25 member diverse group of citizens appointed by the Governor, with the advice and consent of the Senate from among persons interested in the improvement in the status of women. The Commission’s membership represents the geographical regions and diversity of the state. Members are appointed for terms of four years. The Commission is housed in the Maryland Department of Human Resources under Secretary Theodore Dallas. MISSION The MCW advises government, advances solutions, and serves as a statewide resource to expand social, political, and economic opportunities for all women. VISION All Maryland women have full social, political, and economic equality. COMMISSIONERS Patricia Cornish, Chair Lynn Fitrell, Vice-Chair Mythili Bachu Patricia Omana Tanesha Boldin Patricia Owens Darlene Breck Betsy Ramirez Dr.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustratioDS and photographs, print bleedthrough, substandard margins, and in^roper aligmnent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlq>s. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogr^hs mchided in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Beil & Howell Inlormation Company 300 North 2eeb Road. Ann Arbor. Ml48106-1346 USA 313,'761-4700 800,'521-0600 PROMOTING AMERICAN FASHION 1940 THROUGH 1945: FROM UNDERSTUDY TO STAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sandra Stansbery Buckland, B.A., M.A.
    [Show full text]