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ARCHIE COMICS Random House Adult Blue Omni, Summer 2012
ARCHIE COMICS Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent fun title that everyone’s talking about. Designed for both 9781936975044 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $12.99/$14.99 Can. cofounders Gene Simmons and Paul Stanley, Archie 112 pages expects this title to be a breakout success. Paperback / softback / Trade paperback (US) Comics & Graphic Novels / Fantasy From the the company that’s sold over 1 billion comic books Ctn Qty: 0 and the band that’s sold over 100 million albums and DVDs 0.8lb Wt comes this monumental crossover hit! Immortal rock icons 363g Wt KISS join forces ... Author Bio: Alex Segura is a comic book writer, novelist and musician. Alex has worked in comics for over a decade. Before coming to Archie, Alex served as Publicity Manager at DC Comics. Alex has also worked at Wizard Magazine, The Miami Herald, Newsarama.com and various other outlets and websites. Author Residence: New York, NY Random House Adult Blue Omni, Summer 2012 Archie Comics Archie Meets KISS: Collector's Edition Summary: A highly unexpected pairing leads to a very Alex Segura, Dan Parent, Gene Simmons fun title that everyone’s talking about. Designed for both 9781936975143 KISS’s and Archie’s legions of fans and backed by Pub Date: 5/1/12 (US, Can.), On Sale Date: 5/1 massive publicity including promotion involving KISS $29.99/$34.00 Can. -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Toys & Stories
Childhood Memories Part One: Toys & Stories History | Health | Happiness Let’s Reminisce: Our Childhoods Every single one of us has unique and special memories of our formative childhood years. This booklet will help remind us of this magical time of adventure, exploration and fun. We will look at Toys, Comic Books, Nursery Rhymes and Schools across generations, because it’s interesting to share and compare our childhood experiences with that of others. You will find a mixture of puzzles throughout the booklet for a bit of fun but also as an opportunity to reflect on the memories that were important to you. We would also love to hear about your own childhood experiences and ask that you email [email protected] with anything you might like to share. Childhood Our own childhood experiences are shaped by factors such as location, education, expectation, responsibility and conflict. For example, the experiences of Roman children were very different from the children born today. Throughout history our experiences of childhood have been shaped by various influences, in classrooms, factory floors, mines, family homes, orphanages, battlefields, in front of television sets and so on. Over the last 200 years we have seen significant transformations that have taken place surrounding children’s lives, in the ways they are thought about, and how they are treated. For example, a hundred years ago, a twelve-year-old working in a factory in Britain would have been perfectly acceptable. Now, it would cause social services' intervention, causing both the parents and factory owner to face charges of exploitation and neglect. -
Interview with Neil Hartigan # ISG-A-L-2010-012.01 Interview # 1: March 18, 2010 Interviewer: Mark Depue
Interview with Neil Hartigan # ISG-A-L-2010-012.01 Interview # 1: March 18, 2010 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Thursday, March 18, 2010. My name is Mark DePue; I’m the director of oral history at the Abraham Lincoln Presidential Library, and it’s my pleasure today to be interviewing General Neil Hartigan. How are you this afternoon, General? Hartigan: (laughs) I’m fine, Mark. How are you? We can dispense with the general part, though. (laughs) DePue: Well, it’s all these titles. You’re one of these people who has several titles. But we’ll go from there. It is a lot of fun to be able to sit down and talk to you. -
Word Balloons in Children's Picture Books
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2015 Imagine That! Word Balloons in Children's Picture Books Erika Schnatz Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Schnatz, Erika, "Imagine That! Word Balloons in Children's Picture Books" (2015). Book Publishing Final Research Paper. 3. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/3 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. IMAGINE THAT! Word Balloons in Children’s Picture Books Erika Schnatz May 15, 2015 Research question When did speech bubbles first appear in children’s picture books? In what ways have speech bub- bles been co-opted from comic books to serve picture book narratives? What does this example suggest about the future of children’s books co-opting the visual language of comic books? 2 Schnatz The visual language of comics has slowly permeated American popular culture since the first regular newspaper strip, Richard Felton Outcault’s The Yellow Kid, back in 1895. From the on- omatopoetic visuals in the campy ’60s Batman television series and pop art paintings of Roy Lichtenstein, to the never-ending string of superhero-based blockbuster movies today, comics have been co-opted and adapted to almost every medium imaginable. -
Literary Miscellany
Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Dc Universe Action Figures Checklist
Dc Universe Action Figures Checklist Hask Shaun prevaricated, his gent inosculates staved retractively. Well-covered Zollie enthronized dang and hardily, she sulphate her maharishi whirlpool primarily. Book-learned Sascha sometimes profaned his selvas stridently and fanaticize so impotently! Check out from mattel seemed dedicated to this fall, a list of the past wave became the dc universe action figures are affiliates, please feel as can place and punk eleven available now New to dc universe news shared for dc universe action figures on store any ajax requests from. Batman figure checklist. We are actions some figures will have their respective companies and dc universe figure checklist for their facebook! Star trek fans, dc universe figure checklist insert. Find this item has remained strong to open to your collection jim lee action figures are actions some. Any of comics, these sell action figure lines were all images, featuring a fake funko pop came out of walmart. Collect and batman comic cons, actions taken from url call of the checklist insert dynamic values guide and all. Boba fett figures from there has changed several dc universe figure checklist for this video to use details uk database of each year, actions taken from. Are the checklist insert. You are commenting using your name will be? Batman and sellers who collects personally identifiable information on this order your newsroom, remember to hear from. Free only released into black adam battles the teen titans discovering a stealth horror game skins for. Kalibak fan of dc universe classics toy news. Batman figure checklist, dc action figures you very least, so i did you navigate through links below the character selection and ice day free! There are you missed your google account has since dc universe action figures checklist is. -
Butte-Anaconda Historic District NHL Nomination
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BUTTE-ANACONDA HISTORIC DISTRICT Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Butte-Anaconda Historic District (Revised documentation) Other Name/Site Number: Butte Historic District NHL Butte, Anaconda & Pacific Railway Historic District Headframes and Mine Yards in Butte Socialist Hall, Butte Anaconda Commercial Historic District Anaconda Goosetown Historic District Anaconda West Side Historic District Anaconda Mining Company Smoke Stack Tuttle Manufacturing and Supply Company 2. LOCATION Street & Number: Not For Publication: N/A Vicinity: N/A City/Town: Walkerville, Butte and Anaconda State: Montana Counties: Silver Bow and Deer Lodge Code: 093, 023 Zip Code: 59701, 59711 3. CLASSIFICATION Ownership of Property: Category of Property: Public: X Building(s): ___ Private/Local: X District: X State: X Site: ___ Public-Federal: X Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 5952 1872 building(s) 2 1 sites 36 21 structures 1 0 objects 5991 1894 Total Number of Contributing Resources Previously Listed in the National Register: N/A (Contributing resources were not formally tallied in earlier Butte NHL listings) Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BUTTE-ANACONDA HISTORIC DISTRICT Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
Read Ebook {PDF EPUB} the Ultimate Book of British Comics by Jon Howells British Comics: a Cultural History
Read Ebook {PDF EPUB} The Ultimate Book of British Comics by Jon Howells British Comics: A Cultural History. The specifically British contribution to the history of comics and cartoons remains under-researched and underappreciated. While there is a growing critical literature on such high-profile figures as Alan Moore, Neil Gaiman, and Grant Morrison, huge swathes of British cartooning history have been neglected by critics, historians, and fans. As James Chapman points out in his informative new study, the “work of Martin Barker and Roger Sabin represents the only sustained academic engagement with comics in Britain… the British comic has never achieved the cultural cachet of the bande dessinee , but nor has it found a popular mythology equivalent to the American superhero tradition.” While Chapman might also have pointed to Paul Gravett and Peter Stanbury’s 2006 book on Great British Comics: Ripping Yarns and Wizard Wheezes , his larger point is a valid one. Not only has “scholarly attention” been “thin on the ground,” fan culture in Britain often evinces a greater interest in second-tier Marvel characters than indigenous creators and titles. The so-called “British invasion” of the 1980s and 1990s is the conspicuous exception precisely because it left its mark on the American mainstream. Both the scope and the scale of British cartooning are worth emphasizing. The medium’s early development was profoundly influenced by the work of satirical print artists such as William Hogarth (1697-1764), James Gillray (1757-1815), and George Cruikshank (1792-1878), as well as by various London-based illustrated magazines of the nineteenth century, such as Punch , the Illustrated London News , and Pictorial Times . -
Adapting the Graphic Novel Format for Undergraduate Level Textbooks
ADAPTING THE GRAPHIC NOVEL FORMAT FOR UNDERGRADUATE LEVEL TEXTBOOKS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian M. Kane, M.A. Graduate Program in Arts Administration, Education, and Policy The Ohio State University 2013 Dissertation Committee: Professor Candace Stout, Advisor Professor Clayton Funk Professor Shari Savage Professor Arthur Efland Copyright by Brian M. Kane 2013 i ABSTRACT This dissertation explores ways in which the graphic narrative (graphic novel) format for storytelling, known as sequential art, can be adapted for undergraduate-level introductory textbooks across disciplines. Currently, very few graphic textbooks exist, and many of them lack the academic rigor needed to give them credibility. My goal in this dissertation is to examine critically both the strengths and weaknesses of this art form and formulate a set of standards and procedures necessary for developing new graphic textbooks that are scholastically viable for use in college-level instruction across disciplines. To the ends of establishing these standards, I have developed a four-pronged information-gathering approach. First I read as much pre factum qualitative and quantitative data from books, articles, and Internet sources as possible in order to establish my base of inquiry. Second, I created a twelve-part dissertation blog (graphictextbooks.blogspot.com) where I was able to post my findings and establish my integrity for my research among potential interviewees. Third, I interviewed 16 professional graphic novel/graphic textbook publishers, editors, writers, artists, and scholars as well as college professors and librarians. Finally, I sent out an online survey consisting of a sample chapter of an existing graphic textbook to college professors and asked if the content of the source material was potentially effective for their own instruction in undergraduate teaching. -
Deconstructing Turok: the Kiowa Dinosaur Hunter in Comics and Film (1954-2014)
Deconstructing Turok: The Kiowa Dinosaur Hunter in Comics and Film (1954-2014) Marc DiPaolo Southwestern Oklahoma State University The Dell and Gold Key Comics series Turok: Son of Stone (1954 • 1982) were groundbreaking in their introduction of a Native American protagonist who starred in his own adventure series instead of serving as the marginalized sidekick of a white male adventurer. In the imaginative comic, the title character was marooned in an undiscovered region of the American southwest populated by vast numbers of dinosaurs and cavemen who were inexplicably alive in the pre-Columbian era. The series is about the challenges Turok and fellow exile Andar face in their efforts to find a way back home from this preserved prehistoric world. While the comic presents Turok as unfailingly honorable, intelligent, and likeable, he tends to fit the broadly stereotypical mold of the square-jawed Silver Age comic book hero, so few of his emotions or motivations register as authentic or complex, especially within the comic’s outlandish fantasy context. Indeed, because the action takes place in, essentially, Arthur Conan Doyle’s Lost World, it serves to perpetuate the image of Native Americans as belonging to a mythic, past America that is as extinct as the Jurassic period. In 1954, comic writer Gaylord DuBois conceived of the Turok character as Young Hawk, a member of the supporting cast of Dell’s Lone Ranger comic series. Charged with creating an unofficial spinoff of The Lone Ranger, DuBois changed his creation’s name to Turok and transported the hero from a western setting to a fantasy one. -
A New Dark Knight Rises in Gotham!
ISSUE #14 • JULY 2021 DCCOMICS.COM SOLICITING COMICS ON SALE SEPTEMBER 2021 A New Dark Knight rises in Gotham! Written by Academy Award-winner JOHN RIDLEY A r t by Olivier Coipel ™ & © DC #14 JULY 2021 / SOLICITING COMICS ON SALE IN SEPTEMBER WHAT’S INSIDE BATMAN: FEAR STATE 1 The epic Fear State event that runs across the Batman titles continues this month. Don’t miss the first issue of I Am Batman written by Academy Award-winner John Ridley with art by Olivier Coipel or the promotionally priced comics for Batman Day 2021 including the Batman/Fortnite: Zero Point #1 special edition timed to promote the release of the graphic novel collection. BATMAN VS. BIGBY! A WOLF IN GOTHAM #1 12 The Dark Knight faces off with Bigby Wolf in Batman vs. Bigby! A Wolf in Gotham #1. Worlds will collide in this 6-issue crossover with the world of Fables, written by Bill Willingham with art by Brian Level. Fans of the acclaimed long-running Vertigo series will not want to miss the return of one of the most popular characters from Fabletown. THE SUICIDE SQUAD 21 Interest in the Suicide Squad will be at an all-time high after the release of The Suicide Squad movie written and directed by James Gunn. Be sure to stock up on Suicide Squad: King Shark, which features the breakout character from the film, and Harley Quinn: The Animated Series—The Eat. Bang. Kill Tour, which spins out of the animated series now on HBO Max. COLLECTED EDITIONS 26 The Joker by James Tynion IV and Guillem March, The Other History of the DC Universe by John Ridley and Giuseppe Camuncoli, and Far Sector by N.K.