A Magical Gathering - the Clannad Anthology Mp3, Flac, Wma
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Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
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Nick Lethert Interview Narrator: Nick Lethert Interviewer: Dáithí Sproule Date: 1 December, 2017 DS: Dáithí Sproule NL: Nick Lethert [BEGIN NICK LETHERT PART 01—filename: A1005a_EML_mmtc] DS: Here we are – we are recording. It says “record” and the numbers are going up. This is myself and Nick Lethert making a second effort at our interview. It’s the first of December, isn’t it? NL: It is. DS: And we’re at the Celtic Junction. I suppose we’ll start at the same place as we started the last time, which was, I just think chronologically, and I think of, what is your background, what is the background of your father, your family, and origins, and your mother. NL: I grew up just down the street from the Celtic Junction in Saint Mark’s parish to a household where the first twelve or so years I lived with my father, who was of German Catholic heritage and my mother, who was Irish Catholic. Both of my mother’s parents came from Connemara. They met in Saint Paul, and I lived with my grandmother, who was from a little village, a tiny little village called Derroe, which is in Connemara over in the area by Carraroe, Costello, sort of bogland around there. My grandmother was a very intense person, not the least of which because her husband, who grew up in Maam Cross, a little further up in the mountains in Connemara, left her and the family when they had three young children, so it made for sort of a Dickens-like life for her and for her three kids, one of which was my mother. -
Artist Title Code Preis Bestand Altan 25Th Anniversary Celebration With
Artist Title Code Preis Bestand Aberlour's Save the last drop 9,95 1 Aberlour's Dayoodlo! 9,95 1 Abbey Ceili Band Bruach at StSuiain 9,95 1 Afro Celt Sound System POD (CD & DVD) CDRW 116 18,95 Afro Celt Sound System Vol 1 - Sound Magic CDRW61 14,95 Afro Celt Sound System Vol 2 - Release CDRW76 14,95 1 Afro Celt Sound System Vol 3 - Further in time CDRW96 14,95 Afro Celt Sound System Anatomic CDRW133 16,95 Afro Celt Sound System Seed CDRWG111 Altan 25th Anniversary Celebration ALT001 16,95 with the RTE concert orchestra Altan Altan ( Frankie & Mairead ) GLCD 1078 16,95 1 Altan another sky... ###### 12,95 Altan Best of, The (2CDs) GLCD 1177 16,95 2 Altan The best of Altan - The Songs 7,24E+11 9,95 Altan Blackwater CDV2796 12,95 Altan Gap of Dreams CDVE961/8119552 16,95 1 Altan Finest, The CCCD100 8,95 Altan First ten years 1986-1995, The GLCD 1153 14,95 1 Altan Glen Nimhe - The Poison Glen COM4571 16,95 2 Altan harvest storm GLCD 1117 16,95 1 Altan horse with a heart GLCD 1095 16,95 1 Altan island angel GLCD 1137 16,95 2 Altan Local ground VERTCD069 19,95 Altan Runaway sunday CDV2836 12,95 Altan Red crow, The GLCD 1109 16,95 1 Altan The widening gyre 16,95 -1 Altan The gap of Dreams 16,95 2 Altan Shadow and light 16,95 2 Ailie Robertson Traditional Spirits 16,95 Ancient voice of Ireland Haunting Irish melodies 9,95 2 Anúna Deep dead blue DANU020 14,95 Anúna Illumination DANU029 Anúna Invocation DANU015 14,95 Anúna Sanctus DANU025 14,95 Anúna Winter Songs DANU 16 14,95 49 Arum Arum 9,95 5 Arcade Fire The subburbs 6,95 Arcanadh Soundings -
Clannad Sirius Mp3, Flac, Wma
Clannad Sirius mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sirius Country: US Released: 1988 Style: Folk Rock MP3 version RAR size: 1469 mb FLAC version RAR size: 1822 mb WMA version RAR size: 1527 mb Rating: 4.8 Votes: 254 Other Formats: ADX WAV AAC MP4 DMF MP3 MP4 Tracklist Hide Credits In Search Of A Heart A1 Lyrics By [Additional] – G. Ladanyi*Music By [Additional] – Jai Winding, R. Kunkel*Music 3:53 By, Words By – P. Brennan* Second Nature A2 Bagpipes [Uilleann] – Tom Keane Vocals [Guest] – Bruce HornsbyWords By, Music By – C. 3:20 Brennan* Turning Tide Arranged By [String] – Richard NilesMusic By [Additional] – Jai Winding, R. Kunkel*Music A3 4:39 By, Words By – P. Brennan*Synthesizer [Synclavier] – Wells ChristieWords By [Additional] – M. Brennan* Skellig A4 Bagpipes [Uilleann] – Tom Keane Other [Inspired by] – Des LavelleSynthesizer [Synclavier] 4:46 – Wells ChristieWords By, Music By – C. Brennan* Stepping Stone A5 3:53 Words By, Music By – P. Brennan* White Fool Lyrics By [Additional] – G. Ladanyi*Music By – C. Brennan*, M. Brennan*, P. B1 4:38 Brennan*Vocals [Harmony] – Steve PerryWords By – P. Brennan*Written By [Music By] – P. Brennan, C. Brennan, M. Brennan Something To Believe In B2 4:46 Vocals [Guest], Piano, Accordion – Bruce HornsbyWords By, Music By – C. Brennan* Live And Learn B3 3:32 Saxophone – Richie CannataWords By, Music By – C. Brennan* Many Roads B4 3:25 Vocals [Guest] – J. D. Souther*Words By, Music By – C. Brennan*, M. Brennan* Sirius B5 5:33 Music By, Words By – P. Brennan*Vocals [Guest] – J. D. Souther* Companies, etc. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
Enya the Discography
“…vaulting cathedrals of sound, framed by luminous piano, shimmering synthesizer orchestrations, and, above all, the seemingly infinite layers of vocal harmonies...” Enya The Discography With her blend of folk melodies, synthesized backdrops, and classical motifs, Enya created a distinctive style that more closely resembled new age than the folk and Celtic music that provided her initial influences. Enya, birth name Eithne Ní Bhraonáin, was born in Gweedore, County Donegal, in Ireland in 1961 to a musical family, the fourth youngest of nine children. Several of her siblings formed the band An Clann As Dobhair in 1968, renamed as Clannad in the 1970s: Eithne joined the group in 1980, playing keyboards and providing backing vocals on a couple of their albums. In 1982, shortly before Clannad became famous for "Theme From Harry’s Game", producer and manager Nicky Ryan left the group and Eithne joined him to start her own solo career. As a musical group, Enya is collaboration between three people: Enya herself, who composes and performs the music; Nicky Ryan, who produces the albums, and Roma Ryan, who writes the lyrics in various languages. Enya is an approximate transcription of how Eithne is pronounced in her native Irish. Eithne Ní Bhraonaín, all vocals and instruments Music composed and performed by Enya Music arranged, produced and mixed by Nicky Ryan and Enya Lyrics and lyric adaptment by Roma Ryan. Disc 1 - The Celts 1. The Celts [2:57] - 2. Aldebaran [3:05] - 3. I want tomorrow [4:02] 4. March of the Celts [3:17] - 5. Deireadh an tuath [1:44] - 6. -
Troubled Voices Martin Dowling a Troubles Archive Essay
Troubled Voices A Troubles Archive Essay Martin Dowling Cover Image: Joseph McWilliams - Twelfth March (1991) From the collection of the Arts Council of Northern Ireland About the Author Martin Dowling is a historian, sociologist, and fiddle player, and lecturer in Irish Traditional Music in the School of Music and Sonic Arts in Queen’s University of Belfast. Martin has performed internationally with his wife, flute player and singer Christine Dowling. He teaches fiddle regularly at Scoil Samhradh Willy Clancy and the South Sligo Summer School, as well as at festivals and workshops in Europe and America. From 1998 until 2004 he was Traditional Arts Officer at the Arts Council of Northern Ireland. He is the author of Tenant Right and Agrarian Society in Ulster, 1600-1870 (Irish Academic Press, 1999), and has held postdoctoral fellowships in Queen’s University of Belfast and University College Dublin. Recent publications include “Fiddling for Outcomes: Traditional Music, Social Capital, and Arts Policy in Northern Ireland,” International Journal of Cultural Policy, vol. 14, no 2 (May, 2008); “’Thought-Tormented Music’: Joyce and the Music of the Irish Revival,” James Joyce Quarterly, vol. 44, no. 1 (2008); and “Rambling in the Field of Modern Identity: Some Speculations on Irish Traditional Music,” Radharc: a Journal of Irish and Irish-American Studies, vols. 5-7 (2004-2006), pp. 109-136. He is currently working on a monograph history of Irish traditional music from the death of harpist-composer Turlough Carolan (1738) to the first performance of Riverdance (1994). Troubled Voices Street singers and pedlars of broadsheets had for two centuries been important figures in Irish political and social life. -
We Tour Everywhere! NO FLYING! 2015 Vacations TROPICANA Motorcoach • Air • Cruise $25 Slot P.O
NEW TOURS! 72 with Volume 24 January-December 2015 SAN ANTONIO, TEXAS HOLIDAY CHRISTMAS ON THE RIVER WALK See page 62 for description See page 105 for description This holiday season, the Riverwalk shines brighter than Grand Canadian ever as thousands of colorful Christmas lights decorate Circle Tour the facades and reflects off the river in San Antonio. Visit the famed Alamo, decorated for the holiday season, enjoy the relaxed holiday atmosphere while See page 95 for description being guided along by more than 6,000 luminaries during Fiesta de las Luminaries, and take a riverboat ride and admire the many holiday decorations from the water! PANAMA CANAL CRUISE We Tour Everywhere! NO FLYING! TROPICANA 2015 Vacations $25 Slot Motorcoach • Air • Cruise Play P.O. Box 348 • Hanover, MD 21076-0348 410-761-3757 1-800-888-1228 www.gunthercharters.com Restroom 57/56/55 14 54/53 52/51 13 50/49 48/47 12 46/45 44/43 11 42/41 40/39 10 38/37 36/35 9 34/33 32/31 8 30/29 28/27 7 26/25 24/23 6 22/21 20/19 5 18/17 16/15 4 14/13 12/11 3 10/9 8/7 2 6/5 4/3 1 2/1 Row # Door Side Driver Side 2 2 INTRODUCTION PLEASE READ THE FOLLOWING INFORMATION THOROUGHLY This section covers very important information and will answer many of your questions. Booking Your Tour Seating Information: 1. You must call to make your reservations, Monday 1. Passengers are assigned seats on all Gunther Tours. -
Interactive Multilinear Narratives and Real-Life Community Stories
Crossings - Volume 4, Issue 1 - Nisi et al. 09/29/2006 02:27 PM Crossings: eJournal of Art and raison d'être contribute gallery issues : 1.1 : 1.2 : 2.1 : 3.1 : 4.1 Technology Weird View: Interactive Multilinear Narratives and Real-Life Community Stories Valentina Nisi Story Networks Group Media Lab Europe Ireland Mads Haahr Department of Computer Science Trinity College, Dublin Ireland Abstract. This paper presents our experiences with Weird View, a multi-branching interactive narrative, harnessing the power of hyperlinked structures and oral storytelling. True stories were collected by word of mouth from inhabitants of a terrace of houses in Dublin, Ireland, and supplemented with video and photography to form a collection of narrative fragments. A computer application was built to allow the narratives to be navigated. In this way, Weird View attempts to capture part of the community folklore and re- present it to the community in the form of an interactive, nonlinear narrative. The viewer is presented with the fact that a community exists and is continually formed, around place, time, life conditions and social networks. When shown to the community, the Weird View project resulted in awakening community awareness through reappropriation of local, social and personal stories. Introduction A common use of information technologies is to make spatial separation of individuals irrelevant and thereby allow the formation of communities across geographical boundaries. Such online communities, made possible through the increased adoption of information and communication technologies, have received a significant amount of attention. However, the same technologies can also be used to reinforce more traditional types of communities, often based in shared spatial and cultural contexts. -
Newsletter 1993A
SMOKEY'S RECORDS N E w s L E T T E R VOLUME ONE, NUMBER THREE SPRING, 1993 OUR FAVORITE PICKS We thought you might be interested in what we are listening to here at Smokey's, so we asked each employee to list their favorite album of the moment. Here are their responses: --:-.r:-•"'~~ t . -. ;:/"~/~ Tetevision j o=-~>'"'Ji ~ . ·. ~ ' ·.·· ~// !.'t~~.... ~; ~/ l ~ -~ ~ ':<. ~\.>··· "~ I I• " . ll ,-,.P/j ,) \1! ·..{~ 'l: ,.. ;t MYRA JOES. Neil Young: Harvest Moon Television gems include his playful duet with the Mills Reprise 45057 Capitol 98396 Brothers on "Dinah" and one of the greatest Neil Young's new album harkens back to The legendary band Television returns jazz recordings of all time on "Sweet his work of old, like After the Gold Rush, after a hiatus of nearly 15 years with Tom Georgia Brown." Harvest and Comes a Time. Actually, it's Verlaine and Richard Lloyd once again even more mellow than most, complete trading gorgeous guitar leads over a solid with Neil's good old musical stock in trade: rhythm section. straight harp, lazy rhythms and that sleepy Verlaine's lyrics are as elliptic as ever and SMOKEY southern California sound reminiscent of his "been there done that" vocals sound like Lo Mejor De Jose Alfredo Jiminez most of his earlier work. Once again an Arlo Guthrie for the 90s. This is the 33 Grandes Exitos showing his political folk roots, this album band that inspired a · generation of RCA Int'l 2254 shows that his dedication to political alternative rockers. It's great to welcome In keeping with my current infatuation involvement hasn't waned since 1969 and them back. -
61574447.Pdf
Title Towards a regional understanding of Irish traditional music Author(s) Kearney, David Publication date 2009-09 Original citation Kearney, D. 2009. Towards a regional understanding of Irish traditional music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b1985733~S0 version Access to the full text of the published version may require a subscription. Rights © 2009, David Kearney http://creativecommons.org/licenses/by-nc-nd/3.0/ Item downloaded http://hdl.handle.net/10468/977 from Downloaded on 2017-02-12T14:09:41Z Towards a regional understanding of Irish traditional music David Kearney, B.A., H.Dip. Ed. Thesis presented for the award of Doctor of Philosophy (Ph.D.) National University of Ireland, Cork Supervisors: Professor Patrick O’Flanagan, Department of Geography Mel Mercier, Department of Music September 2009 Submitted to National University of Ireland, Cork 1 Abstract The geography of Irish traditional music is a complex, popular and largely unexplored element of the narrative of the tradition. Geographical concepts such as the region are recurrent in the discourse of Irish traditional music but regions and their processes are, for the most part, blurred or misunderstood. This thesis explores the geographical approach to the study of Irish traditional music focusing on the concept of the region and, in particular, the role of memory in the construction and diffusion of regional identities. This is a tripartite study considering people, place and music. Each of these elements impacts on our experience of the other. All societies have created music. Music is often associated with or derived from places. -
Chinese Educational System Examined
VOL. XCX NO. 15 LAWRENCE UNIVERSITY, APPLETON, WISCONSIN 54911 FRIDAY, FEBRUARY 28, 1986 MotherbyV». BillD ill Thomasrpw---------- ■ Courage■ Displays Mettle Bertolt Brecht is not an easy playwright perform. His plays are highly presenta tional and theatrical, and require strength in all areas of production. The LU theatre department's decision to do Mother Courage was highly ambitious, but they have suc ceeded in doing a commendable job. Rhonda Kundry, as Mother Courage, is the only non-Lawrentian in the cast. She has a beautiful voice and has no problem with Paul Dessau's d iffic u lt score. She also succeeds in capturing her character's gruffness and confidence. At times the part is slightly out of her acting range, and she lac ks theìe dominatingdc stage presence that would greatly strengthen her perfor- mance, but she aoes have her moments particularly the tragic ones. Her grief over her son's death in the first act is touchingly poignant. > e The student actors who make up the supporting cast all put in a good effort. Of particular note is Karin Gunderson, as Katrin, the mute girl. Miss Gunderson is a consistently fresh and delightful actress, and is nothing less than that here. She hasn't a single line, but can steal a scene with the smallest gesture. Sean McCollum is also strong as the cook, and his duet with Kundry in the second act is one of the show's high points. Jeff Jolton, as Swiss Cheese, Courage's stupid but honest son, proves once again that he is one of Lawrence's better character actors.