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Arengario-2021-Digit performance as a way of being L’Arengario Studio Bibliografico performance as a way of being L’Arengario Studio Bibliografico L’ARENGARIO STUDIO BIBLIOGRAFICO Via Pratolungo 192 - 25064 Gussago BS - Italia tel. ++390302522472 - fax ++390302522458 mail: [email protected] - website: www.arengario.it Instagram - Facebook: @arengariostudiobibliografico A.L.A.I. Associazione Librai Antiquari d’Italia I.L.A.B. International League Antiquarian Booksellers catalog 1. AA.VV., Festival Danza Volo Musica Dinamite. Terry Riley, La Monte Young e Marian Zazeela, Trisha Brown, Steve Paxton, Deborah Hay, Yvonne Rainer, Simone Forti, e David Bradshaw, Roma, L’Attico, 1969, 14x80 cm, cartoncino d’invito ripiegato in 8 parti (16 facciate) in formato leporello, con il programma del- le otto performance stampato in nero e giallo. Invito edito in occasione della mostra tenutasi alla Galleria L’Attico di Roma dal 9 al 19 Giugno 1969. € 380 [Bibliografia: Barbero Pola 2010: pp. 243-244]. “Terry Rileyall’organo elettronico esegue brani improvvisati di musica ripetitiva da lui composti; La Mon- te Young e Marian Zazeela eseguono un concerto vocale con l’ausilio di un sintetizzatore; Trisha Brown esegue degli assolo di danza a corpo libero, alternandoli a pezzirealizzati in combinazione con oggetti e film; Steve Paxton si mostra provocatoriamente per alcuni minuti sorridente davanti al pubblico, colloca inoltre un gruppo di attori in determinate posizioni, che modifica al buio, per poi presentare agli spetta- tori la scena trasformata; Debora Hay organizza gruppi di movimenti tra attori sullo sfondo, un complesso esegue musica rock; Yvonne Reiner presenta una coreografia eseguita da Steve Paxton con la proiezione simultanea di tre film; Simone Forti esegue degli assolo di danza e altri pezzi, come “Altalena”, eseguiti insieme a Steve Paxton; David Bradshaw fa esplodere in un lago una carica di dinamite”. (Barbero - Pola) 2. AA.VV., Videotape del festival di danza e musica in USA. 2 parti simultanee (45’) coedizione: L’Atti- co-Roma / Studio 970-2 - Varese, Roma / Varese, L’Attico - Studio 970-2, 1973, 29,5x21 cm., foglio d’invito ripiegato in due parti, illustrato con un’immagine fotografica in bianco e nero pubblicato in occasione della mostra tenutasi al’Attico di Roma dal 10 a 13 gennaio 1973, in collaborazione con lo Studio 970-2 di Varese. All’evento parteciparono gli artisti: Steve Reich and musicians, Laura Dean and Dance Company, Yvonne Rainer, Joan Jonas, simone Forti, Charlemagne Palestine, Trisha Brown, Philip Glass and musi- cians. Esemplare viaggiato. € 150 [Bibliografia: Barbero-Pola 2010; pag. 245]. 3. AA.VV., Bologna 1976, Venezia, Galleria del Cavallino, 1976, 23,3x16 cm., brossura, pp. [24], copertina illustrata con un’immagine fotografica in bianco e nero, 22 illustrazioni in bianco e nero con immagini fotografiche delle performances e delle esposizioni organizzate dalla Galleria del Cavallino di Venezia dal 22 al 30 maggio in occasione di Arte Fiera di Bologna. All’evento parteciparono i seguenti artisti: Vincenzo Agnetti, Douglas Davis, Alan Sonfist, Antonio Dias, Angelo Bozzolla, Mark-Camille Chaimowitz, Paolo Patelli, Sonja Ivekovic, Vincenzo Agnetti, Anselmo Anselmi, Dalibor Martinis e Piccolo Sillani. € 120 4. AA.VV., Art corporel, Bruxelles, Galerie Isy Brachot, s.d. [1977], 29,7x21,4 cm, brossura, pp. [8], coper- tina tipografica illustrato con 17 immagini fotografiche in bianco e nero di opere, installazioni e scene di performance realizzate Gina Pane, Rudolf Schwarkogler, Jurgen Klauke, Carolee Schneeman, Urs Luthi, Michel Journiac, Vito Acconci, Dennis Oppenheim e altri. Estratto editoriale della rivista ar-Titudes n. 17, interamente dedicato all’arte corporale e alla performance. € 30 5. AA.VV., La performance oggi. Settimana internazionale della performance, Bologna, Galleria Comu- nale d’arte moderna di Bologna I quaderni della sperimentazione: n. 1/ La Nuova Foglio, 1977, 28x21,4 cm, brossura, pp. [186], catalogo illustrato con centinaia di immagini fotografiche in bianco e nero delle performance eseguite durante la settimana internazionale delle Performance, pubblicato in occasione della mostra tenutasi a Bologna alla Galleria Comunale d’arte moderna dall’1 al 6 giugno 1977. All’evento parteciparono gli artisti: Herrmann Nitsch, Marina Abramovich / Ulay, Renate Bertlmann, Ben D’Arma- gnac, Goeffrey Hendricks e Brian Buczak, Fied Rosenstock, Vito Acconci, Heinz Cibulka, Givanni Mundula, Angela Ricci e Yervant Gianikian, Michele Sambin, Giordano Falzoni, Mattia Mattias, Sandra Sandri, Franco Vaccari, Jacques Charlier, Giuseppe Chiari, Joe Jonas, Charlemagne Palestine, Fabrizio Plessi e Christian a Kubisch, Giuliano Sturli, Vincenzo Agnetti, Laurie Anderson, Arrigo Lora Totino, Plinio Mesciulam, Luca Patella, Lamberto Pignotti, Luigi Viola, Bonizza e Leopoldo Mastelloni, Cioni Carpi, Linda Christanell, Nor- ma Jean Deak e Massimo Mostacchi, Robert Kushner, Luigi Mainolfi, Luigi Ontani, Stanislao Pacus, Reese Williams, Mario Capponi, Francesco Colonelli e Massimo Ventura, Giorgio E. Colombo, Peter D’agostino, Giuseppe Desiato, Fernando De Filippi e Francesco Matarrese, Susan Lucy, Fabio Mauri, Giuliano Mauri, Vettor Pisani, Miro Polacci. Testi dii Francesco Solmi Ranato Barill, Francesca Alinovi, Roberto Daolio e Marilena Pasquali. Impaginazione di Olivio Galassi e Paolo Sacchetta. € 170 “Dal 1 al 6 giugno 1977 si è svolta alla Galleria Comunale d’arte moderna di Bologna la Settimana in- ternazionale della performance a partire dal primo pomeriggio fino alla mezzanotte inoltrata. In questa occasione è stato raccolto il materiale fotografico che ora viene presentato...” 6. AA.VV., Performances. Happenings actions, Events, Activities installations, Padova, Mastrogiacomo / Images 70, [stampa: LINEP], 1978, 22x22 cm., brossura, pp. [214], copertina illustrata con l’immagine fo- tografica a colori della performance di Marina Abramovich “Ritmo 0” del 1975, 287 immagini fotografiche in bianco e nero e seppiate in beige, rosa, azzurro giallo, fucsia, con immagini di manifesti e performan- ces dal 1960 al 1978. Testi di Marinetti, Boccioni, Carrà, Russolo, Piero Manzoni, Yves Klein, Alla Kaprow, Gina Pane, Vito Acconci, Hermann Nitsch, Dan Graham, Luciano Fabbro, Arnulf Rainer, allegato una opu- scolo con la traduzione in inglese dei testi. Prima edizione. € 150 7. AA.VV., Performance by Artists. Edited by AA Bronson and Peggy Gale, Toronto, Art Metropole, [stam- pa: Webcom - Scarborough], 1979 (agosto), 26,4x20,3 cm., brossura, pp. 319 (1), copertina illustrata con una immagine fotografica virata in rosa su fondo giallo tratta da una performance di Ulrike Rosenbach e numerose immagini fotografiche in bianco e nero nel testo. Immagini e testi di Vito Acconci, Laurie Ander- son, Joseph Beuys, Daniel Buren, COUM Trasmission, Ben d’Armagnac, Gathie Falk, General idea, Luigi Ontani, Charlemagne Palestine, Reindeer Werk, Clive Robertson, Ulrike Rosenbach, Torn Sherman, Ulay, Marina Abramovic. Testi di Chantal Pontbriand, RoseLee Goldberg, Dick Higgins, Bruce Barber, Maria Gloria Bicocchi & Fulvio Salvadori, Kenneth Coutts Smith, Ardele Lister & Bill Jones, Gislind Nabakowski, Glenn Lewis, Peter Frank, AA Bronson. Con una ricca bibliografia in appendice. Prima edizione. € 100 8. AA.VV. - CARDENA Michel [Miguel-Angel Cardena] (El Espinal 1934 - Amsterdam 2015), Cardena. Performances, videotapes en installaties, Rotterdam, Museum Boymans - van Beuningen, 1981, 14,7x21 cm, cartoncino d’invito illustrato un bianco e nero, graphic design a cura di Daphne Duijvelshoff (Chên- e-Bougeries 1942), edito in occasione della mostra tenutasi al Museum Boymans - van Beuningen di Rotterdam dal 2 al 31 Maggio 1981. € 70 9. ABRAMOVIC Marina (Belgrado 1946), Ulay / Marina Abramović - Marina Abramović / Ulay - 3 per- fomances, Innsbruck, Galerie Krinzinger - Galerie Humanic, [stampa: Hörtenbergdruck Telfs], 1978, 24,5x16,5 cm, brossura, pp. [48], catalogo/libro d’artista con copertina illustrata e 33 immagini fotogra- fiche in bianco e nero di 3 differenti performance: “Performance 1 - Relation in Space”; “Performance 7 - Ulay: I am driving the car for an indefinite time in a circle”; “Performance 8 - Relation in Time”. Testo intro- duttivo con un’intervista a Marina Abramovic e Ulay a cura di Heidi Grundmann. Tiratura di 1.200 copie. Catalogo edito in occasione dell’”Internat. Performance Festival” tenutosi nell’Aprile del 1978 all’Österr- eichischer Kunstverein di Innsbruck nel 1978. € 250 [Bibliografia: Joosten - Roettig 2018: pp. 22-23]. 10. ACCONCI Vito (Hannibal) (The Bronx, New York 1940), Vito Acconci con l’opera Instant House, Ve- nezia, 39° Biennale di Venezia, [scatto 29-05-1980], 10,6x14,7 cm, fotografia originale scattata da Giorgio Colombo ai Giardini di Castello, Padiglione Italia durante la 39° Biennale di Venezia, nell’ambito della mo- stra “L’arte degli anni settanta”. Esemplare con logo del fotografo, data [29-05-1980] e numero di archi- viazione [0359/018/18]. Tiratura non dichiarata in un numero limitato di esemplari riservati al fotografo, all’artista e alla stampa. € 500 11. BEUYS Joseph (Krefeld 1921 - Düsseldorf 1986) - COLOMBO Giorgio (Milano 1945), Joseph Beuys con un particolare di Strassenbahnhaltestelle, Venezia, 37° Biennale di Venezia, [scatto 15-07- 1976], 15x10 cm, fotografia originale, stampa vintage. Scatto eseguito da Giorgio Colombo ai Giardini di Castello, Padiglione Germania Federale durante la 37° Biennale di Venezia, nell’ambito della mostra “Partecipazioni Nazionali - Germania Federale”. Esemplare con
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  • Ghost Dance in 31 Movements
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 8-7-2008 Ghost Dance in 31 Movements Anny Ballardini University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Ballardini, Anny, "Ghost Dance in 31 Movements" (2008). University of New Orleans Theses and Dissertations. 826. https://scholarworks.uno.edu/td/826 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Ghost Dance in 31 Movements A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Film, Theatre and Communication Arts Creative Writing by Anny Ballardini Superior School for Translators and Interpreters, Florence, Italy, 1978 August, 2008 © 2008, Anny Ballardini ii Dedication I dedicate the present work to Professor Bill Lavender who has made this moment happen. iii Acknowledgments I would like to acknowledge Ubu.com (UbuWeb: Film & Video) for the enormous variety of material uploaded on the site, dislocated as I am in the Alps in Italy, it would have been impossible for me to watch some of the many films freely offered for “educational and non-commercial use.” On a more personal level, my moral debts include a long list of professors, students, friends, and family.
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  • GÜNTER BRUS UNREST AFTER the STORM February 2 to August 12, 2018
    Vienna, February 1, 2018 Belvedere 21 Arsenalstrasse 1 1030 Vienna Austria Opening times: Wed to Sun and all public holidays: 11 a.m. to 6 p.m., Wed and Fri until 9 p.m. Press downloads: belvedere21.at/presse21 Press contact: Irene Jäger +43 664 800 141 185 [email protected] Günter Brus, Portfolio Ana IV, 1964/2004, with Anna Brus, photo: Khasaq (Siegfried Klein) © Belvedere, Vienna GÜNTER BRUS UNREST AFTER THE STORM February 2 to August 12, 2018 To mark the artist’s 80th birthday, Belvedere 21 is dedicating a comprehensive retrospective to the oeuvre of Günter Brus. ‘In keeping with this year’s motto “Spirit of ‘68,” which underpins the overall activities of Belvedere 21 during 2018, this exhibition honors Günter Brus as the great art rebel of the 1960s. Fifty years after the radical “Kunst und Revolution” event, we will show that Brus has never stopped developing and reinventing his artistic material time and again,’ according to Stella Rollig, Director General of the Belvedere and Belvedere 21. Günter Brus is now considered one of Austria´s most important international artists. As a representative of Viennese Action Art, during the 1960s he shone a light on the powerful presence of the physical and psychological constitution of man and the oppression of the individual to social rules. With his radical, body-based and performative work, he succeeded in detaching himself from the ‘brand‘ of Viennese Action Art and has since gone down in history as the fundamental pioneer of international action and performance art. In 1970, Günter Brus turned his back on Action Art and focused increasingly on the medium of drawing, with ‘image poems’ and theater works.
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