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'Celtic' Clothing
‘Celtic’ Clothing (with Greek and Roman Influence) from the Iron Age-a Realistic View Based on What We Know What, When, Where and Why? Documentation and reproduction of period „Celtic‟ clothing for reenactment purposes is a subject which not only should be approached with caution, but also a difficult and sometimes seemingly impossible task if one aims for historically correct imitation. Based on limited textile finds through out the Celtic empire and coupled with historical commentary and art representations we can generate an educated generalized guess on what the Celtic people may have worn, but then this is only a guess. This representation is further clouded by regional differences both in necessity of certain dress and textile fiber availability. What we do know however is that the Celtic peoples as a whole delighted in color and costume documented not only by textile finds, but other costume finds and backed by historical commentary. In order to begin such a feat we first must understand who were the „Celts‟. The term „Celt‟ is derived from the Greek word „Keltoi‟ and is a general broad term applied to most of the European barbarians from the Middle Danube to the Atlantic. (Cunliffe 9) Julius Caesar, writing from the First Century BC states concerning the Gauls of France, „we call (them) Gauls though in their own language they are called Celts‟. While the terms Keltoi/Celtae and Gali/Galatae were used interchangeably by early writers the term „Celt‟ became the prominent label for these people during the Victorian period, a name which today not only is misleading but brings on romantic notions most of which are not even „Celtic‟ by any historical sense. -
An Exploration Into the Biocultural Importance of Bog Bodies Reilly Boone Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 Natural Mummies of Northern Europe: An Exploration into the Biocultural Importance of Bog Bodies Reilly Boone Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Anthropology Commons Recommended Citation Boone, Reilly, "Natural Mummies of Northern Europe: An Exploration into the Biocultural Importance of Bog Bodies" (2019). Honors College Capstone Experience/Thesis Projects. Paper 800. https://digitalcommons.wku.edu/stu_hon_theses/800 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. NATURAL MUMMIES OF NORTHERN EUROPE: AN EXPLORATION INTO THE BIOCULTURAL IMPORTANCE OF BOG BODIES A Capstone Project presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Science with Honors College Graduate Distinction at Western Kentucky University By Reilly S. Boone May 2019 ***** CE/T Committee: Doctor Darlene Applegate, Chair Doctor Jean-Luc Houle Doctor Christopher Keller Copyright by Reilly S. Boone 2019 ii This thesis is dedicated to Mrs. Perryman: thank you for giving a name to my interest in other ways of life. Without you I would have struggled to find a way to balance the cultural and biological fields I adore. iii ACKNOWLEDGEMENTS I would like to thank the professors in the Department of Folk Studies and Anthropology, especially Dr. Darlene Applegate and Dr. Jean-Luc Houle, for their encouragement throughout my time at WKU and for providing me with opportunities to experience the field of anthropology to the fullest extent. -
{PDF EPUB} the Bog People Iron-Age Man Preserved by Peter Vilhelm Glob Peter Vilhelm Glob
Read Ebook {PDF EPUB} The Bog People Iron-Age Man Preserved by Peter Vilhelm Glob Peter Vilhelm Glob. Peter Vilhelm Glob (* 20. Februar 1911 in Kalundborg; † 20. Juli 1985 auf Djursland) war ein dänischer Prähistorischer Archäologe, Museumsleiter und Reichsantiquar ( dänisch Rigsantikvar ). Inhaltsverzeichnis. Leben. P. V. Glob war der Sohn des Malers Johannes Ejner Glob (1882–1955). Er studierte prähistorische Archäologie bei Johannes Brøndsted an der Universität Kopenhagen und wurde 1934 Assistent sowie 1937 Inspektor am Dänischen Nationalmuseum. 1945 wurde er mit einer Dissertation über die Einzelgrabkultur promoviert. Von 1949 bis 1960 lehrte er als Professor an der Universität Aarhus. Gleichzeitig leitete er das Vorgeschichtliche Museum (heute Museum Moesgård). 1951 gründete er die Jütländische Archäologische Gesellschaft ( Jysk arkæologisk selskab ), deren Generalsekretär er bis 1962 war, bevor er ihr Präsident wurde. 1960 wurde er Nachfolger Brøndsteds als Direktor des Nationalmuseums in Kopenhagen und als Rigsantikvar. 1981 trat er in den Ruhestand. Als Student nahm Glob 1932/33 an der unter Leitung Lauge Kochs (1892–1964) stehenden Dänischen Drei-Jahres-Expedition 1931–1934 teil. Seine erste Publikation galt den Resultaten seiner Ausgrabungen von Eskimo-Siedlungen in Ostgrönland. Über Dänemark hinaus bekannt wurde Glob besonders durch seine Arbeiten zu Barkjær, einer der Anlagen vom Typ Konens Høj, zur Typologie der Streitäxte der Einzelgrabkultur 1944 und 1965 zu den Moorleichen. Mit seinem Buch Mosefolket über dänische Moorleichenfunde gab er der europäischen Moorleichenforschung neue Impulse. 1969 veröffentlichte er als Ergebnis seiner 30 Jahre währenden Studien einen vollständigen Überblick über die dänischen Felsbilder. Daneben forschte er 1953 in Bahrain, 1957 in Katar, 1958 in Kuwait, Abu Dhabi und Oman sowie ab 1964 in Saudi-Arabien. -
Regarding the Dead: Human Remains in the British Museum Edited by Alexandra Fletcher, Daniel Antoine and JD Hill Published with the Generous Support Of
Regarding the Dead: Human Remains in the British Museum Edited by Alexandra Fletcher, Daniel Antoine and JD Hill Published with the generous support of THE FLOW FOUNDATION Publishers The British Museum Great Russell Street London wc1b 3dg Series editor Sarah Faulks Distributors The British Museum Press 38 Russell Square London wc1b 3qq Regarding the Dead: Human Remains in the British Museum Edited by Alexandra Fletcher, Daniel Antoine and JD Hill isbn 978 086159 197 8 issn 1747 3640 © The Trustees of the British Museum 2014 Front cover: Detail of a mummy of a Greek youth named Artemidorus in a cartonnage body-case, 2nd century ad. British Museum, London (EA 21810) Printed and bound in the UK by 4edge Ltd, Hockley Papers used in this book by The British Museum Press are of FSC Mixed Credit, elemental chlorine free (ECF) fibre sourced from well-managed forests All British Museum images illustrated in this book are © The Trustees of the British Museum Further information about the Museum and its collection can be found at britishmuseum.org Preface v Contents JD Hill Part One – Holding and Displaying Human Remains Introduction 1 Simon Mays 1. Curating Human Remains in Museum Collections: 3 Broader Considerations and a British Museum Perspective Daniel Antoine 2. Looking Death in the Face: 10 Different Attitudes towards Bog Bodies and their Display with a Focus on Lindow Man Jody Joy 3. The Scientific Analysis of Human Remains from 20 the British Museum Collection: Research Potential and Examples from the Nile Valley Daniel Antoine and Janet Ambers Part Two – Caring For, Conserving and Storing Human Remains Introduction 31 Gaye Sculthorpe 4. -
AN INVESTIGATION of the WIDER LANDSCAPE ARCHAEOLOGY of BOG BODIES: a CASE STUDY of LINDOW II and TOLLUND MAN by ZENA MARIE ZEIN
AN INVESTIGATION OF THE WIDER LANDSCAPE ARCHAEOLOGY OF BOG BODIES: A CASE STUDY OF LINDOW II AND TOLLUND MAN By ZENA MARIE ZEIN-ELABDIN A thesis submitted to the University of Birmingham for the Degree of DOCTOR OF PHILOSPHY Department of Classics Ancient History and Archaeology University of Birmingham August 2019 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. This thesis describes an investigation of the wider landscape archaeology of bog bodies: a case study of Lindow II found on Lindow Moss, Cheshire and Tollund Man deposited on Bjӕldskovdal bog, Denmark. Focused on establishing the surrounding cultural archaeology, pre-peat landscape, development of the bog landscape on Lindow Moss and Bjӕldskovdal bog. Then locating the positions of Lindow II and Tollund Man in their respective shape of bog basin. A spatial exploration of Lindow II and Tollund Man’s relationship to the contemporary edge of the peat landscape was facilitated using 3D models created using newly generated auger data. A landscape investigation has shown that there was an absence of cultural archaeology surrounding Lindow II and Tollund Man within a 1.9km circumference.