Visualizing Dynasty and Dissent in Jacopo Pontormo's Portrait Of
Visualizing dynasty and dissent in Jacopo Pontormo’s Portrait of Cosimo il Vecchio Mary Hogan Camp Figure 1 Pontormo, Portrait of Cosimo il Vecchio, c. 1519, oil on panel, 90 x 72 cm Uffizi Gallery (inv. 1890, n. 3574), Florence. Photograph courtesy of Wikimedia Commons (Public Domain) The Portrait of Cosimo il Vecchio, c. 1519, marked the first Medicean portrait commission for the rising young Florentine artist Jacopo Pontormo (b.1494). [Figure1] It proved pivotal in his career, garnering him the favour and patronage of the Medici, who would continue to give him commissions and eventually place him on their payroll, where he remained for over twenty-four years until his death in 1556.1 At the time this commission was given, however, there was no such future surety: the family was facing a crisis, and the survival of the Medici line was in grave doubt. In 1516, Duke Giuliano de’ Medici, the youngest son of Lorenzo the Magnificent and ruler of Florence, had died childless at the age of thirty-seven. In 1519, his twenty-six-year-old nephew and successor, Duke Lorenzo, succumbed to a combination of syphilis and tuberculosis just twenty-one days after the birth of his only daughter Catherine. Their unexpected deaths left the family with no legitimate heir to power. There was one 1 Elizabeth Pilliod, Pontormo, Bronzino, Allori: a genealogy of Florentine art, New Haven: Yale University Press, 2001, 17. Journal of Art Historiography Number 17 December 2017 Mary Hogan Camp Visualizing dynasty and dissent in Jacopo Pontormo’s Portrait of Cosimo il Vecchio glimmer of hope, and of a hoped-for change in fortune: the birth of a healthy son to Maria Salviati, granddaughter of Lorenzo the Magnificent, on 12 June 1519, only one month after Duke Lorenzo’s death.
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