Film Televison Theater Training Skills

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DEBORAH GEFFNER SAG-AFTRA, AEA www.DeborahGeffner.com FILM All That Jazz Supporting Bob Fosse Southside with You Supporting Richard Tanne Under the Silver Lake Supporting David Robert Mitchell Infestation Supporting Kyle Rankin Night of the Living Deb Supporting Kyle Rankin Booze Boys & Brownies Supporting Veronica Mannion Star 80 Supporting Bob Fosse Height: 5’8” Exterminator 2 Lead Mark Buntzman Eyes: Hazel The Phoenix Incident Supporting Keith Arem Hair: Dark Brown Guitar Lessons Lead Deborah Geffner Living Out Loud Supporting Richard La Gravenese A Beautiful Now Supporting Daniela Amavia Girl in the Mirror Starring Jesse Holcomb Razz & Jo Wake Up Lead Deborah Geffner mademoiselle Chasing Destiny Supporting Tim Moxell TALENT AGENCY (310) 530-9994 TELEVISON [email protected] American Horror Story Guest Star FX/ Dir. Axelle Carolyn The Morning Show Guest Star Apple TV/ Dir. Mimi Leder The Young and the Restless Recurring CBS/ Dir. Sally McDonald How To Get Away with Murder Guest Star ABC/ Dir. Michael Smith A&R Management For the People Recurring ABC/ Dir. Claudia Yarmy Scandal Recurring ABC/ Dir. Tom Verica (310) 270-8835 Bosch Co-Star Amazon/ Dir. Alex Zakrzewski [email protected] Mad Men Co-Star AMC/ Dir. Phil Abraham Additonal Credits Available on IMDB.me/DeborahGeffner THEATER A Chorus Line Lead Shubert Theater, Broadway Pal Joey Supporting Circle In the Square, Broadway A Flock Of Macaws Lead Theatre 68 Accomplice Lead Pasadena Playhouse Bill W. and Dr. Bob Lead Theatre 68 Connect Lead Theatre 68 Auto Da Fe Lead Theatre 68 TRAINING Acting: Richard Seyd, The Groundlings, Peggy Feury, Larry Moss, Peter Flood, Voice-Over: David H. Lawrence XVII Singing: Rachael Lawrence Dancing: Juilliard School of Music SKILLS Accents: British BBC, Cockney, New York, Southern, French, Puerto Rican Fluent in French, Broadway Dancer, Ballet, Jazz, Tap, Singing: Mezzo Soprano Voice-Over, Dubbing, Dog Rescue, Mom.

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Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
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Women and Work in Mad Men Maria Korhon
“You can’t be a man. Be a woman, it’s a powerful business when done correctly:” Women and Work in Mad Men Maria Korhonen Master’s Thesis English Philology Faculty of Humanities University of Oulu Spring 2016 Contents 1. Introduction ................................................................................................................................................... 3 1.1. History of Working Women .................................................................................................................... 5 2. Appearance .................................................................................................................................................. 10 2.1. Appearance bias ................................................................................................................................... 10 2.1.1 Weight ................................................................................................................................................ 12 2.1.2. Beauty ideals ..................................................................................................................................... 15 2.1.3. 1960s Work Attire ............................................................................................................................. 18 2.1.4. Clothing and external image in the workplace .................................................................................. 20 2.1.5. Gender and clothing .........................................................................................................................
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