Valerian and Laureline Movie

Total Page:16

File Type:pdf, Size:1020Kb

Valerian and Laureline Movie Valerian and laureline movie Continue Valerian and Lorelin Valliereian and Lorelin, as drawn by Jean-Claude MezierSosdan Pierre Christine Jean-Claude Mezier Publishing informationPublisherDargaud Title (s) Bad Dreams City Shift The Water Empire of a Thousand Planets Of the World without the Stars Welcome to Alflol Birds Master Ambassador of Shadows on the False Lands of Heroes Direction Cassiopeia Brooklyn Station, Terminus Cosmos Ghosts Inverloh Anger Hypsis On Borders Live Arms Circles of Power Hostages Ultralum Orphan Stars in Uncertain Times on the Edge of the Great Void Order of Stones Time Opener Formats Original Material for series was published as a strip in comics anthology (s) Pilote magazine and a set of graphic novels. Original languageFrenchGenre Science Fiction DateNober 1967 - March 2018Maine character (s) Valerian Lorelin Creative TeamWriter (s)Pierre ChristinArtist (s) Jean-Claude MezierCourist (s)Veline Tranl'Reprints Series was reissued, At least partially, in Dutch, Danish, English, Finnish, German, Norwegian, Polish, Portuguese, Spanish and Swedish.Collected editionsValerian: New Future TrilogyISBN 0-7434-8674-9 Creators Valerian and Lorelin: Evelyn Tranne (colorist), Pierre Christine (writer), : Valerian and Lorelin) , also known as Valerian: Spatio-Temporal Agent (French: Valerian, agent spatio-temporel) or simply Valerian, is a French sci-fi comic series created by writer Pierre Christine and artist first published in The Pilote magazine in 1967, the last part was published in 2010. All of Valery's stories were collected in the format of a comic album, including about twenty-one volumes plus a collection of short stories and an encyclopedia. The series is dedicated to the adventures of dark-haired Valerian, a spatio-temporary agent, and his red-haired female colleagues Lorelin, traveling through the universe through space and time. Valerian is a classic hero, kind, strong and brave, who follows the orders of his superiors, even if he feels, deep down in life, that this is the wrong thing to do. On the other hand, his partner Lorelin combines her superior intelligence, determination and independence with sex appeal. Influenced by classical literary science fiction, the series mixes space opera with time travel subjects. Christine's scripts are marked by their humor, complexity and strongly humanist and left-wing liberal political ideas, while Mezier's art is characterized by vivid images of alien worlds and species that Valerian and Lorelin encounter in their adventures. The series is considered a mark in European comics and pop culture, and has influenced other media as well: traces of it storylines and projects can be found in sci-fi films such as Star Wars and The Fifth Element. Many of these stories have been translated into several languages, including English. The series has been recognized through a number of prestigious awards, including the Grand Prix de la Ville d'Angouleme. In 2007, the animated series Time of Jam: Valerian and Lorelin was released, and in 2017 the feature film directed by Luc Besson Valerian and the City of a Thousand Planets was released. The concept and installation of the original setting for the series was the 28th century. Humanity has discovered the means of instant travel in time and space. The capital of the Earth, Galaxiti, is the center of the vast Terran Galactic Empire. The Earth itself has become a virtual utopia, most of the population lives a life of rest in virtual reality dream-state ruled by benign technocrats of the First Circle. The Spatio-Time Service protects the planets of the Terrano Empire and protects against the temporary paradoxes caused by rogue time travelers. Valerian and Lorelin are two such space-time agents. However, after the end of The Wrath of Hypsis (Les Foudres d'Hypsis), in which Galaxity disappears from space-time as a result of a temporary paradox, the couple has become freelance vague shooters traveling in space and time, offering their services to anyone who is willing to hire them, and looking for their lost home. In the first two albums, Valerian travels through time on a two-seater XB27 device that transports him to various relays that Galaxity has hidden in time (e.g. in Bad Dreams (Les Mauvais R'ves), a relay hidden under a tavern). In subsequent stories, Valerian and Lorelin use saucer-like astroship XB982 (which debuted in 1969 in le Grand Collectionneur). a kind of hyperspace disc, allowing almost instant transportation anywhere in space and time. , sociology and ethnology, as this series progresses, situations tend to arise from misunderstandings or ideological differences between different groups, which can be resolved through reason and perseverance. The main theme of these stories is optimistic liberal humanism: adventure is not about defeating enemies, but about exploring the challenges and celebrating diversity. So, according to academic John Dean, Christine usually works in her narratives of political, environmental and feminist issues - thus showing social ills are universal, no matter what planet you land on. Another which was developed, was Galaxity Galaxity Proxies for Western democracy; contrary to his benign self-esteem, he is actually imperialist and prone to corrupt real politics. Other topics include: Natural simplicity, surpassing technological complexity. Rejection of male chauvinism, violence and war in favor of femininity and nature. Distrust of power and suppression of individuality. Women's ability to manipulate men sexually without manipulating themselves. These themes are reinforced by the vivid drawings of Jean-Claude Mezier, whose visually stunning backgrounds: complex architecture, futuristic cars, otherworldly landscapes and strange aliens - that's what John Dean calls the staples of Mezier's seemingly limitless visual ingenuity, which leads to what artist Pepo Perez compares to National Geographic. The main characters of Valerian Valerian were born on Earth, in Galaxiti, the capital of the Terranova Galactic Empire in the 28th century. In 2713, he joined the Spatio Provisional Service. He has been trained to think that Galaxiti is always right - even when he receives orders that go to the detriment of his morality, he will be reluctant to follow them. Early stories portray Valerian as a typical square-jawed figure of a hero who is strong and reliable (although the early joke was that, despite being a time traveler, he is always late, especially when he is called by the boss). However, as the series continues, it is increasingly portrayed as somewhat knuckle-headed. In World Without Stars (Le Pays sans' theile), he gets recklessly drunk on the colonists' homemade booze, in On False Lands (Sur les terres truques), the historian, Jadna, sees him as useful only as cannon fodder and nothing else while in Heroes of the Equinoxe (Les H'ros de l'Equinoxe), he comes through such as Heroes of the Equinox and Brooklyn Station, Terminus Cosmos. When Galaxiti disappears into The Wrath of Hypsis he contemplates following his comrades into oblivion, to the consternation of Lorelin. Even after that, he feels the loss of Galaxiti much more than Lorelin, as it is his homeland. The name Valerian comes from Eastern Europe, although its origin is Latin, from valere (to be strong). Valerian was created by Mezier and Christine as a reaction to the intrepid Boy Scouts (such as the Adventures of Tintin) and American superheroes, which were common in comics available in France at the time. Instead they sought to develop a banal character with no emergency means of action. After all, with Christine feeling that they had gone too far with this angle, and that the character became too silly, from the Ghosts of Inverloch (Les Spectres d'Inverloch) and onwards, Valerian became more responsive and got most of the action. Loreline Lorelin - a peasant from France of the 11th century. In her debut adventure, Bad Dreams, she rescues Valerian from the enchanted Forest of Arelaun. When she accidentally discovers that Valerian is a time traveler, he is forced to return her to Galaxiti, where she is trained as a temporary agent of Spatio and appointed by his partner. In early stories, Lorelin usually sits in the background, while Valerian saves the day in any situation the couple found themselves, but her situation changes as the series progresses. World Without Stars, the fourth series published in Pilote, two characters separated for much of the adventure, with Lorelin emerging from under Valerian's shadow for the first time, and she finds herself more than equal to Valerian in ensuring that their mission succeeds. Welcome to Alflolol (Bienvenue sur Alflolol) displays the rebellious nature of Lorelin on the first urec; unlike Valerian, she was not born or raised by Galaxiti and is ready not only to question the power of The Galaxy, but also to openly rebel against them when their orders contradict her sense of morality. It also demonstrates its impulsive streak; she's on the Indigenous side against Galaxity and Valerian without thinking about the personal consequences she might have to face herself. Her position as the true star of the series is anchored in the Ambassador of Shadows (L'Ambassadeur de Ombres), which is practically a solo adventure for her as she searches for the vast Point Central space station for the kidnapped Valerian and ambassador to Earth. Later, acting as an independent agent, it is Lorelin who questions the ethics of some of the jobs they are forced to take to make ends meet, particularly in live weapons (Les Armes Vivantes). Despite independence and efficiency, Lorelin is not afraid to use her considerable sex appeal, if it is in her favor. For example, she attracts the attention of Emperor Valsennar in World Without Stars and, dressed in leather gear and boots, she manipulates Crocbattler and Rackalust at the Brooklyn station, Terminus Cosmos and regularly charms Shingouz when negotiating with them for information.
Recommended publications
  • Coping with the Crisis: Managing Social Security in Uncertain Times
    www.issa.int Report Coping with the crisis: Managing social security in uncertain times The ISSA Crisis Monitor Project International Social Security Association, Geneva, 2012 Coping with the crisis: Managing social security in uncertain times ACKNOWLEDGEMENTS Produced under the responsibility of the ISSA’s Social Security Observatory, the report was authored by Ian Orton, with contributions from Alexander Belopopsky, Ariel Pino, Roland Sigg, Shea McClanahan and Simon Brimblecombe. Publications of the International Social Security Association enjoy copyright. Nevertheless, short excerpts from them may be reproduced without authorization for non-profit purposes on condition that the source is indicated. For rights of reproduction or translation, application should be made to the International Social Security Association, ISSA Publications, Case postale 1, CH-1211 Geneva 22, Switzerland. The designations employed herein, which are in conformity with United Nations practice, do not imply the expression of any opinion on the part of the ISSA concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. While care has been taken in the preparation and reproduction of the data published herein, the ISSA declines liability for any inaccuracy, omission or other error in the data, and, in general, for any financial or other loss or damage in any way resulting from the use of this publication. The report is available in electronic format: www.issa.int First published January 2012. © International Social Security Association, 2012 Contents Executive summary 4 1. Introduction 5 2. Assessing the impact of the crisis 7 3. Responding to the crisis 9 3.1.
    [Show full text]
  • Catalogue 24 Winter/Spring 2018
    CATALOGUE 24 WINTER/SPRING 2018 © Dargaud - Leo & Rodolphe NEW TITLES TO JUNE 2018 JANUARY APRIL P4 P5 P6 P14 P15 P16 P17 FEBRUARY MAY P7 P8 P9 P10 P18 P19 P20 MARCH JUNE P11 P12 P13 P21 P22 P23 Dear readers, welcome to Cinebook’s the threshold between sci-fi and fantasy, shenanigans in the Middle East. And Valerian to take us on a crazy adventure 24th catalogue. Thorgal must deal with the casual cruelty if you like planes, then please give a through time. Expect hilarity. Your response last year to our first of those who call themselves ‘civilised’ warm welcome to our new series Bear’s Finally, don’t miss the second adven- hardback collected edition was nothing in The Barbarian. Tooth – a story of flying, betrayal and ture of Mountie Trent. It’s a rare comic short of awe-inspiring, and we have We begin the second cycle of The friendship against all odds set in WW2. that manages to perfectly balance the more of them, with volumes 4 and 5 Last Templar, with FBI Agent Reilly and Different war with some new exploits serenity of the Canadian wilds, the quiet, of The Complete Valerian coming this archaeologist Tess Chaykin reuniting by The Bluecoats – training new recruits contemplative nature of a taciturn hero, semester. We also have another regular on a new treasure hunt. And speaking is hard when you don’t speak the same and a hefty dose of excitement when Valerian & Laureline title, as well as the of contemporary action-thrillers with language! Our old friend Lucky Luke he eventually gets his man – but Leo, brilliant one-shot Valerian
    [Show full text]
  • To Download Catalogue 25 (Summer/Autumn 2018)
    CATALOGUE 25 SUMMER/AUTUMN 2018 © Dargaud - Leo, Jamar & Simon NEW TITLES TO DECEMBER 2018 JULY OCTOBER P4 P5 P6 P14 P15 P16 P17 AUGUST NOVEMBER P7 P8 P9 P10 P18 P19 P20 P21 SEPTEMBER DECEMBER P11 P12 P13 P22 P23 Dear readers, welcome to Cinebook’s Alone is next, descending ever deeper holism? On the other side of the border, in Spirou we discover that the aftermath 25th catalogue. into horror territory now that our five Lucky Luke introduces us to his own ver- of Zorglub’s crazy scheme isn’t all fun Three new series await you this se- heroes have won their freedom. And sion of one of the best known episodes and games. Whereas, for Gomer Goof, mester, two of them by Leo, creator of we’re bringing you our 20th Thorgal title of the Old West – prepare for a hilarious everything seems to be fun and games Aldebaran. First, Mermaid Project, a tale in which Aaricia and Kriss will have to take on the famous shootout at the O.K. – especially work hours, office supplies, of crime, espionage and environmental- learn to get along. Oh, dear … Corral. And then the lonesome cowboy and his relationship with his boss! ism in a world turned upside down by In the historical vein we have Bear’s heads to a rather unexpected destina- Finally, two of Jean Van Hamme’s cre- an ecological disaster. Then IAN, taking Tooth, where Polish-American pilot Max tion: the City of Lights! Meanwhile, Ya- ations return. Lady S. is embroiled in a a deep, troubling look at the nature of is now infiltrating the secret weapons di- kari continues to delight children with desperate attempt to prevent an alliance sentience – what makes us human, and vision of the Luftwaffe during the closing his heart-warming tales of … lake mon- between the Russian and Corsican ma- could an artificial being have it? Finally, days of WWII.
    [Show full text]
  • Switzerland's Security 2016
    SWITZERLAND’S SECURITY Situation Report 2016 of the Federal Intelligence Service FIS SWITZERLAND’S SECURITY Federal Intelligence Service FIS Situation Report 2016 Papiermühlestrasse 20 CH-3003 Bern of the Federal Intelligence Service FIS www.fis.admin.ch / [email protected] SWITZERLAND’S SECURITY Switzerland’s Security 2016 Table of contents Security and sovereignty in uncertain times 5 The situation report in brief 7 Strategic environment in a state of flux 13 Focus on China 24 Violent extremism and terrorism motivated by religion and ethno-nationalism 33 Right-wing and left-wing extremism 53 Proliferation 63 Illegal intelligence 71 List of abbreviations 85 SITUATION REPORT 2016 | FIS 3 Security and sovereignty in uncertain times As the previously favourable security climate becomes more volatile, security policy is required to provide guidance. Our environment is characterized by rapidly growing complexity, and even the word ‘chaos’ is creeping into the language of security policy. It is being used as a rather inadequate description of the trend toward ‘fragmentation’: the sharp rise in the number of relevant players compared with past eras. Increasingly, many non-state players are able to influence Switzerland's internal and external security, both for good and for ill. In this environment, threats and dangers can often develop rapidly and surprisingly. They are becoming more unpredictable and the response times for decision-makers are shrinking. This is generating an atmosphere of uncertainty. The prob- ability of strategic surprises is growing. Providing security guidance under such conditions is a major challenge, and a reliable situation assessment is an indispensible requirement. It provides the basis for governing bodies to make deci- sions which will help to prevent strategic surprises and to guarantee security even in an increasingly uncertain environment.
    [Show full text]