Boston Symphony Orchestra Concert Programs, Season 8, 1888-1889

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Boston Symphony Orchestra Concert Programs, Season 8, 1888-1889 Bo5to9 Sy/npl^opy Orel7^8tra XXIV. PROGRAMME. April 26 and 27. FA VORITES for more than TWENTY-FIVE YEARS. JHE HENRY F. MILLER PIANOS! f The great Pianists. The world's pre-eminent Vocalists. I Music Professors and Music Endorsed by \ Lovers. Music Critics of the great daily- I papers. The principal Orchestral Concerts throughout the United States^ The concerts of the Music Teach- Selected for < ers' National Association — eight consecutive years. For a concert on the average every day for ten consecutive years. In the Boston Public Schools, Mas- sachusetts State Normal Schools, the England Conservatory Used { New of Music, and Music Institutions everywhere in America. The peculiar sweetness of tone which is a feature of these instruments^ is not found in other makes of pianos. SEND FOR INTERESTING CATALOGUES, FULLY ILLUSTRATED. HENRY F. MILLER k SONS, PIANO CO., 156 Tremont Street, Boston. mvsic h:all, bosioj^. Boston Symphony Op^ghestra WILHELM GERICKE, Conductor. ElQHTH SEASON . - . 1888-89. PROGRAMME OF THE Tweiity-loiirtli^BeKeaisaliaiiililiOiiGert, FRIDAY AFTERNOON, APRIL 26, SATURDAY EVENING. APRIL 27, WITH HISTORICAL AND ANALYTICAL NOTES PREPARED BY C3-. HI. "WILSO:^. PUBLISHED BY C. A. ELLIS. ; EASTER SPECIALTIES For Ladies and Misses. Gloves, Parasols, TKIIs/ail^/iEEX) H-iS^TS, Etc. Exclusive Groods. Reasonable IPrioes. 82 & 83 Boylston Street and Park Sq. A. P. SCHMIDT & CO. 13 & 15 West Street, Boston, Mass. Music Fublishers. Sole Agents in the United States for HENRY LITOLFF, Brunswick, Germany ASHDOTVN & PAKRY, London, England. Also constantly in stock the cheap editions of BREITKOPF & HAERTEL, STEINGRAEBER, POHI.E, AUGENER PETERS. Also Special Depot for NOVELLO'S and SCHIRMER'S PUBLICATIONS. New Compositions by E. A. MacDOWELL. Two Songs, op. 34. I For Pianoforte. Menie «0.35 Etude de Concert, op. 36 SO.l'S My Jean 35 | N. B. — Music performed at all Concerts constantly in stock, generally in the well-known cheap editions DOOLINQ, 11 AND 13 TEMPLE PLACE, AFTER THE CONCERT. SALADS, ICES, ^' FROZEN PUDDING, mm ETC., ETC. lUPON^ BEST ASSORTMENT OF FANCV CAKES mom THE WORID ofER"^'^*^*^^"^"-"" ^—-i IN BOSTON. Catering for Wedding Receptions ESTEY, and other parties a specialty. 1B9 Trkmont SxrKhjt. (738) " . IratfliirtlilfiriaMCiciiri (I^.4.^T OF THE SEIlIi:S.) Friday Afternoon, April 26, at 2.30. Saturday Evening, April 27, at 8. ^^^^ P R C a R A M M E " OVERTURE, Euryanthe Weiier CIACONNA in D minor Bacii (Orchestrated by Raff. WALTZES, Op. 39 Brahms First time.) SYMPHONY in C major, No. 9 Schubert Andante ; Allegro ma non troppo. Andante con moto. Scherzo (Allegro vivace). Finale (Allegro vivace). The Piano used is a Chickering. ^739) : THE BOSTON MUSIC CO. {C9-. SCHIRIVIER, Jr.) Publishers and Importers of Music, 28 -TXTEST STISEET. We recommend the following collections to singers BIZET. Songs. 2 vols. Sop. or alto Each, $1.50 COWEN. 12 Songs. Sop. or alto " 1.50 DELIBES. Songs. Sop. or alto " 1.50 GODARD. Songs 1.50 IiACOMBE. Songs. 2 vols. Sop. or alto Each, 1.50 MASSENET. Songs. 2 vols. Sop. or alto 1.50 " Poeme d'Octobre .75 WIDOR. Songs. 2 vols. Sop. or alto Each, 1.50 OPERA=OTJI^GLASSES Are imported direct from Paris. Lemaire, Leville, Chevalier, and others are the makers. Prices ? Lower than you have yet seen! Plain Black, in fine case, 15 line, only $2.25 Larger sizes, larger prices — but still the lowest. A Plain Black, Lemaire Glass, only - 3.97 Pearl Opera-Glasses, gold-plated slides, best quality, $6.98, and upward. We had our pick of Sattust Fans while in Vienna and Paris this summer. Now it's your turn. You'll hardly miss the price of one from your purse. HzoTJO-siaronsr <& idtjttoh^, 5'«5 TTemoTht Street, (740) . Overture, " Euryanthe." Weber The great success of " Der Freyschiitz " in 1821 turned the attention of leading opera managers to Weber, who agreed with Dominico Barbaja to write a second opera; Barbaja, it may be said, operated extensively in Southern Europe, but particularly at the Karntherthor Theatre, Vienna. After much trouble Weber accepted a libretto at the hands of Wilhelmine von Chezy a bluestocking from Dresden (whom Hanslick once called witty.) This eccentric person laid before him a sketch made from a Getman transla- tion of an old French romance " Historie de Gerard de Nc'vers, et de la belle et verteuse jEuryanthe, sa mieJ^ The opera failed, chiefly because of the utterly meaningless libretto of the von Chezy, of whom it is related that on the night of the first performance of " Euryanthe," Oct. 25, 1823, in the Karn- therthor Theatre, Vienna, coming in rather late, when the aisles were filled, she tried to find her way to the front ^z'd'r the crowd, exclaiming, "Make !" room, make room, for me, I say ! I tell you I am the poetess ! the poetess The opera was mostly written in the summer of 1822, in Hosterwitz, where Weber and his wife and infant son were staying. During that summer Sir Julius Benedict was W^eber's pupil, and he writes thus of the work in " ' ' hand : Watching the progress of his Euryanthe from the first note to its completion, I had the best opportunity of observing his system of compos- ing. Manjr a time might he be seen early in the morning, some closely- written pages in his hand, which he stood still to read, and then wandered on through forest and glen muttering to himself. He was learning by heart the words of ' Euryanthe,' which he studied until he made them a portion of himself, — his own creation, as it were. His genius would sometimes lie dormant during his frequent repetition of the words, and then the idea of a whole musical piece would flash upon his mind,|like the bursting of light into CARL B. ZERRAHN, CHASE'S GALLERY 7 Hamilton Place, SYMPHONY CONCERT PROGRAMME Exhibition and Private Sale PARK THEATRE E. 857 WASHINGTON STREET, OF Room 6 - - - "Herald" Building. JPICTTTIIjES Mr. George H. Adams is authorized to receive ad- BY vertisements for this Programme. CARL G. ZERRAHN. C. E. L. GREEN (741) H. B. STEVENS & CO. 169 Tremomt Street - ^ BOSTON (3 cLoors nortlL of Mlason JStreet), jVtttStC JPttC^ftsft AGENTS FOR SCHIRMER'S PUBLICATIONS. We carry the largest and most complete stock of above to be found in New England Also agents for the well-known low-priced editions of PETERS, BREITKOPF & HARTEL, and AUGENOR. Catalogues free on application, and Bulletins of New Music sent regularly to those sending us their names. GMlA.]Srr), UPRiaHT and SQUA.RE PIANO-FORTE J^or TTZore tTtcLTh fifty yecurs before tKe pixbltCj tTxese zn.stpujTLeThts Ttcuve, hy tTxetr e3:cellence, GuttculTLed CLTL TLThjpiLTcTxcLsed pTe-eTruineTicey tvIxzcTl estcCbltsfies tTierrh tfte ULTLegvLoZZecL trt TONE, TOUCH, WORKMANSHIP, AND DURABILITY. E. Iff. TYLER, Agent, 17 B TrExnant St. The Knabe Pianos are used EXCLUSIVELY by Dr. Von Bulow during his present American tour. (742) darkness. It would then remain there uneffaced, gradually assuming a per- fect shape, and not till this process was attamed would he put it down on paper. His first transcriptions were usually penned on the return from his solitar}' walks. He then noted down the voices fully, and only marked here and there the harmonies or the places where particular instruments were to be introduced. Sometimes he indicated by signs, known only to himself, his most characteristic orchestral effects ; then he would play to his wife or to me, from these incomplete sketches, the most striking pieces of the opera, invariably in the form they afterwards maintained. The whole was so thoroughly developed in his brain that his instrumentation was little more than the labor of a copyist ; and the notes flowed to his pen with the marks of all the shading of expression, as if copper-plated on the paper, . The scoring of the opera of ' Euryanthe ' from his sketches occupied only sixty days." " The overture is rich in its effects, chivalric, repressive, and passionate by turns. It includes several of the important musical and dramatic feat- ures of the opera. The leading phrase embodying Adolar's trust in " God and his Euryanthe " conjures up at once the splendor of a Provencal court, with its knights, its troubadours, and fair ladies. The second subject is taken from Adolar's scena " O Seligkeit, dich fass ich kaum," and forms a delightful contrast with the preceding, after which an unexpected and novel modulation leads to a mysterious movement which embodies the ghostly apparition of Adolar's ancestors. The characters of Adolar's rival, Lysiart, and of Euryanthe's false friend, Eglantine, are portrayed by their respective musical figures, which, alternating with snatches of the first sub- ject, describe well the struggle of truth and loyalty against fraud and trea- son. At last the clouds are dispersed, and the return to the beginning, and to Adolar's motive, " O Seligkeit," in the original key, now a jubilant, PHOTOGRAPHIC Miller's Reform Boot. (Pat. in the U. S.) 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