Progrsnne HIGH OPINIONS REGARDING the PIANOFORTES
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Boston Symphony Orchestra Concert Programs, Season 25,1905-1906, Trip
ACADEMY OF MUSIC, PHILADELPHIA. BostonSympRony Qrctiestia WILHELM GERICKE, Conductor. Twenty-first Season in Philadelphia* PROGRAMME OF THE FIRST CONCERT MONDAY EVENING, NOVEMBER 6, AT 8. J 5 PRECISELY. Hale. With Historical and Descriptive Notes by Philip Published by C. A. ELLIS, Manager. l A PIANO FOR THE MUSICALLY INTELLIGENT classes, artists' pianos If Pianos divide into two and popular pianos. The proportion of the first class to the second class is precisely the proportion of cultivated music lovers to the rest of society. A piano, as much as a music library, is the index of the musical taste of its owner. are among the musically intelligent, the ^f If you PIANO is worth your study. You will appreciate the " theory and practice of its makers : Let us have an artist's piano ; therefore let us employ the sci- ence, secure the skill, use the materials, and de- vote the time necessary to this end. Then let us count the cost and regulate the -price." Tf In this case hearings not seeing, is believing. Let us send you a list of our branch houses and sales agents (located in all important cities), at whose warerooms our pianos may be heard. Boston, Mass., 492 Boylston Street New York, 139 Fifth Avenue Chicago, Wabash Avenue and Jackson Boulevard Boston Symphony Orchestra. PERSONNEL. Twenty-fifth Season, 1905-1906. WILHELM GERICKE, Conductor First Viouns Hess, Willy, Concertmeister. Adamowski, T. Ondricek, K. Mahn, F Back, A. Roth, O. Krafft, W. Eichheim, H. Sokoloff, N. Kuntz, D. Hoffmann, J Fiedler, E. Mullaly, J. Moldauer, A. Strube, G. -
Boston Symphony Orchestra Concert Programs, Season 18, 1898
INFANTRY HALL, PROVIDENCE. Boston Symphony Orchestra. Mr. WILHELM GERICKE, Conductor. Seventeenth Season in Providence. PROGRAMME OF THE FOURTH CONCERT WEDNESDAY EVENING, JANUARY 11, AT 8 SHARP. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C. A. ELLIS, MANAGER. (1) Steinway & Sons, flanufacturers \ 1 A fV^T m \ ^Z Grand and of PIANOSK 1 /\ I ^ \^J^ Upright Beg to announce that they have been officially appointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His Majesty, NICOLAS II., THE CZAR OF RUSSIA. His Majesty, WILLIAM II., EMPEROR OF GERMANY and THE ROYAL COURT OF PRUSSIA. His Majesty, FRANZ JOSEPH, EMPEROR OF AUSTRIA and KINO OF HUNGARY. Her Majesty, VICTORIA, QUEEN OF GREAT BRITAIN. Their Royal Highnesses, THE PRINCE AND PRINCESS OF WALES, and THE DUKE OF EDINBURGH. His Majesty, OSCAR II., KING OF SWEDEN AND NORWAY. His Majesty, UMBERTO I., THE KING OF ITALY. Her Majesty, THE QUEEN OF SPAIN. His flajesty, Emperor William II. of Germany, on June 13, 1893, also bestowed on our Mr. William Steinway the order of The Red Eagle, III. Class, an honor never before granted to a manufacturer. The Royal Academy of St. Caecilia at Rome, Italy, founded by the celebrated composer Pales- trina in 1584, has elected Mr. "William Steinway an honorary member of that institution. The following is the translation of his diploma : — The Royal Academy of St. Concilia have, on account of his eminent merit in the domain of music, and in conformity to their Statutes, Article 12, solemnly decreed to receive William Steinway into the number of their honorary members. -
Boston Symphony Orchestra
■ ••••••• 0•L • Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Thursday, January 29, 1976 at 8:30 p.m. Friday, January 30, 1976 at 2:00 p.m. Saturday, January 31, 1976 at 8:30 p.m. Symphony Hall, Boston Ninety-fifth Season Baldwin Piano Deutsche Grammophon & Philips Records Program Program Notes Seiji Ozawa conducting Gioacchino Antonio Rossini (1792-1868) Overture to the Opera 'Semiramide' Rossini: Overture to the Opera 'Semiramide' This opera in two acts on a libretto of Gaetano Rossi Griffes: 'The Pleasure Dome of Kubla Khan' (based on Voltaire's tragedy of the same name) was first (After the Poem of S. T. Coleridge) performed at the Fenice Theatre, Venice in February 1823. It was mounted at La Scala, Milan in 1824. The first per- formance in Boston was at the Federal Street Theatre, Intermission March 3, 1851. It was last performed by the Boston Sym- phony in Boston in 1953 by the late Guido Cantelli, and Bruckner: Symphony No. 4 in E flat 'Romantic' most recently at the Berkshire Festival in 1975 conducted by Arthur Fiedler. Ruhig Bewegt (Tranquillo, con moto) Rossini, piqued by unfavorable comments by no less an Andante authority than Beethoven himself regarding opera seria sat Scherzo: Bewegt (Con moto) Trio (Gernachlich) down and wrote a long tragedy in music in the grand style Finale: Massig Bewegt (Moderato, con moto) ('melodramma (sic) tragico') in seven days less than the forty his contract allowed. 'Semiramide' was premiered at La The Friday program will end about 3:25 p.m. -
Boston Symphony Orchestra Concert Programs, Season 22,1902-1903, Trip
ACADEMY OF MUSIC, PHILADELPHIA. Boston Symplpy OicHestia Mr. WILHELM GERICKE, Conductor. Eighteenth Season in Philadelphia. PROGRAMME OF THE FOURTH CONCERT SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C. A, ELLIS, Manager. K») ME S S R S . CHICKERING & SONS PIANOFORTE MAKERS Invite CriticaJ Inspection of Their Latest Production The Quarter Grand (TV The Smallest Grand Embodying Modern Principles Ever Made RETAIL WAREROOMS 791 TREMONT STREET, BOSTON 1' presented m Philadelphia by JOHN WANAMAKER. (D BOStOn , ACADEMY OF MUSIC, Symphony I PH,LADEI-PHIA •**J ? "r J <j* Twenty-second Season, 1902-J903. Orchestra Eighteenth Season in Philadelphia. Mr. WILHELM GERICKE, Conductor. FOURTH CONCERT, SECOND SERIES, WEDNESDAY EVENING, FEBRUARY 18, AT 8.15 PRECISELY. PROGRAMME, u n Taneieff ....... Overture, L'Orestie n Mozart Recitative and Aria, " Nie soil mit Rosen," from f Titus (Clarinet obbligato, Mr. V. Lebailly.) u tt R. Strauss . Tone-poem, Death and Transfiguration u Mendelssohn . Arioso, But the Lord is mindful of his own," " from " St. Paul u Beethoven . Symphony No. 3, in E-flat major, Eroica," Op. 55 I. Allegro con brio. II. Marcia funebre : Adagio assai. III. Scherzo : Allegro vivace. Trio. IV. Finale : Allegro molto. SOLOIST: Madame SCHUMANN-HEINK. There will be an intermission of ten minutes before the symphony. (3) Our NewSmall Grand — We especially invite the critical attention of artists and lovers of the beautiful in pianos to our NEW SMALL GRAND, which represents the latest and highest development in that field of piano manufacture A request by mail will bring you price and terms. -
CHARLES MUNCH Musical Director
'or..er goat ea 7tav • Excellent Food, Gracious Service in the Hendrick Hudson Candlelight Room • Your Favorite Cocktail or Highball in our New Hudson Room COMPLETE FACILITIES for WEDDING FESTIVITIES BANQUETS, PARTIES and All SOCIAL FUNCTIONS 712;05rrik, SOUVERIR PROGRflifi . IN WHICH is carried pertinent information on the event of the evening; insight in- to coming events, and a suggestion of the past More than three-quarters of a million dollars has been poured into the RPI Field House in order to make it the versatile structure it is today. The original shell was a former Navy warehouse in Davisville, Rhode Island. (Cover photo by Airs. George H. Lee) NOLO • MILLER • OFFSET • ROTARY • LETTERPRESS Printers of your Field House Program 7 GRAND ST. TROY, N.-Y. *-ta.t 9 AS 2-6650 LIVINGSTON W. HOUSTON President Rensselaer Polytechnic Institute The RPI FIELD HOUSE has in the last seven years of operation become a unique forum for thought and ex- pression in the Capital District. This is partially the result of great words and ideas voiced from the FIELD HOUSE stage by outstanding leaders in many diverse fields — ed- ucation, politics, religion, drama, and many more. It is also the result of cultural expression — enduring music performed by the major symphony orchestras of America and Europe, choral groups and artists. As such, the audi- torium has fulfilled the major objective laid down by the college, Rensselaer Polytechnic Institute, which brought it into being and operates it today to enrich the lives of the college family and the people of the large surrounding community. -
Goldmark's Wild Amazons Drama and Exoticism in the Penthesilea Overture
Goldmark’s Wild Amazons Drama and Exoticism in the Penthesilea Overture Jane ROPER Royal College of Music, Prince Consort Road, London E-mail: [email protected] (Received: June 2016; accepted: March 2017) Abstract: Goldmark was the first of several composers to write a work based on Heinrich von Kleist’s controversial play, Penthesilea. Early critical opinion about the overture was divided. Hanslick found it distasteful, whereas others were thrilled by Goldmark’s powerful treatment of the subject. Composed in 1879, during the 1880s Penthesilea became established in orchestral repertoire throughout Europe and Amer- ica. The overture represents the conflict of violence and sexual attraction between the Queen of the Amazons and Achilles. Exoticism in the play is achieved by contrasting brutal violence, irrational behaviour and extreme sensual passion. This is recreated musically by drawing on topics established in opera. Of particular note is the use of dissonance and unexpected modulations, together with extreme rhythmic and dy- namic contrast. A key feature of the music is the interplay between military rhythms representing violence and conflict, and a legato, rocking theme which suggests desire and sensuality. Keywords: Goldmark, Exoticism, Penthesilea Overture The Penthesilea Overture, op. 31, is arguably Carl Goldmark’s most controversial work. Its content is provocative. Consider first of all the subject matter: Goldmark transports us to the battlefield of Troy in the twelfth century BC. Penthesilea, Queen of the Amazons, a terrifying, ferocious warrior tribe of women, gallops onto the scene with her retinue. The Amazons are bloodthirsty and hungry for sex, anticipating the men they will capture to enact their fertility ritual. -
Rafael Kubelík
czech music 2 | 2004 quarterly magazine Rafael Kubelík Josef Adamík Societas Incognitorum The Czech Music Fund Music Materials Hire Library A wide range of scores and parts of music by Czech composers, both contemporary authors and classical masters. VISIT THE ELEC- TRONIC CATALOGUE ON THE WEB WWW.MUSICBASE.CZ Contact address: Tel.: +420-251 556 642 or 251 550 609 Radlická 99 Fax: +420-251 553 982 150 00 Prague 5 e-mail: [email protected] Czech Republic internet: www.musicbase.cz czech music 2 | 2004 editorial Contents 2004 Dear Readers, and friends of Czech music. The face of this issue is Rafel Kubelik, one of the greatest personalities of Czech music history. We present here three texts Page 2 Adam Michna of Otradovice and the Societas concerning different aspects of his life and work. Incognitorum We also look deeper into our history in VLADIMÍR MAŇAS an interview with Eduard Tomaštík, 2 leader of ensemble Societas Incognitorum. This ensemble revives Page 5 Rafael Kubelík: We Loved Our Giants forgotten gems of past. JINDŘICH BÁLEK We return to the contemporary music scene with reviews of festival Exposition of New Music and with reports about Page 9 Rafael Kubelík: The Soul Cannot Be Mangled three new chamber operas. by Politics In this issue you will find next of a series PETR KADLEC of supplements called Profiles, designed to mark the Year of Czech Music and introduce some of the composers whose Page 11 Rafel Kubelík: Homeland and World Art jubilees fall in this year. We have chosen PETR KADLEC those who in our view had a major influence on the development of Czech music but who are not always so well Page 13 Josef Adamík: Composer in Disguise known in the rest of the world. -
Boston Symphony Orchestra Concert Programs, Season 75, 1955-1956
-^ BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HI 1955 1956 SEASON Sanders Theatre, Cambridge \^hrvard University] Boston Symphony Orchestra (Seventy-fifth Season, 1955-1956) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster George Zazofsky Albert Bernard Contra-Bassoon Roll and Tap ley George Humphrey Richard Plaster Norbert Lauga Jerome Lipson Vladimir Resnikoff Robert Karol Horns Harry Dickson Reuben Green James Stagliano Gottfried Wilfinger Bernard Kadinoff Charles Yancich Einar Hansen Vincent Mauricci Harry Shapiro Joseph Leibovici John Fiasca Harold Meek Emil Kornsand Violoncellos Paul Keaney Roger Shermont Osbourne McConath^ Samuel Mayes Minot Beale Alfred Zighera Herman Silberman Trumpets Jacobus Langendoen Stanley Benson Roger Voisin Mischa Nieland Marcel Leo Panasevich Lafosse Karl Zeise Armando Ghitalla Sheldon Rotenberg Josef Zimbler Gerard Goguen Fredy Ostrovsky Bernard Parronchi Trombones Clarence Knudson Leon Marjollet Pierre Mayer Martin Hoherman William Gibson Manuel Zung Louis Berger William Moyer Kauko Kabila Samuel Diamond Richard Kapuscinski Josef Orosz Victor Manusevitch Robert Ripley Nagy James Flutes Tuba Melvin Bryant Doriot Anthony Dwyer K. Vinal Smith Lloyd Stonestreet James Pappoutsakis Saverio Messina Phillip Kaplan Harps William Waterhouse Bernard Zighera Piccoi,o William Marshall Olivia Luetcke Leonard Moss George -
Boston Symphony Orchestra Concert Programs, Season 105, 1985-1986
Boston Symphony Orchestra Seiji Ozawa, Music Direftor J»—ft-t^lfiilgg^B fc OPENING NIGHT 1985 Tuesday, October First . WE'RE PROUDTO BE INSTRUMENTAL IN ANOTHER GREAT PERFORMANCE. As the sponsors of this opening night, we congratulate the Boston Symphony Orchestra on its continuing tra- dition of excellence. And, as the new $14 billion Bank of New England Corporation, we look forward to being even more instrumental in the many great performances ahead. BANK OF NEW ENGLAND CORPORATION I Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J. P. Barger, Yice-Chairman Mrs. John M. Bradley, Vice-Chairman George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar George H.A. Clowes, Jr. Frances W Hatch, Jr. Thomas D. Perry, Jr. William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Irving W Rabb Richard P. Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris, General Manager Daniel R. -
C K’NAY C (To Her) C (Poem by A
K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn] -
Czech Music in Nebraska
Czech Music in Nebraska Ceska Hudba v Nebrasce OUR COVER PICTURE The Pavlik Band of Verdigre, Nebraska, was organized in 1878 by the five Pavlik brothers: Matej, John, Albert, Charles and Vaclav. Mr. Vaclav Tomek also played in the band. (Photo courtesy of Edward S. Pavlik, Verdigre, Neraska). Editor Vladimir Kucera Co-editor DeLores Kucera Copyright 1980 by Vladimir Kucera DeLores Kucera Published 1980 Bohemians (Czechs) as a whole are extremely fond of dramatic performances. One of their sayings is “The stage is the school of life.” A very large percentage are good musicians, so that wherever even a small group lives, they are sure to have a very good band. Ruzena Rosicka They love their native music, with its pronounced and unusual rhythm especially when played by their somewhat martial bands. A Guide to the Cornhusker State Czechs—A Nation of Musicians An importantCzechoslovakian folklore is music. Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events. The most popular of the musical instruments were bagpipes, usually with violin, clarinet and cembalo accompaniment. Typical for pastoral soloist music were different types of fifes and horns, the latter often monstrous contraptions, several feet long. Traditional folk music has been at present superseded by modern forms, but old rural musical instruments and popular tunes have been revived in amateur groups of folklore music or during folklore festivals. ZLATE CESKE VZPOMINKY GOLDEN CZECH MEMORIES There is an old proverb which says that every Czech is born, not with a silver spoon in his mouth, but with a violin under his pillow. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.