Boston Symphony Orchestra Concert Programs, Season

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Boston Symphony Orchestra Concert Programs, Season FRIDAY- SATURDAY 20 1970-1971 NINETIETH ANNIVERSARY SEASON .•••. && ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W, HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E, MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN RICHARD P. CHAPMAN EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS THEODORE P. FERRIS IRVING W. RABB SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT EDWARD A. TAFT PALFREY PERKINS RAYMOND S. WILKINS ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager THOMAS W. MORRIS HARRY J. KRAUT Assistant Treasurer Associate Manager, Public Affairs FORRESTER C. SMITH MARY H. SMITH Development Director Concert Manager MARVIN Y. SCHOFER Press and Pubiic Information program copyright © 1971 by Boston Symphony Orchestra Inc. SYMPHONY HALL MASSACHUSETTS ^m m BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ABRAM T. COLLIER Chairman ERWIN D. CANHAM Vice-Chairman LEONARD KAPLAN Secretary VERNON ALDEN SAMUEL A. GROVES MRS FRANK G. ALLEN FRANCIS W. HATCH JR ROBERT C. ALSOP MRS C. D. JACKSON OLIVER F. AMES HOWARD W.JOHNSON LEO L. BERANEK W. SEAVEY JOYCE DAVID W. BERNSTEIN MRS LOUIS I. KANE MRS CURTIS B. BROOKS GEORGE H. KIDDER J. CARTER BROWN LAWRENCE K. MILLER MRS LOUIS W.CABOT MRS STEPHEN V. C. MORRIS MRS NORMAN L. CAHNERS JOHNT. G. NICHOLS LEVIN H. CAMPBELL III LOUVILLE NILES JOHN L. COOPER DAVID R. POKROSS ROBERT CUTLER HERBERT W. PRATT NELSON J. DARLING JR NATHAN M. PUSEY HENRY B. DEWEY MRS FAIRFIELD E. RAYMOND RICHARD A. EHRLICH PAUL C. REARDON BYRON K. ELLIOTT MRS GEORGE R. ROWLAND PAUL FROMM DONALD B.SINCLAIR CARLTON P. FULLER MRS LEE STANTON MRS ALBERT GOODHUE JOHN HOYT STOOKEY MRS JOHN L GRANDINJR ROBERT G.WIESE STEPHEN W. GRANT VINCENT C. ZIEGLER SYMPHONY HALL BOSTON MASSACHUSETTS dynamic symmetry Ban-Lon® print in 100%'o nyfon . , s!enders gracefuliy to call attention to new belted interest. Very wash- able! Brown/white. 10-18 . Sportswear. ^SSSHi'x^na'^j " *'* "iftttwisjfi wm**!m.msmmmwnmm>m*Mmw.w!mim*mm-f, BOSTON ® CHESTNUT HILL • NORTHSHORE SHOPPING CENTER • SOUTH SHORE PLAZA BURLINGTON MALL • WELLESLEY BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertmaster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Stephen Geber contra bassoon Rolland Tapley Robert Ripley Richard Plaster Roger Shermont Luis Leguia Max Winder Carol Procter Harry Dickson Jerome Patterson horns Gottfried Wilfinger Ronald Feldman James Stagliano Fredy Ostrovsky William Stokking Charles Yancich Leo Panasevich Joel Moerschel Harry Shapiro Noah Bielski David Ohanian Herman Silberman basses Thomas Newell Stanley Benson Paul Keaney Henry Portnoi Sheldon Rotenberg Ralph Pottle Rhein Alfred Schneider William Gerald Gelbloom Joseph Hearne Bela Wurtzler trumpets Raymond Sird Leslie Martin Armando Ghitalla second violins John Salkowski Roger Voisin Clarence Knudson John Barwicki Andre Come Robert Olson Fahnestock chair Gerard Goguen Lawrence Wolfe William Marshall Michel Sasson trombones Ronald Knudsen flutes William Gibson Leonard Moss Doriot Anthony Dwyer Ronald Barron William Waterhouse Walter Piston chair Kauko Kahila Ayrton Pinto James Pappoutsakis Amnon Levy Paul Fried tuba Laszlo Nagy Chester Schmitz Michael Vitale piccolo John Korman timpani Lois Schaefer Christopher Kimber Everett Firth Spencer Larrison oboes Ikuko Mizuno percussion Cecylia Arzewski Ralph Gomberg Charles Smith Marylou Speaker John Holmes Arthur Press Wayne Rapier violas assistant timpanist Burton Fine Thomas Gauger english horn Epstein Charles S. Dana chair Frank Reuben Green Laurence Thorstenberg harps Eugene Lehner George Humphrey clarinets Bernard Zighera Hobson Jerome Lipson Harold Wright Ann Robert Karol Pasquale Cardillo Bernard Kadinoff librarians Peter Hadcock Vincent Mauricci Victor Alpert Fb clarinet Earl Hedberg William Shisler Joseph Pietropaolo Robert Barnes bass clarinet stage manager Hironaka Sugie* Felix Viscuglia Alfred Robison personnel manager William Moyer ^member of the Japan Philharmonic Symphony Orchestra participating in a one season exchange with Yizhak Schotten. ^° ii 1 n i?*m 1 irpJ.U.u V7^ ooo personal trust services Are "the usual" trust services what you really want . for yourself . for your family? Many banks have departments that can give you the usuaJ trust services. But we've been specializing in the business of trusts for nearly a century. Now, to add even greater scope, we're a major component of THE BOSTON COMPANY, INC.'s national organization devoted to the imaginative management of capital. With investment counsel affiliates around the country ... an economic consulting group headed by Pierre Rinfret, advisor to government and industry ... a management consulting group with international capabilities. Few, if any, trust companies can offer this range of supporting capabilities. For further information about these services, please telephone or write John B. Harriman, Vice President. BOSTON SAFE DEPOSIT AND TRUST COMPANY One Boston Place Boston, Massachusetts 02106 (617) 722-7760 The Boston Company's affiliates provide the following services: INVESTMENT COUNSEL • REAL ESTATE INVESTMENT COUNSEL • OIL AND GAS INVESTMENT COUNSEL • PERSONAL FINANCIAL STRATEGIES • TRUST ADMIN- ISTRATION AND PERSONAL BANKING SERVICES • INVESTMENT RESEARCH AND TECHNOLOGY • ECONOMIC COUNSEL • MANAGEMENT CONSULTING CONTENTS Program for March 12 and 13 1971 1227 Future programs 1272 Program notes Mozart - Symphony no. 38 in D K. 504 'Prague' 1239 by Peter Branscombe Honegger - Symphony no. 2 for string orchestra and trumpet 1242 by John N. Burk Brahms - Symphony no. 1 in C minor op. 68 1257 by John N. Burk The Guest Conductor 1260 Appearance by a member of the Orchestra 1273 Program Editor ANDREW RAEBURN 1225 When you feel like laugh ng al I the way to the ban k . we're the first people to talk to The First THE FIRST NATIONAL BANK OF BOSTON ft^dfe NINETIETH ANNIVERSARY SEASON 1970-1971 Friday afternoon March 12 1971 at 2 o'clock Saturday evening March 13 1971 at 8.30 RAFAEL KUBELIK conductor MOZART Symphony no. 38 in D K. 504 'Prague' Adagio - allegro Andante Finale: presto HONEGGER Symphony no. 2 for string orchestra and trumpet Molto moderato Adagio mesto Vivace non troppo intermission BRAHMS Symphony no. 1 in C minor op. 68* Un poco sostenuto - allegro Andante sostenuto Un poco allegretto e grazioso Adagio - allegro non troppo ma con brio The concert on Friday will end about 4 o'clock; that on Saturday about 10.30. The Boston Symphony Orchestra records exclusively for Deutsche Grammophon BALDWIN PIANO DEUTSCHE GRAMMOPHON AND RCA* RECORDS 1227 i%wK:n< ) 1971 NEW ENGLAND MUTUAL LIFE INSURANCE COMPANYK' UN'™N1 BOSTONBui"ON SUBSIDIARY: NEL EQUITY SERVICES CORP ' AFFILIATE: LOOMIS, SAYLES & CO., INVESTMENT COUNSELORS ^swfk iJffS*. M$s "My insurance company? New England Life, of course. Why?' .^l^V »i II Jhe ^Aroude of (s^uautu ^jri S^lnce 1858 93 NEWBURY STREET ORIGINATED 1858 INDUSTRIAL SCHOOL FOR CRIPPLED CHILDREN 241 ST. BOTOLPH STREET BOSTON Provides For The Handicapped Child In A Free, Private, Day School A 12 Year Academic Program Vocational Training • Recreation Health Program • Transportation The Industrial School for Crippled Children solicits funds for its operation either through Bequests, Annuities or Life Insurance. In case of a life agreement a donor gives capital to the Industrial School for Crippled Children and in return receives income for life. Donors are invited to discuss these matters with the Treasurer. Treasurer, CHARLES E. COTTING, 10 Post Office Square, Boston CHARLES H. TAYLOR MRS. CHARLES E. COTTING President Chairman Ladies Committee 1229 "Swing in ;**»» -w*' Converse. m the Converse tennis pros da shoes are worn from love by famous racquet swingers 'round the world. And worn for their built-in stamina and high scoring style by millions of other people who never set foot on a court. •converse When you're out to beat the world 1230 xji 'p?vi itAtS-i:* r There are discerning devotees who want pre-Symphony dining to be a bravura performance. The Ritz is for them. The Ritz-Carlton Boston v THE PLACE TO BUY EVERYTHING FROM WHAT'S IN STYLE to what's traditional OPEN THURSDAY EVENINGS UNTIL 8:30 1-HOUR FREE PARKING at the Church Street Garage (right next door) 31 CHURCH ST. • CAMBRIDGE UNiversity 4-2300 We've got two reputations to protect The new FTN meter system uses the same "center- yours weighted" principle as the Nikon Photomic TN. While it measures total scene brightness, about 60% of its sensitivity is concentrated in the center of the screen, diminishing rapidly toward the and ours. edges. Thus, brightness differences between central subject and background have little or no effect on How would it look for you to get bad exposures meter response.
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