Building a House of Memory
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Impressionist Adventures
impressionist adventures THE NORMANDY & PARIS REGION GUIDE 2020 IMPRESSIONIST ADVENTURES, INSPIRING MOMENTS! elcome to Normandy and Paris Region! It is in these regions and nowhere else that you can admire marvellous Impressionist paintings W while also enjoying the instantaneous emotions that inspired their artists. It was here that the art movement that revolutionised the history of art came into being and blossomed. Enamoured of nature and the advances in modern life, the Impressionists set up their easels in forests and gardens along the rivers Seine and Oise, on the Norman coasts, and in the heart of Paris’s districts where modernity was at its height. These settings and landscapes, which for the most part remain unspoilt, still bear the stamp of the greatest Impressionist artists, their precursors and their heirs: Daubigny, Boudin, Monet, Renoir, Degas, Morisot, Pissarro, Caillebotte, Sisley, Van Gogh, Luce and many others. Today these regions invite you on a series of Impressionist journeys on which to experience many joyous moments. Admire the changing sky and light as you gaze out to sea and recharge your batteries in the cool of a garden. Relive the artistic excitement of Paris and Montmartre and the authenticity of the period’s bohemian culture. Enjoy a certain Impressionist joie de vivre in company: a “déjeuner sur l’herbe” with family, or a glass of wine with friends on the banks of the Oise or at an open-air café on the Seine. Be moved by the beauty of the paintings that fill the museums and enter the private lives of the artists, exploring their gardens and homes-cum-studios. -
Vincent Van Gogh, Auvers, 1890 Oil on Jute, 36 X 36 In
Vincent van Gogh, Auvers, 1890 Oil on jute, 36 x 36 in. (91.4 x 91.4 cm.) New York Private Collection Fig. 1 Vincent van Gogh, Auvers, 1890 Oil on jute, 36 x 36 in. (91.4 x 91.4 cm.) Signed on verso, ‘Vincent’ New York Private Collection Auvers,1890, Vincent van Gogh This is the discovery of a full-size van Gogh painting, one of only two in the past 100 years. The work depicts a view of a landscape at Auvers-sur-Oise, the town north of Paris where he spent the last two months of his life. The vista shows a railroad line crossing wheat fields. Auvers, 1890 (Figs. 1-13) is van Gogh’s largest and only square painting. This unique format was chosen to represent a panorama of the wheat fields of the region, of which parts are shown in many of his other paintings of the Auvers landscape. The present painting portrays the entire valley of the Oise as a mosaic of wheat fields, bisected by the right of way of a railway and a telegraph line. The center depicts a small railway station with station houses and a rail shunt, the line disappearing into the distant horizon. The painting is in its original, untouched ondition.c The support is coarse burlap on the original stretcher. The paint surface is a thick impasto that has an overall broad grid pattern of craquelure consistent with a painting of its age. The verso of the painting bears the artist’s signature, Vincent, in black pigment. -
Vincent Van Gogh the Starry Night
Richard Thomson Vincent van Gogh The Starry Night the museum of modern art, new york The Starry Night without doubt, vincent van gogh’s painting the starry night (fig. 1) is an iconic image of modern culture. One of the beacons of The Museum of Modern Art, every day it draws thousands of visitors who want to gaze at it, be instructed about it, or be photographed in front of it. The picture has a far-flung and flexible identity in our collective musée imaginaire, whether in material form decorating a tie or T-shirt, as a visual quotation in a book cover or caricature, or as a ubiquitously understood allusion to anguish in a sentimental popular song. Starry Night belongs in the front rank of the modern cultural vernacular. This is rather a surprising status to have been achieved by a painting that was executed with neither fanfare nor much explanation in Van Gogh’s own correspondence, that on reflection the artist found did not satisfy him, and that displeased his crucial supporter and primary critic, his brother Theo. Starry Night was painted in June 1889, at a period of great complexity in Vincent’s life. Living at the asylum of Saint-Rémy in the south of France, a Dutchman in Provence, he was cut off from his country, family, and fellow artists. His isolation was enhanced by his state of health, psychologically fragile and erratic. Yet for all these taxing disadvantages, Van Gogh was determined to fulfill himself as an artist, the road that he had taken in 1880. -
From Left to Right Don Manuel Osorio Manraque De Zuniga Sunday Afternoon at the Island of La Grande Jatte Young Gi
Some of the art seen on the walls in “Library Mouse, a Museum Adventure” is my interpretation of real paintings, meant to resemble the art as closely as possible so that children can recognize the source material. Other paintings in my book are “parodies” of famous paintings, substituting mouse heads for the humans originally found in the artwork! Below is a list of the original art that inspired me in my illustrations. Where possible, I’ve provided links to websites where you can get more information. FRONT COVER: from left to right Painted Screen by Ogata Korin eighteenth century, in the Don Manuel Osorio Manraque De Zuniga collection of the Metropolitan Museum of Art, by Francisco Goya painted in 1784, in the New York collection of the Metropolitan Museum of Art, New York On the Terrace by Pierre Auguste Renoir painted in 1881, Sunday Afternoon in the collection of the Art Institute of Chicago at the Island of La Grande Jatte by Georges Seurat painted in 1884, in the PAGE 3: clockwise from right collection of the Art Institute of Chicago Palazzo De Mula, Venice Young Girl Reading by Claude Monet painted in 1908, in the collection by Jean-Honore’ Fragonard painted around of the National Gallery, Washington D.C. 1770, in the collection of the National Gallery, Washington D.C. At the Races in the Countryside by Edgar Degas painted in 1869, in the collection BACK COVER: center of the Boston Museum of Fine Art Napoleon Crossing the Alps Eight-Planked Bridge by Jacques-Louis David painted between 1801- by Ogata Korin painted around 1711, -
Paris and Normandy River Cruise
Paris and Normandy River Cruise Through the Eyes of a Woman! April 22 - May 2, 2019 WO MEN OF N EBRASKA Travel Solo Tog ether Dear Women of Nebraska, Join me on a once-in-a-lifetime journey to Northern France! Join our exceptional Paris-Normandy river cruise on board the deluxe AmaLyra of AmaWaterways along the Seine River and through the heart of Normandy. With a capacity of 74 outside staterooms only, this cruise gives us the private feeling we are looking for. Our 11-day tour begins in Paris, the City of Light, with its iconic landmarks, aristocratic lifestyle, romantic ardor, architectural splendor, animated sidewalk cafes and, world-class fashion and shopping. Ahead of us awaits Monet’s Gardens in Giverny and Rouen’s Cathedral of Notre Dame. The charming harbor town of Honfleur will inspire you the same way as they inspired the great Impressionists. We will get to see some of these very same places and landmarks that the Impressionist Masters captured on canvas at the Musée d’Orsay, during our stay in Paris. For an inspiration of a different kind, we travel the “Routes des Abbayes” (Route of the Historic Norman Abbeys), visiting some of the most magnificent monasteries, and to the unforgettable beaches of Normandy where Allied forces landed during WWII’s D-Day invasion. We reflect on Journal Star Destinations the “longest day” and honor the sacrifices made in changing history not once, but twice. We will relive the grandeur of royalty at Château Malmaison, the former home of Napoleon and Josephine Bonaparte, and at Chateau de Bizy, once referred to as “the Versailles of Normandy.” Blend a passion for the good life with culture, art, architecture and timeless landscapes, and you have Northern France! Come, join me! Solo or two-by-two! Sincerely, Sally Dunham Ambassador, Women of Nebraska Call Executive Travel’s Group Department today at 402-435-8888. -
Landscape Analysis
Post –course Support Course ID: ECP020120030 Event ID: AB Date: 10 – 14 /6/2013 Chan Wai Yin, Doris (Baptist Lui Ming Choi Secondary School) Lesson Plan: Introduction to Landscape Painting Grades: Form 1 Duration: 1 double periods 1. know what a landscape is Learning Objectives: Students will: My suggestion is that you guide the SS to view the paintings by asking certain 1. know what is landscape painting questions. From the answers to those 2. compare foreground, mid-ground and background in landscape painting questions, you will end up with the 3. explore art techniques such as scale and overlapping to create the illusion of distance. definition of a landscape. In Points 2 and 4. observe and discuss types of horizon lines as an important element in landscape painting. 4, you seem to be telling them afterwards, whereas your questions should be guiding them to see it the way Procedures you want them to. So, for example, you 1. Showing students the following images, ask them to look at them carefully. Ask students to describe what is in the artworks. could jointly with the students ask these kinds of questions: “All of these paintings here are the same kind of painting. Tell me what these three have in common - what is the same about them?” They should say that they all show the sky and they all have trees. If they cannot give you any more, then tell them that 2 have people but are the people important in the painting. How do we know they are not important? (size) Then contrast the 3 paintings and ask what one has that the other(s) Vincent Van Gogh; Yellow Wheat Field Vincent Van Gogh; Flower Bed Vincent Van Gogh; Starry Night over the doesn’t/don’t have. -
Vincent Van Gogh, Who Grew up Walking the Dutch Countryside
"Sorrowful yet always rejoicing," Vincent van Gogh, who grew up walking the Dutch countryside, traveled through life seeking the eternal "Light that rises in the darkness"- like these swans readying for flight south of Amsterdam. From the pain and beauty of his journey, he created masterworks of passion, including penetrating self-portraits, such as this one at age 34. Van Gogh likened painting to performing music. "Whether I really sang a lullaby in colors," he wrote, "I leave to the critics." National Geographic, October, 1997 By JOEL L. SWERDLOW, ASSISTANT EDITOR Photographs by LYNN JOHNSON THE LETTERS FROM VINCENT VAN GOGH to his brother Theo are yellowed. Some are torn at the corners or have holes from aging. Acid from ink eats through the cheap paper. I have come to this bombproof vault in the cellar of the Van Gogh Museum in Amsterdam to begin my search for Vincent. Who was this man who said he "sang a lullaby in colors:' and why does he have such a hold on us? His paintings sell for the most money; his exhibitions attract the highest number of visitors; reproductions of his work-on socks, sheets, party napkins, coffee cups-permeate homes and offices; the song "Vincent" has sold more than ten million copies since 1971; movies mythologize his life. No other artist, at any time in any culture, has been more popular. THE 650 LETTERS from Vincent to Theo fill three volumes. Their first surprise is immediate: I knew that Theo financed Vincent's painting and had assumed Theo was the big brother. -
Impressionist Visions
THE NEW YORK TIMES, SUNDAY, JULY 7, 2002 IMPRESSIONIST VISIONS Not far from Paris, two sleepy villages, Auvers-sur-Oise and Ornans, bring to mind the paintings of van Gogh, Daubigny and Courbet that they inspired By Dana Micucci hile living in Paris some 10 years ago, I developed Photographs by Wendy Lamm/Contrasto, for The New York Times an obsession: visiting the Scenes in Auvers-sur-Oise. Notre Dame, made famous by van Gogh, whose grave is in a cemetery not far away homes and haunts of art- respite from the disruptive city. In Auvers he vast wheat and cornfields under the shifting Wists and writers, hoping, perhaps, to spark a found a setting that was “profoundly beauti- clouds and swiftly changing light of the lIe- little inspiration of my own. Soon, I happily ful ... among other things, many old thatched de-France sky. A road lined poplars discovered that my aesthetic indulgences roofs, which are getting rare,” he wrote to his In the mid-1900’s, after the railroad put need not be confined to the capital. brother Theo shortly after his arrival. Auvers less than an hour from Paris, land- the small inn and cafe owned by the Ravoux In the villages of Auvers-sur-Oise and Or- Today, the village of about 6,500 still scape painters like Daubigny and Corot, Pis- family. Painstakingly restored by the Bel- nans, each a day’s train excursion from Paris, brings to mind the paintings it inspired. Here sarro and Cezanne also came to paint from gian entrepreneur Dominique-Charles Jans- are the homes and studios of several celebrat- are the narrow, twisting streets fringed with nature. -
Paris & Normandy Cruise
www.EO.travel/mytrip Tour = RC19 Date = 061219 Code = P Guest Speaker Bishop Larry M. Goodpaster Paris &Normandy Cruise 9 Days - June 12-20, 2019 www.EO.travel • 800-247-0017 - Paris & Normandy - June 12 - DEPART USA the region, including chocolate, cheese and cider. (B,L,D) Board your overnight flight to Paris, France. June 18 - VERNON June 13 - ARRIVE IN PARIS, FRANCE - EMBARKATION Sail along picturesque Seine to Vernon, where you will have a Arrive in Paris, one of world’s most romantic cities, and board your choice of three exciting excursions. Art lovers who choose to visit luxurious ship. (D) Claude Monet’s gardens in Giverny will immediately recognize images immortalized in Monet’s most beloved paintings—such as June 14 - LES ANDELYS water lilies, Japanese bridges and graceful willow trees. Wander Uncover the history of Château Gaillard, the former stronghold around his famous gardens and home where he lived for more than of Richard the Lionheart, situated on the chalk cliffs high above four decades. You also have the choice to explore the 18th-century the Seine, on a tour. Or, if you prefer a more active adventure, you Château de Bizy, inspired by the opulence of Versailles. Or for those can hike there from the banks of the Seine, admiring the scenic who wish a more active adventure, you can go on a guided bike views along the way. For those who wish to explore the area on tour, taking in the enchanting beauty of the region. (B,L,D) two wheels, join a guided bike tour through the charming town of Les Andelys. -
Discovery of the Place Where Van Gogh Painted His Last Masterpiece
This page was exported from - Digital meets Culture Export date: Thu Sep 30 2:46:05 2021 / +0000 GMT Discovery of the place where Van Gogh painted his last masterpiece img. Post card ?rue Daubigny, Auvers-sur-Oise' covered with the painting ?Tree Roots' (1890) by Van Gogh, ©arthénon, courtesy Van Gogh Museum. The discovery of the exact location where Vincent van Gogh painted his last artwork Tree Roots was made by Wouter van der Veen, the scientific director of the Institut van Gogh (Auvers-sur-Oise). Van der Veen found a post card dating from 1900 to 1910 featuring a scene including tree trunks and roots growing on a hillside. He has described and documented his discovery in a book, Attacked at the Roots, written specially for the occasion. Tree Roots is in the collection of the Van Gogh Museum in Amsterdam. Highly plausible discovery Van der Veen submitted his discovery to Louis van Tilborgh and Teio Meedendorp, senior researchers at the Van Gogh Museum, almost immediately. Bert Maes, a dendrologist specialising in historical vegetation, was also consulted. Based on Van Gogh's working habits and the comparative study of the painting, post card and current condition of the hillside, the experts concluded that it is ?highly plausible' that the correct location has been identified. Wouter van der Veen (scientific director of the Institut van Gogh): ?Every element of this mysterious painting can be explained by observation of the post card and the location: the shape of the hillside, the roots, their relation to each other, the composition of the earth and the presence of a steep limestone face. -
Affordable First Class Vacations
2020 Affordable First Class Vacations USA • Canada • Europe • European River Cruises International Tours • Ocean & Steamboat Cruises Dear Travelers, Welcome to the 38th year of incredible travel adventures with AFC Vacations, the easy, fun and affordable way to explore the world! I have some exciting news to share with you. For 2020, AFC Vacations will be "taking it to the next level" with an expansion of product and exciting customer benefits. Look at what's NEW for 2020: • New Vacations & Experiences: Over 20 NEW tours & cruises to the USA/Canada & International programs, including the Passion Play in Germany. Also, note our expanded line up of European River Cruise Charters and new National Park tours to the Grand Canyon, Redwoods, and Badlands. • Solo Travelers: AFC has expanded our popular 50% Off the Single Supplement offer. For 2020, AFC will have 45 tours with 93 departures offering this valuable money saving program. • NEW USTOA Membership: AFC is now a member brand of the prestigious USTOA (US Tour Operator Association), an elite group of the finest tour operators in the US. • NEW Consumer Protection Plan: For added peace of mind, AFC now has coverage under the USTOA $1 Million Travelers Assistance Program which is available to customers in the unlikely event of bankruptcy. • NEW Affordable Travel & Cancellation Protection Plan: For all tours, we now offer a travel protection SINCE 1982 plan which features a "cancel for any reason" benefit. ANNIVERSARY With all of these new features, AFC offers you both a quality product AND enhanced service and benefits, all designed to make your next vacation the "trip of a lifetime". -
Snobs Stop Van Gogh Coming Home
1. News Snobs stop Van Gogh coming home French officialdom has stymied a plan to exhibit in the inn where he died, writes John Lichfield in Auvers-sur-Oise John Lichfield Sunday 21 June 1998 IN JUNE 1890, Vincent Van Gogh wrote to his brother, Theo: "Some day or other, I believe I will find a way of having an exhibition in a cafe." Six weeks later - the six most frenetically productive weeks of his life - Van Gogh shot himself and staggered home to die in the cafe, or inn, where he was staying just north of Paris. "Some day or other" before the end of this year, Vincent Van Gogh's modest ambition may finally be realised. One of the artist's finest but least- known paintings, one not seen in the West for 89 years, is to be displayed in the tiny attic room of a small inn near Paris - the very room in which Vincent died. The Pushkin Museum in Moscow has agreed to lend the painting, Paysage d'Auvers apres la pluie, to the Auberge Ravoux in the small town of Auvers- sur-Oise. The French government has approved the loan. The auberge, part of a shrine to Van Gogh brilliantly restored to its 1890s condition over the past 10 years, has installed a hi-tech, armoured-glass safe, covering an entire wall of Van Gogh's bedroom to guarantee the painting's security. (It is estimated to be worth pounds 35m.) There is only one problem: no painting has arrived. The trouble is not at the Russian end; it is at the French end.