RWA2018 Workshop Handouts
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FICTIONAL NARRATIVE WRITING RUBRIC 4 3 2 1 1 Organization
FICTIONAL NARRATIVE WRITING RUBRIC 4 3 2 1 1 The plot is thoroughly Plot is adequately The plot is minimally The story lacks a developed Organization: developed. The story is developed. The story has developed. The story plot line. It is missing either a interesting and logically a clear beginning, middle does not have a clear beginning or an end. The organized: there is clear and end. The story is beginning, middle, and relationship between the exposition, rising action and arranged in logical order. end. The sequence of events is often confusing. climax. The story has a clear events is sometimes resolution or surprise confusing and may be ending. hard to follow. 2 The setting is clearly The setting is clearly The setting is identified The setting may be vague or Elements of Story: described through vivid identified with some but not clearly described. hard to identify. Setting sensory language. sensory language. It has minimal sensory language. 3 Major characters are well Major and minor Characters are minimally Main characters are lacking Elements of Story: developed through dialogue, characters are somewhat developed. They are development. They are Characters actions, and thoughts. Main developed through described rather than described rather than characters change or grow dialogue, actions, and established through established. They lack during the story. thoughts. Main dialogue, actions and individuality and do not change characters change or thoughts. They show little throughout the story. grow during the story. growth or change during the story. 4 All dialogue sounds realistic Most dialogue sounds Some dialogue sounds Dialogue may be nonexistent, Elements of Story: and advances the plot. -
Fiction and the Theory of Action
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online Fiction and the Theory of Action A Dissertation Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Laurence Piercy School of English Literature, Language and Linguistics University of Sheffield May 2014 Abstract This thesis explores four mid-twentieth century fictional texts in relation to concepts of action drawn predominantly from Anglo-American analytic philosophy and contemporary psychology. The novels in question are Anna Kavan’s Ice, Samuel Beckett’s How It Is, Vladimir Nabokov’s Pale Fire and Malcolm Lowry’s Under the Volcano. The theory of action provides concepts, structures, and language to describe how agency is conceptualised at various levels of description. My exploration of these concepts in relation to fiction gives a framework for describing character action and the conceptualisation of agency in my primary texts. The theory of action is almost exclusively concerned with human action in the real world, and I explore the benefits and problems of transferring concepts from these discourses to literary criticism. My approach is focused around close reading, and a primary goal of this thesis is to provide nuanced analyses of my primary texts. In doing so, I emphasise the centrality of concepts of agency in fiction and provide examples of how action theory is applicable to literary criticism. i Table of Contents Abstract i Table of Contents ii Introduction 1 Chapter One -
Q1 2007 8 Table of the Punch Line Contents
Q1 2007 8 Table of The Punch Line Contents 4 On the Grand Master’s Stage 34 Persona Visits the Wii Line Strider–ARC AnIllustratedCampoutfortheWii 6 Goading ‘n Gouging 42 Christmas Morning at the Ghouls‘nGoblinsseries Leukemia Ward TokyoGameShow2006 12 That Spiky-Haired Lawyer is All Talk PhoenixWright:AceAttorney–NDS 50 A Retrospective Survival Guide to Tokyo Game Show 14 Shinji Mikami and the Lost Art of WithExtra-SpecialBlueDragon Game Design Preview ResidentEvil-PS1;P.N.03,Resident Evil4-NGC;GodHand-PS2 54 You’ve Won a Prize! Deplayability 18 Secrets and Save Points SecretofMana–SNES 56 Knee-Deep in Legend Doom–PC 22 Giving Up the Ghost MetroidII:ReturnofSamus–NGB 58 Killing Dad and Getting it Right ShadowHearts–PS2 25 I Came Wearing a Full Suit of Armour But I Left Wearing 60 The Sound of Horns and Motors Only My Pants Falloutseries Comic 64 The Punch Line 26 Militia II is Machinima RuleofRose-PS2 MilitiaII–AVI 68 Untold Tales of the Arcade 30 Mega Microcosms KillingDragonsHasNever Wariowareseries BeenSoMuchFun! 76 Why Game? Reason#7:WhyNot!? Table Of Contents 1 From the Editor’s Desk Staff Keep On Keeping On Asatrustedfriendsaidtome,“Aslong By Matthew Williamson asyoukeepwritingandcreating,that’s Editor In Chief: Staff Artists: Matthew“ShaperMC”Williamson Mariel“Kinuko”Cartwright allIcareabout.”Andthat’swhatI’lldo, [email protected] [email protected] It’sbeenalittlewhilesinceourlast andwhatI’llhelpotherstodoaswell. Associate Editor: Jonathan“Persona-Sama”Kim issuecameout;Ihopeyouenjoyedthe Butdon’tworryaboutThe Gamer’s Ancil“dessgeega”Anthropy [email protected] anticipation.Timeissomethingstrange, Quarter;wehavebigplans.Wewillbe [email protected] Benjamin“Lestrade”Rivers though.Hasitreallybeenovertwo shiftingfromastrictquarterlysched- Assistant Editor: [email protected] yearsnow?Itgoessofast. -
INFORMATION to USERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly from the Origina
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Z e e b Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE FEMINIZATION OF WIT: SATIRE BY BRITISH WOMEN WRITERS, 1660-1800 DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree Doctor of Philosophy in the Graduate School of the Ohio State University By Carol M. -
Black Canary and Zatanna: Bloodspell Free
FREE BLACK CANARY AND ZATANNA: BLOODSPELL PDF Joe Quinones,Paul Dini | 152 pages | 03 Jun 2014 | DC Comics | 9781401210540 | English | United States Black Canary and Zatanna: Bloodspell by Paul Dini Looks like I have to break down and buy this. I am a fan of the creators and characters. Was thinking of waiting out for soft cover. But looks too good to wait. Great review. I think you'd really enjoy it. I have no idea when the softcover will be out probably six months to a year from now. Finally finished reading thru this, and am prepared to go thru it all over again, so good that it was. A treat from start to finish. You know who Dinah and Zatanna reminded me off here? Katina Choovanski and her beloved from Strangers in Paradise - in fact, Dinah had such a Katchoo invested in her the paralles were incredible. The switching Black Canary and Zatanna: Bloodspell between bodies was cool, very funny and exciting in equal parts, and you mentioned the other male heroes such as Supes, GL etc appearing in minor roles; I like that. Esp seeing a confused Supes looing after Dottie. The only thing that didn't ring true was when Dinah broke those metal bonds that held Joy - does she have super-strength or something?!? I agree this Tina wasn't the great super-villain we could have expected - any number of Silver Age baddies could have sufficed, maybe even one of Wonder Woman's female villiains. I really enjoyed this book, from the road trip with the floating hands driving, to the Dinah in disguise spell that was both cute and sexy and amusing. -
(Books): Dark Tower (Comics/Graphic
STEPHEN KING BOOKS: 11/22/63: HB, PB, pb, CD Audiobook 1922: PB American Vampire (Comics 1-5): Apt Pupil: PB Bachman Books: HB, pb Bag of Bones: HB, pb Bare Bones: Conversations on Terror with Stephen King: HB Bazaar of Bad Dreams: HB Billy Summers: HB Black House: HB, pb Blaze: (Richard Bachman) HB, pb, CD Audiobook Blockade Billy: HB, CD Audiobook Body: PB Carrie: HB, pb Cell: HB, PB Charlie the Choo-Choo: HB Christine: HB, pb Colorado Kid: pb, CD Audiobook Creepshow: Cujo: HB, pb Cycle of the Werewolf: PB Danse Macabre: HB, PB, pb, CD Audiobook Dark Half: HB, PB, pb Dark Man (Blue or Red Cover): DARK TOWER (BOOKS): Dark Tower I: The Gunslinger: PB, pb Dark Tower II: The Drawing Of Three: PB, pb Dark Tower III: The Waste Lands: PB, pb Dark Tower IV: Wizard & Glass: PB, PB, pb Dark Tower V: The Wolves Of Calla: HB, pb Dark Tower VI: Song Of Susannah: HB, PB, pb, pb, CD Audiobook Dark Tower VII: The Dark Tower: HB, PB, CD Audiobook Dark Tower: The Wind Through The Keyhole: HB, PB DARK TOWER (COMICS/GRAPHIC NOVELS): Dark Tower: The Gunslinger Born Graphic Novel HB, Comics 1-7 of 7 Dark Tower: The Gunslinger Born ‘2nd Printing Variant’ Comic 1 Dark Tower: The Long Road Home: Graphic Novel HB (x2) & Comics 1-5 of 5 Dark Tower: Treachery: Graphic Novel HB, Comics 1–6 of 6 Dark Tower: Treachery: ‘Midnight Opening Variant’ Comic 1 Dark Tower: The Fall of Gilead: Graphic Novel HB Dark Tower: Battle of Jericho Hill: Graphic Novel HB, Comics 2, 3, 5 of 5 Dark Tower: Gunslinger 1 – The Journey Begins: Comics 2 - 5 of 5 Dark Tower: Gunslinger 1 – -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Univerzita Palackého V Olomouci Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Veronika Glaserová The Importance and Meaning of the Character of the Writer in Stephen King’s Works Diplomová práce Vedoucí práce: PhDr. Matthew Sweney, Ph.D. Olomouc 2014 Olomouc 2014 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem předepsaným způsobem všechny použité podklady a literaturu. V Olomouci dne Podpis: Poděkování Děkuji vedoucímu práce za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Contents Introduction ....................................................................................................................... 6 1. Genres of Stephen King’s Works ................................................................................. 8 1.1. Fiction .................................................................................................................... 8 1.1.1. Mainstream fiction ........................................................................................... 9 1.1.2. Horror fiction ................................................................................................. 10 1.1.3. Science fiction ............................................................................................... 12 1.1.4. Fantasy ........................................................................................................... 14 1.1.5. Crime fiction ................................................................................................. -
Pacific Health Jourxal and Temperance Advocate
PACIFIC HEALTH JOURXAL AND TEMPERANCE ADVOCATE. VOLUME IV. OAKLAND, CAL., JANUARY. 1889. NUMBER 1. J. N. LOUGHBOROUGH, • - - • NERVOUSNESS. J. E. CALDWELL, M. D., Editors. C. P. BOLLICIAN, THERE are doubtless none of our readers who 2IL 32-PAGE MONTHLY. are suffering with this condition of body who Subscr dim Price, ..• $1.00 per Year. would not hail as a most precious boon a relief from so harassing a state. We are unhappy, we Address.—All business for the JOURNAL should be ad- know not why. We long for relief, we know not dressed to Pacific Press, Oakland, Cal. All Drafts or Money Orders sent in payment of sub- from what. We would go somewhere, but we scriptions should be made payable to Pacific Press. know not where we would go. We would cease All Communications for the JOURNAL should be ad- to be what we are, but we do not know what we dressed to PACIFIC HEALTH JOURNAL, care of.Pacific Press, Oakland, Cal. would be. We look around for the cause of our grief, but we know not what it is. We would be "WRATH killeth the foolish man, and envy calm and cheerful, but alas! we find ourself scolding slayeth the silly one." Job 5 : 2. even those who are trying to make us comfortable.• Nervousness is not a distinct disease of itself, but TYPE made from paper is the latest novelty. A results from a derangement of the nervous system. process has been patented in England by which To be successful in escaping this condition we large type can be made from pulp. -
Wetenschappelijke Verhandeling
UNIVERSITEIT GENT FACULTEIT POLITIEKE EN SOCIALE WETENSCHAPPEN MACHINIMA: SITUERING EN ONDERZOEK NAAR HET EDUCATIEF POTENTIEEL Wetenschappelijke verhandeling aantal woorden: 24909 BERT BESSEMS MASTERPROEF COMMUNICATIEWETENSCHAPPEN afstudeerrichting COMMUNICATIEMANAGEMENT PROMOTOR: DR. JAN VAN LOOY COMMISSARIS: FREDERIK DHAENENS COMMISSARIS: PETER MECHANT ACADEMIEJAAR 2009 - 2010 Abstract Machinima is een nieuwemediatechniek die gebruik maakt van videogames om films te produceren. Deze methode wordt gekenmerkt doordat ze snel en goedkoop is. Dit terwijl zij visueel minder sterk is dan klassieke film en animatie. Deze masterproef begint met een situering van het begrip aan de hand van een literatuurstudie. Achtereenvolgens beschrijf ik de historiek, de thema‟s en de toekomst van machinima. Daarnaast komen een aantal deelaspecten aan bod. Het zwaartepunt van het eerste deel is de bespreking van een SWOT-analyse. Het tweede deel omvat een literatuurstudie omtrent leertheorieën. Er worden een aantal theorieën geschetst die principes bevatten waar onderwijs in machinima baat bij kan hebben. Tevens wordt machinima hier geëvalueerd in twee categorieën: enerzijds als aan te leren set vaardigheden in hoofdzakelijk interdisciplinaire studierichtingen en als ondersteunend audiovisueel medium in traditioneel onderwijs. In deel drie komt de praktijk aan bod. Door middel van diepte-interviews en inhoudsanalyse schets ik twee cases: de cursus machinima aan de universiteit van Utah en een aantal workshops in drie verschillende fasen van ontwikkeling. Dit alles met het oog op het onderzoeken of machinima de nodige opportuniteiten biedt op het vlak van onderwijs. Er kan worden gesteld dat machinima educatief potentieel bezit. Dit getuigt het stelselmatig opnemen van machinima in interdisciplinaire curricula met de focus op computerwetenschappen en een combinatie tussen kunstrichtingen (animatie en film) en mediastudies. -
Download Spring 2010
2010SpringSummer_Cover:Winter05Cover 11/11/09 11:24 AM Page 1 NATHALIE ABI-EZZI SHERMAN ALEXIE RAFAEL ALVAREZ JESSICA ANTHONY NICHOLSON BAKER CHARLES BEAUCLERK SAMUEL BECKETT G ROVE P RESS CHRISTOPHER R. BEHA THOMAS BELLER MARK BOWDEN RICHARD FLANAGAN HORTON FOOTE ATLANTIC M ONTHLY PRESS JOHN FREEMAN JAMES HANNAHAM TATJANA HAUPTMANN ELIZABETH HAWES SHERI HOLMAN MARY-BETH HUGHES B LACK CAT DAVE JAMIESON ISMAIL KADARE LILY KING DAVID KINNEY MICHAEL KNIGHT G RANTA AND O PEN C ITY DAVID LAWDAY lyP MIKE LAWSON nth r JEFF LEEN o es DONNA LEON A A A A M s ED MACY t t t t c KARL MARLANTES l l l l ti NICK MC DONELL n TERRY MC DONELL a CHRISTOPHER G. MOORE JULIET NICOLSON SOFI OKSANEN P. J. O’ ROURKE ROBERTA PIANARO JOSÉ MANUEL PRIETO PHILIP PULLMAN ROBERT SABBAG MARK HASKELL SMITH MARTIN SOLARES MARGARET VISSER GAVIN WEIGHTMAN JOSH WEIL TOMMY WIERINGA G. WILLOW WILSON ILYON WOO JOANNA YAS ISBN 978-1-55584-958-0 ISBN 1-55584-958-X GROVE/ATLANTIC, INC. 50000 841 BROADWAY NEW YORK, NY 10003 9 781555 849580 ATLANTIC MONTHLY PRESS HARDCOVERS APRIL This novel, written by a Marine veteran over the course of thirty years, is a remarkable literary discovery: a big, powerful, timeless saga of men in combat MATTERHORN A Novel of the Vietnam War Karl Marlantes PHOTO COURTESY OF THE AUTHOR • Marlantes is a graduate of Yale University and a Rhodes Scholar who went on to serve as a Marine “Matterhorn is one of the most powerful and moving novels about combat, lieutenant in Vietnam, where he the Vietnam War, and war in general that I have ever read.” —Dan Rather was highly decorated ntense, powerful, and compelling, Matterhorn is an epic war novel in the • Matterhorn will be copublished tradition of Norman Mailer’s The Naked and the Dead and James Jones’s with El León Literary Arts IThe Thin Red Line. -
The Erinyes in Aeschylus' Oresteia
The Erinyes in Aeschylus’ Oresteia Cynthia Werner A thesis submitted for the degree of Doctor of Philosophy Victoria University of Wellington (2012) ABSTRACT This dissertation explores the Erinyes’ nature and function in Aeschylus’ Oresteia. It looks at how Aeschylus conceives the Erinyes, particularly their transformation into Semnai Theai, as a central component of the Oresteia’s presentation of social, moral and religious disorder and order. The dissertation first explores the Erinyes in the poetic tradition, then discusses the trilogy’s development of the choruses, before examining the Erinyes’ / Semnai Theai’s involvement in the trilogy’s establishment of justice and order and concluding with an analysis of why Aeschylus chooses Athens (over Argos and Delphi) as the location for trilogy’s decision making and resolution. Chapter One explores the pre-Aeschylean Erinyes’ origin and primary associations in order to determine which aspects of the Erinyes / Semnai Theai are traditional and how Aeschylus innovates in the tradition. It further identifies epithets and imagery that endow the Erinyes / Semnai Theai with fearsome qualities, on the one hand, and with a beneficial, preventive function, on the other. The discussion of the development of the choruses throughout the trilogy in Chapter Two takes three components: an examination of (1) the Erinyes’ transformation from abstract goddesses to a tragic chorus, (2) from ancient spirits of vengeance and curse to Semnai Theai (i.e. objects of Athenian cult) and (3) how the choruses of Agamemnon and Choephori prefigure the Erinyes’ emergence as chorus in Eumenides. Of particular interest are the Argive elders’ and slave women’s invocations of the Erinyes, their action and influence upon events, and their uses of recurrent moral and religious ideals that finally become i an integral part of the Areopagus and the cult of the Semnai Theai.