China & Japan 2020
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2010NanoJapan: Summer Nanotechnology Research Internships for Undergraduates 4 Welcome Statement 5 Program Administrators 6 2010 Program Participants 9 Arrival into Houston 10 Pre-Departure Orientation Schedule 11 Rice University Map 12 Hilton Houston Plaza Medical Center Map 13 Travel to Japan 15 Orientation Program in Tokyo 22 Internships & Mid-Program Meeting 24 Departure from Japan 26 Re-Entry & RQI Program 29 Event Overviews 40 Sanuki Club Overview & Rules 42 Sanuki Club Map 43 Konbini & Vegetarian Dining Options 44 Popular Dishes in Japan 45 Money in Japan 46 Helpful Tokyo Subway Directions 48 Tokyo JR Lines Map 49 Tokyo Subway Map 50 Kamakura/Enoshima Excursion Ticket 51 Seishu 18 Kippu Ticket 52 Using your JR Rail Pass & Train Etiquette in Japan 54 Gifts and Non-Verbal Communication 56 Directions to Elionix from Hachiouji Station 61 Tokyo Recommendations from NJ Alumni 63 Mid-Program Meeting Ryokan Map and Directions 64 IORI Map & Kyoto Walking Tours 70 International Flight Itinerary 72 Piccell Wireless Info and Rates 74 Medical & Emergency Resources 4 / Welcome Statement Welcome to NanoJapan 2010! This program will give students a broad overview of the field of nanotech- nology and the Japanese language and culture through: • ORIENTATION PROGRAM: A three-week orientation program held in Tokyo, Japan focusing on intensive Japanese-language study; a course on Japanese culture and society and an introductory course on Nanotechnology and Nanotechnology Research • INTERNATIONAL RESEARCH PROGRAM: A research internship in the field of nanotechnology at prestigious Japanese institutions. • NANOTECH SYMPOSIUM: A two-day end-of-program symposium will be held at Rice University where students will present research posters on their NanoJapan research projects. -
Record of the Istanbul Process 16/18 for Combating Intolerance And
2019 JAPAN SUMMARY REPORT TABLE OF CONTENTS EVENT SUMMARY .................................................................................................................................... 3 PLENARY SESSIONS ................................................................................................................................. 7 LAUNCHING THE 2019 G20 INTERFAITH FORUM.......................................................................... 7 FORMAL FORUM INAUGURATION – WORKING FOR PEACE, PEOPLE, AND PLANET: CHALLENGES TO THE G20 ............................................................................................................... 14 WHY WE CAN HOPE: PEACE, PEOPLE, AND PLANET ................................................................. 14 ACTION AGENDAS: TESTING IDEAS WITH EXPERIENCE FROM FIELD REALITIES ........... 15 IDEAS TO ACTION .............................................................................................................................. 26 TOWARDS 2020 .................................................................................................................................... 35 CLOSING PLENARY ............................................................................................................................ 42 PEACE WORKING SESSIONS ................................................................................................................ 53 FROM VILE TO VIOLENCE: FREEDOM OF RELIGION & BELIEF & PEACEBUILDING ......... 53 THE DIPLOMACY OF RELIGIOUS PEACEBUILDING .................................................................. -
Japanese Aesthetics and the Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] T
Japanese Aesthetics and The Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] Table of Contents 1. Themes and Uses 2. Instructor’s Introduction 3. Student Readings 4. Discussion Questions 5. Sample Writing Assignments 6. Further Reading and Resources 1. Themes and Uses Using an excerpt from the chapter “The Sacred Tree,” this unit offers a guide to a close examination of Japanese aesthetics in The Tale of Genji (ca.1010). This two-session lesson plan can be used in World Literature courses or any course that teaches components of Zen Buddhism or Japanese aesthetics (e.g. Introduction to Buddhism, the History of Buddhism, Philosophy, Japanese History, Asian Literature, or World Religion). Specifically, the lesson plan aims at helping students develop a deeper appreciation for both the novel and important concepts of Japanese aesthetics. Over the centuries since its composition, Genji has been read through the lenses of some of the following terms, which are explored in this unit: • miyabi (“courtly elegance”; refers to the aristocracy’s privileging of a refined aesthetic sensibility and an indirectness of expression) • mono no aware (the “poignant beauty of things;” describes a cultivated sensitivity to the ineluctable transience of the world) • wabi-sabi (wabi can be translated as “rustic beauty” and sabi as “desolate beauty;” the qualities usually associated with wabi and sabi are austerity, imperfection, and a palpable sense of the passage of time. • yûgen (an emotion, a sentiment, or a mood so subtle and profoundly elegant that it is beyond what words can describe) For further explanation of these concepts, see the unit “Buddhism and Japanese Aesthetics” (forthcoming on the ExEAS website.) 2. -
Sanctuary Yangzi Explorer2.03Mb
SANCTUARY YANGZI EXPLORER CHINA Experience the mighty, mysterious Yangtze River with Sanctuary Retreats LUXURY, NATURALLY Awe-inspiring natural beauty, iconic World Heritage sites and cultures enhanced over centuries – these are the riches around as you sail China’s legendary waterway. The guiding philosophy of all Sanctuary cruises and safari lodges is ‘Luxury, naturally’, and Sanctuary Yangzi Explorer gets you as close as possible to central China’s most captivating landscapes amid authentic charm and unrivalled comfort. This unique cruise steers you to dramatic destinations old and new, and gives glimpses of remote riverside life while you take pleasure in a relaxing journey with unrivalled amenities. Explore the largest man-made cave in the world, admire forest-cloaked peaks and feel personally introduced to time-tested traditions thanks to time on Sanctuary Yangzi Explorer – it’s a boutique hotel with five-star service floating on the Golden River. The carefully curated itineraries combine fascinating history-steeped cities with soul-uplifting rural stories along Asia’s longest river. The port of Chongqing, a Municipality located in the Sichuan Province - is the gateway to the 3,915-mile Yangtze. Meander through the Three Gorges, which extend 120 miles into the river’s middle reaches; discover the mountains of the Fuling district; take a whirl on a wooden sampan along the Shennong Stream as Tujia boatmen spill local secrets. Learn about each beguiling destination from small-group excursions and English-speaking experts. And wake -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
Uwajima Port Tourist Information
Uwajima Port Tourist Information http://www.mlit.go.jp/kankocho/cruise/ Roadside Station “Kisaiya Hiroba” Kisaiya hiroba is not only a place to enjoy the local cuisine, but also an opportunity to shop special products of this the area. Pearl and Ushioni Galleries welcome and enjoy the cultural events and exhibitions offered at the Kisaiya hiroba. Location/View 1-318-16 Bentencho Uwajima Access 20 min. walk from the port (2km) Season Year-round Related links Website : http://www.kisaiyahiroba.com/ Contact Us[Roadside Station Minato-Oasis Uwajima Kisaiya Hiroba] TEL: +81-895-22-3934 E-Mail: [email protected] Website: http://www.kisaiyahiroba.com/ Tensha-en Garden Date Munetada, 7th load of Uwajima domain, built this garden. Various types of bamboo trees, seasonal flowers, such as wisteria and irises fill the park at any time of the year with calming atmosphere. Location/View Tenshakoen Uwajima Access 30 min. walk from the port (2.5km) Season Year-round Related links Website : http://uwajima-date.sblo.jp/ Contact Us[PIIF Uwajima Date Culture Preservation Society] TEL: +81-895-22-0056 E-Mail: [email protected] Website: http://wwwb.pikara.ne.jp/off-date/index.html Date Museum This Museum has 40,000 high cultural heritages which successive lords owned. Twice a year, they change exhibition. Valuable and historical ancient documents, gorgeous armors, brilliant and precise furniture, beautiful clothing and potteries, outstanding paintings and calligraphic works, and wide variety of objects are displayed. Especially wedding furniture is substantial to make you feel old days. Location/View 9-14 Gotenmachi Uwajima Access 30 min. -
UNIVERSITY of CALIFORNIA, IRVINE Soteriology in the Female
UNIVERSITY OF CALIFORNIA, IRVINE Soteriology in the Female-Spirit Noh Plays of Konparu Zenchiku DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSPHY in East Asian Languages and Literatures by Matthew Chudnow Dissertation Committee: Associate Professor Susan Blakeley Klein, Chair Professor Emerita Anne Walthall Professor Michael Fuller 2017 © 2017 Matthew Chudnow DEDICATION To my Grandmother and my friend Kristen オンバサラダルマキリソワカ Windows rattle with contempt, Peeling back a ring of dead roses. Soon it will rain blue landscapes, Leading us to suffocation. The walls structured high in a circle of oiled brick And legs of tin- Stonehenge tumbles. Rozz Williams Electra Descending ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv CURRICULUM VITAE v ABSTRACT OF DISSERTATION vi INTRODUCTION 1 CHAPTER 1: Soteriological Conflict and 14 Defining Female-Spirit Noh Plays CHAPTER 2: Combinatory Religious Systems and 32 Their Influence on Female-Spirit Noh CHAPTER 3: The Kōfukuji-Kasuga Complex- Institutional 61 History, the Daijōin Political Dispute and Its Impact on Zenchiku’s Patronage and Worldview CHAPTER 4: Stasis, Realization, and Ambiguity: The Dynamics 95 of Nyonin Jōbutsu in Yōkihi, Tamakazura, and Nonomiya CONCLUSION 155 BIBLIOGRAPHY 163 iii ACKNOWLEDGEMENTS This dissertation is the culmination of years of research supported by the department of East Asian Languages & Literatures at the University of California, Irvine. It would not have been possible without the support and dedication of a group of tireless individuals. I would like to acknowledge the University of California, Irvine’s School of Humanities support for my research through a Summer Dissertation Fellowship. I would also like to extend a special thanks to Professor Joan Piggot of the University of Southern California for facilitating my enrollment in sessions of her Summer Kanbun Workshop, which provided me with linguistic and research skills towards the completion of my dissertation. -
Formation Mechanism for Upland Low-Relief Surface Landscapes in the Three Gorges Region, China
remote sensing Article Formation Mechanism for Upland Low-Relief Surface Landscapes in the Three Gorges Region, China Lingyun Lv 1,2, Lunche Wang 1,2,* , Chang’an Li 1,2, Hui Li 1,2 , Xinsheng Wang 3 and Shaoqiang Wang 1,2,4 1 Key Laboratory of Regional Ecology and Environmental Change, School of Geography and Information Engineering, China University of Geosciences, Wuhan 430074, China; [email protected] (L.L.); [email protected] (C.L.); [email protected] (H.L.); [email protected] (S.W.) 2 Hubei Key Laboratory of Critical Zone Evolution, School of Geography and Information Engineering, China University of Geosciences, Wuhan 430074, China 3 Hubei Key Laboratory of Regional Development and Environmental Response, Hubei University, Wuhan 430062, China; [email protected] 4 Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Sciences, Beijing 100101, China * Correspondence: [email protected] Received: 9 November 2020; Accepted: 26 November 2020; Published: 27 November 2020 Abstract: Extensive areas with low-relief surfaces that are almost flat surfaces high in the mountain ranges constitute the dominant geomorphic feature of the Three Gorges area. However, their origin remains a matter of debate, and has been interpreted previously as the result of fluvial erosion after peneplain uplift. Here, a new formation mechanism for these low-relief surface landscapes has been proposed, based on the analyses of low-relief surface distribution, swath profiles, χ mapping, river capture landform characteristics, and a numerical analytical model. The results showed that the low-relief surfaces in the Three Gorges area could be divided into higher elevation and lower elevation surfaces, distributed mainly in the highlands between the Yangtze River and Qingjiang River. -
Introduction This Exhibition Celebrates the Spectacular Artistic Tradition
Introduction This exhibition celebrates the spectacular artistic tradition inspired by The Tale of Genji, a monument of world literature created in the early eleventh century, and traces the evolution and reception of its imagery through the following ten centuries. The author, the noblewoman Murasaki Shikibu, centered her narrative on the “radiant Genji” (hikaru Genji), the son of an emperor who is demoted to commoner status and is therefore disqualified from ever ascending the throne. With an insatiable desire to recover his lost standing, Genji seeks out countless amorous encounters with women who might help him revive his imperial lineage. Readers have long reveled in the amusing accounts of Genji’s romantic liaisons and in the dazzling descriptions of the courtly splendor of the Heian period (794–1185). The tale has been equally appreciated, however, as social and political commentary, aesthetic theory, Buddhist philosophy, a behavioral guide, and a source of insight into human nature. Offering much more than romance, The Tale of Genji proved meaningful not only for men and women of the aristocracy but also for Buddhist adherents and institutions, military leaders and their families, and merchants and townspeople. The galleries that follow present the full spectrum of Genji-related works of art created for diverse patrons by the most accomplished Japanese artists of the past millennium. The exhibition also sheds new light on the tale’s author and her female characters, and on the women readers, artists, calligraphers, and commentators who played a crucial role in ensuring the continued relevance of this classic text. The manuscripts, paintings, calligraphy, and decorative arts on display demonstrate sophisticated and surprising interpretations of the story that promise to enrich our understanding of Murasaki’s tale today. -
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information Index 10th Division, 101, 117, 123, 174 Aichi Prefecture, 77, 83, 86, 90, 124, 149, 10th Infantry Brigade, 72 171, 179, 304, 327 10th Infantry Regiment, 101, 108, 323 Aizu, Battle of, 28 11th Infantry Regiment, 173 Aizu-Wakamatsu, 37, 38, 53, 74, 92, 108, 12th Division, 104 161, 163, 167, 268, 270, 276, 277, 12th Infantry Regiment, 71 278, 279, 281, 282, 296, 299, 300, 14th Infantry Regiment, 104, 108, 223 307, 313, 317, 327 15th Division, 125 Aizu-Wakamatsu Castle, 9, 28, 38, 62, 75, 17th Infantry Regiment, 109 77, 81, 277, 282, 286, 290, 311 18th Infantry Regiment, 124, 324 Akamatsu Miyokichi, 64 19th Infantry Regiment, 35 Akasaka Detached Palace, 33, 194, 1st Cavalry Division (US Army), 189, 190 195, 204 1st Infantry Regiment, 110 Akashi Castle, 52, 69, 78 22nd Infantry Regiment, 72, 123 Akechi Mitsuhide, 93 23rd Infantry Regiment, 124 Alnwick Castle, 52 29th Infantry Regiment, 161 Alsace, 58, 309 2nd Division, 35, 117, 324 Amakasu Masahiko, 110 2nd General Army, 2 Amakusa Shirō , 163 33rd Division, 199 Amanuma Shun’ichi, 151 39th Infantry Regiment, 101 American Civil War, 26, 105 3rd Cavalry Regiment, 125 anarchists, 110 3rd Division, 102, 108, 125 Ansei Purge, 56 3rd Infantry Battalion, 101 anti-military feeling, 121, 126, 133 47th Infantry Regiment, 104 Aoba Castle (Sendai), 35, 117, 124, 224 4th Division, 77, 108, 111, 112, 114, 121, Aomori, 30, 34 129, 131, 133–136, 166, 180, 324, Aoyama family, 159 325, 326 Arakawa -
Visual and Material Culture at Hōkyōji Imperial Convent: the Significance of “Women’S Art” in Early Modern Japan
Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. Art associated with nuns reflects aristocratic upbringing, religious devotion, and individual expression. As such, it defies easy classification: court, convent, sacred, secular, elite, and female are shown to be inadequate labels to identify art associated with women. This study examines visual and material culture through the intersecting factors that inspired, affected, and defined the lives of princess-nuns, broadening the understanding of the significance of art associated with women in Japanese art history. -
Mie Aichi Shizuoka Nara Fukui Kyoto Hyogo Wakayama Osaka Shiga
SHIZUOKA AICHI MIE <G7 Ise-Shima Summit> Oigawa Railway Steam Locomotives 1 Toyohashi Park 5 The Museum Meiji-mura 9 Toyota Commemorative Museum of 13 Ise Grand Shrine 17 Toba 20 Shima (Kashikojima Island) 23 These steam locomotives, which ran in the This public park houses the remains of An outdoor museum which enables visitors to 1920s and 1930s, are still in fully working Yoshida Castle, which was built in the 16th experience old buildings and modes of Industry and Technology order. These stations which evoke the spirit century, other cultural institutions such as transport, mainly from the Meiji Period The Toyota Group has preserved the site of the of the period, the rivers and tea plantations the Toyohashi City Museum of Art and (1868–1912), as well as beef hot-pot and other former main plant of Toyoda Automatic Loom the trains roll past, and the dramatic History, and sports facilities. The tramway, aspects of the culinary culture of the times. The Works as part of its industrial heritage, and has mountain scenery have appeared in many which runs through the environs of the park museum grounds, one of the largest in Japan, reopened it as a commemorative museum. The TV dramas and movies. is a symbol of Toyohashi. houses more than sixty buildings from around museum, which features textile machinery and ACCESS A 5-minute walk from Toyohashikoen-mae Station on the Toyohashi Railway tramline Japan and beyond, 12 of which are designated automobiles developed by the Toyota Group, ACCESS Runs from Shin-Kanaya Station to Senzu on the Oigawa Railway ACCESS A 20-minute bus journey from as Important Cultural Properties of Japan, presents the history of industry and technology http://www.oigawa-railway.co.jp/pdf/oigawa_rail_eng.pdf Inuyama Station on the Nagoya Railroad which were dismantled and moved here.