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2 0 0 9 a U S T R I a N F I L
A U S T R I A N F I L M S 22 00 01 90 AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 1 AUSTRIAN FILMS 20 09 2010 Published by the Austrian Film Commission AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 2 Austrian Films 2009 /10 – Catalogue Owned by: Austrian Film Commission A-1070 Vienna, Stiftgasse 6 tel: +43 1 526 33 23 fax: +43 1 526 68 01 e-mail: [email protected] website: www .AustrianFilm.Com, www.afc.at © 2009 Austrian Film Commission, Vienna Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Translations: Steve Wilder Graphic design: Catherine Rollier Printed by: REMAprint Printed in: Vienna AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 3 CONTENTS Introduction ........................................................ 4 Feature Films ....................................................... 7 Documentary Films .............................................. 35 Video Features .................................................... 61 Coproductions .................................................... 73 Short Films ........................................................ 87 TV Features ....................................................... 97 Coming Soon ..................................................... 125 List of Directors ................................................ 167 List of Films ..................................................... 171 Production Companies ........................................ 175 World Sales ...................................................... 182 -
51 Festival Dei Popoli
51 Festival dei PoPoli Festival internazionale del Film documentario Firenze 13-20 novembre 2010 Festival dei Popoli Di r e t t o r e ar t i s t i C o Luciano Barisone Istituto Italiano per il Film di Documentazione Sociale ONLUS Borgo Pinti, 82r Co o r D i n a m e n t o 50121 Firenze – Italia Maria Bonsanti tel. +39 055 244778 Alberto Lastrucci fax +39 055 241364 [email protected] Co m i t a t o D i se l e z i o n e www.festivaldeipopoli.org Luciano Barisone Samdra Binazzi Maria Bonsanti Co m i t a t o Di r e t t i v o Carlo Chatrian Giorgio Bonsanti (Presidente) Daniele Dottorini Tullio Seppilli (Vice Presidente) Vittorio Iervese Mario Simondi (Vice Presidente) Alberto Lastrucci Sandro Bernardi Claudia Maci Maria Bonsanti Giona A. Nazzaro Augusto Cacopardo Alberto Lastrucci vo C i D a u n o s p a z i o i n t e r n o il C i n e m a D o C u m e n t a r i o s v i z z e r o : viaggiatori , militanti, visionari amministrazione Carlo Chatrian Massimo Martini con la consulenza di Jean Perret e Frédéric Maire In collaborazione con Swiss Films (Micha Schiwow, Sabina Brocal, Hanna Bruhin, Francine Brücher) Si ringrazia per il supporto la Cinémathèque Suisse (Frédéric Maire, Chicca Bergonzi) pe t e r me t t l e r : epifanie e rivelazioni Giona A. Nazzaro mo s t r a f o t o g r a f i C a no t a t i o n s (f o r t h e en D o f ti m e ) Maria Bonsanti, Lorenzo Carlomagno In collaborazione con Grimthorpe Film Inc. -
Unterrichtsmaterial
»Ein kluger, selbstironischer und dabeidabei noch äußerst entlarvender Film« DERDE R TAGESSPIEGEL ViD WANTS TO F DA EiN YOGiSCHES ABENTEUER LY UNTERRiCHTSMATERiAL EiN FiLM VON DAViD SiEVEKiNG BUCH UND REGIE David Sieveking KAMERA Adrian Stähli ORIGINALTON Johannes Schmelzer-Ziringer MUSIK Karl Stirner SOUNDDESIGN Björn Wiese, Stefan Soltau SCHNITT Martin Kayser-Landwehr BVS REDAKTION Claudia Gladziejewski, Monika Lobkowicz, Jochen Kölsch, Urs Augstburger, Franz Grabner KOPRODUZENTEN Werner Schweizer, Johannes Rosenberger PRODUZENTEN Carl-Ludwig Rettinger, Martin Heisler Eine LICHTBLICK FILM LICHTBLICK MEDIA Produktion in Koproduktion mit DSCHOINT VENTSCHR FILMPRODUKTION, NAVIGATOR FILM, Bayerischer Rundfunk, arte, SFDRS, ORF in Zusammenarbeit mit FFA, RTR Fernsehfonds Austria, Bundesamt für Kultur, Sektion Film, DFFF, Medienboard Berlin-Brandenburg, Kuratorium junger deutscher Film, Filmstiftung NRW, Zürcher Filmstiftung IM VERLEIH VON POOOL Filmverleih www.david.poool.at POOOL Filmverleih Begleitendes Unterrichtsmaterial für Lehrerinnen und Lehrer DAViD WANTS TO FLY D/Ö/CH, 2010, 97 Min. Buch & Regie: David Sieveking Kamera: Adrian Stähli Originalton: Johannes Schmelzer-Ziringer Musik: Karl Stirner Sound-Design: Björn Wiese, Stefan Soltau Schnitt: Martin Kayser-Landwehr BVS Redaktion: Claudia Gladziejewski, Monika Lobkowicz, Jochen Kölsch, Urs Augstburger, Franz Grabner Koproduzenten: Werner Schweizer, Johannes Rosenberger Produzenten: Martin Heisler, Carl-Ludwig Rettinger Produziert von Lichtblick Film und Lichtblick Medien in Kooperation mit Dschoint Ventschr Filmproduktion, Navigator Film, BR, Arte, SFDRS, ORF. Der POOL Filmverleih empfiehlt den Filmab dem 12. Lebensjahr inhalt Fächer: Philosophie, Ethik, Religion, Sozialkunde, 1. Der Film Psychologie, Deutsch, Politische Bildung, Bildnerische Erziehung 2. Filmvorbereitung: Regisseur David Lynch Themen: Identität, Kreativität, Spiritualität, Die Filme von David Lynch Meditation, Sekten, Esoterik, Weltfrieden, soziale Die Erfolge von David Lynch Bewegungen, Authentizität, Inszenierung, Medien, Information 3. -
Reaching Transcendental Meditation Followers for Jesus: Christian Meditation and Cultural Contextualization
LIBERTY UNIVERSITY RAWLINGS SCHOOL OF DIVINITY THESIS REACHING TRANSCENDENTAL MEDITATION FOLLOWERS FOR JESUS: CHRISTIAN MEDITATION AND CULTURAL CONTEXTUALIZATION SUBMITTED TO LIBERTY UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN GLOBAL STUDIES BY ASHLEY CARVER-WOODWARD BOYLES LYNCHBURG, VA APRIL 27, 2017 LIBERTY UNIVERSITY RAWLINGS SCHOOL OF DIVINITY THESIS PROJECT APPROVAL SHEET ________ GRADE DAVID J. PEDERSON, PH. D __________________________________ COMMITTEE CHAIR DAVID C. WARD, D. PHIL __________________________________ COMMITTEE MEMBER ii ©Copyright 2017 by Ashley Carver-Woodward Boyles iii ABSTRACT The purpose of this thesis is to build on to research pertaining to Christian meditation, the Transcendental Meditation movement, and theological contextualization for possible evangelism strategy to reach adherents of TM. The first chapter begins with the purpose of the thesis as well as its limitations and research methods to be involved, with a layout of the rest of the thesis. In the second chapter, the literature review examines material from several different perspectives: Christianity, TM, the TM turned Christian, and the nonreligious field of science. The third chapter includes historical background on Transcendental Meditation, its interaction with Western culture, a historical and scriptural background and Biblical word study on Christian Meditation as well as a comparison between Christian meditation and TM. Chapter four examines approaches to TM by other major religions, secularists, as well as secular disciplines and areas of life such as the clinical and health sciences, psychology, legal issues, and popular culture; the chapter ends with discussion on approaches to TM by Christian enthusiasts and evangelists. The fifth chapter concludes the thesis by narrowing the focus to the worldview of TM adherents, and in light of that and the chapters before, explores bridges and strategy for evangelism before closing. -
FOR INFORMATION and BOOKINGS: • Mobi.Numetro.Co.Za • 0861 CINEMA • 0861 246362
FOR INFORMATION AND BOOKINGS: www.numetro.co.za • mobi.numetro.co.za • 0861 CINEMA • 0861 246362 PARLOTONES.indd 1 5/9/11 12:33 PM Welcome to the 13th 1 INDeX Encounters South Welcome 1 – 3 Whatever Happened to African International robert Mugabe 24 Booking Details 3 Documentary Where We Planted Trees Documentary Production Workshop 5 Festival 2011. internAtional Panel Discussions 7 / 9 African Cats 25 As Festival programmers we are Seminar & Master Class 11 The Black Power Mix Tape privileged to watch more than South AfricAn 1967-1975 our fair share of films on every The creators 12 cup of Dreams 27 topic, from all over the globe. forerunners – South Africa’s New David Wants to Fly This unique position allows us to gauge current developments Black Middleclass feathered Cocaine 28 in the industry – through both From B-Boys to Being Men 13 forbidden the quality and quantity of Glitterboys and Ganglands G-Spotting: A Story of Pleasure documentaries produced. and Promise 29 history Uncut – The Leaders 15 The Good Life This year we reviewed 400 films imam and I The Guantanamo Trap 31 from across the globe, 53 of An intersection 16 which are South African, from If a tree Falls: A Story of the Earth King Naki Liberation Front filmmakers of varying professional experience and we congratulate Li-Xia’s Salon 17 inside Job 33 the filmmakers and thank them for Mama Goema: The Cape Town Beat Joan Rivers – A Piece of Work their submissions. in Five Movements LennonnYc 34 Mining for Change. Our Daily Poison Over the last two years, we A Story of South African Mining 19 When china Met Africa 35 have witnessed South African Once upon a day: Brenda Fassie documentary filmmakers overcome Wild Thing considerable challenges, not least Porselynnkas Dokiementêr 20 Zip Zap … A Social Circus 36 of which is finding the money. -
51 Festival Dei Popoli
51 Festival dei PoPoli Festival internazionale del Film documentario Firenze 13-20 novembre 2010 Festival dei Popoli Di r e t t o r e ar t i s t i C o Luciano Barisone Istituto Italiano per il Film di Documentazione Sociale ONLUS Borgo Pinti, 82r Co o r D i n a m e n t o 50121 Firenze – Italia Maria Bonsanti tel. +39 055 244778 Alberto Lastrucci fax +39 055 241364 [email protected] Co m i t a t o D i se l e z i o n e www.festivaldeipopoli.org Luciano Barisone Samdra Binazzi Maria Bonsanti Co m i t a t o Di r e t t i v o Carlo Chatrian Giorgio Bonsanti (Presidente) Daniele Dottorini Tullio Seppilli (Vice Presidente) Vittorio Iervese Mario Simondi (Vice Presidente) Alberto Lastrucci Sandro Bernardi Claudia Maci Maria Bonsanti Giona A. Nazzaro Augusto Cacopardo Alberto Lastrucci vo C i D a u n o s p a z i o i n t e r n o il C i n e m a D o C u m e n t a r i o s v i z z e r o : viaggiatori , militanti, visionari amministrazione Carlo Chatrian Massimo Martini con la consulenza di Jean Perret e Frédéric Maire In collaborazione con Swiss Films (Micha Schiwow, Sabina Brocal, Hanna Bruhin, Francine Brücher) Si ringrazia per il supporto la Cinémathèque Suisse (Frédéric Maire, Chicca Bergonzi) pe t e r me t t l e r : epifanie e rivelazioni Giona A. Nazzaro mo s t r a f o t o g r a f i C a no t a t i o n s (f o r t h e en D o f ti m e ) Maria Bonsanti, Lorenzo Carlomagno In collaborazione con Grimthorpe Film Inc. -
Because Intelligence Is Absolutely No Barrier to Cult Recruitment
Because intelligence is absolutely no barrier to cult recruitment. This is because a person's intelligence is totally bypassed during the process of cult recruitment. When reality testing is suspended then one's intelligence is not applied at all in order to ascertain the reasonableness of the cult's teachings. http://suggestibility.org/ (Note: Anyone with more than a casual interest in TM will want to view the new film "David Wants To Fly.") 1 This site is critical of Transcendental Meditation® My name is Joe Kellett. Although I am a former "Transcendental Meditation"® (often just called "TM"®) teacher I no longer in any way represent the late Maharishi Mahesh Yogi or any or his organizations. On the contrary, the purpose of this site is to provide information and arguments recommending against involvement with any of his organizations. If you want the official TM position, go to an official TM organizational source. You also can find links to many additional official TM organizational sources at AllTM.org. They want to do much more than just teach you how to relax! However, after researching those sites then come back here. What you will have read is that TM produces very deep relaxation which has been scientifically proven to have both physical and psychological health benefits. (You may have read some outrageous things about "world peace" too but let's skip over that for now.) What that scientific research does in fact show is that (a) TM produces deep relaxation in some people, and (b) deep relaxation can have physical and psychological health benefits. -
Transcendental Meditation
TranceNet: TM's Hypersecret Sidhi Sutras for 'Supernormal Abilities'! Page 1 of 2 Creation has two sides: intelligence, which is the cause of everything, and the manifestations of intelligence, which are the physical and psychological features of the everyday world. Because Transcendental Meditation directly approaches intelligence, rather than the manifestations of intelligence, it solves problems by introducing harmony and well-being at the most basic level, and not by dealing with problems themselves. That's why it is so effective. Consider this example: The gardener supplies water to the root of a tree. That water, that nourishment, then reaches all parts of the tree - leaves, branches, flowers, fruit - through the sap. We can think of the sap as analogous to intelligence and the green leaves or yellow flowers as analogous to the manifestations of the intelligence. The leaves and flowers are the intelligence of [home ] [ research ] [ getting started ] [ law ] [ personal stories ] [ secrets ] [ news ] [ about TranceNet ] the sap, after it has been transformed. So intelligence - like the leaves and flowers of a tree - appears as the many different forms of manifest life. Those manifestations include every aspect of existence, from the material and physiological, through the psychological, intellectual, and spiritual. All of those features of life come from transformations of intelligence. In meditation, we directly meet this essential intelligence. Therefore, we have the possibility of nourishing all of its other levels, and thus all levels of manifestation, in a way that is harmoniously related to the whole universe. TM's SIDHI SUTRAS How is Transcendental Meditation different from the various other forms of meditation? Maharishi: The basic difference is that Transcendental Meditation, in addition to its simplicity, The First Time Anywhere: Citizen, Governor, and AofE Versions concerns itself only with the mind. -
TM in Public Schools Violated the Establishment Clause of the First Amendment of the U
The David Lynch Foundation wants a million public school children in its Quiet Time program, despite two court rulings that the practice violates the Establishment Clause of the First Amendment of the Constitution. In 1977, a US District Court case challenged TM instruction in public schools in New Jersey, Malnak v. Yogi (592 F.2d 1977). TM lost the case. The New Jersey Court ruled that teaching TM in public schools violated the Establishment Clause of the First Amendment of the U. S. Constitution. TM appealed the decision and lost again. The Hindu ceremony that precedes TM instruction, known as the puja, was one of the main reasons the Court cited in its decision: Although defendants have submitted well over 1500 pages of briefs, affidavits, and deposition testimony in opposing plaintiff's’ motion for summary judgment, defendants have failed to raise the slightest doubt as to the facts or as to the religious nature of the teachings of the Science of Creative Intelligence [TM’s Hindu underpinnings] and the puja. The teaching of the SCI/TM course in New Jersey public high schools violates the establishment clause of the first amendment, and its teaching must be enjoined.1 A California Case Gina Catena, having parents who were TM teachers and growing up in Fairfield, Iowa, home of TM’s U.S.-based university, was instrumental in the San Rafael, California school district’s rejection of a $175,000 Quiet Time grant from the David Lynch Foundation. The grant included a provision for a TM club. In a letter to the San Rafael School Board, Catena wrote: A TM-club could appear to be a positive peer support for those desiring a wholesome lifestyle and to associate with others of common values. -
DAVID WANTS to FLY Dokumente DAVID WANTS to FLY DAVID WANTS to FLY
Berlinale 2010 David Sieveking Panorama DAVID WANTS TO FLY Dokumente DAVID WANTS TO FLY DAVID WANTS TO FLY Deutschland/Österreich/ Dokumentarfilm Schweiz 2010 Länge 96 Min. Format HDCAM Farbe und Schwarzweiß Stabliste Regie David Sieveking Buch David Sieveking Kamera Adrian Stähli 2. Kamera Peter Appius Eric Ferranti Jo Rychlik Schnitt Martin Kayser- Landwehr Schnittassistenz Daniel Egenolf Ingo Förster Sounddesign Stefan Soltau Björn Wiese Ton Johannes David Sieveking Schmelzer Mischung Björn Wiese Musik Karl Stirner DAVID WANTS TO FLY Herstellungsltg. Bülent Nacaksiz Die beispiellose Erfolgsgeschichte des Maharishi Mahesh Yogi begann im Produzenten Martin Heisler Himalaja. Um seine Meditationslehre zu verbreiten und den Weltfrieden zu Carl-Ludwig erreichen, kam der indische Guru Ende der 50er Jahre nach Hollywood und Rettinger gewann zahlreiche prominente Anhänger, darunter später die Beatles, Mia Co-Produzenten Johannes Rosenberger Farrow und Clint Eastwood. Fast sechs Millionen Menschen weltweit prak- Werner Schweizer tizieren heute die Transzendentale Meditation (TM). Auch David, ein junger Redaktion Claudia Filmemacher auf der Suche nach Inspiration, will es mit der Meditation pro- Gladziejewski, BR bieren. Denn nicht zuletzt sein großes Vorbild, der Regisseur David Lynch, Monika versichert ihm höchstpersönlich, dass TM eine Quelle der Kreativität und Lobkowicz, BR/Arte der Schlüssel zum Erfolg sei. Jochen Kölsch, David beschließt, sein Idol beim Wort zu nehmen: Er unterzieht sich dem BR/Arte teuren Meditationstraining, erhält sein persönliches Mantra und versucht Urs Augstburger, sich im yogischen Fliegen. Doch bald mehren sich die Ungereimtheiten. SF Denn die Organisation des indischen Gurus ist zu einem milliardenschwe- Franz Grabner, ORF Co-Produktion Lichtblick Film ren Imperium geworden. Als Maharishi stirbt, kommt es zum Streit um die GmbH, Köln Nachfolge.