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Spring 2017 • May 7, 2017 • 12 P.M
THE OHIO STATE UNIVERSITY 415TH COMMENCEMENT SPRING 2017 • MAY 7, 2017 • 12 P.M. • OHIO STADIUM Presiding Officer Commencement Address Conferring of Degrees in Course Michael V. Drake Abigail S. Wexner Colleges presented by President Bruce A. McPheron Student Speaker Executive Vice President and Provost Prelude—11:30 a.m. Gerard C. Basalla to 12 p.m. Class of 2017 Welcome to New Alumni The Ohio State University James E. Smith Wind Symphony Conferring of Senior Vice President of Alumni Relations Russel C. Mikkelson, Conductor Honorary Degrees President and CEO Recipients presented by The Ohio State University Alumni Association, Inc. Welcome Alex Shumate, Chair Javaune Adams-Gaston Board of Trustees Senior Vice President for Student Life Alma Mater—Carmen Ohio Charles F. Bolden Jr. Graduates and guests led by Doctor of Public Administration Processional Daina A. Robinson Abigail S. Wexner Oh! Come let’s sing Ohio’s praise, Doctor of Public Service National Anthem And songs to Alma Mater raise; Graduates and guests led by While our hearts rebounding thrill, Daina A. Robinson Conferring of Distinguished Class of 2017 Service Awards With joy which death alone can still. Recipients presented by Summer’s heat or winter’s cold, Invocation Alex Shumate The seasons pass, the years will roll; Imani Jones Lucy Shelton Caswell Time and change will surely show Manager How firm thy friendship—O-hi-o! Department of Chaplaincy and Clinical Richard S. Stoddard Pastoral Education Awarding of Diplomas Wexner Medical Center Excerpts from the commencement ceremony will be broadcast on WOSU-TV, Channel 34, on Monday, May 8, at 5:30 p.m. -
Joseph Medill : an Editor of the Old School
this The person • , j't^^J^fJ^g" maten^,; sponsibl.as with, I brTr ? oelovv. 1 Lp^'-'iioHon, ^ ^ the JOSEPH MEDILL: AN EDITOR^- CJ/;;7 «"on o„T;;i";''»j;^''oofc. ^^^^^ " ""^"^^ call Te/eni. """"issol^ KATHRYN B. A. Rockfof Submitted in Partial Fulfi MAS Ll61_O-I096 IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 JOSEPH MEDILL: AN EDITOR OF THE OLD SCHOOL BY KATHRYN MADDOCK B. A. Rockford College, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 Digitized by the Internet Archive in 2013 http://archive.org/details/josephmedilleditOOmadd UNIVERSITY OF ILLINOIS THE oo GRADUATE SCHOOL CM I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY JiLj!^-/!^!^^^ ^^^^^^^^r^^f^Sf^^ ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Thesis Head of Department Recommendation concurred in :* Committee on Final Examination* ^Required for doctor's degree but not for master's. TABLE OF CONTENTS Page I. SKETCH OF HIS LIFE ^ Ancestry Boyhood Education Law Acquaintance with newspapers Early experience as an editor Coshocton Republican Cleveland Leade'r Connection with the Chicago Tribune Campaign of 186^ Washington correspondent Civil War Service of his brother in the army The Union League of America Right of Soldiers to vote in 1864 Medill Editor-in-chief, 1863-6 Editorship of Horace i/lliite Member Constitutional Convention, 1869-70 Election as Mayor of Chicago Trip abroad Medill as editor-in-chief, 1874-99 Personal peculiarities Death II. -
Mary-Reid-Kelley-Press-Release.Pdf
54 eastcastle street TEL +44 (0)20 7323 7000 london w1w 8ef FaX +44 (0)20 7323 6400 www.pilarcorrias.com [email protected] pilar corrias PRESS RELEASE pilar corrias presents Mary Reid Kelley Swinburne’s Pasiphae 10 September - 4 October 2014 pv: Tuesday 9 September, 6-8pm Mary Reid Kelley with Patrick Kelley, Swinburne’s Pasiphae, 2014. HD video. Pilar Corrias is pleased to present Swinburne’s Pasiphae, the second solo exhibition by American artist Mary Reid Kelley with the gallery, featuring a new film alongside props, drawings, and photographic portraits. Swinburne’s Pasiphae (2014) follows Priapus Agonistes (2013) in an ongoing trilogy that explores the mythological Minotaur’s tragic family tree. For the first time Reid Kelley adapts an existing text, using Victorian poet Algernon Charles Swinburne’s dramatic fragment Pasiphae to tell the unlikely story of the Minotaur’s conception. Unpublished during Swinburne’s lifetime, probably due to its shocking sexual theme, the poem stages an interaction between master artisan Daedalus and the Minotaur’s mother, the bewitched Minoan Queen Pasiphae, who is cursed with an insatiable wish to mate with a beautiful bull. Symbolising, respectively, reckless creative power and the torment of unfulfilled desire, Daedalus and Pasiphae indelibly dramatise the complex collaboration of artist and audience. Mary Reid Kelley works primarily in video. Captivated by the portrayal of women throughout history, her films glean stories from significant historical periods, especially moments of cataclysm. Her early suite of films take inspiration from female archetypes of the World War I era, whose stories were largely unrecorded, namely a nurse from the Western Front (The Queen’s English, 2008), a munitions worker (Sadie, the Saddest Sadist, 2009), and a prostitute from the frontline (You Make me Iliad, 2010). -
Media Guide Join the League by Sports Authority
2 0 1 5 Media Guide Join The League by Sports Authority Get 5% Back on Bats, Gloves, Cleats & All Things Baseball OFFICIAL SPORTING GOODS RETAILER MANNY MACHADO S100PC SHOWN WITH: SHOWN WITH: S100P S90PA SHOWN WITH: SHOWN WITH: S80X2S/J S70X2S/J THE OFFICIAL BATTING HELMET OF MAJOR LEAGUE BASEBALL® INTRODUCING™ THE RAWLINGS PERFORMANCE RATING THE EXCLUSIVE BATTING HELMET SYSTEM FOR BATTING HELMETS OF MINOR LEAGUE BASEBALL® The Rawlings Performance Rating™ System is based on pitch speeds at a distance of 60 ft. The NOCSAE® standard is aimed at reducing the risk of skull fractures. The standard has not been correlated with reducing the risk of concussions from such impacts. NOCSAE® standards require that a batting helmet withstand all test impacts at an established peak severity index (SI). Helmets also must survive all test protocols substantially intact and ready for use. NOCSAE® baseball batting helmet standards involve tests of baseballs fired from a cannon at 60 mph at a distance of 2 ft, which is roughly equivalent to an impact resulting from a pitch speed of 68 mph at a distance of 60 ft. RAWLINGS.COM • facebook.com/rawlings • ©Rawlings Sporting Goods Company, Inc., a subsidiary of Jarden Corporation (NYSE: JAH) • Major League Baseball and Minor League Baseball trademarks and copyrights are used with permission of Major League Baseball Properties, Inc. Visit MLB.com and MiLB.com 2015 BABE RUTH LEAGUE MEDIA GUIDE CONTENTS Administration ................................3 Sportsmanship Code .........................17 Advisory Board -
Indiana Magazine of History
INDIANA MAGAZINE OF HISTORY VOLUMEXXXIII MARCH, 1937 NUMBER1 Insurgent Democrats of Indiana and Illinois in 1854’ MILDRED C. STOLER Before the actual beginning of debate on the Nebraska measure of 1854, the “Appeal of the Independent Democrats” was given to the public. It was the the work of Senator Salmon P. Chase. It was signed by him, Senator Charles Sumner and four members of the House.2 The “Appeal” was widely pub- lished, and excerpts from it appeared in a vast number of newspapers. By the time the Kansas-Nebraska Act became a law in May, a great opposition to the abrogation of the anti- slavery restriction of the Missouri Compromise had developed. Much of this was certainly due to the effectiveness of the “Ap- peal”, which included the following passages well calculated to arouse deep hostility to the measure championed by Doug- las : We arraign this bill as a gross violation of a sacred pledge; as a criminal betrayal of precious rights; as part and parcel of an atrocious plot to exclude from a vast unoccupied region immigrants from the old world, and free laborers from our own States, and convert it into a dreary region of despotism, inhabited by masters and slaves. Take your maps fellow citizens, we entreat you and see what coun- try it is which this bill, gratuitously, proposes to open to slavery. We appeal to the people. We warn you that the dearest interests of freedom and the Union are in imminent peril. Demagogues may tell yon that the Union can be maintained only by submitting to the de- mands of slavery. -
PRESS RELEASE 1646 Presents: Mary Reid Kelley During the Hague Contemporary Art Weekend
PRESS RELEASE 1646 presents: Mary Reid Kelley during The Hague Contemporary Art Weekend During the second edition of The Hague Contemporary Art Weekend, 1646 presents three video works of Mary Reid Kelley. The Hague Contemporary Art Weekend consists of an elaborate programme of exhibitions, openings, performances, artist talks, tours, club/performance nights, flm screenings and more on 19 locations in the city. The festival kicks off on Friday the 5th of July at 17:00 hrs, with the opening of the Graduation Festival of the Royal Academy of Art The Hague (KABK Den Haag). 1646 Starts opens its program on Saturday 6 July at 5pm. Mary Reid Kelley combines painting, performance, and a distinctive wordplay-rich poetry in her polemical, graphically stylized videos. Performing as a First World War soldier, a grisette in revolutionary Paris, or the Minotaur, she resurrects characters that embody particular facets of ideas in time. Her historically specifc tableaux enclose dilemmas of mortality, sex, and estrangement, navigated by the characters in punning dialogue that traps them between tragic and comic meanings. 1646 presents the following works: Priapus Agonistes (2013) condenses elements of Greek drama and mythology with details of the church volleyball tournament that the artist remembers from her childhood. The Minotaur is re-imagined as a lost daughter in a labyrinth in a gymnasium basement, her sacrifces coming in the form of members of the losing volleyball team. Like Jorge Luis Borges’ portrait of the Minotaur as antihero in The House of Asterion, the Minotaur of Priapus Agonistes is hopelessly lost in an environment of repetitive space, using the murdered sacrifces as landmarks to help her navigate a path to the lavatory. -
Visiting Artists: Mary Reid Kelley & Patrick Kelley
Visiting Artists: Mary Reid Kelley & Patrick Kelley Monday, March 27, 6:30p Sleeper Auditorium About the Kelleys Mary Reid Kelley and Patrick Kelley are a husband-and-wife collaborative duo whose work collides video, performance, painting and writing. Their highly theatrical vignettes performed by the duo feature her scripts, painted sets and costumes and his videography and editing to explore gender, class, and social norms within history, art, and literature. The artists’ use wordplay, punning and rhyme as a humorous and incisive means of deconstructing how history is written and represented. Their short films focus on historical moments of social upheaval, often uncovering the stories and voices of historically underrepresented figures. Female protagonists such as nurses, prostitutes, and factory workers relate to their larger social histories through philosophical references, euphemisms and bawdy puns, all set within the parameters of rhyming verse. Mary Reid Kelley earned a BA from St. Olaf College and an MFA from Yale University. She is the recipient of the MacArthur Foundation Grant, has received awards from the American Academy in Rome, the Rema Hort Mann Foundation, and the College Art Association. Major exhibitions include Salt Lake Art Center, SITE Santa Fe, Institute of Contemporary Art in Boston, and ZKM Museum of Contemporary Art in Karlsruhe, Germany. Patrick Kelley earned a BFA from St. Olaf College and an MFA from Cranbrook Academy of Art. He has taught Photography, Video and New Media courses at the University of Minnesota, St. Olaf College, St. Mary’s College of Maryland, and Skidmore College in New York. His works have shown at the Bibliothèque Publique d’Information-Centre Pompidou, Paris, France, the Kunsthalle Düsseldorf, Germany, and the Minnesota Museum of American Art. -
Charles Klotzer Papers (S1107)
PRELIMINARY INVENTORY S1107 (SA4085, SA4086, SA4091, SA4092, SA4095, SA4096, SA4106, SA4321) CHARLES KLOTZER PAPERS This collection is available at The State Historical Society of Missouri Research Center- St. Louis. If you would like more information, please contact us at [email protected]. Introduction Approximately 159 cubic feet The Charles Klotzer Papers contains correspondence, subject files, issues of the St. Louis Jewish Light and Focus Midwest, and political pamphlets pertaining to mass transit, marijuana, Metrolink, the first amendment, and crime in the St. Louis metropolitan region. Donor Information The papers were donated to the State Historical Society of Missouri by Charles Klotzer on July 30, 2013 (Accession No. SA4085). An addition was made on August 8, 2013 by Charles Klotzer (Accession No. SA4086). An addition was made on August 28, 2013 by Charles Klotzer (Accession No. SA4091). An addition was made on August 29, 2013 by Charles Klotzer (Accession No. SA4092). An addition was made on September 24, 2013 by Charles Klotzer (Accession No. SA4095). An addition was made on October 14, 2013 by Charles Klotzer (Accession No. SA4096). An addition was made on October 30, 2013 by Charles Klotzer (Accession No. SA4106). An addition was made on October 11, 2017 by Charles Klotzer (Accession No. SA4321). Copyright and Restrictions Materials in this collection may be protected by copyrights and other rights. See Rights & Reproductions on the Society’s website for more information about reproductions and permission to publish. Box List Box 1 Focus Midwest, manuscripts, 1990-1993 Box 2 St. Louis Journalism Review, manuscripts, no date Box 3 St. Louis Journalism Review, Volume 33, No. -
Pursuing a Seat in Congress (1843-1847) in 1843, Mary Lincoln
Chapter Seven “I Have Got the Preacher by the Balls”: Pursuing a Seat in Congress (1843-1847) In 1843, Mary Lincoln, “anxious to go to Washington,” urged her husband to run for Congress.1 He required little goading, for his ambition was strong and his chances seemed favorable.2 Voters in the Sangamon region had sent a Whig, John Todd Stuart, to Congress in the two previous elections; whoever secured that party’s nomination to run for Stuart’s seat would probably win.3 POLITICAL RIVALS Lincoln faced challengers, the most important of whom were his friends John J. Hardin and Edward D. Baker. Charming, magnetic, and strikingly handsome, the 1 Reminiscences of a son (perhaps William G. Beck) of the proprietress of the Globe Tavern, Mrs. Sarah Beck, widow of James Beck (d. 1828), in Effie Sparks, “Stories of Abraham Lincoln,” 30-31, manuscript, Ida M. Tarbell Papers, Allegheny College. On Mrs. Beck, see Boyd B. Stutler, “Mr. Lincoln’s Landlady,” The American Legion Magazine 36 (1944): 20, 46-47; James T. Hickey, “The Lincolns’ Globe Tavern: A Study in Tracing the History of a Nineteenth-Century Building” Journal of the Illinois State Historical Society 56 (1963): 639-41. In 1843-44, Mrs. Beck rented the Globe from Cyrus G. Saunders. See her testimony in the case of Barret v. Saunders & Beck, Martha L. Benner and Cullom Davis et al., eds., The Law Practice of Abraham Lincoln: Complete Documentary Edition, DVD-ROM (Urbana: University of Illinois Press, 2000), hereafter cited as LPAL, case file # 02608. The Illinois congressional elections scheduled for 1842 had been postponed one year because of delays in carrying out the reapportionment necessitated by the 1840 census. -
Pursuing Their Passions Unique Programs Empower SSA Students
SUMMER 2019 Pursuing Their Passions Unique Programs Empower SSA Students COMMENCEMENT 2019 • JONATHAN ZITTRAIN ’87 • JILL PORTNOY ’06 Editor Lindsay Kovach Associate Editor Jennifer Roupe Contributors Val Brkich Christa Burneff Cristina Rouvalis Photography James Knox Additional photos provided by SSA faculty, staff, alumni, students and parents. Class notes photos are submitted by alumni and class correspondents. Design Kara Reid Printing Broudy Printing Shady Side Academy Magazine is published twice a year for Shady Side Academy alumni, parents and friends. Letters to the editor should be sent to Lindsay Kovach, Shady Side Academy, 423 Fox Chapel Rd., Pittsburgh, PA 15238. Address corrections should be sent to the Alumni & Development Offi ce, Shady Side Academy, 423 Fox Chapel Rd., Pittsburgh, PA 15238. Junior School, 400 S. Braddock Ave., Pittsburgh, PA 15221, 412-473-4400 Country Day School, 620 Squaw Run Road East, Pittsburgh, PA 15238, 412-963-8644 FEATURES Middle School, 500 Squaw Run Road East, Pittsburgh, PA 15238, 412-968-3100 Senior School, 423 Fox Chapel Rd., 16 Pursuing Their Passions: Unique Pittsburgh, PA 15238, 412-968-3000 Programs Empower SSA Students www.shadysideacademy.org facebook.com/shadysideacademy 22 Commencement 2019 twitter.com/shady_side youtube.com/shadysideacademy 40 Alumni Profi le: Jonathan Zittrain ’87 instagram.com/shadysideacademy 44 Alumni Profi le: Jill Portnoy ’06 FSC to be placed by printer ALSO IN THIS ISSUE 2 President’s Message 3 Around the Academy 33 Sports Briefs 38 Hillman Performing Arts Series 48 Alumni Events 52 Class Notes In Memoriam The Senior School winter musical, Little Shop of Horrors, was presented Feb. 8-10, 2019. -
Fall 1988 CAA Newsletter
newsletter Volume 13, Number 3 Fall 1988 nominations for CAA board of directors The 1988 Nominating Committee has submitted its initial slate of nine State Building; Art Bank-Dept of State; and numerous college/uni nominees to serve on the CAA board of directors from 1989 to 1993. versity and corporate collections. AWARDS: NEA fellowship grant; The slate of candidates has been chosen with an eye to representation Louis Comfort Tiffany grant; Illinois Arts Council fellowship grant; based on region and discipline (artists, academic art historians, muse Senior Fulbright Scholar Australia. PROFESSIONAL ACTIVlTIES: NEA um professionals). The nominating committee asks that voters take juror; Mid-America Art Alliance/ NEA juror. cAA ACTIVITIES: annual such distribution into account in making their selection of candidates. meeting panelist, 1988. The current elected board of directors is composed of: eight artists There is an ongoing need to evaluate amongst ourselves the qualt~y (32%), twelve academically-affiliated art historians (48%), and five and type oj education undergraduate and graduate programs are pro museum professionals (20%). Of those, eight are men (32%) and viding. It is no longer enough to simply teach "how to. " The art world seventeen are women (68%); sixteen represent the northeast and mid continues to demand more theoretical and critical dialogue as the em Atlantic (64%), four represent the midwest (16%), two represent the phasis on content and context accelerates. Furthermore, Jewer west (8%), one represents the southeast (4%), and two represent the academic opportunities are juxtaposed with student cynicism about southwest (8%). This compares to the following breakdown of the the art world and how to "make it big out there." I see a needJorJac membership: artists 43%; academically-affiliated art historians 44%; ulty to inJuse their art programs with a renewed commitment to integ museum professionals 11 %; male 46%; female 54%; northeast/mid rity, authentic~~y, social responsibility and depth of ideas. -
The Lincoln-Douglas Debates (1858) in 1860, the Radical
Chapter Thirteen “A David Greater than the Democratic Goliath”: The Lincoln-Douglas Debates (1858) In 1860, the radical abolitionist Parker Pillsbury, who called Lincoln “the Kentucky clodhopper,” scoffed at his antislavery record, saying there was “no essential difference” between him and Stephen A. Douglas.1 In fact, the two Illinois rivals disagreed fundamentally about slavery, the Declaration of Independence, the Constitution, the role of the U.S. Supreme Court, racial equality, and American history.2 Their battle served as a dress rehearsal for the presidential race two years later, when once again they clashed, with a different outcome. Herndon predicted that “the Race in Ills for 1858 & 9 -- for the Senatorial seat . will be hot – energetic – deadly; it will be broader – wider, and deeper in principle than the race in 1856.”3 But it would also be marred by Douglas’s brazen appeals to racial 1 Pillsbury to Wendell Phillips, New York, 17 March 1864, Phillips Papers, Harvard University; Pillsbury, speech at Framingham, Massachusetts, 4 July 1860, The Liberator (Boston), 20 July 1860. Some historians have echoed Pillsbury. James G. Randall, Lincoln the President: From Springfield to Gettysburg (2 vols.; New York: Dodd, Mead, 1945), 1:104-28; Morton J. Frisch, “The Lincoln-Douglas Debates and History,” Lincoln Herald 57 (1956): 17-19. 2 The best studies of the debates are Allen C. Guelzo, Lincoln and Douglas: The Debates that Defined America (New York: Simon & Schuster, 2008); Harry V. Jaffa, Crisis of the House Divided: An Interpretation of the Issues in the Lincoln-Douglas Debates (Chicago: University of Chicago Press, 1959); David Zarefsky, Lincoln, Douglas and Slavery: In the Crucible of Debate (Chicago: University of Chicago Press, 1990); Don E.