School of Art 2019–2020
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Beautiful Penis
BEAUTIFUL PENIS Quelle merveille que les hommes existent ! Une exposition de Barbara Polla et Jenny Mannerheim A la Galerie NUKE à Paris, du 12 mai au 14 juillet 2012 11rue Saint Anastase Paris 3è Dans son livre récemment publié chez Odile Jacob, intitulé Tout à fait Femme, Barbara Polla s’interroge, entre autres, sur la créativité fémi- nine, et cherche à explorer les raisons pour lesquelles, tout au long de l’histoire de l’art, les représentations glorieuses du corps et du sexe masculin par les artistes femmes sont si peu nombreuses, alors que les hommes auront représenté, et représentent encore, avec passion, le corps féminin et ses attributs sexuels. Jenny Mannerheim partage ces questionnements, et il en est issu cette exposition, qui présente une sélection – arbitraire comme le sont toutes les sélections –, de douze femmes artistes d’aujourd’hui qui travaillent sur le thème : Vanessa Beecroft (Italie), Leslie Deere (USA), Tracey Emin (Angleterre), Dana Hoey (USA), Katerina Jebb (Angleterre), Elena Kovylina (Russie), Sarah Lucas (Angleterre), Joanna Malinowska (Pologne), Maro Michalakakos (Grèce), Sabine Pigalle (France), Michaela Spiegel (Autriche) et Ornela Vorpsi (Albanie). Tracey EMIN, TOO BIG, Appliquéd and emboidered calico, 38 9/16 x 33 11/16 in. (98 x 85.5 cm), 2001 © The artist, Courtesy White Cube Pascal Quignard, dans Le sexe et l’effroi, souligne combien « la vision du sexe masculin est terrifiante, même dans les sociétés où son osten- tation la rend banale et sa fréquence dérisoire » et explore la dualité mentula / fascinus (pénis/phallus) chez les Romains, cette « sémantique des deux états » concrétisée chez les romains par la distinction entre l’homo (homme) et le vir (l’homme en érection, l’homme dans le désir), sémantique abondamment reprise par Bruce Nauman. -
Genevieve Gaignard: Counterfeit Currency
PRESS CONTACT: Maureen Sullivan Red Art Projects, 917.846.4477 [email protected] GENEVIEVE GAIGNARD: COUNTERFEIT CURRENCY Exhibition Dates: June 5-August 17, 2018 Opening Reception: Tuesday, June 5, 6-8pm The FLAG Art Foundation, 545 West 25th Street, NY The FLAG Art Foundation is pleased to present Genevieve Gaignard: Counterfeit Currency, the artist’s first NY solo exhibition, from June 5-August 17, 2018, on its 10th floor. The exhibition of new self-portraits and collages, all created in Florida, continues Gaignard’s interest in the performance of race, gender presentation, beauty standards, and class, through fictional personas and staged environments. The title, Counterfeit Currency, addresses the inherent complexities of self-presentation, noting that the way one appears to others is often incongruent with the way in which they see themselves, yielding a feeling of displacement and fraudulence. Through a variety of female archetypes, Gaignard explores her own existence as a mixed-race woman of color, revealing the malleability of identity as something both self-constructed and culturally affected. In addition to photographic works, the artist will also present a new series of collages that combine vintage wallpaper and magazine cutouts to render dreamlike and satirical narratives. In her full-floor installation at FLAG, Gaignard creates multiple “mise-en-abîme” environments in which objects depicted in her cinematic photographs and collages are present in the gallery’s space. Incorporating personal and politically-loaded objects, one vignette is furnished with vintage wall paper, rattan furniture, and a spring of porcelain black panther figurines, while another holds appearance-altering beauty products, such as skin-bleaching creams, face masks, and makeup. -
Ellen Priest
ELLEN PRIEST www.ellenpriest.com www.eyeballitart4kids.org The sheer joy and energy of visual experience and of the creative process itself are at the core of my work as an artist and educator. They fuel my belief that that same joy and the possibility to create meaningful visual expression should belong to every human being, es- pecially youth. ART EDUCATION/TEACHING 2013-Present and 1992-1999 Created Eyeball It!™ studio art education program for 7-12 year-old children. Online free to users beginning June 2014 funded by Ellen Priest Projects at Fractured Atlas. Originally written/ devel- oped 1992-1999. Series of discreet art projects for children to do at home with a parent. Adaptable for use by groups (e.g. after-school and summer programs, public libraries). www.eyeballitart4kid- s.org 2009 New York University, New York, New York, Department of Music Colloquium with Edward Si- mon, “Composing the Venezuelan Suite – the Music and the Paintings,” February. 2007-2010 Delaware Center for the Contemporary Arts, Education Committee. 2002-2008 University of the Arts, Philadelphia, Pennsylvania, Professional Institute for Educators. 2002 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, Adjunct Faculty, Fall. 1979-1999 Taught studio art in schools (primary and secondary) and community arts centers including: Ocean City Arts Center, Ocean City, New Jersey. 1996-99. Choate-Rosemary Hall, Wallingford, Connecticut. 1979, 1995-96. Saint Thomas’s Day School, New Haven, Connecticut. 1992-93. Educational Center for the Arts, New Haven, Connecticut. 1982-83. (All-arts public high school.) Concord Academy, Concord, Massachusetts. Art Department Chairperson, 1979-80. EDUCATION 1977 Master of Divinity, Yale University Divinity School, New Haven, Connecticut. -
CURRICULUM VITAE Name: Michele Barry, MD, FACP, FASTMH Spouse
CURRICULUM VITAE Name: Michele Barry, MD, FACP, FASTMH Spouse: Mark Cullen, MD Email: [email protected] Office: (650) 736-0336 Mailing address: 291 Campus Drive Children: Zoe B. Cullen Yale '06 Room LK3C02 Esme B. Cullen Brown '08 Stanford, CA 94305-5101 Education AB 1974 Bryn Mawr College, Bryn Mawr, PA (magna cum laude) MD 1977 Albert Einstein College of Medicine, New York, NY (AOA) DTM 1980 Diploma, Tropical Medicine, Walter Reed Hospital, Washington DC Career 1977-1978 Internship, Medicine Yale-New Haven Hospital, New Haven, CT 1977-1981 Residency, Medicine Yale-New Haven Hospital, New Haven, CT 1980-1981 Chief Resident, Ambulatory Care Yale-New Haven Hospital, New Haven, CT 1980 Diploma, Tropical Medicine Walter Reed Hospital, Washington DC 1980-1997 Director of Medicine, Southeast Asian Refugee Clinic Yale University School of Medicine, New Haven, CT 1981-1983 Fellow, Medicine, Rheumatology Section Yale University School of Medicine, New Haven, CT 1983 Hastings Center for Ethics Fellowship 1981-2009 Co-Director International Health Program Yale University School of Medicine, New Haven, CT 1981-1986 Assistant Professor of Medicine Yale University School of Medicine, New Haven, CT 1986-1994 Associate Professor of Medicine Yale University School of Medicine, New Haven, CT 1994-2009 Professor of Medicine and Global Health Yale University School of Medicine, New Haven, CT 1991-2012 Associate Editor: Travel Medicine Advisor Publisher: American Health Consultants 1993-1994 Medical Journalists: Condé Nast Publications 1995-2010 -
Dana Hoey, Miss Tessa 1, 2015, Archival Inkjet Print, 17 X 22', Ed. 3
Dana Hoey, Miss Tessa 1, 2015, archival inkjet print, 17 x 22’, ed. 3. Repeat Pressure Until Curated by Sheilah Wilson OpeninG Saturday, May 21 6-9pm May 21-June 19 Catherine Cartwright, Moyra Davey, Stacy Fisher, Hilary Harnischfeger, Pati Hill, Dana Hoey, Vera Iliatova, Hein Koh, Dani Leventhal, Carolyn Salas, Kim Waldron, Carmen Winant OrteGa y Gasset Projects is pleased to present Repeat Pressure Until, a material investigation into the spaces between the recognizable and the unknown. Artists in the show use inhaBitation and over-inhaBitation of both material and societal norms to transform perception and offer new proposals. We cannot avoid the material, social, and cultural worlds we live in. Utilizing understood reference points becomes radical because it implies that all knowns have the potential to be made strange. There is a space opened up when testing limits of ideas or materials. Insistence both strengthens through emphasis and falls apart through over-repetition. The gendered female Body is presented as Benignly understandable and simultaneously profane. The object is holding or is held. Dominant can Be overthrown. (Although unnerving, it is made palatable because it is beautiful and the chaos is momentary.) Artists in the show suggest ways for us to live inside the known world, while suBverting these knowns through the act of placing pressure. This exertion of energy can create new forms and functions out of recognizable tropes and materials. Artists use photography, painting, drawing, video, and sculpture as tactics towards newly imagined versions of that which we know. They shoot arrows of violence, oBsession, re-imagined sexuality, kinship, and motherhood into anything in the world around us to which the arrow can cling. -
Diane Rosenstein
DIANE ROSENSTEIN The New New: Ray Anthony Barrett, Aaron Fowler, Genevieve Gaignard, Tschabalala Self, Michael Shultis, and Jason Stopa October 17 – November 28, 2015 Gallery Hours: Tuesday - Saturday, 10am – 6:00 pm Opening: Saturday, October 17th, 2015, 6:00 – 8:00 pm Diane Rosenstein Gallery is pleased to announce The New New, an exhibition of painting, drawing, mixed-media, and collage by six emerging artists from New York and Los Angeles: Ray Anthony Barrett, Aaron Fowler, Genevieve Gaignard, Tschabalala Self, Michael Shultis, and Jason Stopa. The works in this show are multi-dimensional, with some artists using heavy impasto, collage, or flirting with the intersection of painting and sculpture. Connecting the varied practices in The New New is an explicit use of text – song lyrics, art theory, slogans, and commercial branding - in a formally exciting interplay between word, image and painting. Ray Anthony Barrett’s recent drawings take art historian and curator Darby English’s writing as a starting point. English was concerned with the nature of Black art (and what happens if and when Black artists stop making it). Barrett’s ink on paper drawings, such as STOP, use repeated text in alternating sequences to create provocative, thought-provoking statements. Aaron Fowler weaves personal narrative into mythic allegory and often depicts himself as a Pilgrim traversing a post-apocalyptic landscape. In Aaron Fowler Looks For A Way Out of the City of Destruction, the artist incorporates materials as varied as glass doors, oatmeal, mirrors, CDs, clothing, and hair into an epic self-portrait at once imposing and fragile. Genevieve Gaignard uses alter egos in often humorous self-portraiture to question our relationship to personae, identity, and popular culture. -
JULY 29-AUGUST 1, 2013 ASPEN MEADOWS Ring RECEPTION CENTER F MARBLE Or KRESGE BUILDING K GARDEN Ri V E R
il RESNICK-MALEK ra HEALTH CENTER T CAMPUS Hiking l i a r DOERR-HOSIER T CENTER e d Meadows Trail an r eek (to Rio Grande Trail) MAP G tle Cr Rio Cas ACTION WALL R oa JULY 29-AUGUST 1, 2013 ASPEN MEADOWS ring RECEPTION CENTER F MARBLE or KRESGE BUILDING k GARDEN Ri v e r oad WN ASPEN O s R w WNT Bike Path MeadOo DO T ANDERSON PARK ASPEN MEADOWS RECEPTION CENTER Plato’s, Meadows Restaurant, Hefner Lounge, ACTION Hiking Trail Merrill Patio, Bernhard WALL Walking Path RESNICK-MALEK HEALTH CENTER DOERR-HOSIER CENTER GREENWALD Registration, McNulty, Kaufman, Catto, PAVILION Resnick Gallery, Isaacson History Room MARBLE GARDEN BUCKMINSTER FULLER DOME KRESGE BUILDING Hines KOCH SEMINAR BUILDING GREENWALD PAVILION MAYER PATIO KOCH SEMINAR BUILDING PAEPCKE Booz Allen Hamilton, Lauder, Stranahan MEMORIAL BUILDING BUCKMINSTER FULLER DOME PAEPCKE MEMORIAL BUILDING Auditorium, Adelson Gallery, Clarke Library BENEDICT MUSIC TENT MAYER PATIO BOETTCHER SEMINAR BUILDING Dingman, Hudson, Harris BOETTCHER SEMINAR WE CYCLE BUILDING SHUTTLE STOP eet WN ASPEN Bicycle Share See transportation tr HARRIS HALL O Station guide d S WNT hir T O DO T Aspen Club & Spa The Aspen Institute is an educational and policy studies organization based in Washington, DC. Its mission is to foster leadership based on enduring values and to provide a nonpartisan venue for dealing with critical issues. The Institute has campuses in Aspen, Colorado, and on the Wye River on Maryland’s Eastern Shore. It also maintains offices in New York City and has an international network of partners. ASPEN The Aspen Institute does this primarily in four ways: Gondola C Plaza Seminars, which help participants reflect on what they think makes a good society, thereby DEAN ST. -
Yale Law School 2019–2020
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut Yale Law School 2019–2020 Yale Law School Yale 2019–2020 BULLETIN OF YALE UNIVERSITY Series 115 Number 11 August 10, 2019 BULLETIN OF YALE UNIVERSITY Series 115 Number 11 August 10, 2019 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse Avenue, New Haven CT 06510. Periodicals postage paid at New Haven, Connecticut. backgrounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment Postmaster: Send address changes to Bulletin of Yale University, against any individual on account of that individual’s sex, race, color, religion, age, PO Box 208227, New Haven CT 06520-8227 disability, status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 4th Floor, 203.432.0849. -
GG CV GPD.Indd
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US SOLO EXHIBITIONS: 2019 I’m Sorry I Never Told You That You’re Beautiful, Vielmetter Los Angeles, Los Angeles, CA, US In Passing, The Art Galleries at Black Studies, University of Texas, Austin, TX, US Black White and Red All Over, Monique Meloche, Chicago, IL, US 2018 Counterfeit Currency, The FLAG Art Foundation, New York, NY, US Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Grassroots, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2019 Millard Sheets Art Center, Pomona, CA, US (forthcoming) Still I Rise, MASS MoCA, North Adams, MA, US Quiet as It’s Kept: Passing Subjects, Contested Identities, Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, US Politically Private: The Interplay of Personal Identity and Public Performance, Guggenheim Gallery at Chapman University, Orange, CA, US Lost and Found in America, Florida Museum of Photorgaphic -
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and Works in Los Angeles, CA, US
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US ONE-PERSON EXHIBITIONS: 2018 Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Genevieve Gaignard, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2017 Fictions, Studio Museum in Harlem, NY, US Face to Face: Los Angeles Collects Portraiture, California African American Museum, Los Angeles, CA, US Comm|Alt|Shift, Aljira Center for Contemporary Art, Newark, NJ, US Industry, dc3 Gallery, Edmonton, Alberta, CA 2016 Summer School, The FLAG Art Foundation, New York, NY Other Spaces, dc3, Edmonton, Alberta, CA 2014 The New New, Diane Rosenstein Gallery, Los Angeles, CA, US Shaq Loves People (Curated by Shaquille O’Neal), Expose Chicago, Chicago, IL, US Deep End, Yale MFA Photography Thesis, Diane Rosenstein Gallery, Los Angeles, CA, US Deep End, Yale MFA Photography Thesis, The FLAG Art Foundation, New York, NY, US Deep End, Yale MFA Photography Thesis, Yale -
A Yale Book of Numbers, 1976 – 2000
A Yale Book of Numbers, 1976 – 2000 Update of George Pierson’s original book A Yale Book of Numbers, Historical Statistics of the College and University 1701 – 1976 Prepared by Beverly Waters Office of Institutional Research For the Tercentennial’s Yale Reference Series August, 2001 Table of Contents A Yale Book of Numbers - 1976-2000 Update Section A: Student Enrollments/Degrees Conferred -- Total University 1. Student Enrollment, 1976-1999 2. (figure) Student Enrollment, 1875-1999 3. (figure) Student Enrollment (Headcounts), Fall 1999 4. Student Enrollments in the Ivy League and MIT, 1986-1999 5. Degrees Conferred, 1977-1999 6. Honorary Degree Honorands, 1977-2000 7. Number of Women Enrolled, University-Wide, 1871-1999 8. (figure) Number of Women Enrolled University-Wide, 1871-1999 9. Milestones in the Education of Women at Yale 10. Minority and International Student Enrollment by School, 1984-1999 Section B: International Students at Yale University 1. International Students by Country and World Region of Citizenship, Fall 1999 2. (figure) International Graduate and Professional Students and Yale College Students by World Region, Fall 1999 3. (figure) International Student Enrollment, 1899-1999 4. (figure) International Students by Yale School, Fall 1999 5. International Student Enrollment, 1987-1999 6. Admissions Statistics for International Students, 1981-1999 Section C: Students Residing in Yale University Housing 1. Number of Students in University Housing, 1982-1999 2. Yale College Students Housed in Undergraduate Dormitories, 1950-1999 3. (figure) Percentage of Yale College Students Housed in the Residential Colleges, 1950-1999 Section D: Yale Undergraduate Admissions and Information on Yale College Freshmen 1. -
Sondra Perry B
99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC SONDRA PERRY B. 1986 Lives and works in Perth Amboy, New Jersey EDUCATION 2015 MFA in New Genres, Columbia University, New York, New York 2013 Skowhegan School of Painting and Sculpture, Madison, Maine 2012 BFA in Expanded Media and 3 Dimensional Studies, Alfred University, Alfred, New York SELECTED SOLO EXHIBITIONS 2019 A Terrible Thing, Museum of Contemporary Art Cleveland, Cleveland, Ohio, April 27 - August 11 2018 Typhoon coming on, Luma Westbau, Zürich, Switzerland, October 12 - January 13, 2019 Typhoon coming on, Institute of Contemporary Art Miami, Florida, July 13 - November 4 Chromatic Saturation, Disjecta, Portland, Oregon, March 17 - April 29 Typhoon coming on, Serpentine Sackler Gallery, London, United Kingdom, March 6 - May 20 Sondra Perry, Bridget Donahue, New York, New York, January 7 - February 25 2017 Eclogue for [in]HABITABILITY, Seattle Art Museum, Seattle, Washington, December 8 - July 1, 2018 Sondra Perry: flesh out, Squeaky Wheel, Buffalo, New York, January 20 - May 6 2016 Resident Evil, The Kitchen, New York, New York, November 2 - December 10 2015 Some Type of Way, Institute for New Connotative Action, Seattle, Washington, October 30 - November 15 SELECTED GROUP EXHIBITIONS 2020 After the Plaster Foundation, Queens Museum, Queens, New York, April 5 - August 16 Slowed and Throwed, Contemporary Arts Museum Houston, Houston, Texas, March 5 - June 7 William Greaves, Sondra Perry, Martine Syms, organized by Martine Syms, Princeton University, Princeton,