Unit 6 Key Stage 3 Scheme of Work

Total Page:16

File Type:pdf, Size:1020Kb

Unit 6 Key Stage 3 Scheme of Work DIOCESE OF HEXHAM AND NEWCASTLE DIOCESAN EDUCATION SERVICE Key Stage 3 Scheme of Work Unit 6 Are there limits on forgiveness? Summer Term 2 DIOCESE OF HEXHAM AND NEWCASTLE KEY STAGE 3 UNIT 6 ARE THERE LIMITS ON FORGIVENESS? 1 & 2. What is Forgiveness? Resources required Skills Homework Learning Suggested teaching and learning & LAT Learning outcomes Key words Points objectives activities strands to note Ask pupils to visit Selection of Pupils should: Starter Pupils working at level 3 Forgiveness www.cafod.org.uk/homework Newspapers . Display an image of conflict e.g. Creative will: and to look at the Conflict know: Tiananmen Square (see resource or Thinkers Be able to make the link Sorry homework pack to find out Image for What is meant by download from: between how their more about CAFOD’s work starter the term www.christusrex.org/www1/sdc/tianan AT2i feelings, from personal Breakdown for Conflict resolution and activity ‘forgiveness’ men experiences, affected peace building in Rwanda. understand: their behaviour during or Sin Worksheet: Forgiveness as a or any other suitable image. Ask after those cases. AT2i Stand up/sit universal human pupils to express why a breakdown in Be able to give reasons Beliefs down need. relationship may have occurred. why they they/believers . statements be able to: Stand up/sit down statements. Read forgive others. AT1iii Relationships Reflect on their pupils a list of wrongs/sins committed Worksheet: own and others’ and ask pupils to stand if they could Pupils working at level 4 Christian forgive that act and remain seated if ‘Forgiving experiences of will: beliefs scale’ forgiveness. they cannot. (Worksheet 1) Be able to show how their own and other Main (select from): Worksheet: peoples’ decision to . “Christian Pupils write about or discuss in pairs Reflective forgive can be informed Teaching in an example in their lives where they Learners by beliefs/values AT2i Forgiveness” have experienced a breakdown in Be able to show how a relationship (They must include: AT2i persons understanding of context, feelings, results, lessons forgiveness can shape learned). Share with class if their life AT1iii confident. As pupils listen to one another ask them to make a note of Pupils working at level 5 1 & 2. What is Forgiveness? Resources required Skills Homework Learning Suggested teaching and learning & LAT Learning outcomes Key words Points objectives activities strands to note similarities and differences which will: are then shared. Team Identify similarities and . In pairs look through a recent Workers differences in people’s newspaper and choose an article or Creative responses to incident which reflects a breakdown Thinkers forgiveness/ breakdowns in relationship and a need for AT2i in relationships from the forgiveness. Pupils use driver various newspaper questions/writing frame to help e.g. articles discussed. AT1iii why the person may or may not AT2i forgive. Present findings to class. Higher order question: ‘What Independent Pupils working at level 6 qualities, experiences and enquirers will: backgrounds create a forgiving AT1iii Be able to express person’? Pupils are asked to map insights into what themselves, friends and family on a inspires and influences ‘forgiving scale’ and provide reasons them and others to for the differences. forgive. AT2i (Worksheet 2) Effective . Thought shower: what is meant by participators the term ‘forgiveness’?. Pupils to complete worksheet 3: AT2i “Christian teaching on forgiveness” to come to an understanding of what AT1i Christians believe about forgiveness by looking at the example of Jesus and the teaching of the New Testament. Plenary Creative 1 & 2. What is Forgiveness? Resources required Skills Homework Learning Suggested teaching and learning & LAT Learning outcomes Key words Points objectives activities strands to note . Design a symbol that can be used to thinkers represent forgiveness e.g. bridge etc. Return to initial question: Complete AT2i the sentence: Forgiveness is… DIOCESE OF HEXHAM AND NEWCASTLE KEY STAGE 3 UNIT 6 ARE THERE LIMITS ON FORGIVENESS? Lesson, 1&2 What is forgiveness? WORKSHEET 1 Stand up/sit down statements. Read these statements one by one Ask the students to stand if they could forgive and remain seated if they couldn’t They can use sides of the room or red/green cards (if you want to keep them seated.) 1. Someone in class reports you for starting a fight. 2. Your best friend steals money from your bag. 3. A neighbour slashes your bike tyres. 4. A classmate puts an embarrassing clip of you dancing on you tube. 5. A street gang murder your dog. 6. Two friends fall out with you and start bullying you. ……………………..add your own Lesson 1&2 What is forgiveness? Worksheet 2 Stealing money from their purse/wallet, lying about where you have been, smoking a cigarette, bullying Who would forgive you? someone, shouting or swearing, skipping school, gossiping behind their back Who would forgive Who is the most What qualities you for the sins in forgiving? (rank make this person the box above? from 1 to 3) able to forgive? Parents Brothers and sisters Friends DIOCESE OF HEXHAM AND NEWCASTLE KEY STAGE 3 UNIT 6 ARE THERE LIMITS ON FORGIVENESS? Lesson 1&2 What is forgiveness? WORKSHEET 3 Christian beliefs about forgiveness Jesus’ example Look at each of the ways Jesus behaves below and in the right hand column write a list of instructions for Christians today to follow if they want to behave like Jesus. …they crucified him there and the two criminals also, 1. one on the right, the other on the left. Jesus said, “Father, forgive them; they do not know what they are doing.” (Luke 23:33-34) One of the criminals hanging there abused him. “Are 2. you not the Christ? Save yourself and us as well.” But the other spoke up and said “Have you no fear of God at all?” he said. “You got the same sentence as he did but in our case we deserved it; we are paying for what we did. But this man has done nothing wrong. Jesus, remember me when you come into your kingdom.” “Indeed, I promise you, today you will be with me in paradise.” (Luke 23:39-43) Then Peter went up to him and said, “Lord, how often 3. must I forgive my brother if he wrongs me? As often as seven times?” Jesus answered, “Not seven, I tell you, but seventy-seven times.” (Luke 18:21-22) “Neither do I condemn you. Go away and don’t sin 4. anymore.” (John 8:11) St Paul’s teaching Look at the advice St Paul gives to Christians and use them to add to your list of instructions above for modern day Christians “Never have grudges against others, or lose your 5. temper, or raise your voice to anybody, or call each other names, or allow any sort of spitefulness. Be friends with one another, and kind, forgiving each other as readily as God forgave you in Christ.” (Ephesians 4: 31-32) “You are God’s chosen race, his saints; he loves you, 6. and you should be clothed in sincere compassion, in kindness and humility, gentleness and patience. Bear with one another; forgive each other as soon as a quarrel begins. The Lord has forgiven you; now you must do the same.” (Colossians 3:12-114) Now give as many reasons as you can why Christians believe they should always forgive others no matter what they have done. Use the scripture passages above to support your answer. DIOCESE OF HEXHAM AND NEWCASTLE KEY STAGE 3 UNIT 6 ARE THERE LIMITS ON FORGIVENESS? 3. When is sorry good enough? When is it not? Resources required Skills Homework Learning objectives Suggested teaching and & LAT Learning outcomes Key words Points learning activities strands to note W/sheet 1 Pupils should: Starter: Pupils working at level 3 will: Sorrow w/sheet 2 . Agree/disagree activity. Describe how feelings of Elton John know: Students go to either side AT2i genuine repentance would Remorse ‘Sorry That being sorry needs of the room depending on affect a person’s behaviour. seems to be to be genuine. whether they agree or not AT2i Repentance the hardest understand: with each statement. ( See word’ That being sorry worksheet 1) Pupils working at level 4 will: Forgiveness requires a change of Show the difference between Cher attitude/behaviour; Main Independent apologetic behaviours and Metanoia ‘If you the Christian belief in . What does the word sorry Enquirers decisions that show genuine could turn metanoia. mean to you? Create a AT2i repentance and those that are Apologise back time’ be able to: definition wall – students influenced by other motives Explain the idea that write down what the word AT2i Beliefs repentance must be means to them on A4 paper genuine; and stick it to the wall at Pupils working at level 5 will: Values explain that sometimes the front of the classroom. Explain what beliefs and forgiveness may not be Does genuine sorrow values would lead to the need Challenge forthcoming. affect a person’s AT2i for sincerity in any apology. behaviour? Independent AT2i . Acting sorry vs Being Enquirers sorry. Students to complete Pupils working at level 6 will: worksheet 2 on “Pretending Explain why Christians believe to be sorry vs Metanoia” to that external acts of sorrow help them to focus on the are not enough - that difference between repentance requires literally a superficial and sincere AT2i ‘change of heart.’ AT2i contrition. Creative 3. When is sorry good enough? When is it not? Resources required Skills Homework Learning objectives Suggested teaching and & LAT Learning outcomes Key words Points learning activities strands to note . What beliefs and thinkers values would lead to the AT2i need for sincerity in any apology? .
Recommended publications
  • Mist: an Analytical Study Focusing on the Theme and Imagery of the Novel
    [ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Mist: An Analytical Study Focusing on the Theme and Imagery of the Novel *Arya V. Unnithan Guest Lecturer, NSS College for Women, Karamana, Trivandrum, Kerala Received: May 23, 2018 Accepted: June 30, 2018 ABSTRACT Mist, the Malayalam novel is certainly a golden feather in M.T. Vasudevan Nair’s crown and is a brilliant work which has enhanced Malayalam literature’s fame across the world. This novel is truly different from M.T.’s other writings such as Randamuzham or its English translation titled Bhima. M.T. is a writer with wonderfulnarrative skills. In the novel, he combined his story- telling power with the technique of stream- of- consciousness and thereby provides readers, a brilliant reading experience. This paper attempts to analyse the novel, with special focus on its theme and imagery, thereby to point out how far the imagery and symbolism agrees with the theme of the novel. Keywords: analysis-theme-imagery-Vimala-theme of waiting- love and longing- death-stillness Introduction: Madath Thekkepaattu Vasudevan Nair, popularly known as M.T., is an Indian writer, screenplay writer and film director from the state of Kerala. He is a creative and gifted writer in modern Malayalam literature and is one of the masters of post-Independence Indian literature. He was born on 9 August 1933 in Kudallur, a village in the present day Pattambi Taluk in Palakkad district. He rose to fame at the age of 20, when he won the prize for the best short story in Malayalam at World Short Story Competition conducted by the New York Herald Tribune.
    [Show full text]
  • Busman's Honeymoon
    Busman's Honeymoon By Dorothy L. Sayers Busman's Honeymoon CHAPTER I NEW-WEDDED LORD I agree with Dryden, that "Marriage is a noble daring"— samuel johnson: Table Talk. Mr. Mervyn Bunter, patiently seated in the Daimler on the far side of Regent's Park, reflected that time was getting on. Packed in eiderdowns in the back of the car was a case containing two and a half dozen of vintage port, and he was anxious about it. Great speed would render the wine undrinkable for a fortnight; excessive speed would render it undrinkable for six months. He was anxious about the arrangements—or the lack of them—at Talboys. He hoped everything would be found in good order when they arrived—otherwise, his lady and gentleman might get nothing to eat till goodness knew when. True, he had brought ample supplies from Fortnum's, but suppose there were no knives or forks or plates available? He wished he could have gone ahead, as originally instructed, to see to things. Not but what his lordship was always ready to put up with what couldn't be helped; but it was unsuitable that his lordship should be called on to put up with anything—besides, the lady was still, to some extent, an unknown factor. What his lordship had had to put up with from herduring the past five or six years, only his lordship knew, but Mr. Bunter could guess. True, the lady seemed now to be in a very satisfactory way of amendment; but it was yet to be ascertained what her conduct would be under the strain of trivial inconvenience.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • AAUW Pendleton Branch Newsletter February 2015
    AAUW Pendleton Branch Newsletter February 2015 AAAAUUWW PPeennddlleettoonn BBrraanncchh FFeebbrruuaarryy MMeemmbbeerrsshhiipp MMeeeettiinngg Program: History Film Projects, by Griswold High School Students, Helix February 7 (Saturday) 11:00 a.m. Prodigal Son Hostesses: Harriet Isom and Gail Plute March Meeting Saturday, March 7, 11:00 a.m., Prodigal Son “Travel in Cuba” by Sharon Vincent and Melissa Woodbury 1 2014–2015 Pendleton Branch AAUW Leadership Team: NOTES & ANNOUNCEMENTS 541- Co-Presidents February Lunch Bunch: The February Lunch Bunch will be Karen King 278-2151 Thursday, February 19, at 11:45 a.m., at Eden’s Kitchen (on SW Melissa Woodbury 276-0268 6th Street, across from the Library/City Hall). Communications Vice President February Board Meeting: Renee Struthers will host the February Marlene Krout 276-7596 board meeting on Thursday, February 19, 7:00 p.m., at Melissa Membership Vice-President Woodbury’s home. Jan Bruning 276-1929 Finance Vice-President Dianne Barnes 276-5547 Co-Program Vice-Presidents Renée Struthers 377-0504 Sharon Vincent 278-1397 February Membership Recording Secretary Meeting Program Judy Witte 276-6289 Appointed Leaders: Two interesting documentary projects by Griswold High School students from Helix BMCC Liaison TBD EF/LAF Kathleen Mace 276-1006 Newsletter & Directory Editor Alexis Keene and Morgan Warner Susan Doyle 966-8854 A documentary Bylaws on the hardships faced by soldiers returning Kathy Ward 276-0308 from Vietnam AAUW Association website aauw.org AAUW of Oregon website Braden Sprenger and Jason Bushman aauw-or.aauw.net A documentary on the discrimination faced by Japanese AAUW Pendleton website Americans when they returned to Hood River pendleton-or.aauw.net after being interned or serving in the military Guests are Welcome! 2 President’s Corner for February 2015 Karen King and Melissa Woodbury Those of you who were able to attend the January meeting at the Prodigal Son know what interesting presentations on STEM Programs were given by Josh Ego and Patricia Dawson.
    [Show full text]
  • Challenge the Good News Paper
    TM THE GOOD NEWS PAPER No. 437 au.challenge.news SAVED FROM AN Spencer Nicholls EARLY GRAVE and his family. ooking at Spencer Nicholls walked right off the pier into the today, a happily married father freezing water. of three and a board member He would have drowned if not for of a successful addiction recov- the fact that he suddenly saw ‘an Lery centre in Western Australia, it’s unbelievably bright light’ that led almost impossible to imagine him him to shore. at 17, unconscious on the fl oor of a A few years later, he was a pas- public toilet foaming at the mouth senger in a stolen car being driven and close to death after yet another by a friend who was high from sniff - heroin overdose. ing petrol. The blonde 45-year-old is boyish Travelling at more than 100kmh and irrepressibly joyful. He is an in the middle of winter, the car shot absolute Duracell bunny of a man around a corner, skidded, spun on when he speaks to crowds about the icy road, clipped another vehicle his work, hopping and bouncing on and flipped, catapulting Spencer stage like he has hidden springs in through the windscreen, into the air his shoes. and head fi rst into a fi eld turned to Yet 30 years ago that is exactly rock by ice. where Spencer was – passed out Spencer blacked out. When he on the fi lthy fl oor of a public toi- opened his eyes, the first thing let. Hopelessly addicted to heroin, he realised was that his head was cocaine, alcohol and promiscuity by underground.
    [Show full text]
  • Library Inventory Arch Book Series Book Title No Of
    LIBRARY INVENTORY ARCH BOOK SERIES BOOK TITLE NO OF COPIES Adam’s Story 13 Daniel and the Lions Den 1 Elijah and the Wicked Queen 14 Events of the Bible 17 Samson’s Secret 1 The Angry King 13 The Boy Who Gave His Lunch Away 1 The Boy Who Was Lost 1 The Boy With A Sling 13 The Bread and the Wine – The Story of the Last Supper 2 The Coming of the Holy Spirit 1 The Fishermen’s Surprise 1 The Good Samaritan 2 The Great Escape 11 The Great Surprise 2 The House on the Rock 1 The Lame Man Who Walked Again 2 The Man Caught by A Fish 14 The Secret of the Star – The Story of the Wise Men 1 The Story of Noah’s Ark 11 The Story of Zerubbabel 15 The Temple King Solomon Built 13 The Walls Came Tumbling Down 15 The Water That Caught on Fire 17 The Wise King and the Baby 16 The World God Made 1 The World God Made 1 Three men Who Walked In Fire 18 Two Cities That Burned 16 When God Laid Down the Law 15 When God Made Balaam’s Donkey Talk 17 BIBLE STORY BOOKS A Child’s first Book of Bible Stories – For Boys and Girls from 5 – 9 Bible for Children with Songs & Plays Bible For Today’s Family Bible Picture Book Bible Stories (David Kossoff) Bible Stories (Heinemann & Ferguson) Bible Stories (Normal Vincent Peale) Bible Stories for Children Bible Story Book – The Complete Bible Story in chronological Order Children’s Stories of the Bible – from the Old Testament My Bible Picture Album Read n’ Grow Picture Bible Story Bible – Illustrated by Children The Bible in Pictures The Bible in Pictures for Little Eyes The Children’s Bible The Taize Picture Bible CHRISTMAS
    [Show full text]
  • The Notebooks of Malte Laurids Brigge 73
    Rilke p. 33 THE NOTEBOOKS OF MALTE LAURIDS BRIGGE 73 THE PRODIGAL SON [Rilke's reflections in this novel on the Parable of the Prodigal deal with the fear of being loved and the way love seeks to mould a person in the expectations of the lover, which becomes an unbearable burden. One is reminded here of the work of Alice Miller on European child raising practices which refused to allow the individuality of the child to flourish: see Prisoners of Childhood, NY: Basic Books, 1981.] It would be difficult to persuade me that the story of the Prodigal Son is not the legend of a man who didn't want to be loved. When he was a child, everyone in the house loved him. He grew up not knowing it could be any other way and got used to their tenderness, when he was a child. But as a boy he tried to lay aside these habits. He wouldn't have been able to say it, but when he spent the whole day roaming around outside and didn't even want to have the dogs with him, it was because they too loved him; because in their eyes he could see observation and sympathy, expectation, concern; because in their presence too he couldn't do anything without giving pleasure or pain. But what he wanted in those days was that profound indifference of heart which sometimes, early in the morning, in the fields, seized him with such purity that he had to start running, in order to have no time or breath to be more than a weightless moment in which the morning becomes conscious of itself.
    [Show full text]
  • Audio-Visual Resource Manual for the Library
    AUDIO-VISUAL RESOURCE MANUAL FOR THE LIBRARY DIOCESE OF HAMILTON AUGUST 2011 INDEX MEDIA PAGE DVD/CD 1. ABUSE: PHYSICAL, SUBSTANCE 2. PRO-LIFE 5. ADOLESCENT DEVELOPMENT 10. PARENTING-FAMILY 11. GRIEF-DEATH-DYING 14. MARRIAGE 16. GENERAL ENRICHMENT 24. CATECHETICS 27. LITURGY 30. SAINTS 32. COMMUNITY 37. FAITH 42. R.C.I.A 43. SACRAMENTS 48. SCRIPTURE 54. SOCIAL AWARENESS 57. PRAYER 58. VOCATIONS 60. MUSIC VHS 62. ABUSE: PHYSICAL, SUBSTANCE 63. PRO-LIFE 64. FAMILY PLANNING 65. ADOLESCENT DEVELOPMENT 67. PARENTING -FAMILY 68. GRIEF - DEATH -DYING 70. SEPARATED -DIVORCED 71. MARRIAGE 74. GENERAL -ENRICHMENT 79. CATECHETICS 83. LITURGY 88. SAINTS 89. COMMUNITY 94. FAITH 106. R.C.I.A. 108. SACRAMENTS MEDIA PAGE VHS 114. SCRIPTURE 119. SOCIAL AWARENESS 124. PRAYER 126. VOCATIONS 128. VATICAN II CASSETTES 133. CHILDREN’S MUSIC 134. LITURGICAL MUSIC 138. GENERAL MUSIC 139. COMMUNITY -CHURCH 139. FAITH 140. SCRIPTURE CD / DVD ABUSE; PHYSICAL, SUBSTANCE A-01 Namrata - 9 minutes, user‟s guide available The intensely personal story of Namrata Gill -one of many real-life inspirations for Deepa Mehta‟s Heaven on Earth -told in her own words. After six years, she courageously leaves an abusive relationship and launches a surprising new career. A-02 A Love That Kills - 19 minutes, user‟s guide available This powerful documentary tells the tragic story of Monica, a 19-year-old murdered by her former boyfriend. Monica‟s mother speaks passionately throughout the film. She describes the helplessness she felt watching the emotional and economic abuse. She later discovered that physical battering was also part of the violence that Monica endured.
    [Show full text]
  • Parable of the Prodigal Son We May Say That the Saviour and Mediator Is Concealed in the Kiss Which the Father Gives the Son ’ (Riggenbacb), 4Io the PRODIGAL SON
    NOTES ON THE PARABLES OF OUR LORD BY RICHARD CHENEVIX TRENCH, D.D. ARCHBISHOP SEVENTY-SECOND THOUSAND LONDON BEGAN PAUL, TRENCH, TRUBNER & CO. LTD. PATERNOSTER HOUSE, CHARING CROSS ROAD 1902 __________________ Notes on the Parables by Archbishop R. C. Trench D.D. PUBLISHER’S NOTE. (1902AD.) THE present popular edition of the PARABLES, with a translation of the notes, carries out an intention which had long been in the Author’s mind, but which want of leisure—and, when leisure at last was granted, failing health prevented him from accomplishing. The text has received the Author’s latest emendations, as made by him in his own copy during the last years of his life. The notes are translated so as to bring them within the reach of general readers. In the few cases in which there existed any recognized versions of the original works quoted, these have been followed, so far as was compatible with correctness; but more often, no such version existing, a new translation has been made. The whole of the work, which has been valued by the Church and by scholars for nearly fifty years, is now brought in its entirety within the reach of all, and takes for the first time its final form. The Author never allowed his books to be stereotyped, in order that he might constantly improve them, and permanence has only become possible when his diligent hand can touch the work no more. 39* PARABLE XXIV. THE PRODIGAL SON. L uke xv. 11-32., We proceed to consider a parable ■which, if it be permitted to compare things divine with each other, may be fitly called the pearl and crown of all the parables ; 1 as further, it is the most elaborate, if we may use a word having a certain unfitness when applied to the spontaneous and the free, but which yet the fulness of all the minor details suggests;—a parable too, containing within itself such a circle of blessed truths as abundantly to justify the title, Evangelium in Evangelio, which it has sometimes borne.
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Men's Ignatian Retreat Fall 2020
    Men’s Ignatian Retreat Fall 2020 Saint Ignatius High School Spirituality Program for Adults Five Thursdays, October 15 to November 12, 2020 7:00 – 8:30 PM all offered online via Zoom Every person making the Spiritual Exercises of St. Ignatius embarks on a unique spiritual journey. The graces of the Exercises can be summarized in six short sentences: We are loved. We are gifted. We are forgiven. We are invited. We are called. We are sent. – Excerpted from Discovering Your Dream by Gerald M. Fagin, S.J. 2 Introduction God, help me to be open to You in this Retreat— and in my life. 1. Hospitality, Welcome and Housekeeping Notes a. Online The retreat will be offered via Zoom, including small group breakout sessions. You will have the best experience on a computer or tablet, but can still benefit using a smart phone or voice phone to connect. b. Attendance and fidelity to prayer is vital to your own and the group's retreat experience. Please call your small group director or Colleen Wyszynski (216- 961-2583) ahead of time, if you can’t attend. c. We don't charge any fee because making the Spiritual Exercises accessible is too important. We will, however, ask you to help with a donation near the end of the retreat. 2. Meet The Guide by Margaret Silf 3. A Short Course on Prayer by J.J. O’Leary, SJ 4. Some Notes on Prayer 5. Tips for Keeping a Prayer Notebook (Journal) 6. Faith Sharing Groups and Guidelines 3 Meet the Guide, by Margaret Silf In my day job, I am writing a programmer's guide on Ages.
    [Show full text]