Graduation June 2021 Yindyamarra Winhanganha
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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication -
VCU Open 2014 Round 10 Tossups
VCU Open 2014 Round 10 Tossups 1. Papal consent for an alliance between these two nations was granted after the Bishop of Heliopolis petitioned Pope Clement IX. One of these countries metaphorically "cut off the arms and legs" of the other in an 1893 border conflict that began after Inspector Grosgurin was killed. After converting to Catholicism, Constantine Phaulkon was a go-between for these countries. During World War II, a conflict between these two nations was instigated by Field Marshall Phibun's desire to gain back control of provinces like Sisophon and saw a naval battle Koh Chang. A 1688 coup in one of these countries ousted troops from the other and installed King Phetracha; two years earlier, one of these nations seized control of the other's ports of Mergui and Bangkok. For 10 points, name these two nations whose kings Narai and Louis XIV exchanged embassies. ANSWER: France and Siam [or France and Thailand] 094-14-67-10101 2. The homeobox gene ARBORKNOX1 is expressed in a tissue of this type. The interfascicular form of this tissue is surrounded by vascular bundles in the parenchyma. A tissue of this type differentiates into a structure that consists of haplo, actino and plecto varieties. That is the protostele. Another type of this tissue is comprised of ray and fusiform initials. That type of this tissue gives rise to phloem from its outer surface. A type of this tissue generates a protective multilayer covering in gymnosperms called the periderm. This tissue comes in pro-, cork- and vascular varieties. For 10 points, name this type of meristem that provides undifferentiated cells for tissue growth. -
Album Reviews
Album Reviews I’ve written over 150 album reviews as a volunteer for CHIRPRadio.org. Here are some examples, in alphabetical order: Caetano Veloso Caetano Veloso (A Little More Blue) Polygram / 1971 Brazilian Caetano Veloso’s third self-titled album was recorded in England while in exile after being branded ‘subversive’ by the Brazilian government. Under colorful plumes of psychedelic folk, these songs are cryptic stories of an outsider and traveller, recalling both the wonder of new lands and the oppressiveness of the old. The whole album is recommended, but gems include the autobiographical “A Little More Blue” with it’s Brazilian jazz acoustic guitar, the airy flute and warm chorus of “London, London” and the somber Baroque folk of “In the Hot Sun of a Christmas Day” tells the story of tragedy told with jazzy baroque undertones of “God Rest Ye Merry Gentlemen.” The Clash London Calling Epic / 1979 London Calling, considered one of the greatest rock & roll albums ever recorded, is far from a straightforward: punk, reggae, ska, R&B and rockabilly all have tickets to this show of force that’s both pop and revolutionary. The title track opens with a blistering rallying cry of ska guitar and apocalypse. The post-disco “Clampdown” is a template for the next decade, a perfect mix of gloss and message. “The Guns of Brixton” is reggae-punk in that order, with rocksteady riffs and rock drums creating an intense portrait of defiance. “Train in Vain” is a harmonica puffing, Top 40 gem that stands at the crossroads of punk and rock n’ roll. -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
Janette Cohen Scalie Redoctane +46 (0)8 44 18 615 [email protected]
FOR IMMEDIATE RELEASE For media inquiries, please contact: Janette Cohen Scalie RedOctane +46 (0)8 44 18 615 [email protected] GUITAR HERO® CATALOG EXPANDS WITH NEW MUSIC FROM ROCK ‘N’ ROLL ICONS QUEEN AND JIMI HENDRIX THIS MONTH Six Additional Tracks from Countries throughout Europe and the James Bond Theme Song Further Add to Guitar Hero World Tour’s Downloadable Content Set List SANTA MONICA, CA – March 3, 2009 – This month, gamers will again be able to expand their virtual set lists with over a dozen new downloadable tracks for Activision Publishing, Inc.’s (Nasdaq: ATVI) Guitar Hero® World Tour. With over 37 million songs downloaded for the franchise to date, Guitar Hero® fans will soon be able to experience more awesome music – from the likes of English rock ‘n’ roll icons Queen, guitar legend Jimi Hendrix, a host of European superstars and more – which will join the more than 550 songs rocking the Guitar Hero catalog already. On March 5th, Guitar Hero World Tour’s global music library will continue to grow with three additional tracks from some of Europe’s greatest bands. The third European Track Pack, which includes the hit song “Break It Out” by Italian pop punk band Vanilla Sky and “In the Shadows” by one of Finland’s most successful bands, The Rasmus, will also contain “Cʹest Comme Ça” the top single from French pop rock duo Les Rita Mitsouko’s 1986 album The No Comprendo. As a follow‐up to the third European Track Pack, rockers from the Netherlands, Germany and Spain will also be contributing to Guitar Hero World Tour’s increasing catalog of downloadable content. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
`Sometimes As a Creative
EXPERIENCE THE PARADIGM SHIFT How One Agency Became A Major Music Player >P.25 DOLLY PARTO Online For The First Tim WHAT'S FOR >P.8 New Album. New Tour. KANYE WEST `Sometimes As A Creative www.billboard.com Person, You Go Off www.billboard.biz US $6.99 CAN $8.99 UK E5.50 The Deep End A Little.' >P.22 THE YEAR MARK ROHBON VERSION THE CRITICS AIE IAVIN! "HAVING PRODUCED AMY WINEHOUSE AND LILY ALLEN, MARK RONSON IS ON A REAL ROLL IN 2007. FEATURING GUEST VOCALISTS LIKE ALLEN, IN NOUS AND ROBBIE WILLIAMS, THE WHOLE THING PLAYS LIKE THE ULTIMATE HIPSTER PARTY MIXTAPE. BEST OF ALL? `STOP ME,' THE MOST SOULFUL RAVE SINCE GNARLS BARKLEY'S `CRAZY." PEOPLE MAGAZINE "RONSON JOYOUSLY TWISTS POPULAR TUNES BY EVERYONE FROM RA TO COLDPLAY TO BRITNEY SPEARS, AND - WHAT DO YOU KNOW! - IT TURNS OUT TO BE THE MONSTER JAM OF THE SEASON! REGARDLESS OF WHO'S OH THE MIC, VERSION SUCCEEDS. GRADE A" ENT 431,11:1;14I WEEKLY "THE EMERGING RONSON SOUND IS MOTOWN MEETS HIP -HOP MEETS RETRO BRIT -POP. IN BRITAIN, `STOP ME,' THE COVER OF THE SMITHS' `STOP ME IF YOU THINK YOU'VE HEARD THIS ONE BEFORE,' IS # 1 AND THE ALBUM SOARED TO #2! COULD THIS ROCK STAR DJ ACTUALLY BECOME A ROCK STAR ?" NEW YORK TIMES "RONSON UNITES TWO ANTITHETICAL WORLDS - RECENT AND CLASSIC BRITPOP WITH VINTAGE AMERICAN R &B. LILY ALLEN, AMY WINEHOUSE, ROBBIE WILLIAMS COVER KAISER CHIEFS, COLDPLAY, AND THE SMITHS OVER BLARING HORNS, AND ORGANIC BEATS. SHARP ARRANGING SKILLS AND SUITABLY ANGULAR PERFORMANCES! * * * *" SPIN THE SOUNDTRACK TO YOUR SUMMER! THE . -
Russia Hears Plan I. to Unify Germans; Already
----------------------- j^g^pipe, Steel A-Energy Might Be Used Russia Hears Plan i. FirnrSchtdules ^erP0W 6i^Pim t“T n rr^ f.FvStructures Ocean-Into Fresh-Water To Unify Germans; industry plans immL-diutc con?tnictioti i WASHINGTON, ..May 1-J (LTD — Interiiir .^ecrctary Fivil A. Seaton .-^aid lodav 'south Idaho Pipe nnd Sled corporation com- atomic energy may lie nscd to power the «ecoiul of the Koveninicnfs propo.scd dL'nmri- (\*tn rilJ13* ^ r<nnnimt'ori i\i flin fiiitil iT^^.^iianizntioii nnd announced piirchnse of th« fiiiii! .stratiowplant.s for lurninjr nea w a ter into frusli uiilcr. Sealon said the plan m a y “ oin-n Already Criticized! ! orga | p W ^ PKiimbcr o f C om m crcu industrial nrca in Soulh new horixon.s fur tlie iicaeoful ii])iilientioii <if nli-mic ^ c r t y . " He ad d ed : "T h e (iir;im n t h c Gl-'NEVA. May M (/P)—The western powers confronted Russia today with a| l* '‘^‘Tliursdny, T^ilfr5v. Lvnn L. UuiKii"ii. prc^idciil of Ihc now o f large, voltnnw o f |inv.co.-;t converted w a ter I'or'ilie arid luoas o f the w orld t^hoiild hu sweejnnjr :»)-m onih piickaBc plan for unilin^r divided Berlin, mcrj^inK' Kast and W e s t ! id president, will retain o)iura- a long .step ne;ircr reality.” A t the sam e time. .Seaton announced that n miilti-staKe Germany and inakiiiK a start on «lobul disarmament. Soviet Foreign .^linister A n d r c l l |ii't®-?”,l„^rT(rVscVt’ industries. -
Journal of International Media & Entertainment
JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW PUBLISHED BY THE DONALD E. BIEDERMAN ENTERTAINMENT AND MEDIA LAW INSTITUTE OF SOUTHWESTERN LAW SCHOOL IN ASSOCIATION WITH THE AMERICAN BAR ASSOCIATION FORUMS ON COMMUNICATIONS LAW AND THE ENTERTAINMENT AND SPORTS INDUSTRIES Volume 8, Number 2 2019-2020 SYMPOSIUM FAKE NEWS AND “WEAPONIZED DEFAMATION”: GLOBAL PERSPECTIVES EDITOR’S NOTE ARTICLES Credibility-Enhancing Regulatory Models to Counter Fake News: Risks of a Non-Harmonized Intermediary Liability Paradigm Shift Teresa Rodríguez de las Heras Ballell Criminal Defamation: Still “An Instrument of Destruction” In the Age of Fake News Jane E. Kirtley & Casey Carmody Stemming the Tide of Fake News: A Global Case Study of Decisions to Regulate Amy Kristin Sanders, Rachel L. Jones, and Xiran Liu Legal Responsibility for Fake News Tommaso Tani JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW VOL. 8, NO. 2 ■ 2019–2020 JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW Volume 8 Number 2 2019–2020 PUBLISHED BY THE DONALD E. BIEDERMAN ENTERTAINMENT AND MEDIA LAW INSTITUTE OF SOUTHWESTERN LAW SCHOOL IN ASSOCIATION WITH THE AMERICAN BAR ASSOCIATION FORUMS ON COMMUNICATIONS LAW AND THE ENTERTAINMENT AND SPORTS INDUSTRIES Mission Statement: The Journal of International Media & Entertainment Law is a semi- annual publication of the Donald E. Biederman Entertainment and Media Law Institute of Southwestern Law School in association with the American Bar Association Forums on Communications Law and the Entertainment and Sports Industries. The Journal provides a forum for exploring the complex and unsettled legal principles that apply to the production and distribution of media and entertainment in an international, comparative, and local context. The legal issues surrounding the creation and dissemination of news and entertainment products on a worldwide basis necessarily implicate the laws, customs, and practices of multiple jurisdictions. -
Lists of Names of Prokaryotic Candidatus Taxa
NOTIFICATION LIST: CANDIDATUS LIST NO. 1 Oren et al., Int. J. Syst. Evol. Microbiol. DOI 10.1099/ijsem.0.003789 Lists of names of prokaryotic Candidatus taxa Aharon Oren1,*, George M. Garrity2,3, Charles T. Parker3, Maria Chuvochina4 and Martha E. Trujillo5 Abstract We here present annotated lists of names of Candidatus taxa of prokaryotes with ranks between subspecies and class, pro- posed between the mid- 1990s, when the provisional status of Candidatus taxa was first established, and the end of 2018. Where necessary, corrected names are proposed that comply with the current provisions of the International Code of Nomenclature of Prokaryotes and its Orthography appendix. These lists, as well as updated lists of newly published names of Candidatus taxa with additions and corrections to the current lists to be published periodically in the International Journal of Systematic and Evo- lutionary Microbiology, may serve as the basis for the valid publication of the Candidatus names if and when the current propos- als to expand the type material for naming of prokaryotes to also include gene sequences of yet-uncultivated taxa is accepted by the International Committee on Systematics of Prokaryotes. Introduction of the category called Candidatus was first pro- morphology, basis of assignment as Candidatus, habitat, posed by Murray and Schleifer in 1994 [1]. The provisional metabolism and more. However, no such lists have yet been status Candidatus was intended for putative taxa of any rank published in the journal. that could not be described in sufficient details to warrant Currently, the nomenclature of Candidatus taxa is not covered establishment of a novel taxon, usually because of the absence by the rules of the Prokaryotic Code. -
Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P.