Readings for David Getsy Seminar: “Beyond Visibility: Transgender Methods, Queer Methods, and the Case of Abstraction in Art History"
Readings for David Getsy Seminar: “Beyond Visibility: Transgender Methods, Queer Methods, and the Case of Abstraction in Art History" Required Readings 1. EXCERPTS: Preface and “Introduction: „New‟ Genders and Sculpture in the 1960s,” in Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (Yale University Press, 2015). PAGES xi-xvii, 1-5, 26-41. 2. “Queer Relations,” ASAP/Journal 2.2 (May 2017): 254-57 3. “Refusing Ambiguity,” in Carlos Motta, John Arthur Peetz, and Carlos Maria Romero, eds., The SPIT! Manifesto Reader (London: Frieze Projects, 2017), 61-62. 4. “Seeing Commitments: Jonah Groeneboer‟s Ethics of Discernment,” Temporary Art Review (8 March 2016), n.p. 5. “A Sight to Withhold: David J. Getsy on Cassils,” Artforum (February 2018), 57-60 Further reference (not required): a. “Abstract Bodies and Otherwise: Amelia Jones and David Getsy on Gender and Sexuality in the Writing of Art History,” caa.reviews (posted 16 February 2018) b. “Appearing Differently: Abstraction‟s Transgender and Queer Capacities,” interview by W. Simmons, in C. Erharter, et al., Pink Labour on Golden Streets: Queer Art Practices (Berlin: Sternberg Press, 2015), 38-55. c. “Queer Formalisms: Jennifer Doyle and David Getsy in Conversation,” Art Journal 72.4 (Winter 2013): 58-71. d. “Conclusion: Abstraction and the Unforeclosed,” in Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender (Yale University Press, 2015), 266-80. Scott Burton, The Last Tableau, 1989. Installed at the Whitney Museum of American Art, 1991. ABSTRACT BODIES SIXTIES SCULPTURE IN THE EXPANDED FIELD OF GENDER DAVID J . GETSY YALE UNIVERSITY PRESS NEW HAVEN AND LONDON CONTENTS Acknowledgments vii Preface v11 Copyright © 2015 by David Getsy.
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