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Scott Burton [American. 1939-1989] 1989 Died, New York, NY 1989 Curated Artist’s Choice: Burton on Brancusi. Museum of Modern Art, New York, NY 1986 Retrospective exhibition held at the Baltimore Museum of Art, Baltimore MD 1978 Young American Artists: 1978 National Exxon Exhibition. Guggenheim Museum, New York, NY 1976 Pair Behavior Tableaux. Guggenheim Museum, New York, NY 1972 Group Behavior Tableaux. Whitney Museum of American Art, New York, NY 1970 While a guest lecturer at the University of Iowa, Iowa City, IA, Burton participated in two performance assemblies which he considered a turning point in his artistic career. 1963 M.A. New York University, New York, NY 1962 B.A. Columbia University 1957-59 Studied with Leon Berkowitz, at the Washington Workshop of the Arts, Washington D.C. During summer months, Burton studied at the Hans Hofmann School of Fine Arts, Provincetown, MA 1939 Born, Greensborough, AL Select Solo Exhibitions 2006 Scott Burton. Albion, London, England 2004 Scott Burton. IVAM Center Julio Gonzalez, Valencia, Spain 2001 Scott Burton Chairs. Wexner Center for the Arts, Columbus, OH 1998 Scott Burton & Richard DeVore. Max Protetch Gallery, New York, N 1996 Chaise Longings. Max Protetch Gallery, New York, NY; Delaware Museum of Art, Wilmington, DE 1995 Scott Burton. Max Protetch Gallery, New York, NY 1992 Scott Burton: The Concrete Work. Max Protetch Gallery, New York, NY 1991 Scott Burton: The Last Tableau. Whitney Museum of American Art, New York, NY 1990 Scott Burton: The Early Works. Max Protetch Gallery, New York, NY 1989 Scott Burton/Sculpturen 1980-89. Kunstverein fur die Rheinland und Westfalen, Germany; Wurttembergischer Kunstverein, Stuttgart, Germany; Musee des Arts Decoratifs, Paris, France Steel, Wood, Stone. Max Protetch Gallery, New York, NY 1988 New Chair Sculptures. Lisson Gallery, London, England 1987 Scott Burton. Max Protetch, New York, NY Scott Burton. Galerie Rudolf Zwirner, Cologne, Germany 1986 Scott Burton. Baltimore Museum of Art, Baltimore, MD Furniture Sculpture: Recent Geometric Granite Works. Daniel Weinberg Gallery, Los Angeles, CA New Works in Granite and Selected Works in Wood. Max Protetch Gallery, New York, NY 1985 Scott Burton. Tate Gallery, London, England Geometric Granite Furniture. Max Protetch Gallery, New York, NY 1984 Geometric Granite Furniture Series: Four New Works. McIntosh-Drysdale Gallery, Houston, TX 1983 Scott Burton Chairs. The Contemporary Arts Center, Cincinnati, OH; Fort Worth Art Museum, Fort Worth, TX; Walker Art Center, Minneapolis, MN; Contemporary Arts Museum, Houston, TX 1982 New Work. Max Protetch Gallery, New York, NY Recent Work. Daniel Weinberg Gallery, Los Angeles, CA 1981 Granite Chairs, a Pair. Dag Hammaeskjold Plaza Sculpture Garden, New York, NY New Tables. Max Protetch Gallery, New York, NY 1980 Recent Sculpture. Daniel Weinberg Gallery, San Francisco, CA Individual Behavior Tableaux. University Art Museum, University of California, Berkeley 1979 Sculpture Equals Furniture. Protetch-McIntosh Gallery, Washington D.C. 1978 Four Tables. Brooks Jackson Iolas Gallery, New York, NY 1977 Pragmatic Structures. Droll/Kolbert Gallery, New York NY 1976 Pair Behavior Tableaux. Guggenheim Museum, New York, NY 1975 Two Chair Pieces. Artist’s Space, New York, NY 1972 Group Behavior. Whitney Museum of American Art, New York, NY; American Theater Lab, New York, NY 1971 Eighteen Pieces. Finch College, New York, NY Select Group Exhibitions 2008 Scott Burton, Richard DeVore and Buckminster Fuller. Max Protetch Gallery, New York, NY 2004 Art by Design/Design by Art: Decorative Art by Minimalist and Post Minimalist Artist. Cooper Hewitt National Design Museum, New York, NY Celebrating Sculpture. Dallas Museum of Art, Dallas, TX 2002 Finding AIDS: Representations. Parsons School of Design Scott Burton, Mel Chin, Joan Jonas, Tobias Putrih. Max Protetch gallery, New York, NY Art Downtown: New York Painting and Sculpture. Wall Street Rising, 48 Wall Street, New York, NY 2000 Richard Artschwager, Scott Burton, Donald Judd, Clay Ketter. Sonnabend Gallery, New York, NY 1999 Morris Arboretum, University of Pennsylvania, Philadelphia, PA 1997 Birmingham Museum of Art, Birmingham, AL 1995 Alabama Impact: Contemporary Artists with Alabama Ties. Mobile Museum of Art, Mobile, AL 1994 Significant Losses: Artists Who Have Died From AIDS. The Art Gallery, University of Maryland, Baltimore, MD 1993 Differentes Natures. Paris La Defense, Paris, France 1991 El Sueno de Egipto. El Centro Cultural/Arte Contemporaneo, A.C., Mexico City, Mexico 1989 Prospect ’89. Kunstverein, Frankfurt, Germany 1988 Rotterdam ’88. The City as Stage. Rotterdam, Netherlands Furniture as Art: Recent Tendencies in Sculpture. Boymans van Beuningen Museum, Rotterdam, Netherlands Architectural Art: Affirming the Design Relationship. American Craft Museum, New York, NY 1987 Documenta 8. Kassel, Germany Skulptur Projekte Munster 1987. Munster, Germany 1986 The Museum of Contemporary Art: The Barry Lowen Collection. Museum of Contemporary Art, Los Angeles, CA 1985 Carnegie International. Museum of Art, Carnegie Institute, Pittsburgh, PA High Styles: 20th Century American Design. Whitney Museum of American Art, New York, NY The Artist as Social Designer: Aspects of Urban Art Today. Los Angeles County Museum of Art, Los Angeles, CA 1984 Content: A Contemporary Focus 1974-1984. Hirshhorn Museum and Sculpture Garden, Washington D.C. An International Survey of Recent Painting and Sculpture. Museum of Modern Art, New York, NY Furniture, Furnishings: Subject and Object. Museum of Art, Rhode Island School of Design, Providence, RI 1983 Currents 4: Art and Use. Milwaukee Art Center, Milwaukee, WI Konstruierte Orte: 6 x D + 1 x NY. Kunsthalle, Bern, Switzerland New Art. Tate Gallery, London, England 1983 Art Park Projects. Artpark, Lewiston, New York Directions 1983. Hirshhorn Museum and Sculpture Garden, Washington D.C. Beyond the Monument. Hayden Corridor Gallery, Massachusetts Institute of Technology, Cambridge, MA 1982 Twenty American Artists: Sculpture in 1982. San Francisco Museum of Modern Art, San Francisco, CA Seventy-Fourth American Exhibition. Art Institute of Chicago, IL Documenta VII. Kassel, Germany 1981 Developments in Recent Sculpture. Whitney Museum of American Art, New York, NY Body Language. Hayden Corridor Gallery, Massachusetts Institute of Technology, Cambridge, MA 1981 Biennial Exhibition. Whitney Museum of American Art, New York, NY Usable Art. Art Gallery Myers Fine Arts Building, State University of New York, Plattsburgh, NY 1980 Further Furniture. Marian Goodman Gallery, New York, NY 1979 Image and Object in Contemporary Sculpture. Detroit Institute of Art, Detroit, MI Ten Artists/Artists Space. Neuberger Museum, State University of New York, Purchase, NY 1978 Young American Artists: 1978 Exxon National Exhibition. Guggenheim Museum, New York, NY 1977 Improbable Furniture. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Patterning and Decoration. Museum of the American Foundation for the Arts, Miami, FL Documenta VI. Kassel, Germany 1976 New York-Downtown Manhattan: SoHo. Akademie der Kunste, Berlin, Germany; Louisiana Museum, Humlebaek, Denmark 1975 1975 Biennial Exhibition: Contemporary American Art. Whitney Museum of American Art, New York, NY 1970 Two Evenings. University of Iowa Museum of Art, Iowa City, IA Public Collections Allen Art Museum, Oberlin College, Oberlin, OH Chase Manhattan Art Collection, New York, NY Cincinnati Art Museum, Cincinnati, OH Cooper Hewitt National Design Museum, New York, NY Courtald Institute of Art, London, England Dallas Museum of Art, Dallas, TX Detroit Institute of Arts, Detroit, MI General Mils, Minneapolis, MO Guggenheim Museum, New York, NY Honeywell, Minneapolis, MO Joslyn Art Museum, Omaha, NE La Jolla Museum of Contemporary Art, La Jolla, CA Los Angeles County Museum of Art, Los Angeles, CA Louisiana Museum, Humlebaek, Denmark Mellon Bank, Pittsburgh, PA Milwaukee Art Center, Milwaukee, WI Montreal Museum of Decorative Arts, Montreal, Canada Museum of Modern Art, New York, NY Nasher Sculpture Center, Dallas, TX National Gallery of Art, Washington D.C. Philadelphia Museum of Art, Philadelphia, PA Princeton University Art Museum, Princeton, NJ Pulitzer Foundation for the Arts, Saint Louis, MO National Gallery of Art, Washington D.C. Rolling Stone Magazine, New York, NY Tate Gallery, England Walker Art Center, Minneapolis, MN Wichita State University Outdoor Sculpture Collection Whitney Museum of American Art, New York, NY Select Literature Bromberg, Dr. Anne R. Dallas Museum of Art: Selected Works. Dallas: The Dallas `Museum of Art, 1983. Domegue, Denise. Artists Design Furniture. New York: Harry Abrams, 1984. Harris, Stacy Paleologos. Ed. Insights/On Sites. Washington D.C.: Partners for Livable Places, 1984. Scott Burton: Chairs. Ohio: The Contemporary Arts Center, 1983. Lyon, Christopher. Contemporary Art in Context. New York: Museum of Modern Art, 1990. Scott Burton: Chaise Longings. New York: Max Protetch Gallery, 1996. Differentes Natures: Visions de l’Art Contemporain. Paris: Galerie Art 4 in collaboration with Galerie de l’Esplanade, Place de Défense, Ministère de la Culture et de la Francophonie Délégation aux arts plastiques, 1983. Scott Burton: The Last Tableau. New York: Whitney Museum of American Art, 1990. Scott Burton: Sculpture 1980-89. Germany: Kunstverein für die Rheinlande und Westfalen, 1989. Modern Painting, Drawing and Sculpture Collected by Emily and Joseph Pulitzer, Jr. Massachusetts: Harvard
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    Photo of Scott Burton, c.1973. Scott Burton Papers V.10, Museum of Modern Art Archives, New York. Digital Image © The Museum of Modern Art, licensed by SCALA / Art Resource. SCOTT BURTON COLLECTED WRITINGS ON ART & PERFORMANCE, 1965–1975 EDITED BY DAVID J. GETSY SOBERSCOVE PREss CHICAGO The Primacy of Sensibility: Scott Burton writing on art and performance, 1965–1975 David J. Getsy Scott Burton is often narrowly associated with the art of the 1980s, the decade in which his functional and intentionally self-effacing sculpture was widely exhibited and discussed. However, Burton was an active participant in the art world of the 1960s and 1970s—as an art critic, as an editor for ARTnews and Art in America, as a curator, and as a per- formance artist. He only turned to sculpture as his primary practice around 1975, after becoming established as an artist with his Behavior Tableaux performances, which were shown throughout the 1970s at major venues including the Whitney, the Guggenheim, and Documenta VI. Burton’s identification with the burgeoning field of performance art in the 1970s, too, transformed his earlier reputation; up to that point, he had been known principally as a critic. This book brings together Burton’s writings on art and per- formance from these years, tracing his development as an art critic and including his early artist statements. This period, from 1965 to 1975, was foundational for Burton’s later artis- tic practice and was remarkably varied in the commitments he pursued. After he started making art in 1969 amidst his active engagement with art writing, Burton became a unique and opinionated example of the artist-critic that characterized the contentious period and its heated debates.
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