Christopher Marlowe and a Mashup of Stylometry and Theater History
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The Tragedy of Hamlet
THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf. -
Edward II: Negotiations of Credit in the Early Modern Public Sphere Jane E
Clemson University TigerPrints All Theses Theses 5-2018 Edward II: Negotiations of Credit in the Early Modern Public Sphere Jane E. Kuebler Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Kuebler, Jane E., "Edward II: Negotiations of Credit in the Early Modern Public Sphere" (2018). All Theses. 2856. https://tigerprints.clemson.edu/all_theses/2856 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Edward II: Negotiations of Credit in the Early Modern Public Sphere A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Jane E. Kuebler May 2018 Accepted by: Dr. Elizabeth Rivlin, Committee Chair Dr. William Stockton Dr. Andrew Lemons ABSTRACT This paper addresses the role that Christopher Marlowe’s Edward II plays in the establishing and expanding of an early modern public sphere. By examining the ways that power is earned, and wielded in the play, Marlowe demonstrates an economy of cultural credit that operates in both the financial and the socio/political spheres of public life in early modern England. Marlowe applies the logic of that economy beyond the realm of the common people and subjects the historical monarch to the same parameters of judgement that flourished in society, drawing parallels with the currently reigning Elizabeth I, and opening up a discourse that reexamines the markers of credit, power and birth-ordered hierarchies. -
The Case of Hal and Henry IV in 1 & 2 Henry IV and the Famovs Victories
University of Richmond UR Scholarship Repository Jepson School of Leadership Studies articles, book Jepson School of Leadership Studies chapters and other publications 2016 The iF lial Dagger: The aC se of Hal and Henry IV in 1 & 2 Henry IV and The Famovs Victories Kristin M.S. Bezio University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/jepson-faculty-publications Part of the Dramatic Literature, Criticism and Theory Commons, and the English Language and Literature Commons Recommended Citation Bezio, Kristin. “The iF lial Dagger: The asC e of Hal and Henry IV in 1 & 2 Henry IV and The Famovs Victories,” Journal of the Wooden O 14-15 (2016): 67-83. This Article is brought to you for free and open access by the Jepson School of Leadership Studies at UR Scholarship Repository. It has been accepted for inclusion in Jepson School of Leadership Studies articles, book chapters and other publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 67 The Filial Dagger: The Case of Hal and Henry IV in 1 & 2 Henry IV and The Famovs Victories Kristin M. S. Bezio University of Richmond nglish culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— E or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. -
Stories from Shakespeare 3 for Naxos Audiobooks
David Timson STORIES FROM SHAKESPEARE The Plantagenets JUNIOR Read by Anton Lesser and cast CLASSICS 3 CDs WITH EXCERPTS FROM THE PLAYS NA391912 Shakespeare Stories-plantagenets booklet.indd 1 30/9/08 09:12:16 CD 1 1 Richard II 4:34 2 This Royal throne of Kings, this sceptred isle, 1:32 3 Gaunt tried to warn King Richard… 3:43 4 So when this thief, this traitor Bolingbroke… 0:31 5 But Richard’s confidence soon vanished… 2:13 6 The young Duke of Aumerle bade Richard… 2:18 7 And so Richard, with no power left to him… 2:00 8 Here, cousin, seize the crown… 1:36 9 Richard’s grief at his loss overwhelmed him… 0:59 10 In despair, Richard smashed the mirror… 3:11 11 That hand will burn in never-quenching fire… 0:33 12 In his dying moments, ex-King Richard… 0:59 13 Henry IV Part One 1:28 14 The son, who was the theme of honour’s tongue… 0:39 15 Prince Hal, although he was the Prince of Wales… 2:16 16 Prince Hal had another friend… 2:38 17 Hotspur had hoped to strike a deal… 1:23 18 A plague of cowards still, say I… 2:03 19 By the time Falstaff had finished his tale… 1:27 20 But Falstaff’s plans for their evening’s entertainment… 1:46 21 Then Hal and Falstaff swapped parts… 2:29 2 NA391912 Shakespeare Stories-plantagenets booklet.indd 2 30/9/08 09:12:16 CD 1 (cont.) 22 Their play was interrupted by the arrival… 0:30 23 That night at the palace… 1:09 24 I will redeem all this on Percy’s head. -
'Bardwashing' Shakespeare: Food Justice, Enclosure, and the Poaching Poet Kevin A. Quarmby1 KEYWORDS
Journal of Social Justice, Vol. 5, 2015 (© 2015) ISSN: 2164-7100 ‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet Kevin A. Quarmby1 William Shakespeare arguably represents the height of English intellectual creativity. His drama and poetry transcend his mortality, speaking to generation upon generation with an authoritative appeal that seems morally superior because of its durability over the centuries. In his play As You Like It, Shakespeare even appears to glorify the social bandit and proto food activist. Characters that survive in the Forest of Arden by poaching their usurping duke’s deer are likened to the mythical figure, Robin Hood. The allusion achieves greater significance when considered alongside near- contemporary pseudo-biographies that record Shakespeare’s early life as a poacher and youthful renegade. At face value, Shakespeare’s Robin Hood reference might suggest his subtle advocacy of food sovereignty and social justice. This romanticized image is supported by later historiographies that interpret medieval and early modern enclosure from a specifically partisan viewpoint. Early nineteenth century historians who referenced More’s Utopia, and whose influence is evident in enclosure analyses ranging from Marx to Polanyi and Bookchin, unwittingly assist in perpetuating the iconography of the social bandit Shakespeare, united with his rebellious rural contemporaries. Surprisingly, however, Shakespeare’s true personality – that of a shrewd and ruthless businessman, at ease with hoarding in time of famine as purchasing common-land rights and privileges at the expense of his impoverished neighbors – is less familiar. The opportunistic, land-grabbing, pro-enclosure Bard, while not erased from critical view, is certainly shielded by the bardolatrous hero- worship of later ages. -
The Development of Anti-Catholicism in Early Modern English Drama
From tendency to feature: The development of anti-Catholicism in early modern English drama INAUGURAL-DISSERTATION zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) dem Fachbereich Fremdsprachliche Philologien der Philipps-Universität Marburg vorgelegt von Carolina Bauer aus Offenbach/ Main Magistra Artium Gutachter/in Prof. Dr. Sonja Fielitz Prof. Dr. Martin Kuester Einreichungstermin: 08.04.2015 Prüfungstermin: 02.09.2015 (Marburg, 2015) Hochschulkennziffer: 1180 Vom Fachbereich Fremdsprachliche Philologien der Philipps-Universität Marburg als Dissertation angenommen am:………………………………… Gutachter: Prof. Dr. Sonja Fielitz Prof. Dr. Martin Kuester Meiner Familie Zusammenfassung Die vorliegende Dissertation behandelt die Darstellung und Entwicklung antikatholischer Ansichten und Meinungen im reformatorischen England der frühen Neuzeit. Anhand der Verknüpfung faktischer Rechtstexte, historischer Gegebenheiten und fiktionaler Dramentexte wird gezeigt, dass innerhalb eines Jahrhunderts der Glaube in England vollständig vom Katholizismus abrückte und sich dem Protestantismus zuwandte. Da dies unter dem Druck der Regierungen geschah, die mit erheblichen Geld- und Freiheitsstrafen drohten, sollten ihre Forderungen, Vorgaben und Verbote nicht eingehalten werden, waren Konflikte unumgänglich. Wie diese Konvertierung ablief, welche Spuren sie in der Gesellschaft und dem Drama bzw. dem Theater der Zeit hinterließ, ist Gegenstand dieser Arbeit. Der Fokus liegt hierbei auf dem wechselseitigen Einfluss von Politik, Gesellschaft und Drama, dessen Analyse und Darstellung zum Ziel hat aufzuzeigen, dass vor allem in dieser Epoche (die jedoch sinnbildlich für jede andere sich im Umbruch befindende Ära stehen kann) die Beziehung zwischen Bevölkerung/Theaterzuschauer, Drama/Theater und dem machthabenden Herrscher bzw. dessen/deren Regierung keineswegs einseitig gesteuert war, sondern durch einen gegenseitigen, unterschwelligen Einfluss bestimmt wurde. Im einleitenden Teil der Arbeit wird der historische Hintergrund beleuchtet. -
Hamlet (The New Cambridge Shakespeare, Philip Edwards Ed., 2E, 2003)
Hamlet Prince of Denmark Edited by Philip Edwards An international team of scholars offers: . modernized, easily accessible texts • ample commentary and introductions . attention to the theatrical qualities of each play and its stage history . informative illustrations Hamlet Philip Edwards aims to bring the reader, playgoer and director of Hamlet into the closest possible contact with Shakespeare's most famous and most perplexing play. He concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy which the play has provoked and offering a way forward which enables us once again to recognise its full tragic energy. The introduction and commentary reveal an author with a lively awareness of the importance of perceiving the play as a theatrical document, one which comes to life, which is completed only in performance.' Review of English Studies For this updated edition, Robert Hapgood Cover design by Paul Oldman, based has added a new section on prevailing on a draining by David Hockney, critical and performance approaches to reproduced by permission of tlie Hamlet. He discusses recent film and stage performances, actors of the Hamlet role as well as directors of the play; his account of new scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies. CAMBRIDGE UNIVERSITY PRESS www.cambridge.org THE NEW CAMBRIDGE SHAKESPEARE GENERAL EDITOR Brian Gibbons, University of Munster ASSOCIATE GENERAL EDITOR A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. -
ANTHONY MUNDAY and HIS BOOKS a NTHONY MUNDAY Has Sometimes Been Under-Rated, / \ but I Have No Wish to Put in a Claim for Him As
ANTHONY MUNDAY AND HIS BOOKS BY M. ST. CLARE BYRNE.1 Downloaded from A NTHONY MUNDAY has sometimes been under-rated, /\ but I have no wish to put in a claim for him as a long- J- Xneglected genius. If justification for this paper is needed I would rather base it on his inconvenient Jack-in-the- http://library.oxfordjournals.org/ box habit of appearing suddenly in the midst of some respectable academic controversy, as if maliciously determined to introduce as many complications and uncertainties as possible. He has thus succeeded in compelling every now and again the more or less grudging consideration of the scholar, so that the results of an independent study of his career may have some interest. He was associated at one time or another with many of the finest dramatists of the age, he worked in collaboration with Dekker, Webster, and at East Carolina University on July 13, 2015 Middleton, and he seems to have been the chief writer of a play to which Shakespeare himself may have contributed. Independently, too, he has this claim to urge—that he was an Elizabethan of remarkable longevity—being eighty when he died—and that he moved all his life, as one might say, in the best circles—best, that is, in so far as the production of literature was concerned. He comes before us as an actor, prentice, poet, spy, journalist, recusant-hunter, pamphleteer, playwright, pageant-poet, antiquary, translator, citizen, and draper. The bare facts of his life provide us with an ' Elizabethan document' which more than repays study, and there is, finally, as I hope to show, intrinsic literary merit in some of his work. -
Whole 5 (Final 16 March, 2012)
Renaissance Queenship in William Shakespeare’s English History Plays Yu-Chun Chiang UCL Ph. D. Chiang 2 Declaration I, Yu-Chun Chiang confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Chiang 3 Acknowledgments For the completion of this thesis, I am obliged to my supervisors, Professor Helen Hackett and Professor René Weis. Helen’s professionalism and guide, René’s advice and trust, and their care, patience, and kind support are the key to the accomplishment of my Ph.D. study. Gratitude are due to my examiners, Professor Alison Findlay and Professor Alison Shell, whose insightful comment, attentive scrutiny, friendliness, and useful guidance offer inspiring conversations and academic exchange, especially at the viva, assist me to amend and supplement arguments in the thesis, and illuminate the development of my future research. I am also grateful to Professor John Russell Brown, Dr. Eric Langley, and Professor Susan Irvine for their advice in English Graduate Seminar at UCL and at my upgrade. Professor Francis So, Dr. Vivienne Westbrook, Professor Carole Levin, and our beloved friend and mentor, Professor Marshall Grossman have given me incredible support and counsel in many aspects of my doctoral career. Without the sponsorship of the Ministry of Education in Taiwan, I would not be able to conduct my research in the U.K. Also the generous funding from the Graduate School and assistance from the Departments of English and of History enabled me to refine my knowledge and learn different methodologies of early modern studies. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details From Cyrus to Abbas: Staging Persia in Early Modern England Hafiz Abid Masood D Phil Early Modern Literature and Culture University of Sussex March 2011 Declaration I hereby declare that this thesis has not been and will not be, submitted in whole or part to another University in whole or part for the award of any other degree. List of Abbreviations CSP Venice Calendar of State Papers…Relating to English Affairs…in the Archives and Collections of Venice, ed. R. Brown, London 1864 L & P Letters and Papers, Foreign and Domestic, of the Reign Henry VIII, 21 Vols. London, 1864-1910 CSP Foreign Elizabeth Calendar of State Papers Foreign Series of the Reign of Elizabeth ed. Arthur John Butler et.al. London 1880-1936 The abbreviations are followed by volume number and page number respectively. Acknowledgements It is my pleasant duty to thank my supervisor Dr Matthew Dimmock, whose perceptive remarks have significantly improved the quality of this thesis. -
ALT Wars of the Roses: a Guide to the Women in Shakespeare's First Tetralogy (Especially Richard III) for Fans of Philippa Gregory's White Queen Series
Jacksonville State University JSU Digital Commons Presentations, Proceedings & Performances Faculty Scholarship & Creative Work 2021 ALT Wars of the Roses: A Guide to the Women in Shakespeare's First Tetralogy (Especially Richard III) for Fans of Philippa Gregory's White Queen Series Joanne E. Gates Jacksonville State University, [email protected] Follow this and additional works at: https://digitalcommons.jsu.edu/fac_pres Part of the Film and Media Studies Commons, Literature in English, British Isles Commons, Other History Commons, Renaissance Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Gates, Joanne E. "ALT Wars of the Roses: A Guide to the Women in Shakespeare's First Tetralogy (Especially Richard III) for Fans of Philippa Gregory's White Queen Series" (2021). Presented at SAMLA and at JSU English Department, November 2017. JSU Digital Commons Presentations, Proceedings & Performances. https://digitalcommons.jsu.edu/fac_pres/5/ This Conference Proceeding is brought to you for free and open access by the Faculty Scholarship & Creative Work at JSU Digital Commons. It has been accepted for inclusion in Presentations, Proceedings & Performances by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. Joanne E. Gates: ALT Wars of the Roses: Philippa Gregory and Shakespeare, page 1 ALT Wars of the Roses: A Guide to the Women in Shakespeare's First Tetralogy (Especially Richard III) for Fans of Philippa Gregory's White Queen Series Joanne E. Gates, Jacksonville State University Since The Other Boleyn Girl made such a splash, especially with its 2008 film adaptation starring Natalie Portman and Scarlett Johansson, novelist Philippa Gregory has turned out book after book of first person female narratives, historical fiction of the era of the early Tudors and the Cousins' War. -
Shakespeare in a Year, 2021 Arranged by Matthew J. Franck Scene Divisions Below
Shakespeare in a Year, 2021 Arranged by Matthew J. Franck Scene divisions below (and line numbers of poems) are taken from the Oxford Shakespeare: Complete Works (second edition), with the occasional second notation of scenes in parentheses taken from the versions of the plays found in the the Shakespeare Pro (SP) application for Apple or Android devices. I have substantially rearranged the Oxford Shakespeare’s order of the plays (by chronology of their writing) in the first five months of the year, in order to bring the British history plays from Edward III to Richard III into their historical chronology. JANUARY Fri 1 Two Gentlemen of Verona, I – II.1 Sat 2 Venus & Adonis, 1–216 Sun 3 Sonnets 1, 2 Mon 4 Two Gentlemen, II.2 – II.7 Tue 5 Two Gentlemen, III Wed 6 Two Gentlemen, IV Thu 7 Two Gentlemen, V Fri 8 The Taming of the Shrew, Induction (prologue) 1 – 2 Sat 9 Venus & Adonis, 217–432 Sun 10 Sonnets 3, 4 Mon 11 Taming, I Tue 12 Taming, II Wed 13 Taming, III – IV.1 Thu 14 Taming, IV.2 – 5 Fri 15 Taming, V Sat 16 Venus & Adonis, 433–648 Sun 17 Sonnets 5, 6 Mon 18 Edward III, 1 – 2 (SP, I – II.1) Tue 19 Edward III, 3 – 4 (II.2 – III.1) Wed 20 Edward III, 5 – 8 (III.2 – 5) Thu 21 Edward III, 9 – 12 (IV.1 – 4) Fri 22 Edward III, 13 – 17 (IV.5 – 9) Sat 23 Venus & Adonis, 649–864 Sun 24 Sonnets 7, 8 Mon 25 Edward III, 18 (V.1) Tue 26 Richard II, I.1 – 3 Wed 27 Richard II, I.4 – II.1 Thu 28 Richard II, II.2 – III.1 Fri 29 Richard II, III.2 – 3 Sat 30 Venus & Adonis, 865–1008 Sun 31 Sonnets 9, 10 FEBRUARY Mon 1 Richard II, III.4 – IV 2 Tue