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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Tour Schedule 2011
Tour Schedule 2011 1/1/2011 Bon Voyage Party Galveston, TX Galveston Island Hilton Resort 1/2/2011 LJT's 11th Annual Coastin' & Cruisin' Galveston, TX 1/3/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea featuring… 1/4/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea Larry Joe Taylor Band, Mike McClure 1/5/2011 LJT's 11th Annual Coastin' & Cruisin' Nassau, BS Band, Richard Leigh, Keith Sykes, 1/6/2011 LJT's 11th Annual Coastin' & Cruisin' Freeport, BS Dave Perez & John Garza of Tejas 1/7/2011 LJT's 11th Annual Coastin' & Cruisin' Key West, FL Brothers, John Frinzi, Joe Forlini, 1/8/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea Van Darien, and friends! 1/9/2011 LJT's 11th Annual Coastin' & Cruisin' Galveston, TX 1/17/2011 KKCN 103.1 FM San Angelo, TX Texas Music Festival Radio Tour 1/17/2011 KCUB 98.3 FM Stephenville, TX Texas Music Festival Radio Tour 1/17/2011 KRVF 106.9 FM Corsicana, TX Texas Music Festival Radio Tour 1/17/2011 KACQ 101.9 FM Lampasas, TX Texas Music Festival Radio Tour 1/17/2011 KITX 95.5 FM Hugo, OK Texas Music Festival Radio Tour 1/17/2011 KJDL 105.3 FM Lubbock, TX Texas Music Festival Radio Tour 1/17/2011 KBCY 99.7 FM Abilene, TX Texas Music Festival Radio Tour 1/20/2011 Private Party Dallas, TX w/ Richard Leigh 1/21/2011 The Ranch 95.9 FM Fort Worth, TX Texas Music Festival Radio Tour 2/3/2011 Private Party at Melody Mountain Ranch 2/12/2011 Valentine's Dinner Theater Stephenville, TX w/ Richard Leigh & Davin James "Up Close and Personal" 2/18/2011 League City, TX w/ Kelly McGuire Butler's Courtyard 2/19/2011 Third Coast Theater Port Aransas, TX w/ Richard Leigh 3/4/2011 KBCY 99.7 FM Live Abilene, TX w/ David Allan Coe, Outlaws & Legends Music Fest Stoney LaRue, Tommy Alverson, 3/5/2011 Abilene, TX @ Joe Allen's Lytle Bend Ranch Matt Martindale, Gary P. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
Country Update INSIDE
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 15, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Pearce, Brice: Gabby Barrett’s Goldmine Represents ‘Happy Now’ >page 4 A Deep Well Of Rich Artistic Possibilities Dokke To Nine songs into Gabby Barrett’s debut album, Goldmine, the chart dated April 25, making her only the third solo female Play It Again end of the chorus in “Hall of Fame” reveals an unexpected to accomplish that feat with their first country-marketed >page 10 nugget: a high-pitched trill-like vocal sound that has all the single since Carrie Underwood did it with “Jesus, Take the other-worldly qualities of Mariah Carey’s “Emotions.” Wheel” in 2006. The RIAA has certified the song platinum, That moment, and the fact that Barrett and it includes a dark instrumental texture let 25 minutes pass before employing it in that’s purposely mimicked in her follow-up Americanas Cite the album, says several things about her: single, “The Good Ones.” Tucker, Carlile • She brings a phenomenal range to Barrett, as those Carey-like tones sug- >page 11 her craft. gest, has the talent for her new job, but she • She has listened to some of pop music’s also has the determination to stand out at classic singers. a business level from the pack. She already • She’s mature enough — and confident had spent six years performing live in and ABC’s No-Fest enough — to employ that part of her skill around her native Pittsburgh before she was CMA Fest Special set judiciously, rather than turning it into introduced nationally in the 2018 season >page 11 a gimmick. -
Salado Randy Rogers Band at Johnny's Outback. Page 1B Mayor
Randy Rogers Band at Johnny’s Outback. Page 1B Salado VVillageillage VVoiceoice Vol. XXXIX, Number 5 WedNesday, JuNe 8, 2016 254/947-5321 saladoVIllageVoIce.com 50¢ SHS designated as T-STEM Academy Salado High School is can apply each year for a among 23 new Texas Sci- campus to be awarded T- ence, Technology, Engi- STEM designation (if cer- neering and Mathematics tain criteria are met). Once (T-STEM) Academies for a campus is designated, the 2016-17 school year. professional development With these new campuses, and technical assistance Texas is now home to 121 are provided to desig- state-designated T-STEM nated T-STEM academies Academies. to serve as demonstration The Texas Education schools and learning labs. Agency (TEA) designa- Designated academies tion is rewarded to rigor- showcase innovative in- ous secondary schools struction methods that in- that focus on improving tegrate technology and en- instruction and academic gineering into science and performance in science mathematics instruction. and mathematics-related Salado High School subjects, with a goal of was awarded Provisional increasing the number of Designation for the 2016- students who study and en- 17 school year, during ter STEM careers. Desig- which time the campus Preston Payne dives back to first to beat the pick-off throw during the Salado Eagles Regional Championship nated T-STEM campuses may operate as a T-STEM win over the Sweeny Bulldogs. (Photo by Suzanne Payne) serve students in grades Academy. 6-12 or 9-12. The Provisional Desig- “The continued growth nation is designed to pro- Eagles earn of Texas STEM acad- vide additional time for emies reflects a commit- schools to make required ment to rigorous instruc- changes to T-STEM Acad- trip to State tion in key subjects that emy Blueprint design ele- challenges students while ment, allow the proposed also preparing them for T-STEM Academy to the future,” said Com- demonstrate its ability to tournament missioner of Education fully and appropriately im- Mike Morath. -
Texas Music Chart Top 100 Songs of 2015 Rank/Spins Song Title Artist 1
Texas Music Chart Top 100 Songs of 2015 Rank/Spins Song Title Artist 1. 23563 Life Comes At You Fast Bart Crow 2. 23018 My Bed Sunny Sweeney 3. 22165 Backroad Song Granger Smith 4. 22150 Smile That Smile Curtis Grimes 5. 22145 While I Was Away Pat Green 6. 21407 Before Somebody Gets Hurt Kevin Fowler 7. 21378 Bob Wills Is Still The King Asleep At The Wheel 8. 21241 Sticks and Stones William Clark Green 9. 21199 Talk About The Weather Rich O'Toole 10. 20737 Let It Rain James Lann 11. 20441 Freight Train Aaron Watson 12. 19899 Smile On Mine Jon Wolfe 13. 19898 Long Road to Nowhere Micky & the Motorcars 14. 19583 Livin' The Good Life Matt Kimbrow 15. 19265 Where the Gringos Don't Go Roger Creager 16. 19083 Shelter from the Rain Whiskey Myers 17. 19059 Easy Cody Canada and the Departed 18. 18804 Old With You Cory Morrow 19. 18690 Girls I Date Mike Ryan 20. 18068 Long Shot Sam Riggs 21. 18048 Jayton and Jill Zane Williams 22. 18025 Undone The Statesboro Revue 23. 17796 Loves Done Got Me Mario Flores 24. 17755 Highway Josh Ward 25. 17570 Wasting No More Whiskey Mike Ryan 26. 17532 You Dream I'll Drive Josh Grider 27. 17515 Standards Randy Rogers & Wade Bowen 28. 17147 Phone Calls TJ Broscoff 29. 17118 West Texas Rain Wade Bowen 30. 16853 Loser Casey Donahew Band 31. 16834 Aviator Stoney LaRue 32. 16705 Real Cool Hand Reckless Kelly 33. 16681 Lady Bug Randy Rogers & Wade Bowen 34. 16498 Sun Shines on a Dreamer Wade Bowen 35. -
Texas Tech University's Southwest Collection/Special Collections
Oral History Interview of Jesse Taylor Interviewed by: Andy Wilkinson December 12, 2005 Austin, Texas Part of the: Crossroads of Music Archive Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Copyright and Usage Information: An oral history release form was signed by Jesse Taylor on December 12, 2005. This transfers all rights of this interview to the Southwest Collection/Special Collections Library, Texas Tech University. This oral history transcript is protected by U.S. copyright law. By viewing this document, the researcher agrees to abide by the fair use standards of U.S. Copyright Law (1976) and its amendments. This interview may be used for educational and other non-commercial purposes only. Any reproduction or transmission of this protected item beyond fair use requires the written and explicit permission of the Southwest Collection. Please contact Southwest Collection Reference staff for further information. Preferred Citation for this Document: Taylor, Jesse Oral History Interview, December 12, 2005. Interview by Andy Wilkinson, Online Transcription, Southwest Collection/Special Collections Library. URL of PDF, date accessed. The Southwest Collection/Special Collections Library houses almost 6000 oral history interviews dating back to the late 1940s. The historians who conduct these interviews seek to uncover the personal narratives of individuals living on the South Plains and beyond. These interviews should be considered a primary source document that does not implicate the final verified narrative of any event. These are recollections dependent upon an individual’s memory and experiences. The views expressed in these interviews are those only of the people speaking and do not reflect the views of the Southwest Collection or Texas Tech University. -
Oe Ely Né Earle R. Ely Le 9 Février 1947 À Amarillo, Au Texas, Est Un Auteur
Lubbock oe Ely né Earle R. Ely le 9 février 1947 à Amarillo, au Texas, est un auteur-compositeur, chanteur et J guitariste américain de musiques Country, Honky Tonk, Tex-Mex et Rock 'n' Roll. Sa famille travaille pour la compagnie de chemin de fer Rock Island Line, puis déménage pour se rendre à Lubbock au Texas. C’est en voyant Jerry Lee Lewis se produire que Joe, tout jeune, pense à devenir ‘’artiste’’. Il prend quelques leçons de violon et de Steel guitar avant de se tourner vers la guitare. Joe Ely suit une scolarité à partir de 12 ans à Lubbock à ‘’Monterey High School’’. Ses parents tenaient une friperie de vêtements de travail au centre ville de Lubbock où la plupart des travailleurs immigrés venaient se servir dans la boutique, réputée peu chère. Joe côtoie cette frange de la population faite plutôt de Mexicains, qui pour le plaisir, jouent de la musique dans la rue, avec des instruments tels que : accordéon, banjo, saxo, trompette ; peut-être une situation qui provoque chez lui le désir d’apprendre la musique. Joe grandit, apprend à jouer de la guitare électrique et joue du Rock, avec un groupe monté au lycée; avec un répertoire de ‘’Buddy Holly’’ (Artiste de Rock n’ Roll né à Lubbock, décédé à 22 ans, dans un accident). Buddy Holly A 14 ans il perd son père, et sa mère est hospitalisée suite à ce traumatisme. Ce sont des parents proches qui vont s’occuper de Joe et de son frère, hors de Lubbock. Lorsque la famille se retrouve dans cette ville, Joe accepte un travail de plongeur dans un restaurant le ‘’Chicken Box’’ afin d’apporter de l’argent pour aider sa famille. -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, April 11, 2019 NEWS CHART ACTION New On The Chart —Debuting This Week song/artist/label—Chart Position Lon Helton Receives Bob Kingsley Living No debut this week Legend Award Greatest Spin Increase song/artist/label—Spin Increase God's Country/Blake Shelton/Warner Bros. — 422 Knockin' Boots/Luke Bryan/Capitol — 362 Look What God Gave Her/Thomas Rhett/Valory — 221 Eyes On You/Chase Rice/Broken Bow — 169 GIRL/Maren Morris/Columbia Nashville — 152 Some Of It/Eric Church/EMI Records Nashville — 136 Rearview Town/Jason Aldean/Broken Bow — 133 Every Little Honky Tonk Bar/George Strait/MCA Nashville — 122 Most Added song/artist/label—No. of Adds Knockin' Boots/Luke Bryan/Capitol — 21 God's Country/Blake Shelton/Warner Bros. — 15 Mr. Lonely/Midland/Big Machine — 9 Bars & Churches/Aaron Goodvin/Reviver Records — 7 How Do You Know/Queeva/CMD Music — 7 All To Myself/Dan + Shay/Warner Bros./WAR — 6 Somebody's Gotta Be Country/Easton Corbin/Tape Room Records — 6 Lon Helton, one of Nashville’s most highly-regarded radio industry Freedom/Reba McEntire/Big Machine Records — 6 executives, was honored for his impact on country music with the Bob Kingsley Living Legend Award April 10 at the Grand Ole Opry House. On Deck—Soon To Be Charting The award was created in 2014 to recognize the most deserving song/artist/label—No. of Spins individuals in the music business. The evening beneftted the Opry Trust I Can Do Hard Things/Jennifer Nettles/Big Machine — 150 Fund, which for more than 50 years has supported members of the I Love The Lie/Kree Harrison/Visionary Records — 146 country music community in need. -
Bio Dave Alvin and Jimmie Dale Gilmore
Dave Alvin & Jimmie Dale Gilmore Downey to Lubbock Biography written by: Joe Nick Patoski Downey, California to Lubbock, Texas is a thousand-mile straight shot across the heart of the American West, with not much in between. The cities at each end of the line are one-time cowtowns that grew into symmetrically-platted working-class communities with very little to interrupt the horizon plane, making for big empty canvasses that require a vivid imagination to fill in all that blank space. Dave Alvin from Downey and Jimmie Dale Gilmore from Lubbock have been filling canvasses with music of the American West for decades, coming from two very different directions. The title track explains Alvin is a Strat-packing, wild blues Blaster, a nod to the roots rock band he formed with his brother Phil in 1978 before Dave peeled off to go his own way in 1986. He’s been part of the bands X, the Knitters, and the Flesh Eaters, tours relentlessly with his own band, the Guilty Ones, and continues apace on musical quests informed by his love of California and its history, and by Texas and the South, where most of the great music that was made in Los Angeles before and after the Second World War came from. Gilmore is the old Flatlander from the Great High Plains, acknowledging his first group, the folk-country trio formed in Lubbock 1972 with Joe Ely and Butch Hancock who continue performing and recording today. In addition to the Flatlanders and an extended solo career, he has been part of several ensembles including the Hub City Movers and The Wronglers with Warren Hellman, who started the Hardly, Strictly Bluegrass Festival in San Francisco.