Apartheid — Page 10
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
Love Is in the Mail at a Post Office Near You the U.S
FOR IMMEDIATE RELEASE Contact: Sue Brennan January 31, 2011 (O) 202.268.6363 [email protected] usps.com/news Release No. 11-010 Love Is in the Mail at a Post Office Near You The U.S. Postal Service Presents the Perfect Valentine’s Day Gift WASHINGTON — Legendary artists. Timeless love songs. Romantic lyrics. The mood is set. The Postal Service delivers the perfect Valentine’s Day playlist with the Love Notes CD, debuting this week at #4 on the Billboard/Soundscan jazz charts. “The Postal Service is very excited by the response this new CD has already received,” said Linda Kingsley, vice president, Channel Access. “People don’t usually think about going to the Post Office to buy Valentine’s Day gifts, but our customers can purchase the CD for a great price and ship it at an even better price from the same, convenient location.” The Postal Service once again worked with Concord Music Group to bring timeless music to non- traditional retail locations. This is the fourth exclusive release between the Postal Service and Concord. The previously released CDs include: Letters to Santa in December 2009, Ella Fitzgerald’s Love Letters from Ella in February 2010, and Let It Snow in December 2010. The Love Notes CD features images from the 2010 Love Stamp, Pansies in a Basket, and it comes prepackaged for easy shipping in a mailing box that is decorated with the same images. The Love Notes CD is available at select major metropolitan post offices and also can be purchased online at usps.com/shop for $12.99. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Paul Mccartney Ram / Wings Over America Mp3, Flac, Wma
Paul McCartney Ram / Wings Over America mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ram / Wings Over America Country: Russia Released: 1999 Style: Pop Rock MP3 version RAR size: 1232 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1990 mb Rating: 4.5 Votes: 685 Other Formats: MP3 MIDI ASF MP4 VQF AA MP2 Tracklist Ram 1971 1-1 –Paul McCartney & Linda McCartney Too Many People 4:11 1-2 –Paul McCartney & Linda McCartney 3 Legs 2:48 1-3 –Paul McCartney & Linda McCartney Ram On 2:30 1-4 –Paul McCartney & Linda McCartney Dear Boy 2:16 1-5 –Paul McCartney & Linda McCartney Uncle Albert/Admiral Halsey 4:55 1-6 –Paul McCartney & Linda McCartney Smile Away 3:54 1-7 –Paul McCartney & Linda McCartney Heart Of The Country 2:24 1-8 –Paul McCartney & Linda McCartney Monkberry Moon Delight 5:26 1-9 –Paul McCartney & Linda McCartney Eat At Home 3:24 1-10 –Paul McCartney & Linda McCartney Long Haired Lady 6:05 1-11 –Paul McCartney & Linda McCartney Ram On 0:55 1-12 –Paul McCartney & Linda McCartney Back Seat Of My Car 4:38 Wings Over America 1976 1-13 –Paul McCartney & Wings Venus And Mars / Rock Show / Jet 10:21 1-14 –Paul McCartney & Wings Let Me Roll It 3:45 1-15 –Paul McCartney & Wings Spirits Of Ancient Egypt 4:06 1-16 –Paul McCartney & Wings Medicine Jar 4:07 1-17 –Paul McCartney & Wings Maybe I'm Amazed 5:21 1-18 –Paul McCartney & Wings Call Me Back Again 5:16 1-19 –Paul McCartney & Wings Lady Madonna 2:38 2-1 –Paul McCartney & Wings The Long And Winding Road 4:29 2-2 –Paul McCartney & Wings Live And Let Die 3:21 2-3 –Paul -
Top 100 Love Songs of All Time
TOP 100 LOVE SONGS OF ALL TIME 1 I Will Always Love You - Whitney Houston 2 Lovesong - The Cure 3 Crazy For You - Madonna 4 Open Arms - Journey 5 Unchained Melody - The Rightwous Brothers 6 I'll Be There For You - Bon Jovi 7 I Got You Babe - Sonny & Cher 8 Your Song - Elton John 9 I Don’t Want To Miss A Thing - Aerosmith 10 Everything I Do (I Do It For You) - Bryan Adams 11 Sweet Child O' Mine - Guns N' Roses 12 I Just Called To Say I Love You - Stevie Wonder 13 I Just Can't Stop Loving You - Michael Jackson 14 Mad About You - Belinda Carlisle 15 All I Want Is You - U2 16 In Your Eyes - Peter Gabriel 17 Woman - John Lennon 18 When I Think Of You - Janet Jackson 19 More Than Words - Extreme 20 Just Like Heaven - The Cure 21 Eternal Flame - Bangles 22 Never Tear Us Apart - INXS 23 Right Here Waiting - Richard Marx 24 I Would Die 4 U - Prince & The Revolution 25 You're Still The One - Shania Twain 26 Heaven - Warrant 27 You're The Inspiration - Chicago 28 Silly Love Songs - Paul McCartney and Wings 29 I Believe In You - Kylie Minogue 30 Heaven - Bryan Adams 31 Wonderful Tonight - Eric Clapton 32 No One - Alicia Keys 33 Take My Breath Away - Berlin 34 When I See You Smile - Bad English 35 Faithfully - Journey 36 Breathe - Faith Hill 37 Stuck With You - Huey Lewis & The News 38 The Flame - Cheap Trick 39 My Heart Will Go On - Celine Dion 40 Always On My Mind - Pet Shop Boys 41 Every Time I Close My Eyes - Babyface 42 Chasing Cars - Snow Patrol 43 I Don't Want To Live Without You - Foreigner 44 All The Lovers - Kylie Minogue 45 Friday I'm In -
Texas Tech University's Southwest Collection/Special Collections
Oral History Interview of Jesse Taylor Interviewed by: Andy Wilkinson December 12, 2005 Austin, Texas Part of the: Crossroads of Music Archive Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Copyright and Usage Information: An oral history release form was signed by Jesse Taylor on December 12, 2005. This transfers all rights of this interview to the Southwest Collection/Special Collections Library, Texas Tech University. This oral history transcript is protected by U.S. copyright law. By viewing this document, the researcher agrees to abide by the fair use standards of U.S. Copyright Law (1976) and its amendments. This interview may be used for educational and other non-commercial purposes only. Any reproduction or transmission of this protected item beyond fair use requires the written and explicit permission of the Southwest Collection. Please contact Southwest Collection Reference staff for further information. Preferred Citation for this Document: Taylor, Jesse Oral History Interview, December 12, 2005. Interview by Andy Wilkinson, Online Transcription, Southwest Collection/Special Collections Library. URL of PDF, date accessed. The Southwest Collection/Special Collections Library houses almost 6000 oral history interviews dating back to the late 1940s. The historians who conduct these interviews seek to uncover the personal narratives of individuals living on the South Plains and beyond. These interviews should be considered a primary source document that does not implicate the final verified narrative of any event. These are recollections dependent upon an individual’s memory and experiences. The views expressed in these interviews are those only of the people speaking and do not reflect the views of the Southwest Collection or Texas Tech University. -
Oe Ely Né Earle R. Ely Le 9 Février 1947 À Amarillo, Au Texas, Est Un Auteur
Lubbock oe Ely né Earle R. Ely le 9 février 1947 à Amarillo, au Texas, est un auteur-compositeur, chanteur et J guitariste américain de musiques Country, Honky Tonk, Tex-Mex et Rock 'n' Roll. Sa famille travaille pour la compagnie de chemin de fer Rock Island Line, puis déménage pour se rendre à Lubbock au Texas. C’est en voyant Jerry Lee Lewis se produire que Joe, tout jeune, pense à devenir ‘’artiste’’. Il prend quelques leçons de violon et de Steel guitar avant de se tourner vers la guitare. Joe Ely suit une scolarité à partir de 12 ans à Lubbock à ‘’Monterey High School’’. Ses parents tenaient une friperie de vêtements de travail au centre ville de Lubbock où la plupart des travailleurs immigrés venaient se servir dans la boutique, réputée peu chère. Joe côtoie cette frange de la population faite plutôt de Mexicains, qui pour le plaisir, jouent de la musique dans la rue, avec des instruments tels que : accordéon, banjo, saxo, trompette ; peut-être une situation qui provoque chez lui le désir d’apprendre la musique. Joe grandit, apprend à jouer de la guitare électrique et joue du Rock, avec un groupe monté au lycée; avec un répertoire de ‘’Buddy Holly’’ (Artiste de Rock n’ Roll né à Lubbock, décédé à 22 ans, dans un accident). Buddy Holly A 14 ans il perd son père, et sa mère est hospitalisée suite à ce traumatisme. Ce sont des parents proches qui vont s’occuper de Joe et de son frère, hors de Lubbock. Lorsque la famille se retrouve dans cette ville, Joe accepte un travail de plongeur dans un restaurant le ‘’Chicken Box’’ afin d’apporter de l’argent pour aider sa famille. -
November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ...................... -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.