Designed in England by music lovers. Enjoyed by music lovers all over the world.
The Chord Company Ltd, Millsway Centre, Amesbury SP4 7RX, UK
To get more information and find your nearest retailer, please call us on: +44 (0)1980 625700 or visit: www.chord.co.uk
“In short, this is a good value and great-sounding cable”
Chord Clearway speaker cable Hi-Fi Choice Dec 2015
“This interconnect handles complex music with ease, delivering a performance that is lively and involving. It takes both classical and modern music in its stride”
Chord C-line interconnect Hi-Fi Choice Nov 2015 INTRODUCTION
PASSION FOR SOUND Welcome www.hifichoice.co.uk Issue No. 411 June 2016
At the risk of sounding like a broken record in mentioning yet again just how back on track vinyl playback really is, confirmation of its popularity arrived in mid-April – if ever it were needed – when news broke that pre-orders for Technics’ highly anticipated limited edition Grand Class SL-1200GAE turntable had sold out in Japan in just 58 30 minutes. The rebirth of the world’s most popular Monitor Audio Bronze 2 turntable among hi-fi fans and DJs alike for its consistent performance, robust build and unique pitch-shifting ability was officially announced in January at CES in Las Vegas, and is due to officially go on sale worldwide in June. But with a production run of just 1,200 models available (natch), the order books for the limited edition £2,800 deck that celebrates the 102 Japanese hi-fi brand’s 50th anniversary already look full, Mini Test and the chance to be able to get your hands on one Turntable accessories looks like it’s been and gone before anyone realised. If you’re feeling like you’ve missed out, fear not SL-1200 fans as the non-limited edition model promises to be with us in the autumn, and for details on its pricing and specification read our news story on p8. Keeping with the vinyl theme, another rebirth has taken place recently in the shape of our cover star and the return of the iconic Planar name to Rega’s latest 99 mid-priced model three turntable. The name may have The National & Various Artists been around before, but the new Planar 3 is anything Day Of The Dead but a rehash. Turn to page 16 to read all about it.
BADGES EXPLAINED Lee Dunkley Editor OUR AWARDS Follow us:
EDITOR’S RECOMMENDED: GROUP TEST twitter.com@HiFiChoiceMag facebook.com/hifichoice.co.uk CHOICE: Products that WINNER: Awarded to those we feel meet a Comparative tests products that are high standard of can only have one judged to deliver performance winner, and this outstanding badge says it all! ENTERPRISE HOUSE, ENTERPRISE WAY, performance EDENBRIDGE, KENT TN8 6HF
JUNE 2016 3 WIN! Yamaha Contentshifichoice.co.uk Issue No. 411 June 2016 MusicCast multi-room system NEWS & OPINION GROUP TEST page 120! 6 Audiofile The latest news on the hottest products from the world of hi-fi coming your way 12 Webwatch Essential websites to direct your browser towards for all your hi-fi requirements 69 Letters Put your points of view and queries on audio matters to our team of experts 79 Opinion The Hi-Fi Choice team say it as they see it as they discuss the issues of the day 99 Music Reviews The month’s essential new CD, vinyl and hi-res releases given a work out READER SERVICES 122 Reader Classifieds Sell your unwanted hi-fi for FREE here 124 Back Issues Get your hands on old copies you missed 130 Next Issue The sonic treats to look out for next month FEATURES 60
24 Six compact music solutions go head to head to see which has the best sound for small spaces
60 Abbey Road HFC investigates as six classic albums are given the half-speed remastering treatment 90 Dealer Visit Oxford Audio Consultants put together three systems to blow your socks off 94 Labelled With Love How Mo’Wax created the trip hop sound from a mixture of jazz, funk and hip hop 116 Destination Sheff ield Pack you record bag as we head off to the 6 100 home of Human League and Jarvis Cocker Audiofile: Wharfedale Reva speaker series Music Reviews: Rick Wakeman
4 JUNE 2016 CONTENTS JUNE 2016 “Mo’Wax, like so many other era-defining labels, 52 was very much the vision Dynaudio Xeo 2 speaker of its founder”
Labelled With Love p94 TESTED THIS MONTH
16 Rega Planar 3 belt-driven turntable REVIEWS MINI TEST Kit testing Turntable accessories 42 16 Rega £12-£55 Sennheiser HD 800 S headphone Planar 3 belt-driven turntable 102 Analogue Seduction 42 Sennheiser Zomo VS-Box 100 Vinyl Record Storage HD 800 S over-ear headphone (Exotica) 103 Milty Zerostat 3 46 Elac
Debut F5 floorstanding loudspeaker 103 Audio Origami 50 Simaudio Digital Styles Scales Moon Nēo 230HAD headphone preamp/ 104 AnalogueWorks USB DAC Black Neoprene Rubber Turntable 52 Dynaudio Gimp Mat Xeo 2 2-way active wireless standmount loudspeaker CHOICE EXTRAS 50 56 TAGA 107 Rothwell Simaudio Moon Nēo 230HAD preamp/DAC HTA-500B integrated amplifier Headspace moving coil head amp 58 Monitor Audio 109 String Suspension Bronze 2 standmount loudspeaker Concept 88 Quad SSC MagicPoint 100 isolation pucks 303 power amplifier (Retro) 109 Lindy GROUP TEST USB DAC and headphone amp Mini Systems £350-£650 111 Mark Grant Cables 27 Cambridge Audio 15V Linear Power Supply Upgrade Minx Xi 113 KLEI 29 Marantz M-CR611 gZero3 interconnects 31 Novafidelity X12 114 Dust & Grooves 33 Revo SuperSystem By Eilon Paz 56 35 Ruark Audio R4 Mk3 114 One For All TAGA HTA-500B integrated amplifier 37 Sonoro SonoroStereo SV1820 Bluetooth music receiver Never miss an issue – turn to p14 for our latest subs offer
JUNE 2016 5 THE LATEST INDUSTRY NEWS…
Reva fever Wharfedale adds Reva loudspeaker series, incorporating many of the design principles of its renowned Diamond 200 series
PRICE: £450-£1,300 AVAILABLE: NOW CONTACT: 01480 447700 WEB: WHARFEDALE.CO.UK
MANY HI-FI FANS will have started Why all the talk of the Diamond with one or more woven glass fi bre out with a pair of Wharfedale Series we hear you cry, well mid/bass drivers engineered to match speakers, and if your passion began in Wharfedale engineers have been hard the acoustic properties of the the eighties then you're likely to be at work on the new fi ve-strong Reva multi-layer wood cabinets fi tted with familiar with the Huntingdon brand's Series, which borrows many of the a slot-loaded distributed port at the popular Diamond speaker. As its most design principles that are used in the base of the cabinet. famous design from that era, the latest Diamond series, but raises the The compact Reva-1 (£450) Diamond started off as one product bar both sonically and aesthetically. incorporates a 115mm mid/bass and grew into a whole family. It still The new range consists of the Reva-1 driver, while the Reva-2 (£600) uses continues today, of course, with the and Reva-2 standmount models a larger 125mm unit – both are Diamond 200 Series – see our and Reva-3 and Reva-4 fl oorstanders rated at 86dB sensitivity. The two Diamond 230 and 220 loudspeaker as well as the Reva-C centre speaker fl oorstanding models sport 2.5-way reviews in issues 395 and 402 (£400) for multi-channel setups, if confi gurations with 88dB sensitivity, respectively – and has evolved that's your thing. All of the models and combine a 115mm midrange through many incarnations with a throughout the Reva Series employ driver with two 125mm mid/bass number of signifi cant improvements. the same 25mm textile dome tweeter drivers in the Reva-3 (£1,000) and a
6 JUNE 2016 COMMENT WHAT DO YOU DO WITH YOUR VINYL? It's estimated that on average most museums and galleries across the world have as little as five percent of all of their antiquities and works of art on public display, while the rest resides in cold storage hidden away from admiring eyes and to all intents and purposes being completely and utterly useless. But what, we hear you ask, do a bunch of Picassos and historic artefacts in a warehouse have to do with hi-fi? Take a look at the latest findings of an ICM poll about vinyl album sales and you might start to see where we're coming from... The poll, which was published in mid April comes as an interesting counterpoint to all of the noise that's been made (and we include ourselves among the guilty parties here) about the astonishing turnaround in record sales over the last few years. For those that haven't been paying attention, 2014 witnessed the highest vinyl album sales in 20 years and 2015 saw the trend continue to the point that we're at now where you can pick up some of the black stuff while cruising around your local supermarket. But here comes the interesting – or should that be worrying – bit. The ICM poll revealed that of those people that bought vinyl that were asked, as many as 48 percent didn't actually break the seal and listen to the record. We'll say that again just so it's clear; just under half don't actually listen to the album. Perhaps more worrying still, of that 48 percent, 41 percent have a turntable and choose not to use it, while seven percent don't even own a record player to spin their virgin vinyl on. There has been a lot of talk about the growth of record sales being driven by hipsters and teenagers for whom the nostalgia factor is a key driver. And now it would appear that they want the tangibility of being able to look at a record cover and enjoy the larger artwork while continuing to listen to it on their smartphone or MP3 pair of 150mm mid/bass drivers in player. Whatever the reasons, the news the Reva-4 (£1,300). remains positive for vinyl's future. If only one or two of these people would break the seal Design that shines and discover what they're missing out on... The curved, one-piece cabinets are hand-fi nished with multiple layers of piano lacquer, each polished to a high shine before the next is applied for a luxury fi nish. The look is further embellished with aluminium driver surrounds with a soft matt fi nish. The Reva Series is currently available in The Reva-2 in high-gloss back and white and piano white rosewood fi nishes, with a walnut fi nish that we're told is set to come to market
Picture credit: Shutterstock credit: Picture later in the summer.
JUNE 2016 7 AUDIOFILE
Technics SL-1200G New non-limited edition turntable available in the autumn
PRICE: £2,799 AVAILABLE: AUTUMN 2016 CONTACT: 0333 2228777 WEB: TECHNICS.COM/UK
IF YOU WEREN’T fortunate enough to get your hands on one of the 900 limited edition SL-1200GAE turntables outside of Japan (or the 300 in Japan), fear not as the update of Technics legendary turntable will still be coming to stores in the form of the SL-1200G you see before you here. Boasting a three-layer construction, which consists of a rigidly combined heavyweight brass and aluminium die-cast platter with deadening rubber covering the entire surface, the SL-1200G is claimed to eliminate resonance and achieve high rigidity and vibration damping during playback. The tonearm follows suit, employing lightweight magnesium, which has been cold drawn to further increase the damping effect. Technics additionally claims that cogging has been eliminated thanks to a new coreless direct-drive motor, which suppresses potential vibrations using high-precision rotary positioning sensors guided by a microprocessor-controlled system. Look out for a review in an upcoming issue of HFC.
IN BRIEF CHORDMUSIC Onkyo DP-X1 PRICE: £699 AVAILABLE: JUNE FLAGSHIP RANGE CONTACT: 07974 143813 WEB: ONKYO.CO.UK
Off icially launched at the Munich High End Show at the beginning of May, Onkyo’s DP-X1 Digital Audio Player should cover all hi-res needs, thanks to its ability to handle 24-bit/384kHz FLAC/WAV files along with DSD 11.2MHz and support for lossless MQA (via a free update). The portable player utilises an Android operating system (and so can download additional apps from Google Play, while the ● The Chord Company has unveiled pre-loaded OnkyoMusic service what it is describing as its most allows music download without the advanced cable range in its 30-year use of a PC), boasts 32GB internal history. The new flagship ChordMusic storage (of which 7GB is used by series has been developed using a the system) and employs ESS new insulation material called Taylon, Technology’s Sabre ES9018K2M which has never been used in audio DAC for conversion. cables before. Although its dielectric There are two microSD card slots constant is very slightly lower than for adding extra memory (up to PTFE, Taylon is phase stable at typical 432GB) and outputs for both room temperatures, meaning that it 2.5mm and 3.5mm headphones, should be able to produce the most while wireless connectivity to natural and musically coherent additional components comes sound. The range is available as in the shape of wi-fi and aptX analogue (RCA, XLR and DIN) and Bluetooth. It has 4.7in touchscreen, digital (AES EBU, RCA, BNC, XLR and 161-step volume control along with RJ45) interconnects. a new ‘finger-flick’ interface as well CHORD.CO.UK as physical transport controls.
8 JUNE 2016 M6 ENCORE 225
Intuitive Operation, Huge Connectivity, Internal 1TB Upgradeable Hard Disc Drive
The Encore 225 is a complete audio solution allowing you to keep all your music in one place. It accepts almost any conceivable analog or digital audio source. Experience it for yourself at your local Musical Fidelity dealer.
ZZZPXVLFDOÀGHOLW\FRP AUDIOFILE
Bluetooth LPs Audio-Technica deck connects to wireless speakers
PRICE: £169 AVAILABLE: NOW WEB: URBANOUTFITTERS.COM
AUDIO-TECHNICA IS LOOKING to bring vinyl to the masses with its latest turntable release, the affordable AT-LP60BT. It’s one of the fi rst models to appear on the market from a traditional hi-fi brand that offers Bluetooth connectivity to enable users to wirelessly connect to suitably equipped speakers, headphones and stereo receivers. It looks to be the ideal introduction for those that are starting out on their vinyl journey, and thanks to its built-in switchable phono amplifi er users will be able to simply plug and play (RCA phono outputs are also included) or connect and play wirelessly to a Bluetooth music system. The fully-automatic turntable is able to spin records at 33 and 45rpm, has an anti-resonance die-cast aluminium platter and is packaged with an Audio-Technica dual moving-magnet phono cartridge. There’s also a 3.5mm auxiliary input and a headphone output. The AT-LP60BT is available now in black or white fi nishes and is supplied with a dust cover. IN BRIEF Ruark Audio’s R7 update DRAGONFLY DAC PRICE: £2,000 AVAILABLE: NOW BLACK AND RED CONTACT: 01702 601410 WEB: RUARKAUDIO.COM
Music centres are the perfect analogue and internet tuners, connectivity for streaming of music solution for those that are short along with a slot-loading CD from smartphones, laptops and on space, and Ruark Audio has player. Ruark Audio tells us that network storage devices, as well as become something of a master the updated R7 benefits from more traditional analogue and of the form (see its R4 Mk3 on further audio enhancements to digital connectivity hookups – and page 35 of this month’s Group its amplifiers and speaker a charging port for smartphones Test), so the news that the British crossovers that results in a and tablets. manufacturer has upgraded its smoother and more extended As before, spindle legs R7 is very welcome. We reviewed frequency response with complete the radiogram look, or the original R7 in HFC 384, improved soundstage, making it can be sat on pucks on an ● It’s been nearly four years since the commenting on its styling cues the listening experience even existing stand. It is available in original DragonFly DAC (HFC 367) taken from the classic radiogram, more realistic and enjoyable. matte black, matte white or real was released, and now AudioQuest is which updates the traditional The revised model still off ers walnut finishes and comes with a unveiling two new models designed ‘wireless’ by including digital, DLNA wi-fi and aptX Bluetooth RotoDial remote control. to be compatible with Android and Apple smartphones. The new USB DACs handle files up to 24-bit/96kHz, and put music quality first, says AQ. The DragonFly Red (£169) has a 32-bit ESS Sabre 9016 chip and is suited to lower sensitivity headphones, while the Black (£89) DragonFly employs a 9010 chipset and is suited to medium to high sensitivity headphones. Like earlier DragonFlys, the Black has an analogue volume control, while the Red opts for a digital one. A DragonTail USB adaptor for Android devices costs an additional £15. AUDIOQUEST.COM
10 JUNE 2016 Emit. Enter the World of High-End Performance.
The new Dynaudio Emit series is the latest model range from Dynaudio and was conceived as an entry level high end loudspeaker series incorporating extraordinary levels of performance and technical innovation in an attractive WHJRHNLZ\P[HISLMVYHSTVZ[HU`SL]LSVMHTWSPÄJH[PVU Visit www.dynaudio.com[VÄUK`V\YULHYLZ[H\[OVYPZLK+`UH\KPVYL[HPSLY
Listen to the new Emit Series. AUDIOFILE
Andrew Simpson checks out the best hi-fi Webwatch websites, social media and online content
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B&O PLAY (@BEOPLAY) Introducing: Beoplay A1, our new ultra-portable Bluetooth speaker Technics timeline Audio archive beoplay.com/A1 Marking the welcome return of Technics’ Building on the success of sister site Discogs, legendary SL-1200 deck, The Vinyl Factory Gearogs aims to become the largest database GSPAUDIO (@GSPAUDIO) The Resurgence Of Vinyl – Deja Vu (All Over created this timeline charting the evolution of audio equipment ever. With the help of its Again)? But you can have the secret of of the iconic spinner through the ages, from users, the site is growing fast as it attempts getting it right at t.co/ZrZosJUCik the SP-10 of 1970 to 2016’s SL-1200GAE to list every turntable, amp and audio gear THE SOUND GALLERY and each one in between. bit.ly/20eCiOH product known to man. gearogs.com (@THESOUNDGALLERY) The Orb sounds lush on the new @RegaResearch #P3. #madeforvinyl. pbs.twimg.com/media/CgG37nyWcAEyUAN.jpg
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THE MUSIC ROOM (@TMRAUDIO) Denon DP-75 Turntable mounted on a VPI base. Great cartridge and tonearm! tmraudio.com/product/xx-718 #vinyl #analog #RSD16 giveaway Grim keeper This year’s Record Store Day fanfare This macabre vinyl service goes one step CLASSICALBUMSUNDAYS (@CLASSICALBUMSUN) was arguably the greatest yet, and this post beyond by pressing the cremated ashes Extraordinary photos from an abandoned from Sonata Hi-Fi underlines why as it of those dearly departed into LPs of your record warehouse #LoveVinyl t.co/z6VfQVo59B joined forces with Sister Ray Records to choosing. Founded by British music producer BD AUDIO (@BD_AUDIO) present lucky winner Danny Hughes with a Jason Leach, And Vinyly offers personal If you demand accuracy and require the limited edition Rega deck. facebook.com/ packages to give people and pets life beyond finest turntable setup tools in the world. Sonata-Hi-Fi-304700266210224/ the groove. andvinyly.com t.co/E1RovtDQS2 DYNAUDIO (@DYNAUDIO) Let’s bring precision to your passion. Meet LYD. dynaud.io/3
MUSICFIRSTAUDIO (@MUSICFIRSTAUDIO) Another day. Another photo shoot. pbs.twimg.com/media/CfZgL8BWQAIcQ93.jpg
DAVID BROOK (@MCRULTD) The #MCRU Ltd Edition Ultimate power cord the best just got better mains-cables-r-us. co.uk/mains-cables-/1291-mains-cables-r-us- ultimate-mains-lead.html
AUDEZE (@AUDEZE) Check out our first #AudezeInTheCrates Spring cleaning Going nativ live session with Jared & The Mill! All hi-fi components benefi t from a bit of Launched via crowdfunding site youtu.be/OLoVrHquapA TLC from time to time to keep them on song, Indiegogo, Nativ claims to integrate hi-res DEVIALET (@DEVIALET) and keeping your cables clean is just as video and music streaming services over Live from one of our factory in France. One important as this recent blog post from wi-fi . Offering both a touchscreen control #Phantom out every 2mn. #frenchtech Nordost highlights by taking an in-depth centre and separate DAC, this project looks #madeinfrance #highendaudio #hitech look at the best approach, with handy tips set for success having exceeded its $100k pbs.twimg.com/media/CgFnTXjUYAAFZy1.jpg along the way. bit.ly/1VGJ6VQ target by some margin. bit.ly/1UL0cBu
12 JUNE 2016
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REGA IN-DEPTH PLANAR 3 £625
Where the differences start to show is in the way that the Planar 3 presents the complex and slightly congested midrange of the track. It opens up the material, never making it sound disjointed or confused, but instead managing to create a sense of space and soundstage where many similarly priced rivals might struggle. There is a three dimensionality to the Planar 3 which allows it to sound believable and consistently enjoyable. This spaciousness doesn’t require a toe tapping beat to reveal itself either. The lovely repress of Air’s Moon Safari is involving and intimate, but still possesses an ambience that makes it sound real. The beautiful All I Need is delivered with an almost liquid The RB330 tonearm has quality with Beth Hirsch’s vocals no VTA adjustment, so layered effortlessly across a choose alternative soundstage that is simply exceptional. cartridges carefully With the sweeping, semi-orchestral Talisman, the Rega effortlessly ups the the stiffer plinth, the Planar 3 is performance and the bonus of scale but keeps that same fantastic considerably more inert than any electronic speed control. Without it, sense of involvement. previous version, which should speed adjustment is carried out by Something that helps across a wide audibly reduce distortion. changing the belt on the pulley, HOW IT variety of music is the fact that the The arm has been even more which is simple enough to do. The COMPARES Planar 3 has gained a bass response heavily reworked. The new RB330 biggest change, though, is in the At £550 without that is deeply impressive for a is visibly similar to the old RB300, aforementioned tonearm. It might cartridge, the Planar 3 turntable built from these materials but given it includes a new bearing look similar to what has gone has a comfortable at this price point. It manages to housing, armtube and counterweight, before, but the smoothness of the performance produce powerful and impressively it can realistically be thought of as movement and the general feel it advantage over pretty deep bass that never loses the texture much any turntable at all new. As well as performance offers is much more impressive. the same price. The first and detail needed to be a convincing improvements, Rega has also worked It might seem a little curious that to really put up much in to improve the day-to-day usability a deck with such extensive revisions the way of a fight is The It is completely and to this end there are some looks almost exactly the same as it Funk Firm’s Flamenca adjustments to the anti-skate settings did before, but the Rega’s beauty (HFC 391), which at unfazed by any and cable plugs that are very stems from its simplicity. While £850 minus a cartridge is a hefty £300 more genre of music welcome. It still lacks VTA the looks are similar to previous than the Rega in the adjustment, which is a minor irritant incarnations, it feels different to its same condition. The that is thrown at it but not the end of the world with predecessors once extracted from Flamenca has an careful cartridge choice (see the the packaging. The improved fi nish outstandingly open and part of the performance rather than Needlework box out). on the plinth, the wonderful edge to natural presentation big uncontrolled slabs of low end. The the platter and the overall levels of and Funk’s expertise in integration is also seamless. You don’t the use of DC motors Finishing touches build help it to feel more expensive helps the timing and really notice the swell of the lower Finishing off these substantial than the moderate price rise over overall presentation. midrange until it becomes genuine revisions is a series of detail the RP3 might otherwise suggest. For the same money, bass extension because the Planar 3 improvements. Most noticeable though, it would be does it perfectly and it does so among these is the platter. It’s still Sound quality possible to spec the whether the bass is the swell of an Rega with the optional made of glass, but is now 12mm In many ways the sonic performance TT-PSU (£198) – which orchestra or the pounding low end of thick, fi nished to a high tolerance and of the Planar 3 echoes the aesthetic would likely narrow Leftfi eld’s Alternative Light Source, for has ‘Optiwhite’ polishing around the improvements that have been the Funk’s advantage – example. There is a substance to the edge. It looks extremely smart in the made. Connected to a Cyrus Phono and still give you £100 sound that shines through almost fl esh and the whole deck rests on Signature phono stage (HFC 408) spare change for regardless of the partnering equipment. revised feet designed to improve and Naim Supernait 2 integrated cartridge shopping. At the other end of the frequency isolation. While the new supports amplifi er, it manages to sound very extreme, it shows perhaps its only are an improvement on what came much like a Rega deck should, yet meaningful weakness. Through the before, the turntable will still benefi t simultaneously more capable and peerless and extremely refi ned Cyrus from being placed on a surface that infectiously lively. Selecting Motion Phono Signature phono stage, it gives it further isolation from the by The Cinematic Orchestra as a never really does anything other than outside world. starting point, the complex but provide a sweet and detailed treble, As supplied, the Planar 3 comes magnifi cent Ode To The Big Sea but switching to the Graham Slee with a wall-wart power supply, demonstrates its abilities and Gram Amp 2 Communicator (HFC but Rega has ensured that you can motors through the complex beat 407) – which is more representative upgrade the deck at a later date to with an absolute assurance and a of the sort of phono stage that it’s use the TT-PSU, which gives improved genuine sense of fun. likely to be partnered with – results in
18 JUNE 2016 IN-DEPTH
IN SIGHT 1 2 Q&A 1 Pulley for speed selection Simon Webster 2 12mm-thick Sales and marketing coordinator, Rega glass platter
3 RB330 tonearm
4 Elys 2 MM cartridge
3
ES: Was there ever the temptation to leave the RP3 unchanged rather than embark on the level of changes embodied in the Planar 3? 4 SW: At the point we decided to launch the new Planar 3, the RP3 was seeing some of its highest sales since launch. However, the new model did not appear overnight. Two years of intense development work focused on redesigning almost every single NEEDLEWORK detail of the design dedicated to The Planar 3 can be ordered with the Elys 2 cartridge as EH high-output moving-coil cartridge (HFC 410) to the improving performance in every area tested here and represents a £45 saving on the price of RB330 tonearm results in the arm adopting a slight ‘tail is an expensive process. Rega had the cartridge on its own. While the Planar 3 is all new, the down’ position that affects the sweetness of the Hana’s learnt so much since the launch of Elys 2 is a veteran and has been the supplied cartridge for top end. Changing the Hana to a Nagaoka MP150 (HFC the hugely successful RP8 and RP10 preceding ‘3’ models as well. As noted, the exceptional 375) is much more successful, though. and this new knowledge was able virtues of the Planar 3 ensure that this is the most The Nagoka has almost identical dimensions to the Elys to trickle down in the new models. impressive performance I have heard an Elys 2 cartridge 2, which results in a more level arm profile. The resulting The investment we made and our produce, but given the performance of the deck as a performance is genuinely excellent with an open and whole it should be seen as a limiting factor in its potential. expressive top end and further improvements to the bass confidence in the new product made The slight catch to choosing an aftermarket cartridge is response. The combination of Planar 3 and Nagaoka the decision to launch easy. Equally, that as the RB330 tonearm has no VTA adjustment, care cartridge is likely to cost around £800, but it offers Rega has a policy of developing all needs to be taken over what you choose. Fitting a Hana outstanding performance at the price. aspects of the company and the RP3 was in its sixth year and ready for a replacement in what is currently a the treble sounding a little thin and energy that’s often associated with very competitive market. edgy with less than stellar recordings. Rega turntables, but the Planar 3 Some of this is down to the packaged gives fi ne neutrality and should be as The changes between the two is Elys 2 cartridge (see the box out happy in a low-power valve setup as extensive. Is there a single one that above), which can be a little strident a high-power solid state one. stands out above all the others? when pressed, although it is worth Two areas of the Planar 3 offer the noting that the Planar 3 gets more out Conclusion biggest sonic improvement. The of it than any other Rega turntable Rega’s new Planar 3 is something of a combination of the new central I’ve heard. Additionally, some of the star and is an ideal starter turntable bearing (patent pending) designed materials that are used in the deck for those looking to discover just with tighter tolerances and a unique will add a degree of top-end what vinyl is capable of. Rega has fitting method, which removes brightness, but not so severely that taken its iconic simplistic philosophy potential energy from the plinth and they can’t be tuned out. and run with it, and by throwing the the bearing itself. Secondly, it would Keep that top end under control, Elys 2 cartridge into the bundle it be the RB330 tonearm, with its though, and the Planar 3 is represents the driving force for redesigned bearing housing and new bearings this arm is operating at the consistently entertaining. It is unfazed affordable vinyl playback ● tightest tolerances seen at this price by any genre of music that is thrown point. However for us the lift in at it and the basic attributes it performance over the RP3 is the possesses are consistent regardless of amalgamation of all the changes, whether you’re listening to something OUR VERDICT each giving improvements which small scale and elegant or a massive SOUND QUALITY LIKE: Superb sound; once combined give the biggest step piece of live rock. The assurance with excellent build; great forward in the three model range we which it handles such a wide variety finish; easy setup have achieved to date. of music is deeply impressive. More VALUE FOR MONEY DISLIKE: Cartridge has slight treble than almost any relatively affordable limitations; no arm VTA Does the launch of the Planar 3 BUILD QUALITY turntable I have listened to in recent WE SAY: It might look mean we can expect any alterations times, it doesn’t require the caveat similar to the previous to the RP1 and RP6 in the future? model, but this is a that it is good at the price. FEATURES Rega is always working on new huge leap forward This consistency and ability is and a star at the price models and is currently reviving the admirable, but what really impresses Planar 2 for launch in May. By the end OVERALL is that it also manages to impart very of the year we expect to have at least little of itself while it does so. There is three new Planar models available, unquestionably some of the life and but I can’t give you any more details.
JUNE 2016 19
Hi-Fi Choice employs the most rigorous test and measurement regime in the business. Here’s how we do it...
REFERENCE SYSTEM SOURCE Unique group tests Melco N1A NAS LOUDSPEAKER Q Acoustics 3010 SUPPORT RACK Our Group Tests are supported by rigorous and Quadraspire QAVX CABLES exhaustive listening tests carried out by experts The Chord Company Sarsen speaker cable
MINI SYSTEMS GROUP TEST TEST MUSIC A NUMBER OF attributes mean that the For the Cambridge Audio, Marantz and JACK SAVORETTI testing process for this group of products has Novafi delity systems that need external speakers Between The Minds been slightly more complex than usual. First up, a pair of Q Acoustics 3010s is used, but instead Black Rain 16/44.1kHz FLAC/WAV there is no one playback format shared across of being placed on stands they are positioned all six products. Secondly, the Revo and either side of the electronics to replicate how Cambridge Audio setups do without a CD these compact systems are most likely to be mechanism, while the Ruark and Sonoro are not used and placed one metre apart with the network audio products. To try and compare electronics located in the space in between. All like for like, the test music chosen is all products are supported by a Quadraspire QAVX 16/44.1kHz on all formats so as to make for a rack (HFC 395) and for the systems that require level playing fi eld. This allows CD-based models speaker cabling, terminated runs of The Chord to play a CD-R containing four tracks burned as Company Sarsen cable (HFC 398) are used. A WAV fi les from the FLAC fi les used with Motorola Moto X smartphone and iPad 3 are streaming models supplied by a Melco N1A NAS used for testing the control apps where supplied BLUE MAN GROUP Audio drive (HFC 397) via a wireless network. and for Bluetooth streaming performance. Opening Mandelbrot 16/44.1kHz FLAC/WAV
ARETHA FRANKLIN Aretha Now Say a Little Prayer 16/44.1kHz FLAC/WAV
BLIND LISTENING TESTS high enough to make diff erences consensus, or otherwise then This crucial process is very easily discernible. Then the forms the basis of our sound KAIROS 4TET carefully controlled so that we choice of music is agreed – it quality section. Everything We Hold get reliable and consistent needs to be familiar, but also well At the end of the session, J-Hø From The Block 16/44.1kHz FLAC/WAV results in a relaxed and friendly recorded and of suff icient variety there’s a final debrief when atmosphere. Our listeners must to give meaningful listening panellists discuss their findings. not feel that they’re being tested, comparisons. The chosen It’s an exhaustive process, but despite being unaware of the selection of music is played, and carried out in this way is free brand or price of the products the panellists are encouraged to from prejudices based on brand, they are auditioning. discuss their impressions of the price or appearance, while the The session begins by setting sound of the product. This is then diff erent sensitivities of the the volume level to an agreed repeated, and periodically the listeners help to round out the point, one that all three panellists panel listens to earlier products analysis in order to make it more feel comfortable with, yet that is for reference purposes. The widely applicable.
22 JUNE 2016 Designed for listening
The new CM Series loudspeakers are undoubtedly beautiful, capable of gracing any room with their clean lines and high- quality finishes. But as with all Bowers & Wilkins loudspeakers form must follow function, and thanks to our Decoupled Double Domes and tweeter-on-top technology you won’t believe how beautiful your music can sound. bowers-wilkins.com
Decoupled Double Dome tweeter
MINI SYSTEMS £350-£650 GROUPTEST
CONNECT CONTROL The Minx Xi makes use of the company’s own Connect control app. Available for iOS and Android, this has evolved from a slightly shaky start into a capable and very usable app. As well as allowing standard browsing of a UPnP or connected USB hard drive (the former being a rather slicker experience than the latter), you can also browse the internet radio selection and choose from other external inputs as well as control the volume level. Cambridge Audio Its use with portable devices doesn’t end there either. The Bluetooth dongle is easy to get up and running and proves stable and Minx Xi £400 dropout free in use. Its range isn’t as high as some rivals, but proves perfectly suff icient for normal use. This compact system has a wide range of features, but Finally, Spotify Connect functionality works well for browsing from a how does it perform compared with rivals of the day? smartphone and tablet.
DETAILS his is one of the more control and the small collection of overhang to the bass notes. Aretha long-standing products in buttons. The display is clear and easy Franklin’s rendition of Say A Little PRODUCT Cambridge Audio T this roundup, but a recent to read while managing to convey a Prayer sees the Minx Xi on slightly Minx Xi price cut to £400 brings it useful amount of information too. less happy ground. While the ORIGIN into line with this group and the spec The supplied remote control handset performance as a whole keeps the UK/China is even more tempting at the price. is the nicest in the group, although same sense of scale and drive that the TYPE Described as a Digital Music System, most users will rely on the control Cambridge does well at, there is a loss Integrated amplifier with 24/96-capable the Minx Xi is built around a UPnP app, see box out. of fi ne detail with backing vocals and network streaming streaming section that is capable of instruments that leave Franklin’s WEIGHT handling 24-bit/96kHz fi les via wired Sound quality vocals sounding a little isolated. This 5.8kg or wireless connections and supports This is notionally one of the least is something that really only shows DIMENSIONS internet radio and Spotify Connect. powerful units here and yet it doesn’t itself when listened to alongside some (WxHxD) 270 x 90 x 285mm The system is additionally supplied struggle with volume in practise. of the rival models here. FEATURES with an apt-X-capable USB Bluetooth Indeed, in many respects, it is the Moving onto the Kairos 4tet piece ● Quoted power dongle and connectivity is rounded most powerful and refi ned-sounding J-Hø From The Block sees the Minx Xi output: 2x 40W off with two digital inputs and a pair option on test. With Jack Savoretti’s back on happier ground. The (8ohm) ● Inputs: 3x USB; 1x of analogue stereo inputs. Outputs are Black Rain, the Minx Xi produces a instrumental tonality is excellent and optical digital; 1x limited to a solitary subwoofer out, performance that is big, assured and even with the closely placed speakers coaxial; 2x RCA line which rather restricts futureproofi ng. easy to follow. Vocals are rich and of the test conditions, the performance ● Ethernet; wi-fi; aptX Bluetooth There is a lot to like about the believable and combine well with the is spacious and capable of producing ● 3.5mm design and aesthetics of the Minx Xi, supporting instruments. a soundstage that has logic and order headphone socket though. Of the speakerless units, this This refi nement does mean that to it. It isn’t perfect by any means, but DISTRIBUTOR is the largest and most solid model the Blue Man Group’s Opening coupled with its usefully extensive Richer Sounds here and by far the heaviest. The only Mandelbrot can sound a little less specifi cation and solid build, the Minx TELEPHONE ● 0207 9402200 slightly peculiar element of the design potent than perhaps it should, but the Xi does a great deal right is that the speaker terminals won’t bass extension and general sense of WEBSITE cambridgeaudio. accept a 4mm plug in the end, which space is extremely enjoyable. There is com is an annoyance. The hefty build is a commendable sense of timing and it combined with stable and easy to use manages to exert impressive levels of OUR VERDICT software. It’s easy to set up using a control over the speakers, which helps SOUND QUALITY LIKE: Involving and combination of the volume/jog dial the feeling of agility and avoids any refined sound; solid build; good spec VALUE FOR MONEY DISLIKE: Some lack of fine detail; speaker terminals; no pre-out BUILD QUALITY WE SAY: A very accomplished system that does a number of FEATURES different functions extremely well OVERALL
JUNE 2016 27
MINI SYSTEMS £350-£650 GROUPTEST
CONTROL BUGS The Marantz Hi Fi Remote app is free and off ers full control of the M-CR611, but it is not without its foibles. The speed that the app loads and renders a music library is fairly slow and moving backwards and forwards around the app isn’t completely intuitive either. Another annoyance is that selecting a track in the middle of an album will only play that track and not proceed on through the rest of the album even though the M-CR611 is able to do this via the third-party Marantz ‘Bubble’ app. Elsewhere, the unit’s functionality is excellent. Bluetooth and AirPlay connectivity is stable and sounds M-CR611 £350 good, and CD playback performance is every bit as good as the streaming side. Fingers crossed that Marantz is Looking for a compact music system that’s ultra- able to further tweak the app with future updates to bring it up to the flexible at a great price? This setup could be for you standard of the rest of the M-CR611.
DETAILS ike the Minx Xi, this is one which makes quick adjustment extract the best bass performance in of a number of models that trickier than on other rivals. the test from the partnering speakers. PRODUCT Marantz M-CR611 L has seen a recent price Setup is simple – especially if you As well as having a useful sense of ORIGIN reduction, which now have a WPS-enabled router – and the impact, the bass also manages to Japan/China means that even after you add a pair scrolling display is clear and easy display a pleasing sense of defi nition TYPE of Q Acoustics 3010 speakers, this is to read, if a bit quick at times. The rather than merely being a bit of Integrated CD/ still the most affordable music system remote control is a little on the fussy low-end shove. amplifier system with 24/192-capable here. More impressive still is the fact side, but works well enough and Another strong area is its ability to network streaming that the specifi cation is in many there is also a control app for Android reproduce fi ne detail that aids the WEIGHT respects, superior to anything else in and iOS devices – see box out. believability of the Aretha Franklin 3.4kg the group. You get UPnP streaming piece. Simply put, there is a greater DIMENSIONS that supports PCM fi les up to Sound quality sense of this being a group of (WxHxD) 292 x 111 x 305mm 24-bit/192kHz as well as DSD The good news for the M-CR611 is performers rather than a lead vocal FEATURES 2.8MHz capability, internet radio, that although it does a great many and supporting instruments. Only ● Quoted power AirPlay, Bluetooth and Spotify things, it largely does all of them well. with the fi nal Kairos 4Tet piece does output: 2x 60W Connect, plus DAB+/DAB and FM There is plenty of power on tap and it the Marantz show any real signs of (6ohm) ● Inputs: 1x RCA; radio. Last but by no means least, all never sounds like it is straining to hit weakness and the irregular timing of 2x digital optical this functionality is joined by CD respectable levels. More than this, it the track can sound a little confused ● Ethernet; wi-fi; playback should you want something manages a very effective balance and lacks the assurance that rivals Bluetooth; AirPlay ● 3.5mm a little more conventional. Socketry between sounding exciting without have. Tonality, soundstage and sense headphone socket runs to a pair of optical digital inputs, tipping over into being forward. of energy is extremely appealing, and DISTRIBUTOR an analogue input, A/B speaker With the Jack Savoretti piece, it although it isn’t completely perfect, D&M Holdings switching and an RCA line output. manages to generate a genuine sense the M-CR611 does a fi ne job of TELEPHONE The M-CR611 feels reasonably well of life and presence with Savoretti’s balancing realism and fun across a 02890 279830 assembled, with the points of contact vocals. His supporting guitar is also variety of different musical styles ● WEBSITE like the speaker terminals and impressively detailed and has marantz.co.uk controls feeling solid and logically excellent decay to it. This energy and laid out, although the casework seems life is also useful with the Blue Man a little more lightweight than perhaps Group and the M-CR611 puts in a OUR VERDICT it should. There’s no volume knob on powerful and exciting performance of SOUND QUALITY LIKE: Lively, exciting the front panel, just a pair of buttons, Opening Mandelbrot that manages to and detailed sound; extensive features; VALUE FOR MONEY affordable price DISLIKE: Limited control app; timing BUILD QUALITY could be better WE SAY: A very well equipped unit with a FEATURES sparkling performance at a bargain price OVERALL
JUNE 2016 29 Enjoyed Worldwide.
“The Sigma SSP can be regarded as a superb stereo analog preamp, and all the rest of its bells and whistles as a gift.” “Oh my, what a wonderful system Classé has provided Kal Rubinson, Stereophile, USA with the Sigma range. It shows that audiophile sound is not the sole preserve of stereo and equally that it is not incompatible with reliable and convenient operation.” “It combines the fl exibility of a Swiss Army knife with the precision of a surgeon’s tool in an easy-to-use package. There’s Stephen Dawson, Audio Esoterica, Australia simply not enough room here to even pretend to detail what you can do with this processor. It’s just awesome.” Theo Nicolakis, Audioholics.com, USA “This Sigma system is a huge achievement which everyone must absolutely discover.” Adrien Rouah, Québec Audio & Video, Canada “But most impressive is the sound quality. This is real high-end at a price that must be considered reasonable. And the step up from the traditional home cinema receivers is nothing but huge.” Ludwig Swanberg, HemmaBio, Sweden
www.classeaudio.com Classé — every detail matters. MINI SYSTEMS £350-£650 GROUPTEST
RIPPING YARNS Given the ripping functionality of the X12 is one of its key selling points, the good news is that this is all fairly straightforward. If you insert a CD into it while it is connected to the internet, it will find the relevant metadata for the album (and nothing I’ve tried has defeated it so far) before giving you the option to play the disc or rip the album to the hard drive. You can choose whether to rip individual tracks or the whole disc and you have an option of multiple ripping formats Novafidelity too, although you can’t adjust things like the level of compression applied. Having done this, the ripped material is available for playback on X12 £529 the Novafidelity via the menu system, but additionally the X12 is visible as a server on a network so files stored If you desire a compact system with CD-ripping and on its hard drive can be played on another X12 or indeed on any other a music server, this system is built with you in mind UPnP connected streaming device.
DETAILS f all the devices here, this Sadly, not everything can be accessed little light in the bass compared with is the one that stretches by the dial, so the X12 has a row of some other systems, but what bass PRODUCT Novafidelity X12 O the traditional mini system identically sized and spaced buttons there is here, is well controlled and ORIGIN boundaries to the limit. on the top. The interface is logically has reasonable levels of detail. UK/China While it superfi cially looks similar to laid out considering what it has to do, Where absolute bass response is less TYPE the other speakerless models in the but it feels a little clunky and slow to important, such as with the Aretha Integrated group, it is radically different in terms respond at times. The remote is also Franklin track, the X12 puts in a CD-ripper/server & amplifier with of its specifi cation. Key among the rather congested and unusually, strong showing. The relationship 24/192-capable differences is that the Novafi delity has Novafi delity asks a small fee (£0.79) between Franklin and her backing network streaming a 1TB internal hard drive and can be for its Controller app, but other vocalists and instruments is cohesive WEIGHT used both as a conventional small third-party options are available. and the Novafi delity also does a fi ne 1.75kg audio system and a rip server (see job of avoiding the piece sounding a DIMENSIONS (WxHxD) box out). Additionally it has internet Sound quality little on the thin side. The reasonable 180 x 100 x 150mm radio and Spotify Connect as well as Perhaps the most important aspect tonality is also in evidence with the FEATURES supporting native streaming of Tidal, of the X12’s performance is that it Kairos 4Tet. While it has to give a ● Quoted power Qobuz and Deezer. doesn’t feel like a ripping device being little ground to the best in the test output: 2x 30W (8ohm) Connectivity-wise it does without used outside of its comfort zone. with how ‘right’ some of the ● Inputs: 3x USB; 1x digital inputs, but sports both a There is plenty of power available instruments sound, the X12 manages RCA line. Outputs: coaxial and optical output as well as and thankfully none of the additional to reproduce the erratic time 1x optical; 1x coaxial digital; RCA line RCA stereo out, allowing it to be used elements onboard prevent it from signature with an assurance that ● 1TB hard drive as a line-level head unit if you choose getting to the heart of the music. allows you to relax into the track ● CD ripping to to upgrade in the future. Additional Its performance with the Savoretti and enjoy it for what it is. If the extra multiple formats inputs are limited to USB ports and a track is one of the most energetic and functionality is of interest, there is DISTRIBUTOR Sygnifi Limited solitary RCA stereo input. lively here, with a real sense of drive plenty to commend how it goes about ● TELEPHONE The only detractor to this impressive to the backing bassline. Vocals are making music 01732 765105 haul of abilities is that the X12 feels detailed and well defi ned and it does WEBSITE a little on the crude side. The CD a more than reasonable job of novafidelity.co.uk mechanism is fl imsy and the chassis is creating a believable soundstage. made from plastic and dominated by Opening Mandelbrot shows up that OUR VERDICT a colour screen on the front panel some of this perceived speed and SOUND QUALITY LIKE: Impressive that’s navigated using a jog dial. energy is down to the X12 being a functionality; lively and detailed sound VALUE FOR MONEY DISLIKE: Looks and feels a little clunky; limited bass response BUILD QUALITY WE SAY: Network audio and storage capabilities are FEATURES impressive, but musicality is beaten OVERALL
JUNE 2016 31 2 Xperience SB DC
Th e Ultimate Xperience
Th e 2 Xperience SB DC takes the core design principles Th e new motor is powered by the built-in automatic from one of our most popular turntables of recent years, speed control and fi nished with a precision-engineered and adds a variety of enhancements to achieve a new exposed pulley. performance standard. Th e established 9CC Evolution carbon fi bre tonearm, Th e striking plinth, available in four stylish fi nishes, is with advanced anti-resonance technology and pre- accented by the thick vinyl-topped platter, which spins installed Ortofon 2M Silver cartridge, completes the on a high-quality bearing and accommodates a light package to a true audiophile standard. screw-on record clamp. Available Now for £1,050.00 (UK SRP)
Distributed by Henley Designs Ltd. T: +44 (0)1235 511 166 | E: [email protected] | W: www.henleydesigns.co.uk MINI SYSTEMS £350-£650 GROUPTEST
BALANCING ACT The use of BMR (Balanced Mode Radiator) drivers in the SuperSystem is a relatively unusual one, but makes a good degree of sense given the need to squeeze as much performance as possible from the cabinet. A BMR is eff ectively two drivers in one with a flat panel section that generates high frequencies being placed at the front of a conventional dynamic driver. This has a few key advantages. The traditionally weak bass output of a Revo flat panel is avoided by having a dynamic section and the placement of the two diff erent sections of the driver aids the cohesion between SuperSystem £550 the two, allowing it to function in a manner not dissimilar to a coaxial tweeter assembly. While more A one-box system to appeal to music streaming fans, complex than a single full-range driver, the Revo’s sonics suggest but will its lack of CD leave you feeling short changed? that it is worth the eff ort.
DETAILS s the fl agship product in traditional. I like the combination of between the BMR drivers and the Revo’s range and in terms retro and modern that the styling conventional one is never quite as PRODUCT Revo A of specifi cation at least, encompasses, but there are some seamless as I might have hoped and SuperSystem this setup goes some way oddities. The menu-driven interface is the Blue Man Group exposes this ORIGIN towards earning the ‘Super’ part of its pretty good, but Revo has augmented weakness, leaving the SuperSystem UK/China name. Unlike the other two all-in-one it with swathes of single-function sounding a little sluggish as a result. TYPE systems here, the Revo does without a buttons, which can be confusing. The Moving back to more restrained Music system with built-in speakers CD player but has an impressive display is a good size, but a little dark bass output sees the Revo on happier & 24/48-capable selection of other features up its even on the brightest setting. On the ground with Aretha Franklin more streaming sleeve. The SuperSystem can play plus side, the build and fi nish is enjoyable and sounding warmer and WEIGHT fi les over a network (up to 24-bit/ decent and it comes with both a very fuller than any other model in the 9.8kg 48kHz) over wired and wireless good handset and a capable free iOS test. The SuperSystem manages to DIMENSIONS (WxHxD) connections as well as access internet and Android control app. extract enough detail and sense of 430 x 220 x 165mm radio. Spotify Connect is supported as placement from the recording to FEATURES is aptX Bluetooth. It is well served for Sound quality sound convincing. It might not be ● Quoted power outputs having both optical and The SuperSystem is the one-box unit able to completely match the output: 80W + 40W ● Inputs: 1x optical stereo RCA sockets, but less so for that manages to get the closest to soundstage of the separate speaker digital; 1x 3.5mm inputs with only a 3.5mm jack and achieving the sound of a dedicated units, but it does a better job than you stereo jack optical digital connections. separate speaker system in terms of might expect and the Kairos 4Tet ● Ethernet; wi-fi; aptX Bluetooth It also differs from the other scale and impact. It gets stuck into performance is lively and rich with ● 3.5mm products here in that it uses a pair of Black Rain with conviction and the enough impact to convince. Despite headphone jack BMR drivers for the bulk of its audio use of BMR drivers gives it an some design niggles, the Revo is a DISTRIBUTOR reproduction (see box out), powered impressive cohesion across the pleasing performer across its wide Revo by an 80W (claimed) Class D frequency response that makes its variety of functions and makes a very TELEPHONE ● 01555 666161 amplifi er. Bass performance is handling of Savoretti’s vocals and talented all-in-one system augmented by a single downward- guitar very easy to listen to. WEBSITE revo.co.uk fi ring conventional driver, driven by Where this cohesion suffers is with its own amplifi er rated at 40W. more bass-heavy material. The Revo Available in fi ve different fi nishes, has no shortage of bass energy – it is OUR VERDICT the American walnut with black the best of the single-chassis devices SOUND QUALITY LIKE: Excellent feature supplied here is perhaps the most in this regard, but the integration set; rich and involving sound; decent build VALUE FOR MONEY DISLIKE: Slightly congested bass response; some BUILD QUALITY interface niggles WE SAY: A clever take on the all-in-one FEATURES system that delivers a big sound OVERALL
JUNE 2016 33 Everything you need. Nothing you don’t.
Music brings us so much joy. An audio system shouldn’t reduce music’s unique DLNSHNM@KR@SHRE@BSHNMVHSGTMMDBDRR@QXBNLOKHB@SHNM@MCRTODQkTNTR ODQENQL@MBD QNAAHMFED@STQDR 1NSDKRMDV1 2SDQDN(MSDFQ@SDC LOKHjDQBNLAHMDROQNUDM @M@KNFCDRHFMVHSG@CU@MBDCCHFHS@KBHQBTHSRSNAQHMF@KKNEXNTQE@UNQHSD@QSHRSRSNKHED VHSGRTQO@RRHMFjCDKHSX (SR@ONVDQETKV@SSRODQBG@MMDK"K@RR !@LOKHjDQ GHFGKXQDjMDCOQD@LOKHjDQ@MC#HFHS@KSN M@KNFBNMUDQSNQSTBJDCADGHMC @SHLDKDRRQTRGDCLDS@K TRDQ EQHDMCKXEQNMSO@MDK 6GDSGDQXNTBGNRDSNKHRSDMSN BK@RRHBUHMXK+ / R UH@XNTQRL@QSOGNMDNQS@AKDS NQJ'YAHS/" 42!CHFHS@K RSQD@LR SGD1 S@JDRXNTRSQ@HFGSSNSGDGD@QSNE@LTRHB@KODQENQL@MBD 6HSGNTSBNLOQNLHRDNQBNLOKHB@SHNM
6@MSSNjMCNTSLNQD@ANTSGNVVDCNHS 5HRHSVVV QNSDK BNL4*SNjMCXNTQ nearest authorised Rotel retailer.
ROTEL.COM MINI SYSTEMS £350-£650 GROUPTEST
RADIO STAR It is a shame that the R4 Mk3 lacks the ability to access internet radio services because listening to the DAB/FM tuner reveals that it’s a truly fantastic partner for radio, especially spoken-word material. The low-end extension and the 3D Enhanced Stereo Sound mode combine to do a fantastic job of making voices sound extremely natural while demonstrating a believable relationship to one another. With the FM Radio 4 signal in particular, the Ruark is a rather lovely Ruark Audio device to spend an afternoon with. Not everything is quite so pleasant, however. The Bluetooth reception is the most unstable on test and there R4 Mk3£650 are minor jumps and dropouts even at fairly short ranges and with the transmitting device stationary. This is Can the one-box system specialist deliver a knockout annoying because the sound quality of Bluetooth – in keeping with blow to the competition at this higher price? everything else – is generally good.
DETAILS s the name suggests, the wood surrounds are available to the balance begins to make a great R4 Mk3 is a revision of complement the silver front panel. deal of sense. There is enough bass PRODUCT Ruark Audio A a design that dates back Control-wise, it uses a sort of to make this slightly lean recording R4 Mk3 some years. Its longevity augmented jog dial for operation sound warmer and fuller, which ORIGIN might go some way to explaining the which works well and is attempted in might not be entirely accurate but UK/China specifi cation, which along with the a similar way on a smaller scale on certainly makes it a pleasant listen. TYPE Sonoro (p37) includes a CD player, the supplied remote, but isn’t quite so It is with the fi nal Kairos recording CD music system with built-in making this one of the most effective. The display is the best in the that the Ruark shows off another trait speakers & conventional one-box systems here. group and is clear and easy to read, that sets it apart from rivals here. Bluetooth The R4 Mk3 is not a network- although it doesn’t show as much With its 3D Enhanced Stereo Sound WEIGHT capable product, but has DAB+/DAB information as some rivals. mode selected, the R4 does an 7kg and FM radio, aptX Bluetooth, a pair incredibly effective job of making the DIMENSIONS (WxHxD) of analogue line inputs and a single Sound quality unit sound less like a single-point 440 x 140 x 250mm optical input. USB connections are The Ruark is an interesting product source than any other one-box design. FEATURES also fi tted, but these are for playback sonically and very much stands out Granted, it doesn’t sound completely ● Quoted power from USB sticks and charging devices for having its own house sound. From natural but equally it doesn’t distract output: 80W ● Inputs: 2x RCA rather than for accessing music fi les. the opening bars of Black Rain, it signifi cantly from the way that it goes line; 1x optical This might all seem a little demonstrates a surprising amount about making music. The R4 Mk3 digital; 1x USB underwhelming for the most of low-end heft. Guitar notes have a might be the most expensive system ● AptX Bluetooth ● DAB+/DAB/FM expensive product here, but there are weight and presence that is attention in this month’s roundup, but listening tuner some clear signs where the money grabbing and Savoretti’s voice is to it highlights just how carefully DISTRIBUTOR has been spent. The Ruark model possessed of the same weight. The Ruark has evolved the design into a Ruark Audio ignores the notional benefi ts of Class Blue Man Group tracks sees the clever and capable all-in-one system. TELEPHONE D amplifi cation for an 80W (claimed) system in its element, with a seriously For fuss-free listening, it makes an 01702 601410 Class A-B amplifi er with discrete weighty and energetic performance awful lot of sense ● WEBSITE components, which is unusual in a that is great fun. ruarkaudio.com single-chassis device. These power Against this rather unexpected heft, a pair of speakers augmented by a the top end of the Ruark can appear downward-fi ring bass speaker. a little recessed, but this is simply OUR VERDICT The chassis feels solid and well because the bass can be rather SOUND QUALITY LIKE: Excellent build; assembled, and white, black and dominant. With Say A Little Prayer, big and involving sound; attractive VALUE FOR MONEY design DISLIKE: Pricey; slightly limited spec; BUILD QUALITY can sound artificial WE SAY: A slick and entertaining listen, FEATURES albeit at a higher price
OVERALL
JUNE 2016 35
MINI SYSTEMS £350-£650 GROUPTEST
BACK TO NATURE No review of the Sonoro would be complete without further investigation of the built-in sounds designed to aid relaxation. Push the Relax button on the handset and the Sonoro gives you the choice of ocean waves, bird song, whale music, falling rain, an open fire and wind chimes. Ignoring for a second that not all of these sounds are going to be considered entirely relaxing by everybody – the wind chimes in particular are somewhat jarring and Sonoro the birds have a faintly Hitchcockian quality to them – the eff ect is more impressive than you might expect. Sonoro has installed some good- SonoroStereo £539 quality files for the sounds and the ocean waves, falling rain and open fire all sound pretty convincing. The Sonoro’s take on the small audio CD system has a ambient sounds can also be selected for use as alarms, which makes a little few surprising design decisions up its sleeve more sense to us.
DETAILS lthough it has been active assembled casework with a good doesn’t seem to be related to the in the UK market for quite sized and easy to read display. Special volume levels or DSP settings as PRODUCT Sonoro A a few years now, Sonoro mention should be to made to its reducing the volume doesn’t really SonoroStereo maintains a relatively low ‘Relax’ function that plays a selection help to eradicate the hardness, while ORIGIN profi le. The German brand makes an of pre-loaded ambient background conversely upping the bass and treble Germany/China interesting range of compact audio sounds (see box out). leaves it sounding a little disjointed. TYPE systems of which the SonoroStereo The midrange fares better here and CD music system with built-in is the largest and offers a fairly Sound quality the appealing presentation manages speakers & conventional specifi cation. Like The Sonoro might not be as powerful to portray an impressive amount of Bluetooth the Ruark offering overleaf, it is built as some rivals, but its performance information in a way that is spacious WEIGHT around a CD mechanism (that can doesn’t suggest that it is in any way and easy to follow. 5.9kg also read MP3 and WMA fi les) rather underpowered. The way it goes about The Kairos track sees the Sonoro DIMENSIONS (WxHxD) than a streaming system. reproducing Black Rain shows no back in a happier place, handling 450 x 153 x 235mm The rest of the features are similarly signs of strain or lack of headroom instruments with real ability and FEATURES conventional with a DAB+/DAB and and across the full expanse of the managing to sound bigger than its ● Quoted power FM radio partnered with an aptX midrange, the performance is rich limited one-box dimensions would output: 2x 20W + 40W capable Bluetooth input and a and impressive. The handover suggest. That impressive integration ● Inputs: 1x RCA; selection of USB ports for reading between the forward-fi ring drivers between the drivers is apparent as it 1x 3.5mm mini-jack; memory sticks and charging mobile and the subwoofer is entirely does a fi ne job with the timing of the USB ● AptX Bluetooth devices. Where the Sonoro starts to seamless, but at frequency extremes, complex shifting bassline even though DISTRIBUTOR look a little weak is that it has no it is less assured. The Blue Man absolute bass depth is a little limited. One Product Ltd form of digital input and is limited Group’s ferocious percussion is Overall, though, this is a slightly TELEPHONE to just an RCA stereo and a 3.5mm rendered somewhat toothless. It has frustrating showing from the 0115 8240299 stereo jack input. A stereo RCA output no trouble with the speed of the SonoroStereo system as frequency WEBSITE is included, however. piece, but there simply isn’t the grunt extremes tend to let it down ● sonoro.de The single-box unit is fi tted with that the track manages to convey on two 3in full-range drivers augmented the Ruark Audio or Revo units. by a single downward-fi ring 4in Conversely, Say A Little Prayer sees subwoofer as well as offering bass Franklin’s vocals take on a slightly OUR VERDICT and treble adjustment settings. All of hard quality that isn’t terribly SOUND QUALITY LIKE: Smooth, well this is wrapped in handsome and well appealing. More problematically, this integrated midrange; handsome looks and VALUE FOR MONEY solid build DISLIKE: Lacks refinement at BUILD QUALITY frequency extremes; limited specification WE SAY: A decent FEATURES system, but out- performed by rivals OVERALL
JUNE 2016 37 MINI SYSTEMS GROUPTEST £350-£650
Group test verdict The verdicts are all in and checked and it’s over to system addict Ed Selley to reveal the final results of this month’s mini systems test
AS MIGHT BE expected, the server facilities are impressive and powerful and refi ned across a wide all-in-one systems cannot challenge give the X12 a wider appeal. spread of music. Strong build and the separate speaker models in terms The Ruark Audio R4 Mk3 and an impressive control app add to of absolute sound quality even with Cambridge Audio Minx Xi are much what is a very capable system. WINNER the constrained position of the more assured all-round products and The Revo SuperSystem never speakers for critical listening. But the warrant recommendation. While it is quite shakes off a slight lack of bass The Marantz M-CR611 gap is closer than might be expected, possible to criticise the Ruark Audio integration, but it manages to takes the top spot for its and we can consider this test in for its artifi cial sound at times, it is sound big and refi ned and consistently enjoyable opposing pairs. The Sonoro and enjoyable to listen to and manages to thoroughly entertaining. The performance combined with the best overall Novafi delity are both accomplished sound bigger than many all-in-one specifi cation is excellent and it’s specification while units, but shortcomings to the systems do. It’s the most costly largely easy to use and has a offering the lowest Sonoro’s performance at frequency solution here, but when you throw in comprehensive control app. Add price in the test – even extremes and its limited spec count the handsome looks and solid build, the handsome looks and one of the with speakers added. against it. The Novafi delity has a it makes more sense. The Minx Xi most fl exible all-in-one systems at Control app flaws aside, slightly fragile build and clunky user is an extremely well thought out the price, and the Revo ranks as the this is the best all-round combination here. interface, but the ripping and network streaming system that sounds both best one-box system in the test.
Make/model Cambridge Audio Marantz Novafidelity Revo Ruark Audio Sonoro Minx Xi M-CR611 X12 SuperSystem R4 Mk3 SonoroStereo
Price £400 £350 £529 £550 £650 £539 Sound Value Build Features Overall , An accomplished A well-equipped unit Network audio and A clever take on the A slick system with A decent system, but system that does a with a sparkling storage capabilities all-in-one music an entertaining it’s beaten by rivals number of different performance at a are impressive, but system that delivers listen, albeit at a and the nature sounds functions very well bargain price musicality is beaten a big sound higher price are too gimmicky
Key features
Streaming 24/96 24/192 24/192 24/48 No No
CD player No Yes Yes & ripper No Yes Yes
Radio Internet Internet/DAB+/FM Internet Internet/DAB+/FM DAB+/FM DAB+/FM
AirPlay No Yes No No No No
Bluetooth Yes (aptX support) Yes No Yes (aptX support) Yes (aptX support) Yes (aptX support)
TRY WITH THESE
STANDMOUNT LOUDSPEAKERS: HI-RES PORTABLE LOUDSPEAKER CABLE : Q Acoustics 3010 £140 PLAYER: The Chord Company The smallest member Pioneer XDP-100R Sarsen of the 3000 Series £500 HFC 407 £8/m HFC 398 loses none of the The Pioneer is a fantastic The Sarsen combines a qualities of its bigger portable audio player and usefully small cross section – brethren. Easy to drive thanks to its Bluetooth that should be easy to and unfussy about functionality can be used hide away if required – placement, it is a to stream Bluetooth with a performance that fine choice to get the services like Tidal to the is tonally natural and very best out of the Marantz. You can even impressively full in terms Marantz M-CR611 run the control app on it. of depth and scale.
38 JUNE 2016 Sevenoaks Smart Home Great value home automation and home entertainment, including Ultra HD TV, hidden speakers, multi-room audio and home cinema. Plus we will come to your home for a FREE no obligation consultation.
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£599 NAIM • MU-SO QB OR LESS WIRELESS MUSIC SYSTEM SONOS • PLAYBAR New compact wireless music SOUNDBAR & WIRELESS SPEAKER system. Its advanced yet simple to use This plug-and-play unit incorporates 9 integrated PANASONIC • DMP-UB900 connectivity includes Spotify Connect, TIDAL, amplified speakers. Simply connect it to your TV with 4K UHD BLU-RAY PLAYER UPnP, Internet Radio, USB, analogue and digital the supplied optical cable to deliver an epic home Premium player that features playback of Ultra HD inputs. Supports WAV, FLAC and AIFF files up to cinema sound in your own living room. PLAYBAR can 4K Blu-ray discs, HDR playback and 4K content 24bit/192kHz. Optional orange, red or blue grille £49.95 also expand your existing Sonos system. from Netflix and other streaming providers.
HiFi for a wireless generation 5 YEAR WARRANTY BLUESOUND HI-RES WIRELESS MUSIC SYSTEM Take hi-fi to new heights with Bluesound’s next generation. Features improved wi-fi performance, more digital and analog connectivity options and Bluetooth aptX along with support for premium music services like Tidal and Spotify. Prices from £269
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click & collect NOW AVAILABLE www.SSAV.com £449 £249 5 YEAR £249 NEW OR LESS WARRANTY OR LESS OR LESS
NAD • C 556 • TURNTABLE SONY • PS-HX500 • USB TURNTABLE Time to enjoy vinyl collections with extraordinary quality! The PS-HX500 is equipped with a high-quality A/D convertor. With a minimalist design, the C 556 turntable offers accurate FLEXSON • VINYLPLAY • DIGITAL TURNTABLE So just connect it to your PC with a USB cable and record reproduction by using performance-focused parts and Gives the best-of-both-worlds: an excellent record player that’s your vinyl as High-Resolution Audio tracks. This is a great components that put music fi rst. easy to use and can be simply integrated into a streaming system. way to backup your precious vinyl collection.
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PRO-JECT • ESSENTIAL II • TURNTABLE PRO-JECT • 1 XPRESSION CARBON UKX • TURNTABLE PRO-JECT • 2 XPRESSION DC ACRYL • TURNTABLE Entry-level “plug’n’play” two speed turntable with single piece With its Carbon armtube and supplied Ortofon 2m Silver cartridge, Based on the 2 Xperience with upgraded motor control and a high- aluminium tonearm and pre-fi tted Ortofon OM5e cartridge. the 1 Xpression Carbon UKX sets new standards in its price range. end 9cc Evolution carbon fibre tonearm for improved performance.
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ARCAM • FMJ CDS27 / FMJ A29 • CD / AMPLIFIER AUDIOLAB • 8300CD / 8300A • CD / AMPLIFIER MARANTZ • CD6005 / PM6005 • CD / AMPLIFIER Introducing Arcam’s audiophile Class G integrated amplifi er The 8300CD improves upon its illustrious predecessor and delivers Replacing the 6004 models, the 6005 amp gains digital inputs and SACD/CD player with Network streaming up to 192/24 even better performance while the 8300A includes radically using the same 24-bit/192kHz DAC as the CD player which now for class leading sound quality. redesigned circuitry and a high-performance phono stage. features enchanced USB playback and improved performance.
£199 SAVE £2245 £1299 5 YEAR NEW OR LESS £50 WARRANTY OR LESS OR LESS
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NAD • C 516BEE / C 316BEE • CD / AMPLIFIER NAIM • CD5 XS / SUPERNAIT 2 • CD / AMPLIFIER ROKSAN • K3 • CD / AMPLIFIER Received an outstanding product award from Hi-Fi News CD5 XS uses developments from Naim’s more costly CD players New integrated amplifier with aptX Bluetooth, a phono input plus magazine who descrided the C 316BEE is an “absolute barn- and when combined with the SUPERNAIT 2 it simply delivers five additional line inputs for other sources. The K3 CD Di player is stormer of an amplifi er”. The C 516BEE is the perfect partner. dynamic, detailed and engaging music that can’t fail to move you. the perfect match for the K3 amplifer. Three finish options available.
£399 B&W • P7 GRADO • SR325e £SSAV HEADPHONES HEADPHONES .COM NEW OR LESS £329 £299 OR LESS OR LESS ASTELL & KERN AK Jr PORTABLE HI-RES AUDIO PLAYER The AK Jr gives everyone the MARANTZ • M-CR611 • CD/STREAMING SYSTEM opportunity to comfortably listen to The M-CR611 is a superb performer, reproducing excellent CD- high resolution audio, supporting audio, FM, DAB/DAB+ and Network files. Supports 192kHz / 24-bit 24bit/192kHz and DSD fi les while high-resolution files, 2.8MHz DSD files and Gapless playback. fi tting comfortably in your pocket.
£2055 £499 NAD • VISO HP30 SENNHEISER OR LESS NEW OR LESS HEADPHONES MOMENTUM 2.0 WIRELESS HEADPHONES
£169 £379.95 PIONEER • XDP-100R OR LESS OR LESS PORTABLE HI-RES AUDIO PLAYER NAIM • UNITI LITE WITH BLUETOOTH The Hi-Res XDP-100 digital audio player ALL-IN-ONE STREAMING SYSTEM from Pioneer is the right travel partner Combines an integrated amplifi er, CD player, DAB/FM tuner, for demanding music fans. It plays internet radio, iPod dock, digital-to-analogue converter and high Hi-Res WAV and FLAC fi les with Studio resolution 24bit/192kHz capable network stream player. Master resolutions of up to 24bit/384kHz Features TIDAL, Spotify Connect and Bluetooth aptX connectivity. and DSD fi les of up to 11.2 MHz.
click & collect NOW AVAILABLE www.SSAV.com BOWERS & WILKINS • 685 S2 PMC • TWENTY.23 Q ACOUSTICS • 3050 At home on a stand, wall or book- The fi rst and overwhelming impres- The fl agship 3050 is the perfect shelf, the versatile 685 S2 is ideal sion of the Twenty.23 is an open, speaker for larger rooms, for stereo and home theatre uses engaging and communicative speaker. boasting ultra-low levels of in most rooms. And performance Its size defi es both the depth of bass distortion, typically found of is enhanced with the addition of a and scale of presentation by taking speakers costing three or four Decoupled Double Dome tweeter. any music or fi lm material in its stride. times its price. The sound is vivid and dynamic and £499 delivered with authoritative bass. £499 OR LESS OR LESS
Price excludes stands £2425 3050 Standard fi nishes • Premium fi nishes £649 OR LESS
BOWERS & WILKINS MONITOR AUDIO PSB CM10 S2 GOLD 200 IMAGINE X1T The fl agship fl oorstanding Amazing scale and impressive A deceptively slim and discreet speaker of the CM Series sets a dynamic control are available from fl oorstanding design, the Imagine new standard for performance. this slender three-way design, X1T has wide bandwidth and high It combines technologies comprising ribbon tweeters, twin SPL output capabilities that defy taken from across B&W’s 5.5” bass drivers and a 4” mid- its modest size. Features identical ranges. The result simply range driver, which is housed in a 5 1/4” woofers plus a one-inch sounds and looks beautiful. dedicated enclosure. pure titanium dome tweeter. £2999 £2299 £749 5 YEAR OR LESS OR LESS OR LESS WARRANTY
KEF • LS50 MONITOR AUDIO Q ACOUSTICS An innovative concept derived BRONZE 2 3020 from the legendary LS3/5a. The Bronze 2 builds on the Replacing the award-winning Rarely the case in such a strength of its predecessor’s 2020i speakers, the 3020 compact design, the LS50 audiophile credibility with a incorporates numerous monitor delivers a rich, multi- neutral tonal balance and high improvements including a dimensional ’soundstage detail resolution combined revised cabinet with wool fi bre experience’ that is out of all with high overall effi ciency and damping plus new bespoke proportion to its size. power handling. drive units.
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GLOSS RED NEW GLOSS BLACK GLOSS THE WIRELESS Hi-Fi SYSTEM £499 WHITE OR LESS MATT The Sonos Wireless HiFi System delivers BLACK all the music on earth, in every room, with NEW warm, full-bodied sound that’s crystal clear at any volume. Sonos can fi ll your home with music by combining HiFi sound and rock-solid wireless in a smart system that PODSPEAKERS • MIINIPOD BLUETOOTH • SPEAKERS is easy to set-up, control and expand. Ideal for large areas or where volume is required to make an impact, the MiniPod can be placed on a desk or shelf using the PRICES FROM £169 supplied spikes or wall mounted with the optional bracket.
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ADVERT VALID UNTIL 06/07/2016. E&OE SENNHEISER EXOTICA HD 800 S £1,200
42 JUNE 2016 SENNHEISER HD 800 S £1,200 EXOTICA
DETAILS plug, and a balanced lead terminated in a four-pin male XLR plug. At the PRODUCT Sennheiser headphone end both divide to form a Breaking HD 800 S Y-cable that connects separately to ORIGIN each capsule via the same push-fi t Germany connectors used in the 800. TYPE Accessories include a microfi bre Over-ear, open- back headphone cleaning cloth, a drawstring soft bag the mould WEIGHT for the spare cable and a USB fl ash 330g drive, which carries the individual FEATURES frequency response of the headphone ● 56mm dynamic it’s supplied with. With its HD 800 S variant, Sennheiser is drivers ● Quoted sensitivity: Headband resonance is something aiming to stay at the top of the tree for 102dB/mW Sennheiser took seriously from the ● 3m cable with outset with the HD 800, combining sound quality, HFC listens in 6.35mm jack metal with an ‘inner damping DISTRIBUTOR Sennheiser UK element’, and it’s unquestionably effective. Comfort is high too despite TELEPHONE ne of the problems of Just how different are the 800 and 033 2408185 the thin earpads, and sealing to the being a long-established 800 S? Cosmetically nothing has WEBSITE head is good regardless of the modest stalwart of any industry changed, but for the exterior metal en-uk.sennheiser. clamping force. O com is that you become risk parts of the S’ capsules having a matt averse and conservative. We have no black rather than a silver fi nish. As Sound quality insight into what happens in the before, stainless steel gauze and Most of the listening is conducted Sennheiser boardroom, of course, engineering plastic feature in the using a Teac HA-501 headphone but as outside observers it seems that construction and the 56mm driver amplifi er. But this offers only this is what happened to the company remains, says Sennheiser: “The unbalanced connections and in the noughties. Back in 1968 largest ever used in dynamic we’re keen to assess what, if any, Sennheiser recast everyone’s notion headphones”. Nominal impedance improvement is wrought by using the of the headphone when it introduced is unchanged (a high 300ohm) and 800 S in balanced mode, so Teac’s the ground-breaking HD 414, a the specifi ed sensitivity likewise. UD-503 is also pressed into service. design that was light and compact, What has changed, if only slightly, is This offers a balanced connection but sat on the ear rather than around it, the frequency response – according to via twin 6.35mm jack sockets, so we was open-back and had gaudily Sennheiser, the S has a little more have to solder up a short adapter coloured foam earpads. output below 150Hz and a little less lead. In this mode the UD-503’s Some 35 years later the HD 850 around 6kHz. Also new is the use of internal DAC is used, feeding signals was Sennheiser’s top-of-the-range a revised absorptive material within via USB from Teac’s own software headphone model and seems, in the capsules, which is presumably player running on a Windows 7 retrospect, to have encapsulated the responsible for the frequency desktop PC. company’s torpor. Then, in 2009, response change in the treble. Plus The HD 800’s stock in trade was Sennheiser provides two connecting precision, and the S is no different. Has a tonal balance leads for the S, both featuring Cosmetically, But this is not the oddly lifeless silver-plated OFC conductors and you’ll struggle precision of the old HD 850, for the that’s as close to to spot the ‘para-aramid reinforcement’. These differences HD 800 S, on the end of worthy neutral as I’ve heard are an unbalanced lead, as in the HD between the 800 ancillaries, is full of life and 800, terminated in a 6.35mm jack and the 800 S engagement. And it has a tonal from a headphone
Sennheiser rediscovered its mojo with the HD 800 (HFC 324), joined now by the £1,200 HD 800 S, a breathed-on version that offers the option of balanced connection. Lifting the HD 800 S out of its presentation case, we’re reminded just what a surprise the HD 800 was when it fi rst appeared. It was so obviously a clean-sheet design with a bold, modern appearance quite unlike anything we’d seen from Sennheiser before. And its sound reinforced the sense that its engineers were on a mission to throw off old shackles and establish a new benchmark. Even though it is now over seven years old, the HD 800 still looks fresh and original, and with the S variant, Sennheiser is aiming to keep it at the top of the tree for sound quality too.
JUNE 2016 43 SENNHEISER EXOTICA HD 800 S £1,200
Q&A IN SIGHT Linda Irvin 1 56mm dynamic Product manager (UK & Nordics), drivers Sennheiser 2 Microfibre-covered earpads
3 3m detachable cable connects to port here
2
HFC: Given the success of the HD 800, what was Sennheiser’s goal for the HD 800 S? LI: At Sennheiser, we are always pushing the boundaries in the pursuit of the perfect sound. The goal here was to raise the bar even further and make the flagship headphone sound even better and we are confident we have achieved this. The HD 800 S is 1 3 a line extension, the HD 800 has attracted a huge fan base – so we will continue to produce these as well going forward. balance that’s as close to neutral as the insistent rhythmical energy from we’ve ever heard from a headphone. the piece. With the covers removed What are the key differences of the Let’s deal with the balanced versus the sound opens up and the energy HD 800 S and how do these unbalanced issue straight away. We level increases, but harshness is still contribute to the overall comfort begin listening using the Teac UD-503 kept at bay. Other tracks fl y by in a and long-term listening enjoyment? to compare the two connections and fl urry of expressive precision. The The HD 800 S is the result of come away with a distinct preference opening movement of Pierre Boulez’s extensive research to further for the unbalanced option, which is Notations reveals highly believable optimise our reference class in wired crisper and more informative. piano just as a 16/44 download of headphones. We are using patented In memory of Keith Emerson we Drumkit Quartet #1 by Glenn Kotche shock absorber technology to minimise peaks and ensure that the turn to Lucky Man, ripped from the showcases its ability to reproduce sound is more well balanced – this is remastered version of the fi rst, thumping bass alongside delicately something we first tried successfully eponymous ELP album. There’s a resolved treble percussion. with our award-winning IE 800 shortfall in resolution over the QUESTION ear-canals. We have also added in a OF BALANCE balanced connection and via the Conclusion balanced cable with XLR4 connector unbalanced link Greg Lake’s guitar Sennheiser hasn’t done a great deal to to maximise overall performance When the HD 800 was contributions are clearer, and the HD 800 to turn it into the HD 800 when used with our HDVD 800 amp. developed, balanced Emerson’s famous synthesiser solo S, but when you already have a fi ne The design has been updated to a headphone wiring was grumbles and soars in a more product it’s important to be careful not yet a fashion. Now new smart matt black finish. In it is, Sennheiser has convincing fashion. not to over cook it. Sennheiser has essence, the HD 800 S allows the clearly decided its top This doesn’t mean that balanced been subtle and the result is that the listener to enjoy the very finest sound dynamic model has to connection won’t give a superior HD 800 S easily earns a place at the nuances, with a smoother transition accommodate it. But result. In other circumstances, it might, top table alongside the very best across the entire frequency spectrum. is it only a fashion, or but having two amplifi ers per channel headphones on the market. It isn’t more than that? Has always raises the possibility of sound artfully euphonic, just honest, capable There’s clearly a trend for balanced Sennheiser embraced it or has its arm been quality being degraded rather than and, above all, highly enjoyable ● headphone wiring on upmarket improved. For the remainder of the models right now, but what sonic twisted by market developments? The listening we revert to an unbalanced benefits does this bring over latter’s a rhetorical feed from the HA-501. conventionally wired designs? question, but the We recall that the original HD 800 In simple terms, using balanced OUR VERDICT former could barely be sounded better with the dust covers cables between devices or more fundamental to SOUND QUALITY LIKE: Neutral tonal components of a headphone audiophile headphone removed from inside the capsules, balance; unbalanced listening system filters out or buyers, whose choice and feel duty bound to try it with the performance VALUE FOR MONEY minimises overall noise. In our of both headphone and S. We’re glad we do because the DISLIKE: Balanced amp is circumscribed if connection isn’t as opinion this offers a better, stronger sound is vastly superior. One of the good as unbalanced balanced operation is a and cleaner signal. tracks to best demonstrate this effect BUILD QUALITY feature worth having. WE SAY: Subtle fine We’re unconvinced of is Rassa, Tan Creis E Monta E Poia tuning of an already impressive headphone from the Martin Best Ensemble’s The EASE OF DRIVE the relevance of has resulted in a truly balanced wiring’s Last Of The Troubadours, which is stunning product benefit in the case of frenetic, and diffi cult to reproduce OVERALL headphones, but as without becoming harsh. With the always, we’re prepared dust covers in place, the 800 S avoids to be proven wrong. harshness, but seems to sap a little of
44 JUNE 2016 3050 FLOORSTANDER
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BEAUTIFULLY ENGINEERED SOUND ELAC REVIEWS DEBUT F5 £599
46 JUNE 2016 ELAC DEBUT F5 £599 REVIEWS
DETAILS the Q Acoustics 3050 (HFC 398) do PRODUCT better with their sumptuous piano Elac F5 lacquer black or white cabinets. Floor your ORIGIN Another minus is the lack of neat USA/China magnetic fi xings for the grille. In my TYPE listening room, I fi nd they work best a 3-way floorstanding good distance from the boundary wall loudspeaker – at least 50cm, toed-in a few degrees. WEIGHT pleasure 14.9kg DIMENSIONS Sound quality (WxHxD) The sizeable Debut F5 sounds like it Elac’s Debut F5 floorstander is simply 200 x 965 x 222mm looks – which is to say, impactful and FEATURES large in scale. Animated and dynamic, ● 1x 25mm soft seismic, says David Price dome tweeter you wouldn’t say it is the most subtle ● 1x 130mm mid/ of speakers, and nor is it the most bass driver sophisticated, but it stands out ● 2x 130mm bass he story so far – German cabinet volume. This tends to make drivers sonically from the crowd. Indeed, loudspeaker manufacturer the speaker easier to drive, but this ● Quoted sensitivity: there are strong family similarities to T of many years’ standing relatively big box offers a rather poor 85.5dB/1W/1m the sound of the B6 that I reviewed hires British speaker (quoted) sensitivity of 85.5dB. This DISTRIBUTOR last month. Small but with a big heart, design wunderkind Andrew Jones. suggests Andrew Jones has worked to Hi-Fi Network it’s a hoot to listen to, as is the F5. TELEPHONE Formerly of KEF, and latterly of TAD, make the speaker an easy load, rather 01285 643088 As you would expect, it adds depth Jones is tasked to provide Elac with than give it the ability to go loud with WEBSITE and breadth to this basic template, on serious speakers in a part of the just a few watts – you can’t do both. elac.com account of the extra cubic inches its market where the German company Elac says it is 6dB down at 42Hz, cabinet sports, and the larger volume has never traditionally been strong. which means lower bass than most of air that those extra woofers can Designed in Cypress, California and small fl oorstanders. The 130mm shift. Unsurprisingly perhaps, its bass built in China, the Debut range was woven Aramid fi bre woofers response is deeper and its low- launched at the end of 2015, to wide crossover to the same-sized mid/bass frequency performance sounds more critical acclaim. Indeed I really liked at a low 100Hz, and this hands over articulate and less compressed. Still, the B6 standmount (HFC 407), and to the treble unit at 3kHz, Elac says. the designer has not gone for quantity was impressed by how effectively Elac The 25mm cone tweeter has a metal over quality; it’s not overpowering or had entered the most competitive front plate for protection. The designer boomy in any way, which might limit part of the speaker market. It proved recommends it is used with amps rated showroom appeal slightly but makes between 20W and 120W RMS per it more enduring over the long term. It sounds crisp and channel – I say the more the merrier. There’s little sense of an upper bass Considering its price, the F5 peak, either – the speaker stays decently detailed The finish is presents itself reasonably well in its rather utilitarian, reasonably fl at and doesn’t unduly yet dynamic and unusual black brushed vinyl fi nish – but performance exaggerate things low down. but if we’re being critical, rivals like is anything but This helps it to integrate nicely with punchy too the midband, and here we have a similar feel to the B6. It sounds crisp exceptionally musical and highly and decently detailed yet dynamic skilled at hiding its tracks – there was and punchy too. The F5 doesn’t no sense that you were listening to attempt to be the most detailed something that cost less than many and forensic sounding in its class, people spend on speaker cable. It has preferring to give a sound with wider a clean and crisp sound with a lively appeal. Everything integrates well and expressive nature. All well and and there’s little sense of listening to good then, but what about the bigger more than one speaker at a time. It’s beasts in the range? very good at throwing wide stereo The F5 is the entry-level fl oorstander images, pushing out a wide recorded in the Debut lineup. It’s a big box for acoustic inside which the various the money, and is not unattractive to elements of the mix sit with a good look at. It employs the same family of deal of space between them. Indeed it drive units, all bespoke designed and gives a most expansive rendition of built for Elac, but runs as a true Harold Budd and The Cocteau Twins’ three-way loudspeaker. The two The Moon And The Melodies, fi lling the lower drivers work as woofers, wired room with ease. This is a rather dense in parallel, where the upper large recording, and tonally a little cold, driver is the mid/bass unit, and on yet Sea, Swallow Me proves suitably top of that is the tweeter. Being a soaring and ethereal. As with the B6, three-way confers real benefi ts over a the speaker is more concerned with two-way. The downside is that there’s the timing of the music, and the more to go wrong. counterpoint between Budd’s Just as with its sister standmounters, melancholic piano work and Robin the F5 uses a bass-refl ex port to Guthrie’s distinctive processed guitar. provide deeper low frequencies than Interestingly, feed it a quite different you would otherwise get, given the type of recording, and it proves no
JUNE 2016 47 ELAC REVIEWS DEBUT F5 £599
IN SIGHT Q&A delicacy. This sultry jazz standard Andrew Jones 1 1 25mm soft pulls me right into the zone. VP Engineering, Elac dome tweeter It’s only when you feed the F5 with
2 Pair of 130mm some superbly recorded classical bass drivers music that it begins to show signs
3 Binding posts of mortality. You begin to realise that this is no different to any 4 130mm mid/bass other budget box in its lack of real driver transparency; its drivers and cabinet have a certain sound of their very 4 own (not a criticism, the same goes for speakers of all rungs of DP: What was your design brief? the evolutionary ladder). My AJ: It was the same for all the Debut well played copy of Beethoven’s series, to make affordable, high- Pastoral Symphony on Deutsche performance speakers as a good 2 entry point for new listeners getting Grammophon shows some nasal interested in better sound quality. coloration and a lack of low-level detail, as well as a slight reduction in Why do a three-way, at this difficult stage depth and less sense of air than price point? I’d ideally like. All the same, the one I initially considered a two or two-and- thing this speaker does is to make a-half way design, but rejected them the music fun – giving a very jaunty because of the poor vertical lobing rendition of the fi rst movement. The issues that are created even with the larger number of drivers and greater latter. You can only roll off the lower cabinet volume compared with the driver response at first order, so there B6 makes for substantially less is too much interaction at the higher compression, so it can go a good deal frequencies. I found a clever way to louder without sitting on transients. implement a three-way at relatively 3 For all its failings, it never sounds low complexity and cost, that crosses less than confi dent and assured. over quite low (100Hz) and so went with that solution. The downsides Conclusion of three-ways are normally cost, less uplifting. With the Waterboys’ The obvious sales proposition of Elac’s complexity and size of components but my solution got around this. Glastonbury Song, it is particularly Debut F5 is that it’s a lot of speaker accomplished at capturing the leading for relatively little money – but it’s Why is it that the quoted sensitivity edges of notes, sounding hugely more than just this. It is an extremely is so low? powerful and propulsive, well able to well crafted budget fl oorstander in its Well, I always give up sensitivity in communicate the majesty of this great own right, and well able to let the favour of an easy impedance to drive, HOW IT song. Bass is tuneful and usefully listener enjoy a wide range of music and extended bass – you can’t have COMPARES deep, the midband is balanced and in the spirit it was intended. Whereas both. As a physicist I am bound by detailed and the treble gives a decent some speakers have an obvious its laws despite the claims of some King of the £600 slot is sense of the power and bite of the character that fl atters some types of Q Acoustics 3050 (HFC designers! I want the listener to hear 398); in standard finish crashing ride and hi-hat cymbals. The music and detracts from others, this is enough of the low bass to feel it’s £500, but you can F5 proves absolutely in its element very well rounded for a product of its satisfied with the purchase and not add £150 for exotic with driving, energetic programme price, and never less than fun to listen to be left thinking that they need a finishes like leather – material such as this, once again to. That’s a big achievement for a pair subwoofer. Also good power is which puts the Elac’s throwing out a wide soundstage with of sub-£600 speakers, so it comes relatively cheap, so low sensitivity is surfacing to shame. The 3050 is a thoroughbred, decently placed instruments within. highly recommended – this is one of not so much of an issue these days. Of course, no £599 loudspeaker is a the fi nest designs on sale in an Minimum impedance is never lower and has a smooth, open and musical sound that universal panacea. It’s a largish box at already highly crowded budget than 80 percent of the rated makes you question if a low price and thus not immune to fl oorstander marketplace ● impedance and even then does not you can do better at the cabinet resonances. So it comes as no stay at that minimum value for too price. The F5 obviously surprise to hear a degree of coloration much of the frequency range. thinks so – it’s a little more fluid rhythmically in the upper bass. It’s not a completely How would you characterise the than the Q, and has a unpleasant sensation, lending extra OUR VERDICT wider bandwidth. It weight and body to the proceedings, sound of the F5? SOUND QUALITY LIKE: Punchy, lyrical, My goal was a sound that is sounds a little more and bringing a gently euphonic wide-bandwidth sound earthy and organic than reasonably full range, full bodied nature to a speaker that’s likely to be DISLIKE: Cabinet the slick, hi-fi sound used with less-than-perfect ancillaries. VALUE FOR MONEY colouration; finish with good impact and clarity, but of the Q, possibly balanced in such a way that its fractionally less refined It’s really rather nice with some types WE SAY: Charming, BUILD QUALITY exciting, musical shortcomings don’t take you out in the treble, but with of music, and certainly makes jazz a budget box of the musical experience and its a more punchy and pleasing experience – John Coltrane strengths allow you to relax into dynamic sound, and a and Johnny Hartmann’s You’re Too EASE OF DRIVE the music and be absorbed by it. fractionally brighter Beautiful comes over in a particularly tonal balance. sumptuous way that fl atters to Ultimately both are OVERALL excellent, so it’s wise deceive. Hartmann’s voice has a to try before you buy. wonderfully confessional quality, and is carried with quite arresting
48 JUNE 2016 Revolution starts from within.
Look at our new range of power amplifiers and you’d be forgiven for thinking not much has changed. Only the DR badge on the rear panel hints at the revolutionary technology within. Inside, our new Naim DR (Discrete Regulation) power supply circuitry and the radical new NA009 transistors developed for our flagship power amplifier, the Statement NAP S1, enhance the fundamentals of pace, rhythm and timing for which the originals are so renowned. The result is an even more immersive and involving music experience. Listen and you’ll feel the difference immediately.
Discover more and book a demonstration with your nearest specialist retailer at naimaudio.com Go Deeper SIMAUDIO REVIEWS MOON NĒO 230HAD £1,150
DETAILS control where Simaudio has opted for PRODUCT a conventional analogue volume pot Simaudio rather than adjustment in the digital Full moon Moon Nēo 230HAD domain. The amplifi cation used ORIGIN internally is also unusual. The Canada 230HAD makes use of a TYPE Do you need a DAC with headphone Headphone preamp transconductance stage in the circuit & USB DAC that generates an output current amplifier functionality? Ed Selley thinks WEIGHT proportional to the input voltage. 2.8kg This can’t be used for the entirety Simaudio might just have the answer DIMENSIONS of the circuit, and it is unusual to (WxHxD) fi nd it being used at all. 178 x 76 x 280mm anadian company chipset and as a result has the sort of This volume control can be used to FEATURES Simaudio is the latest fi le and sample rate handling that ● 32-bit/384kHz adjust the level of headphones that brand to pitch into the might be expected of a digital device USB input are connected via the 6.35mm jack C ● Inputs: 2x coaxial DAC and headphone amp today. The USB input will decode socket, but also alters the volume and 1x optical fray with its Moon Nēo 230HAD. This PCM at sample rates up to digital; 1x RCA level of a pair of RCA sockets on the isn’t its fi rst foray into this category – 32-bit/384kHz as well as DSD256. analogue rear panel allowing it to act as a the larger 430HA headphone amp The USB connection is joined by two ● Fixed and variable preamp. Alternatively, if you don’t RCA outputs can be equipped to function in this coaxial and one optical input that are want the volume control in the DISTRIBUTOR way but is substantially more costly. all 24-bit/192kHz capable. Renaissance Audio circuit, a second pair of fi xed RCA The 230HAD is smaller and simpler, So far, so conventional, but the TELEPHONE outputs is fi tted for operation at line but pitches in at a more practical Moon deviates from the norm by 0131 555 3922 level. Line level in this instance is a price point. This becomes more adding an analogue input for its WEBSITE rather beefy 4V, which may prove a appealing still when you realise that fourth input. This input is truly simaudio.com; little on the high side for some renaissanceaudio. the simple casework hides a rather analogue, in that at no stage does co.uk partnering amps and result in sophisticated piece of equipment. the 230HAD perform any form of unwanted noise. The Moon is built around the analogue-to-digital conversion on The half-width casework is a little increasingly popular ESS Sabre the signal. This includes the volume on the sober side, but is well built and
50 JUNE 2016 SIMAUDIO MOON NĒO 230HAD £1,150 REVIEWS
logically laid out. The large volume detail and nuance, which is delivered Switching to headphones shows the control has a reasonable amount of without any sense of strain or Moon has considerable strengths in fi ne adjustment, which makes the indication that parts of the recording this area too. Simaudio stipulates that business of setting the correct level HOW IT are being given undue prominence. the 230HAD is designed with on headphones easy. Simaudio COMPARES Neither is this the preserve of big “reasonably sensitive” headphones in supplies a remote, which while rather thundering bits of dance music. The mind and its performance with the unattractive gives useful control of The closest rival wonderfully intimate Despite The benign Beyerdynamic T70 (HFC 361) is Naim’s DAC V1 the major functions and works well (£1,350), which has Snow by Emily Barker is laden with is impressive. That same sense of even at fairly tight angles. been updated to emotion, but the Moon doesn’t do effortlessness and space that is There are front panel indicators for include DSD support anything to overdo it. There’s still the apparent via the RCA inputs also the input selected and the sample rate and uses an analogue same impressive detail and space and makes it presence felt here. There is currently playing, but for reasons volume control. The Barker’s vocals are rendered with suffi cient power on tap to drive the performance of both that aren’t immediately obvious, is excellent with the magnifi cent texture and body, but it T70 to a decently loud level and even this doesn’t take the form of a Naim showing a little all comes together in a way that substituting it for the rather tougher conventional ascending scale. Instead more punch and allows you to enjoy listening to the Oppo PM-3 (HFC 410) doesn’t affect there are indicators for DSD, 44.1 and willingness to music rather than examining it like things unduly. 48kHz with additional x2 and x4 groove, while a piece of forensic evidence. As a preamp, it is also a confi dent lights. As such, a 44.1kHz fi le will the Moon has an If you ask the 230HAD to pick up performer. The fi tting of an analogue effortlessness to its light the single indicator up whereas a presentation that the pace and deliver something with a volume control means it feels much 24-bit/96kHz fi le will light the 48kHz can make it a more more like a conventional – albeit indicator and the x2 indicator at the forgiving partner The Moon off ers an compact – preamp than many rivals same time. This does technically with some lower- equipped with digital volume reduce the number of indicators quality recorded impressive amount controls. It also does a fi ne job of needed, but the down side is that material. The Naim retaining the characteristics of has more digital of functionality and it isn’t always immediately obvious inputs and no equipment connected via the what resolution a track is being analogue ones, does all of it well analogue input. The Naim ND5 XS played in at fi rst glance. and there’s also a shows a darker, more forceful Like many of its rivals, the Simaudio matching power amp bit more attack to it like the 24/88.2 presentation via RCA than it does needs a dedicated USB driver to work that can be used to version of Kraftwerk’s Minimum being decoded by the 230HAD via form a compact with a Windows machine – Mac setup. While the Maximum it responds well. There is the coaxial connection. The other owners don’t need to worry about 230HAD doesn’t the slightest sense that the fl owing benefi t of this functionality is that such things. It also works fl awlessly have a matching beats of Tour de France Etape 1 are if you are intending to use it as a with the USB 3 output from a Melco power amp, it does slightly more languid than they are line-level device, but – as has been N1A NAS drive (HFC 397), which acts have the MiND with some of the competition, but it the case here – fi nd the level on the as the main media source for the streaming front end never feels slow or restrained. It also fi xed 4V output to be too high, you to enable it to turn majority of testing alongside a Naim into a UPnP streamer. has truly superb bass extension with can use the variable output to wind ND5 XS (HFC 352) used to test the detail and defi nition that helps it it down a little. coaxial and analogue inputs. sound consistently believable. Given the impressive range of Conclusion Sound quality high-resolution formats supported, it DAC preamp units are becoming Kicking off with the Moon being used isn’t too much of a surprise to increasingly popular with plenty as a fi xed-level DAC, a few aspects of discover that it is impressive when fed of models to choose from, but the the performance make themselves felt high-quality fi les. What is even more 230HAD stands out from the pack. straightaway. It has a presentation pleasing is that the fundamental Within a fairly compact chassis, this that is utterly unforced. The 24/44.1 characteristics of the 230HAD don’t is a device that manages to offer an download of Carbon Based Lifeforms’ change with standard CD rips. Ali impressive amount of functionality Hydroponic Garden is a massive, Farka Toure’s Savane is delivered with and most importantly does all of brooding slab of electronica and the same fl uidity and effortlessness it well. It is no stretch of the it simply opens out as a vast and shown with hi-res material and even imagination to see it being used as spacious soundfi eld in front of the the less-than-stellar recording of either a line-level DAC, preamp or listener. The performance drips with Editors’ An End Has A Start is headphone amp and delighting delivered with refi nement and scale. owners in any of these roles ● CONNECTIONS
1 2 3 1 Optical digital input OUR VERDICT 2 Two coaxial SOUND QUALITY LIKE: Refined and digital inputs effortless performance; good spec and build 3 32-bit/384kHz- capable USB input VALUE FOR MONEY DISLIKE: High line-level output; 4 Analogue fixed ugly remote control line-level output BUILD QUALITY WE SAY: A flexible 5 Analogue variable and well thought out product that works line-level output FEATURES well across a number of different roles OVERALL 5 4
JUNE 2016 51 DYNAUDIO REVIEWS XEO 2 £995
52 JUNE 2016 DYNAUDIO XEO 2 £995 REVIEWS
DETAILS aluminium baffl e, are a 27mm soft dome tweeter and a 140mm PRODUCT Dynaudio Xeo 2 magnesium-silicate polymer (MSP) Rhapsody ORIGIN mid-bass unit. Both are made inhouse Denmark by Dynaudio. No MDF was harmed in TYPE the making of the bass refl ex cabinets. 2-way active Instead, they’re formed from an wireless standmount acoustically inert composite moulding, in Bluetooth loudspeaker the alloy baffl e adding extra rigidity. WEIGHT Current colour choices run to black 4kg or white, both with a satin fi nish, but DIMENSIONS at CES in Las Vegas, the Xeo 2’s debut Great things are expected of Dynaudio’s (WxHxD) 173 x 255 x 154mm was celebrated with a whole paintbox smallest Xeo to date. David Vivian finds FEATURES of colours, of which red, orange and ● 27mm soft-dome yellow were merely the least subtle. It out if the Xeo 2 can live up to the promise tweeter seems very likely some of these will ● 140mm mid/bass driver make it into production. ● Quoted power script some like to follow your hi-res recordings (accepting up output: 65W Class D Sound quality amp per driver contends that premium to 24/192, but outputting at a ● AptX Bluetooth; With the DSP EQ switches set to open A loudspeaker makers have maximum of 24/96) and a 3.5mm wi-fi via add-on Hub space, I place the Xeo 2 on my 24in been caught napping while aux socket. & Connect units Slate Audio stands, slightly toed-in the rest of the world wakes up to Setup is simple, if a little fi ddly, as DISTRIBUTOR and pulled clear of corners and walls. active, wireless, single-box, multi- the bulk of the sockets and tiny click Dynaudio UK My iPad makes the only truly wireless room loveliness, thus letting Sonos, switches are tucked up on the ceiling TELEPHONE connection via Bluetooth. A Roksan 01863 721089 Bose, Bluesound et al steal a march of an open cubby at the back of the Caspian M2 (HFC 356) CD player WEBSITE on the road towards a wireless world. control speaker. These include a dynaudio.com bags the RCA sockets using extra-long But as long ago as 2012, Dynaudio, switch to ‘hand’ the speaker left or runs of Townshend F1 Fractal was out of the blocks and running right, with a corresponding one in the interconnect while a Questyle QP1R with its fi rst-generation range of Xeo rear cubby of the other speaker. It’s a hi-res portable (HFC 409) and iPod active, wireless speakers. It proved useful feature for keeping the master Classic fi ll the Toslink and 3.5mm aux beyond any doubt that cable-free close to sundry source components roles respectively. convenience was compatible with should you want to make any wired Expectations are naturally tweaked true high fi delity and that buying into connections. Another pair of switches when terms such as ‘world fi rst’ set the three-way DSP-implemented Wireless and ‘high-end’ are trumpeted by speakers, it The weighty bass is EQ, allowing the freedom to place the would seem, marketing folk, especially those Xeo 2s in free space, in a corner or have finally as presumably sober-minded as key to the Xeo 2’s close to a side wall. Each speaker also come of age Dynaudio’s. It’s only right to be a sound and what sports a USB slot to facilitate fi rmware updates. makes it special Dynaudio calls the Xeo 2 its entry-level high-end speaker and, less discriminating sound served up ergo, the world’s fi rst high-end by too many one-box solutions was wireless speaker, too. All of which optional rather than obligatory. seems to square with the price. It’s a Now a second-gen Xeo lineup with a true active design with a generous plus-one called the Xeo 2 has arrived 65W (claimed) of pulse width and looks to be every inch the kind of modulated Class D amplifi cation do-anything, put-anywhere wireless assigned to each driver and electronic speaker that shows us what could, crossovers to divide up the workload. should and will be. An object lesson Dynaudio calls it Pure Path in studied understatement, neat Amplifi cation, which just means that hardly covers it. Optimally, each Xeo the analogue signals fed to the RCA 2 can be teamed with supports made and 3.5mm inputs are immediately by Dynaudio: a stubby stand to lift it digitised and, along with the Toslink clear of table or desktop, or a wall and Bluetooth digital inputs, stay that bracket that allows 90° of lateral way until the last possible moment. articulation. And unlike previous Xeo But not until they’ve been treated to models, it doesn’t require additional something of a digital neck rub by the external hardware to work wirelessly, active DSP fi lters, time coherent thanks to Bluetooth, and the control phase linear FIR fi lters and Adaptive speaker communicates with its Bass tech that optimises bass output partner over a built-in closed A-to-B against amplifi er load to give deeper wireless link. If you want to stream to and more even lower frequencies multiple pairs in different rooms, than you might expect from such a you’ll need to buy its Connect (£295) bijou box – fl at down to a remarkable interface box or Xeo Hub (£200). 40Hz according to Dynaudio. The control speaker has RCA line-in, Doing the business, and sitting a Toslink optical input for playing neatly in the Xeo 2’s extruded
JUNE 2016 53 DYNAUDIO REVIEWS XEO 2 £995
Q&A IN SIGHT 1 2 Roland Hoffmann 1 Mode LEDs Senior manager, Dynaudio Academy 2 27mm soft-dome tweeter
3 RCA & mini-jack analogue & optical digital ins
4 140mm mid/ bass driver
DV: The Xeo 2’s Bluetooth 3 performance ranks among the best we’ve heard at any price. What’s the secret? RH: Many products have the Bluetooth function onboard mainly to make the customer happy when they’re looking at the feature list, while no time was spent on how it 4 actually performs with Bluetooth. Some other products try to mask or soften the Bluetooth sound in order little sceptical. I can offer some and sweet, airy treble. It all hangs to make up for the lack of resolution. advice. Remember to tense your jaw together brilliantly and, because of But spending time and real R&D effort muscles if you decide to audition the ample bandwidth and surefooted on the actual Bluetooth performance Xeo 2 because if you don’t when you timing, with great even-handedness is a different thing. Our engineers hear it for the fi rst time, a bug might and musicality. I play the Pat Metheny were never happy with Bluetooth fl y into your open mouth. That good? Group’s Speaking Of Now album performance and we omitted it from Yeah, that good. along with newer outings from the the first Xeo generation, while The Xeo 2’s best qualities are both Whiplash soundtrack and Go-Go continuing to work on it internally. It remarkable and remarkably Penguin’s Man Made Object CD and all comes down to DSP power (the consistent across the inputs. the same thing strikes me time and Xeo 2 has a very capable chip) and Bluetooth is easily good enough to again. It all sounds as if it’s been understanding how digital signal processing influences the actual call ‘hi-fi ’, though well-recorded hi-res remastered by someone with a audio performance. We also took from the Questyle does ‘refresh the cupboard full of Grammys. If the care of the quality and specific parts…’ as you’d hope. Presentation Xeo’s tech is manipulative, it’s in a position of the Bluetooth antenna. is gorgeously spacious with crisp good way. The full-bodied balance Such small things matter. imaging and an impressive sense and unfussy transparency, in of scale, power, tonal richness and particular, are an absolute joy. Bass is equally impressive. Again, HOW IT rhythmic surety. In fact, the weighty how have you managed to extract COMPARES bass performance is key to the Xeo 2’s Conclusion a palpable 40Hz from such a sound and what makes it a little With the Xeo 2, Dynaudio has raised compact box? At £600, KEF’s bulkier special. In its smooth and apparently the bar for compact wireless speaker X300A (HFC 386) Every traditional compact speaker, active wireless effortless downward reach, it’s as if it systems to a level that would barely especially with such a small cabinet bookshelf speakers are belongs to an altogether larger system have seemed possible a year or so size, has a very limited bass a serious rival and come and provides a top-to-bottom balance ago. Its Bluetooth performance is performance so the whole design has with AirPlay and DLNA you’d never experience with a passive outstanding, but best of all it allows to ensure an external amplifier never connectivity built in. standmount speaker of similar size. anyone for a reasonable outlay to overpowers the speaker. These Physical connections are limited to one USB But while adaptive bass tech is enjoy sound quality that was once the limitations usually affect all listening clever stuff, it isn’t quite the panacea preserve of audiophiles. High fi delity levels. In a digital active speaker with and a 3.5mm mini-jack socket. Each speaker it might initially seem. Although the is the winner ● such a high performance DSP as in boasts a 24/96-capable lower frequencies are full-bodied and our Xeo 2, we can really extend the DAC. Sound quality is physical performance limits. We call extended, they have a mildly samey, similar to the passive occasionally over-ripe quality that it Adaptive Bass and it constantly R100 (HFC 408), which monitors the low frequencies in means very detailed, doesn’t always ring true. Listening to OUR VERDICT ATC’s passive SCM7 (HFC 384) the music signal in relation to the spacious and easy on SOUND QUALITY LIKE: Speed and listening level. Imagine it as a floating the ear, even at volume confi rms that while the Dynaudio has transparency; point frequency extension, which levels that eclipse the almost uncanny weight and extension Bluetooth performance allows an incredibly deep bass Dynaudio’s, but a little and remains ever agile and tuneful, it VALUE FOR MONEY DISLIKE: Bass can lack lacking in the musical can’t get close to matching the ATC’s timbral finesse; needs performance on all listening levels energy and enthusiasm hub for streaming BUILD QUALITY bar the very loudest. An intelligent department, in which attack, precise articulation and WE SAY: Top-drawer speaker, no less! the Xeo 2 excels. If resolution of timbral texture. sonics meet wireless convenience in a you’re on a tighter Perhaps you can’t have everything. FEATURES smart, small yet budget, Q Acoustics’ For a speaker system competing in the affordable package excellent BT3 (HFC 379) wireless sector, though, the Xeo 2 is active Bluetooth is OVERALL certainly worth an heady stuff, that pleasingly controlled audition, at £280. lower-end heft underpinning an almost magically tangible midrange
54 JUNE 2016
TAGA REVIEWS HTA-500B £250
DETAILS solid state and claims a reasonable if not ballistic 25W output into 8ohm at PRODUCT TAGA HTA-500B commendable distortion fi gures. The Different ORIGIN preamp section is assisted by a pair of Poland/China 6N2 valves – a Chinese derivative of TYPE the Russian-designed 6N2P. According Hybrid digi-tube to TAGA, these give the HTA-500B the amplifier with Bluetooth richness and warmth of a valve amp strokes WEIGHT while maintaining the power and 3.2kg stability of a solid-state one. DIMENSIONS This amplifi cation is made available Looking for an aff ordable amplifier that’s (WxHxD) to three inputs and a pair of speaker 180 x 130 x 240mm terminals. Two of the inputs are a little bit diff erent? Ed Selley thinks that FEATURES ● 25W per channel conventional enough and connect via TAGA‘s off ering might hold the answer ● Two line inputs a pair of RCA sockets on the rear (one ● AptX Bluetooth of which splits with aux input on the ● Valve preamp front), but the third is more unusual. DISTRIBUTOR f you read our Group Test partnership that manufactures in the Zephyr Audio The HTA-500B is fi tted with aptX of entry-level integrated Far East. Originally founded in 1990 to capable Bluetooth v4.0, which features TELEPHONE I amplifi ers (HFC 409), you produce loudspeakers, the company 0843 2898723 its own aerial on the rear – a sensible will no doubt be aware that has expanded into electronics. Many of WEBSITE move considering the challenges of there is no shortage of high-quality these products either straddle different zepheraudio.co.uk securing decent reception from an affordable models available for less product categories or go about offering all-metal chassis. The only other than £300, and many offer rather functionality in a slightly function save for a two-position power more functionality than simple unconventional way. The HTA-500B is switch is a ‘bass boost’ function. amplifi cation. Nonetheless, it is an integrated amplifi er that was This gives a 6dB push to the low perfectly possible that you looked at almost an ideal candidate for our frequencies, which should help to give our six contenders and wondered if Group Test were it not for the fact that smaller speakers being used at lower there was another option that offered it has almost nothing in common with volumes a bit more scale and impact. something a little different. Well, there any of the other amps in the roundup. This is all encased in a compact and is and it’s called the TAGA HTA-500B. The most obvious deviation from the attractive chassis. Viewed from above, TAGA (an acronym of To Achieve norm at this price point is that it is a it looks almost square and is narrower Glorious Acoustics) is a German-Polish hybrid valve amp. The amplifi cation is than a half-width component. The
56 JUNE 2016 TAGA HTA-500B £250 REVIEWS
front panel is metal and a fairly thick volume control has plenty of usable stridency. Pushing the volume level piece of metal at that. The limited range, so fi ne adjustment of levels is does leave it sounding a little thin, but number of controls is also usefully a relatively simple business. its 25W is unlikely to sound solid and logically laid out and the HOW IT There’s a lot to like about how the signifi cantly less powerful than many volume knob in particular has a COMPARES HTA-500B sounds as well. It manages more conventional rivals, provided pleasantly weighted action to it. to avoid the immediate stereotypes of relatively sensitive speakers are used. The valves are placed inside A quick head-to-head anything involving valves. The sound Switching to the analogue inputs and between the TAGA protective perspex tubes that are and the Group Test is not especially warm and certainly connecting the Simaudio Moon Nēo edge lit to give the valves a little bit winning Onkyo doesn’t lack for energy. With M83’s 230HAD digital-to-analogue converter more of a glow, which is in part a A-9010 (HFC 409) anthemic Kim & Jessie it makes for an (see p50) doesn’t drastically alter the refl ection on the valves themselves is interesting. The enthusiastic and punchy partner. The presentation, which suggests much of not being especially bright. Onkyo’s extra power tonality is consistently believable and its character comes from the amplifi er Around the back, some of this good doesn’t translate into vocals sound rich and lifelike. This is section itself rather than the decoding a more powerful work is undone a little by the performance, but an intrinsically fun-sounding amplifi er of the Bluetooth. The greater low-end presence of a captive mains lead and there is more bass although it can calm things down with heft of the Moon can be perceived, but speaker terminals that while usefully extension and the slower material when required. for the most part the TAGA retains its solid, are a little close together soundstage that the Listen a little longer and it becomes quick and energetic presentation and for easily connecting bare-wire A-9010 is capable of clearer the bass response is a little its consistency across analogue RCAs producing is larger terminations, although they have no and more solid than and wireless Bluetooth inputs means trouble with 4mm plugs. The RCA the TAGA. You also The HTA-500B that all sources are going to sound inputs are also recessed, which can get a reasonable perfectly listenable. also potentially foul some cables. phono stage. The is impressively The HTA-500B is also impressively There is also the previously TAGA hits back forgiving with forgiving of lower-bitrate audio. mentioned Bluetooth aerial – tests with that capable Listening to the compressed version Bluetooth with Android and Apple devices implementation and lower-bitrate audio of Talk Talk’s The Colour Of Spring on suggest the range it supports is good a greater sense of life Spotify versus the lossless version and the connection itself is usefully and energy to the lighter than some more conventional via the Moon, doesn’t show up stable once you have established it. performance. The rivals, but this is in part what lends it signifi cant differences. The TAGA has The actual implementation is good TAGA is also easier to the sense of speed and energy that been equipped with the means to too. The TAGA is not a call-active accommodate and a gives it much of its charm. The bass listen to lossless quality and better, but touch better looking device, so if your smartphone rings than the all-black boost button sounds like the ideal this has been done without losing the when you have it connected, it will A-9010. The Onkyo candidate to solve this, but the effect it ability to deliver a listenable and reroute the audio back to the device remains the logical has on the performance is a little like pleasant sound with lower bitrate rather than playing the call through choice for a truly using a sledgehammer to crack a nut. sources. You have to reduce the quality the speakers. ‘hi-fi’ experience, but Whatever a 6dB boost on the TAGA is down to pretty much rock bottom the sheer fun of the TAGA makes it less it translates into great slabs of before it suffers. Sound quality clear cut than you unnatural low-end energy through the Connected to a pair of Q Acoustics might initially expect. Q Acoustics so whatever lightness is Conclusion 3020 standmounts (HFC 402) – present with it switched off, I’d suggest The HTA-500B is an unusual product. the same pair used in the amplifi er keeping it this way. It is not so radically different from the Group Test – and listening to Tidal Conversely, there is much less in the competition that it won’t perform the via aptX Bluetooth from a Motorola way of roll off at the top end and this same functions, but it brings character Moto X phone, this is an interesting contributes to the sense of liveliness and energy to its performance that and likeable little amplifi er. With a that runs through the way it makes while not perhaps the last word reasonably sensitive pair of speakers music. The good news in terms of in tonal accuracy, is consistently like the 3020s it has no trouble long-term listening is that while best enjoyable to listen to. When you add reaching a room-fi lling level and the described as well lit, the treble doesn’t to the mix the capable Bluetooth easily tip over into harshness or implementation and the small CONNECTIONS footprint, you have an engaging and entertaining amplifi er that if partnered
1 RCA analogue with any degree of sympathy will work inputs well in plenty of situations ●
2 Speaker terminals
3 Port for hooking up Bluetooth antenna OUR VERDICT 1 SOUND QUALITY LIKE: Lively engaging sound; solid build; aptx Bluetooth VALUE FOR MONEY DISLIKE: Limited connectivity; slight lack of bass; no remote BUILD QUALITY WE SAY: A different take on the affordable amplifier that offers an FEATURES entertaining alternative to conventional rivals OVERALL 3 2
JUNE 2016 57 MONITOR AUDIO REVIEWS BRONZE 2 £279
DETAILS business: commercially, conceptually and sonically. Introducing new PRODUCT Monitor Audio customers to the brand in one of the Bronze age Bronze 2 most fi ercely fought market sectors ORIGIN of all with the hope of hanging onto UK/China them as their hi-fi horizons broaden is TYPE the key to success. Monitor Audio is shooting for the stars with 2-way standmount loudspeaker In all of its fi ve previous incarnations its latest speaker and David Vivian thinks WEIGHT – most recently the now superseded 5.3kg BX2 – the best-selling larger of the this modest off ering is pretty stellar too DIMENSIONS two Bronze standmounts has done a (WxHxD) sterling job, delivering standards of 185 x 350 x 255mm build and fi nish that rivals sweat to FEATURES towering achievement in the better for us because, over time, ● 25mm C-CAM match and, with regard to sound every sense, Monitor all of the R&D, design expertise, dome tweeter quality, a fi nely judged balancing act Audio has just launched innovation and material advances ● 165mm C-CAM capable of easily refl ecting ongoing A mid/bass driver the most expensive get trickled down to evolve the ● Quoted sensitivity upstream improvements while speaker in its 44-year history. Perhaps performance of more affordable fare. 90dB/W/m (8ohm) accommodating those that want to inevitably, the £15,000 Platinum Monitor Audio isn’t alone in this, of DISTRIBUTOR stick with more modest electronics. PL500 II raises that largely course, but it is particularly good at it. Monitor Audio Ltd The claim is that the Bronze 2 retains unfathomable question posed by so Great care is taken to ensure that the TELEPHONE this appealing double act but pushes many high-end speakers before it: sound of the speakers it makes for 01268 740580 the ability to do justice to even fi ner how much does ‘the best’ actually the masses have essentially the same WEBSITE sources – both delaying the itch to monitoraudio.co.uk cost? The irony, of course, is that basic sonic signature as the models in upgrade and eventually steering it in people who can genuinely afford its premium ranges. There are a few towards the next-tier Silver series and ‘the best’ might not really care and budgetary compromises, naturally. away from competing brands. perhaps regard £15k as being a bit It’s a tough call, but the one Monitor True to mission, Monitor Audio has on the cheap side. This is uncharted Audio knows it must nail. Because it lifted elements from older Silver and territory for MA. We wish it luck. works. It’s why the £279 two-way Gold series tech to make this happen. The good news for those of us that Bronze 2 standmount, launched last The box hasn’t changed much, but the stare at the glistening upper slopes of spring, and not the new 1.8m-tall drive units have. In line with current the high-end with awe and wonder, fl agship, is the most signifi cant and Silver series models, the Bronze 2 is that MA takes its holistic approach important speaker it produces. As now uses a dished cone for its 165mm to loudspeaker design very seriously. with past models in the Bronze range C-CAM mid/bass driver, which In other words, what goes up will to wear the ‘2’ badge, a lot rests on its abandons the previous dustcap and come down. And the higher it aims slim shoulders. It simply has to do the resulting cone aperture to increase
58 JUNE 2016 MONITOR AUDIO BRONZE 2 £279 REVIEWS
rigidity, control and radiating area. of well-engineered binding posts for loudspeaker pulled well clear of The 25mm gold-dome tweeter, MA’s bi-wiring. With a quoted sensitivity boundaries and secured to Slate emblematic metal driver, appears to of 90dB/W/m and 8ohm impedance, Audio stands, bass is strong enough to be the same, but is modifi ed as well it should be easy to drive to decent HOW IT have me wondering if the foam port with new geometry and venting that levels with sub-powerhouse amps, COMPARES bungs might be a good idea. prevents back pressure behind the even in larger listening rooms. Perhaps closest to Playing Chuck Loeb’s version of dome – a measure claimed to reduce I decide to audition the B2 with a the MA for build, Rikki Don’t Lose That Number, the distortion, improve dynamics and couple of different amps and in the finish and the walking bass line is fruity and then reduce mechanical resonance. Also smaller of my listening rooms. First excellence of some. The bungs certainly slug the revised and upgraded is the crossover, up is Monitor Audio’s own A100 its sonics is Q output by a few dB, but on balance which uses polypropylene capacitors (HFC 388) streaming amp, a largely Acoustics’ £249 the speakers breathe more easily 3020 (HFC 402). and air-cored and laminated steel forgotten gem that’s never had Refined, smooth without them and, in truth, the A100 core inductors. The mid/bass driver the success it deserves. Connected and musical, it gives is probably the guilty party here, hands over to the tweeter at 3.1kHz. with single runs of QED Silver the Bronze a run lacking the grip to keep the lowest Enclosure dimensions remain Anniversary speaker cable and for its money but, frequencies fi rmly in check. unchanged, but benefi t from a playing hi-res tracks from a Questyle doesn’t sound When a Roksan Caspian M2 (HFC quite as open and cleaner, more balanced aesthetic, the QP1R (HFC 409), it’s an effective resolute. A little 356) integrated relieves the A100 of tweeter housing matching the look of pairing with a very approachable more expensive is its duties, the step up in power and the front-fi ring HiVe refl ex port (itself sound – as synergistic as Ant and Dec DALI’s £299 Zensor quality is clearly appreciated by the trickled down from the Gold series on a roll, but with the kind of broad 3. It’s an energetic B2 and readily heard. Playing that appeal that’s easier to explain. and engaging ride Loeb track again, the bass guitar with deep, powerful sounds superbly supple and The B2 won’t buckle bass, wide open Sound quality soundstage and altogether tauter with more realistic in the company of Yes, these Brit boxes really do have snappy timing, but weight and better defi ned leading expensive source talent and, like their Bronze 5 the B2 digs that bit edges to notes. Indeed, the whole stablemates (HFC 402), look and deeper with more track acquires new levels of authority, and amp electronics sound like much more expensive grace and guile. On drive and transparency, strengths that and sophisticated items. sale soon, Mission’s transfer just as positively to Grieg as £200 LX-2 will be models), with each having the same It may be small, but the A100 is one to watch. It they do Al Green. And, exactly as marginal ‘bite’ taken out of it by the more than capable of extracting a features a new Monitor Audio claims, the B2 won’t woofer surround which sits plumb big, dynamically expressive sound advanced fibre buckle in the company of expensive in the middle of the baffl e. With the from the B2. Soundstaging is open mid/bass driver source and amp electronics. It just magnetically fi xed grilles removed, it and ordered with a fi ne sense of cone and an sounds better and better still. assurance from Mr offers a pleasing symmetry. Although depth. Timing is on the money, too, Comeau that it will In the end, though, it’s the Bronze dressed in a vinyl wrap rather than even the fastest and most elaborate make you want to 2’s ability to present music with wood veneer, the standard of fi nish polyrhythmic drum solos from the explore your whole clarity, generosity and fi nesse allied to would do justice to a much more Whiplash soundtrack failing to trip it music collection an innate sense of performance that’s expensive speaker. Whether you go up. The gold dome tweeter has never all over again. so likeable and rare in a speaker that for black oak, walnut, rosemah or sounded better. Even during the most costs under £300. white ash, they all look classy and fearsome cymbal bashing, it has the convincingly ‘woody’. knack of resolving fi ne harmonic Conclusion Quite imposing for a standmount, detail precisely but not at the Monitor Audio has had a long time to the enclosure is constructed from expense of musical context. There’s perfect the Bronze 2 and it’s hard to 18mm-thick MDF with additional lucidity, there’s fl ow. You can listen think of another standmount in the bracing and, to further improve into a mix easily, but nothing about same price bracket that gets quite so rigidity, a ‘bolt-through’ mid/bass the sound is overtly analytical or much right. As such, it remains the driver where the unit is effectively artfully hyped. If anything, tonal cream of the class and a terrifi c buy. pulled onto the baffl e under tension balance sits slightly on the warm The PL500 II may set a new high by a single bolt with an Allen key side of neutral, which is probably no watermark for the company, but I’d head that enters through the rear bad thing if the speakers are to wager that this modestly priced panel. Around the back are two sets be partnered with brighter-sounding standmount will prove over time budget electronics. Even with the to be its proudest achievement ● CONNECTIONS
1 1 25mm C-CAM gold-dome tweeter OUR VERDICT 2 Bi-wire speaker SOUND QUALITY LIKE: Build and finish; binding posts high-quality drivers; superb sound quality 3 HiVe forward-firing VALUE FOR MONEY reflex port DISLIKE: Not at its best too close to walls 4 165mm C-CAM BUILD QUALITY WE SAY: Monitor mid/bass driver Audio’s stalwart 4 standmount goes from strength to strength. EASE OF DRIVE Warmly recommended
2 OVERALL 3
JUNE 2016 59 INSIDER FEATURE ABBEY ROAD
Speed of sound
Simon Galloway talks to award-winning Abbey Road mastering engineer Miles Showell about Universal Music’s new half-speed mastering series
hen I heard these new half-speed the master recording at half its normal half-speed for maximum impact, and most mastered pressings played on a speed, with the disc cutting lathe also famously, in the audiophile world at least, W £45,000 turntable, I thought running at half-speed – 16 2/3rpm to be there’s Mobile Fidelity Sound Lab’s highly ‘wow’ – I didn’t know I could cut precise – therefore giving the cutting head prized Original Master Recording series, that much detail into a disc! But the beauty more time to carve a more detailed and which launched in the seventies. “When I of half-speed mastering is that you don’t intricate groove onto the master lacquer. was getting into records in the late seventies need a ridiculously expensive audiophile “It’s not as simple as just pushing a button and early eighties I had some of the Mobile hi-fi to be able to hear the difference on the lathe to make it run at half the speed, Fidelity pressings” Miles recalls. “I was still between a normal cut and a half-speed cut,” it’s much more involved than that,” explains at school and didn’t have the world’s best explains award-winning Abbey Road Miles. The end result is a record that is hi-fi , but it was a pretty good system all the mastering engineer Miles Showell, a capable of extremely clean and unforced same and they sounded fantastic.” self-confessed vinyl and hi-fi ‘nerd’ and the high-frequency response along with a stable Miles’ love of music also began at an early man behind cutting Universal Music’s new and solid stereo image. “In short” says Miles, age, being exposed to a wide variety of styles half-speed mastering series. “half-speed mastering helps to create a very at his father’s record shop in South-East The fi rst batch of limited-edition releases high-quality record”. London, so a career in music seemed almost is made up of six bona-fi de rock classics, The technique was developed by Decca inevitable. In 1984, aged 18, he joined sourced from the best-quality tapes available Records way back in the late fi fties for Utopia Studios in Primrose Hill as a trainee and given the half-speed treatment by Miles. its stereo classical releases. In the sixties, – making tea, taking bookings and dubbing This specialist process involves playing back Motown notoriously cut its singles at cassettes, gradually being allowed to use the
60 JUNE 2016 INSIDER FEATURE ABBEY ROAD
Miles uses an Ampex THE ALBUMS (PART 1) ATR-102 tape machine, which As the certificate that comes with each album he says is “one states: “Abbey Road’s world-renowned engineers of the best” have been cutting grooves into discs since the studios first opened its doors in 1931.” With the vinyl revival showing no signs of slowing down and as the pursuit of high-quality audio of any format gathers momentum, it seems only fitting that this new series of half-speed mastered “superlative records” should come from the world’s most famous recording studio.
HALF SPEED Mastering Certificate
ABBEY ROAD’S grooves into discs world-renowned since the studios engineers first opened have their been doors cutting in 1931. This record was pressed from a master cut using a precision technique known as half-speed mastering. The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialised technique transforms difficult to cut high- end frequencies into relatively easy to cut mid-range frequencies. The result is a cut with excellent high frequency response and very solid and stable stereo images. In short, half-speed mastering disc cutting lathe and learning mastering This new half-speed mastering series from produces a master of the highest quality that enables the pressing plant to produce a superlative record. skills on the job. After a lengthy spell at Universal Music consists of fresh cuts of classic MILES SHOWELL London’s Metropolis Mastering where he albums by The Rolling Stones, Cream, The Mastering Engineer, Abbey Road Studios won an award for the innovative ‘live direct Police, Free, Simple Minds and John Martyn, to disc’ concept, he came to Abbey Road in a process that began with locating the best Cream Disraeli Gears 2013. “It was a scary prospect joining the available master tapes for each album. “The The oldest album of the world’s most famous studio” he admits. quality of the master tapes is hugely important. batch, the supergroup’s Being exposed to different music genres at If you’re going to do this then it’s got to sound psych-blues classic was originally released in 1967 inn bbthbothoth a young age has stood Miles in good stead great, but if the source isn’t good enough to mono and stereo mixes andd boasts Strange Brew w, throughout his career. As a mastering warrant doing a half-speed cut then there’s Sunshine Of Your Love and the wah wah-heavy engineer working across music of all styles no point.” Luckily for Miles, the best-known Tales Of Brave Ulysses among its 11 tracks. The mono mix has been selected for the half-speed and formats, a typical day could involve analogue masters were found, giving him the mastering treatment, as Miles explains: “Apparently mastering a dance or hip hop track for perfect starting point from which to begin the the holy grail for this album is a mint condition digital release in the morning, music from a mastering process. mono American pressing.” The original ¼in mono master tapes from Atlantic Records’ New York City studios were used to make the digital transfers, “The technical team at Tale of the tape which were done at Sterling Sound, again in New The John Martyn, Police and Simple Minds York City. “Cutting a record is a juggling act between bass, volume and duration – all these Abbey Road are sticklers tapes were all digitally transferred at Abbey things take up space on the disc. This is a short for keeping everything Road by Miles himself. “I use a late seventies album, 15/16 minutes a side, which gives me more Ampex ATR-102 tape machine, which room to play with on the cut, so I could give it a bit more volume. It’s the best it can be.” working properly” sounds incredible, probably one of the very best. It’s fi tted with custom extended bass Bollywood fi lm in the afternoon and then response playback heads and the music is cutting records into the evening. “I love captured digitally in SADiE at the highest cutting vinyl” he enthuses, “it’s very hands possible resolution.” The master tapes for on and a lot more fun as there are so many The Rolling Stones and Cream were digitally things that can go wrong! It can be a diffi cult transferred in the USA because “the days job to do, but I get a real sense of of shipping precious analogue masters over achievement when I do a good cut of a tricky the Atlantic are long gone, it would be recording” citing the recent Queen box set impossible to get insurance cover for them.” he worked on as being especially challenging. It may come as a surprise to discover that high-resolution digital transfers have been used to cut this deluxe series rather than sticking with a purely analogue chain. “I can completely understand the concerns that some people have. Historically, there have been some horrible digital transfers used as a vinyl cutting source. This has absolutely The Rolling Stones Exile On Main Street not been the case with this series” assures Infamously recorded ‘in exile’ in the South of France Miles. This approach has been taken for a and released in 1972, the Stones’ only double studio variety of reasons, with the preservation album (to date) is a sprawling mix of blues, soul and country and is considered among the best they ever of increasingly fragile master tapes being released, so it’s only right that it should receive a among the most important. “Analogue tape half-speed makeover. 24-bit/96kHz digital transfers becomes degraded with each pass over the made from the original ¼in tapes were supplied from the band’s own archive. The deluxe packaging replay heads – these tapes are getting old, includes replicas of the Norman Steef postcards the Cream album is almost 50 years old – included in the original pressing of the album. and it’s no longer considered good practice
JUNE 2016 61 INSIDER FEATURE ABBEY ROAD
THE ALBUMS (PART 2) Free Fire and Water Featuring the perennial rock anthem All Right Now, Free’s 1970 album was their big breakthrough. The digital transfers for this half-speed mastered edition were overseen by Free’s remastering engineer Andy Pearce using the original ¼in tapes.
John Martyn Solid Air With its title track written about fellow singer- songwriter Nick “It’s not as simple as Drake and just pushing a button containing on the lathe to make it Martyn’s run at half the speed” signature song May You Never, this is a true to play and play them for fear of damage hi-hats, bright guitars and snare drums are classic from start to finish. Recorded in late 1972 and released in and wear and tear.” not affected or reduced in impact. I listen to 1973, Miles was blown away by both the sound of There’s another benefi t in working this way every track on an album, fi xing each ‘s’ as I the album and the condition of the tapes. “It was when it comes to the biggest challenge faced go along. It’s very time consuming and you one of the best sources I had – the original master tapes – and they were in unbelievable condition. It by any mastering engineer cutting for vinyl need incredible attention to detail, but when sounded so good, you could imagine John Martyn – the dreaded ‘sss’ of the vocalist. We’ve all it’s all done and you playback the fi nished was in the room with you, you’d hardly believe it was experienced harsh sibilance and distorted record it sounds fantastic.” over 40 years old. I was in heaven.” The ¼in master tapes were digitally transferred by Miles himself vocals on poorly mastered records, the It’s also at this stage that other sound at Abbey Road using a customised Ampex ATR-102 bugbear of every vinyl lover. As Miles points repairs and any tape restoration work can be for playback. out: “One of the hardest things to playback carried out. “Problems with the tape can be accurately with a cartridge is the human voice treated far more accurately digitally than The Police and the de-essing process has always been the with traditional analogue techniques. Drop Ghost In The Machine Achilles heel of half-speed cutting.” outs and clicks, for example, can mostly be Sting and restored in a way that is unobtrusive. For the company’s A lesson in de-essing record, none of the albums in this series fourth album was For the uninitiated, de-essing is a mastering recorded and released in 1981 technique that involves processing the audio Once the recordings and despite the signal to control the ‘sss’ and ‘t’ sounds on big international vocals, eliminating unwanted sibilance and have been de-essed and hit Every Little Thing She Does distortion when the record is played back. tweaked they are then Is Magic being Miles goes into further detail about this among its tracks, it’s actually a darker and more vital stage of the process. “For de-essing cut to a master lacquer dense record than their previous efforts. This is another album that Miles was able to digitally I have several tools to call on including transfer himself from the best-known ¼in analogue Maselec, a really nice plug-in de-esser from have been de-noised. Only clicks and drop tape in existence. The deluxe packing includes a Waves as well as CEDAR restoration tool, outs have been repaired.” replica of the original picture inner sleeve. which although not specifi cally designed as Another signifi cant difference in the Abbey a de-esser is actually very, very good when Road half-speed mastering setup, involving Simple Minds used carefully. So working within SADiE modifi cations overseen by Miles himself, is New Gold Dream Simple Minds’ and with clever editing, I can target just the the EQ system used. “We install a custom- vocalist Jim Kerr offending ‘sss’ and leave the rest of the audio designed RIAA fi lter to replace all the referred to this as intact – it’s just a fraction of a second of original Neumann circuitry. RIAA is a format the band’s ‘holy grail’ album. audio that needs to be worked on – meaning agreed back in the fi fties. The RIAA curve Released in 1982, works by fi ltering off low the band’s fifth frequencies and adding high album includes Promised You frequency to the cut. Records A Miracle, are intrinsically hissy, so the Glittering Prize idea is that if you limit the and a guest appearance from Herbie Hancock. For Miles, this was the most challenging of all the bass and add lots of high albums because of its running time (the first side is frequencies at the cutting almost 25 minutes long), but one that he’s proud of. stage and do the opposite on “There’s a lot of bass, but I didn’t want to lose any of that or the stereo image. I got it as loud as I could, playback – the amp brings in it’s certainly louder than the original cut.” bass and reduces treble – it puts the bass back where it Miles worked on the You can buy the half-speed remastered LPs here: recent Queen box set was and you’ll lose the hiss. thesoundofvinyl.com/*/Abbey-Road-Studios/ It’s basically a crude noise
62 JUNE 2016
INSIDER FEATURE ABBEY ROAD
reduction system. But at half speed, all Neumann VMS 80 lathe. “It’s in fabulous and presented in deluxe packaging – exact the frequencies are wrong, so our custom condition as it spent 12 years in a museum replicas of the original artwork and inner modifi ed fi lters have been especially before being coaxed out of retirement in the sleeves (where applicable) and obi strips for designed for the half-speed cut. It makes late nineties. Therefore it’s essentially 12 each album, complete with a certifi cate of the real-time cut sound better too, but the years newer than anyone else’s lathe” Miles authenticity from Abbey Road. “Records half-speed cut sounds fabulous.” remarks. “Also, the technical team here at mastered at half speed are a real music Abbey Road are sticklers for keeping lovers’ format and are so much more Know your limits everything working properly, so in addition pleasurable to listen to. It just brings In reference to the dreaded ‘loudness war’, to the lathe having had a fairly easy life, it’s something along that you don’t get from Miles is keen to point out that no digital extremely well maintained.” a regular record. You can sit down and limiting was applied during the mastering dedicate 45 minutes of your life to this process. “The brief here was to create clean, “The brief was to create music knowing it’s going to sound lovely.” vinyl-specifi c transfers, so thankfully I didn’t And how to get the best from these need to go for loud, mashed-up level. It’s clean, vinyl-specific records? Well, it seems all the hard work has totally superfl uous to record cutting anyway, transfers so I didn’t need been done for us by Miles. “All you need is a in fact it’s a distinct disadvantage to have a moderately reasonable hi-fi deck, something very compressed source. I’m no fan of it and to go for loud levels” that’d cost you around £200 upwards and it’s anything but natural and pure sounding.” not one of these £80 all-in-one box systems, He does, however, have a range of outboard From the Abbey Road cutting room in and you’ll easily hear the difference. equipment that he brings into play during London it’s off to the pressing plant, and Obviously the better your deck, cartridge or the mastering process to help get the best in this case the German-based Optimal, arm, the more you’ll be able to pull out of sound possible. “On most mastering sessions renowned as one of the fi nest in the world. the groove.” I use the outboard gear for the bulk if not all “They are consistently brilliant” affi rms Miles, Although Miles doesn’t get to choose the of the work. This outboard equipment is “even their test pressings are fabulous, it’s albums that receive this bespoke half-speed mostly esoteric analogue equipment, namely very rare that I have to question something. mastering treatment, he does have a wishlist equalisers from Sontec, Maselec, Dangerous Their head of quality control does everything of favourites that he’d like to work on. “I’d Music, Manley and a set of original EMI TG by the book – he’s exactly the sort of person love to do some Steely Dan and maybe some 12410 EQs. While I do have ‘in the box’ you want checking your records. You need jazz stuff. Marvin Gaye’s What’s Going On is processing tools within SADiE, I greatly that ridiculous attention to detail because possibly my favourite album of all time and prefer the sound of the outboard equipment there are so many things that can go wrong it’d be great to do that. Sadly that decision I have access to,” he explains. with a record at that stage.” isn’t in my hands but I’m not complaining Once the recordings have been de-essed Promised to be among the fi nest pressings – I get to come in here, push buttons and and tweaked to satisfaction, they are then that these albums have ever received, the listen to music all day and get paid for it. cut to a master lacquer using a modifi ed fi nished product is pressed on 180g vinyl It’s great fun!” ●
64 JUNE 2016
‘I’ve made my decision, I’ve chosen my religion, it’s music...’ Sponsored by:
YOUR LETTERS & QUESTIONS ANSWERED
THIS MONTH
ED SELLEY NEVILLE ROBERTS JASON KENNEDY DAVID VIVIAN CHRIS WARD EXPERTISE: REVIEWER EXPERTISE: ENGINEER EXPERTISE: REVIEWER EXPERTISE: REVIEWER EXPERTISE: REVIEWER Active in the industry since Neville has an eclectic taste Editor of HFC from 1998 to David’s love of hi-fi started at an Like his first kiss, Chris will 1999, Ed’s first record was for classical baroque and jazz. 2001, Jason’s first turntable early age after a near-deaf never forget the sound of his Boss Drum by The Shamen. His wife was forced to marry was Rega’s Planar 3 and Elvis’ experience with a rubbish first amp – an Aura Evolution He splits his time between his transmission line speakers 40 Greatest Hits was his first Pye music centre and his VA-100. War Of The Worlds reviewing and protecting hi-fi in the eighties and he collects vinyl, so don’t go stepping on favourite prog-rock LPs. He and Fleetwood Mac’s Rumours kit from toddler son Will. BBC test card music . his blue suede shoes. hasn’t been the same since. were his first records.
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Muso on your screen or have a word 2,362. That means that only 704 with Steve Hopkins on the Naim had been played, or about 23 support line. What he doesn’t know percent. I’ve subscribed to your about this sort of thing isn’t worth magazine for years, and will knowing. The only way to get acrylic continue to do so, unless the shelves for your stand would be to comments become more rife. have them made to fi t as there aren’t Alan Bridgens, by email any third-party companies that cater specifi cally for audio racks to my LD: Hello Alan, many thanks for your knowledge. There are, however, a lot email. Hi-Fi Choice has always been a of acrylics companies online that can supporter of vinyl and has welcomed do this for a reasonable cost. the growing interest in the format, thanks to events like Record Store Day Vinyl snobbery that have helped to popularise it with As a magazine you have always new audiences and rekindled the favoured vinyl over any other passion with anyone that remembers it media, but recently, the snide/ from the fi rst time around. detrimental comments about anything digital have started to Some of us don’t get come back into force. It is a fact that some of us don’t get a kick a kick from listening out of cuing up a record, or to vinyl and much enthuse about artwork – I just want to listen to music. I don’t prefer going digital The Naim game What Steve know if a comparison has ever I recently bought a Naim Mu-so Hopkins on the been made about how much We never intentionally make snide Naim support Qb and am very pleased with it. line doesn’t ‘extra’ it would cost to get a or detrimental comments about any I’ve connected it via Bluetooth know about digital system comparable with a music format and certainly don’t on my Apple iPod, but there is Naim isn’t vinyl one, but I would far rather favour any one over another. Like another Naim Mu-so, which says worth knowing pay that premium for being able you, we simply enjoy listening to “not connected” on the screen to listen without having to break music in the best quality possible and of my iPod, should I tap this as every 20 minutes or so. endeavour to use the most appropriate well? Or should I just leave the In the May issue, Neville sources for a particular product review. one on top connected? I only Roberts says that he believes have one Mu-so, but an Apple people aren’t buying vinyl for the NR: Although I am a self-confessed iPod mini as well. Also could I ‘trend’, but are actually listening vinyl addict, I do also enjoy my replace my glass shelves with to it. As it was Record Store Day growing digital collection and have acrylic ones on my Sound on 16th April, I thought I’d take invested in a very good digital streamer Organisation equipment stand a look on ebay, and see what to play them on. I certainly didn’t and if so where can I buy them? 180g vinyl was being advertised. intend to deride the digital format in Julian Bedford A total search came up with my Opinion piece, but attempted to 3,066 albums, I then searched highlight that the renewed interest in JK: That’s a strange one Julian. You with the word ‘sealed’ in the the older analogue format is not just have two options, ignore the second description, and came up with about the artwork or being trendy, but
JUNE 2016 69 STYLE. PERFORMANCE. FUNCTION.
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When will vinyl’s popularity diminish?
Can a £39 insect make all your CD fi les sound better than Hi-Res? Yes and no: Using the same equipment and a quality DAC, a 24/96 fi le (for example) will always sound better than a CD 16/44.1 fi le … but, even a single JitterBug will often allow a CD fi le to be more musical and more emotionally stimulating than a Hi-Res fi le without the benefi t of a JitterBug. Noise is the problem. Real noise— the kind you can’t hear directly. Most often, the word “noise” is used to that the LP can still hold its own next people and those who have been describe tape hiss or a scratch on a to the higher-resolution digital formats. listening to loud music for a long record, but these sounds aren’t noise; Of course, hi-res is not for everyone time. Many people will happily they are properly reproduced sounds and all of the digital formats, including go to the opticians once a year that we wish weren’t there. the lower-resolution ones, have a valid and have no problem wearing Problem noise is essentially random, place, just as the lower-resolution glasses, but try getting them to resonant or parasitic energy, which analogue formats had in the past, like go for a hearing test and wearing has no meaning. It can’t be turned AM radio. Regarding the sales of hearing aids. There’s still a into discrete sounds, but it does records on ebay, many of the ‘pre- social stigma attached. compromise signal integrity and the loved’ LPs on sale are no longer People with hearing aids are performance of everything it touches. available and many are collectors’ often regarded as being deaf, JitterBug’s dual-function line- items in their own right. As for the yet people with glasses are not conditioning circuitry greatly reduces sealed pressings, many retailers also considered to be blind. I wear a the noise and ringing that plague both use ebay to sell their products. I do pair of hearing aids and to me the data and power lines of USB ports, accept that I am indeed a bit weird in they’re just glasses for the ears. whether on a computer, streamer, home stereo or car audio front-panel also enjoying the process of playing a National Health ones are free USB input. record, but maybe I’m not alone? and do more than raise volume levels. I often enjoy my hi-fi and A single JitterBug is used in between devices (i.e., in series) as shown ES: As the analogue side of this am happy to use low volumes below. For an additional “wow” discussion has been largely dealt with, with my eyes shut, listening to experience, try a second JitterBug where instruments are coming into another USB port on the same Many people will from in the stereo spread with device (such as a computer). Whether a smile on my face. the second port is vacant, or is happily go to the What’s more, a friend of mine feeding a printer or charging a phone, opticians, but won’t who was completely deaf for 40 JitterBug’s noise-reduction ability is years due to meningitis now likely to surprise you. No, the printer go for a hearing test hears superbly thanks to two won’t be aff ected—only the audio! cochlear implants and a few While a JitterBug helps MP3s sound a I’d like to stick my head above the hearing aid tune ups. After a visit lot more like music, high-sample-rate parapet and state I almost exclusively here he went home, arranged a fi les have the most noise vulnerability. Try a JitterBug or two on all your use NAS drives for digital source demo in his local hi-fi shop, and equipment, but never more than two testing – indeed I bought a Melco N1A now enjoys good-quality music. per USB bus. There is such a thing as (HFC 397) to give me both USB and If you suspect you’re no longer too much of a good thing. Ethernet connections that weren’t tied hearing higher frequencies or to a PC or Mac. the sound’s not as good as it was, maybe buying new, costly LETTER Falling on equipment isn’t the answer. You OF THE deaf ears may fi nd a pair of hearing aids MONTH One or two in the hi-fi will give you the best-quality press have recently sound you’ve heard for years. bemoaned a loss of treble in Melvyn Dover, by email their hearing and each time they’ve missed the obvious CW: Wise advice Melvyn. Ears must answer. Get some hearing aids! It logically be the fi rst piece of equipment has particular relevance to older to deserve attention in the audio chain,
LETTERS
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as they enable all other advances to be patient’s ear to boost those frequencies realised. Plus, I suspect many listeners that the ear can’t hear as well. fail to notice any decline in their Fortunately, we have a much more hearing over the years. Maybe we complex and effective sound processor should all try to get used to regular for enjoying music – the human brain. tests. I’m aware that Specsavers now For music the brain can, to some do hearing tests, so maybe if we see extent, compensate for some loss of someone coming out of a hi-fi dealer frequency response. I know people with needlessly large or overly bright who wear hearing aids, but remove speakers we can now say, “Should have them when going to a concert and gone to Specsavers!” enjoy the music like they did when they were younger. Digital hearing aids NR: I am very much in agreement with are great for speech, but I don’t you when you say that those of us who recommend them for hi-fi listening. are moving on in years and whose hearing is not what it was, can still All about timing enjoy music and, indeed, hi-fi . I agree Can you please recommend a CD that we should consider hearing aids player and amp to partner the like specs as items to help us get on Tannoy Revolution XT 6F with our daily lives. Yes, it is true that speakers? I have a budget of our ability to hear high frequencies £1,500 to £2,000. I listen to a drops off as we get older. I certainly wide variety of music, classical, remember being able to clearly hear popular and country. My the 15.625kHz whistle from the line listening room is about 13ft by output stage of a 625-line television 12ft. I am looking for a musical when I was young, which I certainly system with good timing. can’t now! Modern digital hearing aids, Brian Small, by email including the NHS ones, can be individually programmed for a JK: Hi Brian, look no further than the Rega Apollo-R (HFC 383) CD player "I had planned to just play Rega’s Apollo-R and and Brio-R (HFC 352) integrated amp. Brio-R should be These two have better timing and a couple of tracks... ideal for Brian‘s greater musicality than pretty much all Tannoy speakers the competition at the It sounded so good I price. The Brio-R has enough power for the played several albums! decent 90dB sensitivity of A Naunton, online the Tannoy speakers and the combination of all three will make your television redundant.
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at that price I’d look at the Creek tweaks; linear power supplies, Evolution 50 (HFC 385) CD player and PCI USB cards, different integrated amp. They’re beautifully operating systems, different made and sound brilliant. software players and USB cables. Sometimes I’ll make a change CW: The Tannoys are an easy load and and notice an immediate your room isn’t large, so you won’t improvement. Subsequently need oodles of power. Exposure’s however, in blind listening tests 2010S2CD and 2010S2D amp combo with friends confi guring the (HFC 401) impressed us. Similarly the changes, I’ve often been unable Creek Evolution 50CD and matching to identify the better updates. Evolution 50A (HFC 377) amp should Consequently, I now listen to a also work very well. One more combo stock, hand-built PC, running I’d explore is Audiolab’s slightly Windows 10 with J River. superseded 8200CD partnered with I am limited for space in my Rega’s Elex-R. Don’t forget to budget apartment. I am around 2.5m for some decent interconnects. from the speakers, which are Upgrade advice Can you suggest a I hope that you can help out with some much-needed upgrade CD deck and amp for advice. My music catalogue is Tannoy’s Revolution now fi rmly entrenched in the PC world. I have all my music in 16 XT 6F loudspeakers? and 24-bit FLAC fi les. These are fed, via USB, into a Naim DAC V1, forced to go near a wall. and on from there into a pair Floorstanding speakers are of Adam Audio Artist 5 active defi nitely out. My speakers are speakers. I’ve been a big Naim on a long console table, isolated fan for a number of years, by sorbothane feet. I am, enjoying the PRAT and driving therefore, limited to bookshelf bass. The Adam Audio speakers loudspeakers. I’m not totally I fi nd punch well above their against going back to passive weight, and I greatly enjoy speakers, provided that the speed and insight of the somewhere in the PC/DAC/amp/ ribbon tweeter. speaker chain there can be scope I live in a fi fth-fl oor apartment for room correction, as I know of and my living room is quite no passive speakers that offer susceptible to reverberations frequency adjustment. from plasterboard walls and I need any guidance with what I ceilings. I mitigate this as best I see as three options: A) amp/ can with internal furnishings, DAC/passive speakers, B) DAC/ but I know this plays an effect active speakers, C) all-in-one and slightly muddies the sound active DSP speakers such as and defocuses the soundstage. Genelec models. I have a budget Over the last couple of years, I of £5,000, hope you can help! have tried various PC-related Nathan Wheelhouse, by email
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PMC’s two-two.5 has the tonal adjustment features Nathan is looking for
the music intact and could save you a lot of needlessly expensive component changes that won’t actually deal with the physics of your room.
JK: I have yet to hear a DSP room correction CW: I feel that you need to reappraise system that is entirely positive, they the challenge Nathan. Adjusting tone nearly always concede something in controls may ameliorate the worst the quest for a good tonal response, nasties, but you are losing music in usually timing. I would recommend the process. Linn and other brands you look for an active speaker that have pioneered some highly unlike the Artist 5 does not have sophisticated room correction refl ex loading, the rear-fi ring port on technologies, but I’d be minded to your speaker will inevitably muffl e get you back to basics. It’s only bass the sound if it is close to a wall. I wavelengths that will upset the would recommend the PMC neighbours. Your current set up is two-two.5 which has the tonal clearly stimulating the natural adjustment features you are looking ‘eigentones’ of your room – the for, but is a transmission line design tendency for specifi c lower-frequency with very well controlled low bass. resonant standing waves to develop It’s a pro speaker so has plenty of between parallel walls. Any power and is designed for console adjustments you are making to type placement. The other thing midband and treble are just your you should do is get some serious personal preferences. Large bass traps isolation for your speakers, I in one or two corners can help, but recommend one of the Townshend this may need to become unsightly before they make a difference. Can you help me Coving around the top of your room and even vertical corners will help refocus the sound considerably. Primarily though, I’m of my hi-fi setup in very wary of you placing the speakers on a console table as this nearby my apartment? surface may effectively act as extra wall reinforcement, inadvertently platforms, which are made to suit loading additional, unwanted bass the size and weight of the speakers performance from the woofer as well being used. This should stop your as transmitting some serious energy loudspeakers from vibrating the down the table legs to your furniture they sit on, which also downstairs neighbours. Try heavy tends to muddy the sound. speaker stands either side of the table or brackets on a solid wall. If this isn’t DV: If you’re after a ‘solution’ rather possible try raising the speakers a than more tweaks and adjustments, few inches on some small marble or I’d be inclined to take up granite off-cut slabs from a stone MunroSonic’s offer of a seven-day merchant or DIY store. Keep your free loan of its EGG 150 Monitoring sorbothane feet and maybe add a System (HFC 408). I think you will child’s bike inner tube barely infl ated fi nd that it addresses all of your under the high mass isolation slabs. concerns and is well within your Add an empty biro body between budget. You can call +44 (0) 845 table and inner tube to stop a vacuum 5002500 or email loans@ forming. These solutions should leave MunroSonic.com to fi nd out more.
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OPINION
Market forces
Vinyl may be the new religion for the latest generation of opinion formers, but mainstream retailers risk ensuring its revival remains a fad. David Vivian explains all
get it, I really do. Compact Disc is dead in the coveting expensive and water, and no one who isn’t a fanatic can tell beautifully engineered I the difference between MP3 and hi-res audio, turntables with exquisite and 16-year-old kids – the increasingly tonearms and fabulously exotic infl uential Millennial generation – are largely responsible pick-ups. Because, well, you for the ‘vinyl revival’. Yep, it’s obvious: the music industry know, it just sounds better. has never been in a bigger mess, nor its consumers quite In times past, that was so confused and, as I just demonstrated, misinformed. something best kept between No wonder so many people have turned to streaming for ourselves and certainly, these refuge. Easy street or what? With just a rudimentary grasp days, set against the high of spelling and a mobile phone, tunes from the largest standard of the latest digital music libraries ever compiled can be summoned for technologies and formats, it’s a absolutely nothing if you don’t mind putting up with a notion that seems to have lost or AVTech Media Ltd. Media Ltd. or AVTech few ads and slightly less than sparkling sound quality. its smug reassurance. But, And ad-free, higher bitrate ‘premium’ subscriptions to somehow, the phrase “it just streaming sites are hardly punitive when you can ‘eat sounds better” seems to have escaped and, stranger still, You are not going Hi-Fi Choice Hi-Fi yourself to death’ from an effectively inexhaustible supply become the mantra of the Millennial opinion formers, to get the best from your fancy ns of of the food of love. Game over, folks, and about time. bloggers and new vinylistas. new vinyl if you Well, maybe not. When have things audio-related ever play it on a cheapskate been that straightforward? At the nub of the current state Groove is in the heart turntable of unrest and putative revolution is a lovely example of the My main problem is this. How would they know? I’m sure bleedin’ obvious. As an ownership proposition, digital fi les some have made the effort to fi nd out by visiting a hi-fi or access to data streams are a bit boring. Great, brilliant, shop or trusting in ebay, but – and here’s the really wonderful… but boring. There’s no collateral satisfaction, upsetting thing – there seems to be a cynical conceit no physical investment, nothing tangible to tell you it even among the mainstream outlets now stocking new LPs at exists. Now this is anything between £15 and £35 a pop that you can sell a A toy turntable with something I can trend as a package and rip off the public in the process. All retro aff ectations identify with. I think you need to complete the authentic re-birth of the cool we probably all can. (for young people), is a toy turntable and amp with two will not sound cool If you’re about my tiny, tinny speakers in a pretend suitcase selling for £99. playing a £30 LP age, we grew up Over there, hanging on the wall above the record racks, with LPs and can’t miss ’em. Ah, you can hear that analogue warmth singles, most likely played, in the early days, on tediously from here. Those hi-res digital downloads on your iPhone clunky, distinctly low-fi , portable, auto-changer record can’t do that can they. One to go? decks that, with the benefi t of hindsight, sounded pretty I used to beg friends to get a decent CD player so that dreadful but, because we didn’t know any better, were they could appreciate the sound quality a Compact Disc cool as hell. had to offer. I said it was like petrol: more enjoyable in a Liking music required effort and involvement, regular-as- Ferrari F40 than a Nissan Micra. But here we’re closing clockwork visits to the record store, person-to-person in on a level of insanity. A toy turntable with retro social interaction, an album-centric rather than ‘next track’ affectations will not sound cool playing a £30 LP. It may mindset, a lot of standing up and sitting down and a high dig the groove, but not in a good way. That these vinyl- degree of manual dexterity, both to swivel an LP between shaving devices are often sold alongside LP Cleaning Set your palms, and drop the needle in the right place. There kits and ‘How to Take Care of Your Records’ books is the was a pleasurable inevitability to it all. A love of vinyl was ultimate irony and transparently exploitative. Whether formed because, apart from the radio and pre-recorded they’re in it for the retro cool daddio buzz, an excuse to cassettes, that’s all there was. Vinyl wasn’t a lifestyle get out of the house, an opportunity for the boys to choice, vinyl was music. A singular entity. Indivisible. experiment with beard styles and ‘downloads suck’ So we’re excused. Also, in some cases, for possessing posturing, or a genuine belief that vinyl does sound exorbitantly large record collections and – having long ago superior, the kids deserve better. Treat them like fools in DAVID VIVIAN Daddy cool
The opinions expressed in the following pages are those of the authors. They do not necessarily reflect the attitudes or opinio those of the authors. They do not necessarily reflect pages are in the following The opinions expressed discovered the true sonic potential of the black stuff – for thrall to a fad, and the vinyl revival will surely stall ●
JUNE 2016 79 TKHÀQHVWVRXQGPRQH\FDQEX\ 8QLVRQ5HVHDUFK·VKLJKHQGYDOYHRQO\HOHFWURQLFVFDQEHIRXQGRQGHPRQVWUDWLRQDWWKHIROORZLQJ SUHPLXPKLÀVSHFLDOLVWVFind out more at www.unisonresearch.co.uk
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Back for good
Vinyl continues to go from strength to strength as David Price celebrates the sudden rebirth of the world’s most iconic turntable, Technics’ SL-1200G
hen Technics discontinued its SL-1200 turntable back in 2010, it was a shock to every W self-respecting vinyl junkie the world over. The idea that just as our prized format was fi nally making its way back to full health, the most iconic record player in the world would be euthanised was a blow, to say the least. More than just the ‘DJ deck’ that it was often derided as, it became the best-selling record player ever made – and the most long lived too (when it ceased production). Indeed it came to symbolise vinyl as a whole. A great many people with no more than a passing interest in audio would instantly recognise it, and be able to explain mouldings and tools were no longer available or damaged. Back and better what it was – and why it was cool. No other hi-fi product We had to re-design almost all parts from scratch.” than ever before, Technics’ has ever been able to do that. Having been a compulsive turntable twiddler for the past incredible Tetsuya Itani, Technics’ chief technical offi cer, told me that 40 or so years, I thought the SL-1200MK5 was a veritable SL-1200GAE the SL-1200 was discontinued because the diecast moulds playground. There were various things wrong with it, but and tooling used to make it were wearing out. It would at its heart was a superb quartz-locked motor and diecast have required a substantial investment just in the middle aluminium chassis. Interestingly, the company has done of the fi nancial crisis, which sent the economy of the nothing on the latter (although the GAE gets a swanky company’s biggest market – the United States – into a brushed aluminium top, for visual purposes only), but has tailspin. Happily though, things have changed and the reworked the former. The old motor was the one area global economy has now picked up. Also, vinyl sales are where I would have said the SL-1200 was strongest. Itani now well and truly off the fl oor, and the LP has become a says it was still guilty of cogging – the uneven delivery of zeitgeisty object – many people are buying vinyl records torque to the platter, due to the interaction between the with download codes, downloading the music and using the permanent magnets of the rotor and the stator core iron vinyl record as art to inside the motor. A newly developed twin-rotor, coreless Hi-Fi News has adorn their walls. motor is coupled to optical rotary positioning sensors and a measured wow and While you and I, microprocessor control system. This, claims Itani, has dear analogue eliminated cogging, and also brings more torque to the flutter at a stunning addict, might fi nd party (up from 1.5kg/cm on the SL-1210MK5 to 3.3kg/cm). 0.01 percent this a tragic waste, we can only applaud The best just got better the fact that it’s happening and vinyl is back in the shops. One major weak point of the original was the resonant So now, after a six-year hiatus, please be upstanding for aluminium platter, and this has been fi xed. It now has a the SL-1200GAE – the fi rst model that Technics is brass insert, which brings the mass up to more than that of unleashing upon a waiting world. It costs £2,800 and is a the old SP-10MK2 broadcast deck, and is rubber coated on limited-edition version of which only (predictably) 1,200 its underside and balanced. The result is a substantially units are being made. The cooking SL-1200G will follow in improved ‘drivetrain’, with dramatically better speed the UK this autumn (see our Audiofi le news story on p8) stability (our sister publication Hi-Fi News has measured and is expected to be priced the same. This is a good deal wow and fl utter at a stunning 0.01 percent, down from more expensive than the SL-1210MK5, which could be had 0.25 percent for the SL-1210MK5). It is quieter in for £800 on the high street, or even less if you shopped operation too, and the result is a superb-sounding deck. around. Having had the chance to play with the new ’GAE Welcome back SL-1200, it’s been lonely without you. for a few weeks, I can gleefully report that this is more than Those who dismiss the Technics haven’t been paying just a simple rehash of the old deck. I had feared that it attention – and given it has been on sale in various guises would be worse than the high standards of the SL- since 1972, you’ve got no excuse! The fascinating thing is 1210MK5, but it’s better – and by a good way. Technics says what this holds for the future; Technics has a brilliant new the cost of the project was considerable. “Investment for the direct drive motor, all ready to go. Can we expect an development, diecast moulds and tooling was not SP-10MK4 – a superlative, high-end audiophile motor unit? DAVID PRICE Turntable twiddler insignifi cant,” says Itani, “because most of the original Itani wouldn’t say. But then again, he didn’t say no… ●
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Instant karma Instant is mostimportant the designer thinks what delivers that You get acoherence Jason KennedyJason Though he’s never beenonefor single-brand systems, achange of speakers saw re that isn’texactlywhatIgot.Yes thesoundwasnotso resolution, bassextensionandall-roundsoundqualitybut had to been instigatedoverthistimecouldbeincorporated.SoI them sothatthemanyupgradesandchangeshave speakers for15years,themanufacturersuggestedIreturn amp areprettyaffordableseparates. the Saturn-R( MC cartridgearethebestbrandcurrentlymakes,but ampli player (includingarmandcartridge),CD Stream X( Trichord DelphiniandthenetworkstreamerisaCyrus of brandsintoRega components.Thephonostageisa ampli been LivingVoice Auditoriums,butthesourceand For alongtimethespeakersinthissecondsystemhave most ofthetimeandwhichisusedformusicreviewing. elements, andasecondthattendstoremainthesame that Icanswapnewkitinandoutwithvariousreference position ofhavingtwosystems,oneforhardwarereviews been havinganawfullotoffun.Iaminthefortunate planets gotintoalignmentonthisfrontrecentlyandIhave an awfullotofmusicalentertainment foryourmoney. performance, asisthecasewith this Rega system,youget instruments andvoicesalongside theprecisetempoof considered mostimportant.And if that’sthecharacterof of approachthatwilldeliverpreciselywhatthedesigner in everythingfromsourcetospeaker, yougetacoherence what itisattemptingtoachieveablecarryoutitsaims – whenacompanythathasclearanddistinctideaof many systemsfailtomatch.Thiscomesdownsynergy which addsuptoanabilityengageandentertainthat surprising, reallybigdifferencesbetweenrecordings.Allof tremendous coherence,precisionoftimingandmore expansive, butwhatcamethroughinitsplacewas I had expected to come to terms with a drop in detail I hadexpectedtocometermswithadropindetail Having usedtheOBX-R variantsoftheLivingVoice fi ned and rich and the soundstage was less open and ned andrichthe soundstagewaslessopenand I fi fi er areallRega. TheRP10turntableandAphelion er haveovertimeturnedfrombeingamixture fi nd a speaker that was living room-friendly and nd aspeakerthatwaslivingroom-friendlyand HFC and almost unheard of for reviewers, but the and almostunheardofforreviewers,butthe things arenotuncommonamongenthusiasts have neverownedaone-brandsystem.Such n allmyyearsasamusicloverandaudionutI HFC 351), but the key components of record 351),butthekeycomponentsofrecord 384) CD player and Elex-R integrated 384)CDplayerandElex-Rintegrated employ Rega components across the board with surprising results surprising with board the across components Rega employ I’d beenreviewing. RX3 opted fortheRega precludes most.I over, which children toknock dif fi cult for small cult forsmall fl oorstanders oorstanders plane withoutleavingacar-sized dent inmybankbalance systems thatarecapableoftransporting metoahigher and artisticsensitivityrequiredto designandbuildfull hat offtothosepeoplewhohave boththeengineeringskill tastes, especiallyifitdoesn’tchargetheearth.Itakemy entire systemchainsthatappealtoyoursensibilitiesand handy tobeabletrackdownacompanythatbuilds engaging results,andsomethatdotheopposite.Soit’s some prettyunexpectedcombinationsproduceextremely components fromdifferentmanufacturers,Ihavefound in MunichI’dsuggestvisitingitsroom,it’ssomethingelse. that ishardtobeat.IfyouevergettheHighEndshow but asawholeMBLsystemsdeliverimagingandpresence pretty unusualwiththeirpulsingrugbyballdriveunits, Germany. Itsstuffisprettyexpensiveandthespeakers Another brandthatmakeeverythingisMBLfrom System synergy French company’s models. A French company’smodels.A emphasis hasbeenonthe since itstieupwithFocal the loudspeakers, ofcourse,but Naim stillmakes record brushforthatmatter! in tobuyNaimamps,ora without anLP12ifyouwent pressed towalkoutofastore era whenyouwouldbehard same wavelengthasLinn.An when itseemedtobeonthe thing, builtoverthetime reputation fordoingthesame engagement atthetopoftreewhereitdeservestobe. that createdtheelectronics.Ateamputsmusical primarily becausetheyweredesignedbythesameteam the musicalitystakes, speakers stillhavetheedgein but IsuspectthatNaim chance totrysuchasystem, system. Ihaven’thadthe synergy asaone-brand should havemuchthesame that equipmentandthus Sopra weredevelopedusing point wheremodelslike electronics andsourcestothe evolving tosuitNaim range whichhasbeen You can,ofcourse, buildhighlysynergisticsystemsoutof Naim has a pretty good Naim hasaprettygood ●
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[email protected] 4 Zephyr House Calleva Park Aldermaston Berkshire RG7 8JN UK AC/HFC/95 Picture credit: Shutterstock/Olaf Speier The vinyl vs CDdebate to thehumanear objectionable more are jitter as such Digital distortions Neville Roberts There’s beenalot of talk about how vinyl sounds superior to CDof late. But, wonders format to 16/44 and then converted back to an analogue format to16/44andthenconverted backtoananalogue converted downfromaprofessional high-resolutiondigital other hand,hastobeencodedas a digitalsignal,whichis then backtoasoundwavebyloudspeaker. ACD,onthe converted bythecartridgetoavaryingelectricalsignaland a wavygrooveonrecord.Duringplayback,theis microphone toavaryingelectricalsignal,whichendsupas to whizzthroughtheairandthisgetsconvertedbya string orabangondrum.Thiscausessoundwave stays intheanaloguedomain.Itallstartswithavibrating quality direct-to-discrecord,forexample,thesoundsignal there aremanyotherfactorstoconsider. Firstly, withagood just aboutfrequencyrangesthatyoucanhear. Ibelievethat consider thatvinylsoundsbetterthanCD.Clearly, it’snot start toproducedistortionsabove20kHz. superior toCD,thephysicallimitationsofacartridgecan pressing. Althoughthisappearstoimplythatarecordisfar reproduce thefourchannelsonaquadraphonicsystem.A frequency modulatedwiththeinformationrequiredto records –theyhada30kHzcarriersignalthatwas the vinyl,recordingandplaybackequipment. so themaximumfrequencyisdeterminedbyqualityof to digital,astherecordingstaysananaloguesignaland does notrequiretheencodingprocesstoconvertaudio frequency foraCDisslightlylessataround20kHz.AnLP of the44kHzsamplingrate.Inpractice,maximum theoretical maximumfrequencythataCDcanstoreishalf encoding standard.AccordingtotheNyquistTheorem, response thanCDduetothelimitationofdigital enjoyment fromlisteningtoanLPcomparedwithaCD? have betterhearingthantheirparents,perceiveagreater vinyl trendyagain?Orisitthatyoungsters,whotendto of itssleeveandplayingitonaturntablethathasmade the extraenjoymentthatyougetfromtakingarecordout replied: “Ohmum,youaresooldfashioned!”Soisitjust that shehadnowmovedontoCDs,whichthegirl But this does not help explain why so many people But thisdoesnothelpexplainwhysomanypeople quadraphonic Think backtotheearlyseventieswithCD-4 There isanargumentthatvinylhasabetterfrequency I wanted to get a turntable too. Her mum said wanted togetaturntabletoo.Hermumsaid had beengettingrecorddecksandthatshe was sayingtohermotherthatallfriends heardastoryrecentlyaboutteenagerwho , is there any truth in the Time theory? to dig into the grooves and digits standard vinyl standard vinyl recorded ona nevertheless signal, butitwas this high-frequency needed toreproduce Shibata styluswas The resurgenceofvinylhaspromptedanAustrian Hi-res vinyl distortions, suchasjitter, granulationandothernasties These digital format ofaCD. lower resolution signi and aremore analogue process from apurely are verydifferent digital conversion introduced by limitations distortions and the DAC. The waveform by what thefutureforLPholds time willtell,butIforoneamlooking forwardtohearing Clever stuff. the audiodirectlyontoHDVinyl stamper usingalaser. dynamically adjustingthegroovespacingbeforeburning characteristic, correctingradialandtangentialerrorsand, the topographicaldatabyadjustingfrequency cutting agrooveinlacquer, theresulteffectively‘masters’ Although thispartoftheprocessislengthierthansimply modelling techniquestodescribethegroovetopography. sixties technology, HDVinyl usescomputer-generated,3D Vinyl. Unlike currentrecordproductionthatisbasedon fi generated bythedigital and certainlyaddstotheoverallmusicexperience. Similarly, asub-sonicbassnoteisfelt,ratherthanheard, reproduction, itislessimportantthatmaynotbeperfect. quadraphonic the soundmorereal,andaswithCD-4 this tosomeextentisacontributoryelementmaking example, a25kHztone.ThefactthatanLPcanreproduce bene the experience.Asupertweetercanproviderealsonic ‘hear’. Thebrainputsalltheseelementstogethertoprovide It’s notwithjustourears,butwholebodythatwe by theCDstandard. happens inyourCDplayeratthelowerresolutiondictated equipment. With aCD,thedigital-to-analogueconversion analogue takesplaceathighresolutionwithprofessional digitally recordedinthestudio,butconversionto record. Somewillpointoutthatmodernvinylrecordsare human earthanthesimpleanalogueequalisationsofavinyl le aEuropeanpatent describingHD(HighDe Another issue is how the human body experiences sound. Another issueishowthehumanbodyexperiencessound. fi fi cant at the cant atthe ts, but Iverymuchdoubtalistenercouldhear, for Is HDVinyl goingtobethewayforward? Only fi lters are more objectionable to the lters aremoreobjectionabletothe ●
fi nition) nition) fi rm to JUNE 2016 really thebest? but whichis both play music, round andthey They’re both Vinyl virtuoso Vinyl NEVILLE ROBERTS OPINION 85
Virtual reality, thanks no Virtual ups of performers” and terrifying close mild seasickness of combination “A to your head really the future of live music? music? live of future the really head your to Sure, not everyone can get to seetheir favourite band live, but is strapping acarboard box up bystreamingafewshowslive toyourcouch to seeyourfavouritebandwhen they hittownandwarm same showeverynightandifyou buyanexpensiveticket concerts mightnotsuitalotofacts:mostartistsputonthe pride themselvesthatnotwoconcertsareeverthesame. because, liketheGratefulDeadinadifferentera,they every showtheyperformontheinternet.Thebanddoesit American jambandcalledUmphrey’sMcGeethatposts live streamedaParis concertviaDeezerandthere’san business isonthebrinkoftakingoff. LastyearthePixies and youcouldevenwatchitin360°‘virtualreality’. California. GetyourhandsonaGoogleCardboardviewer, reunion, withouthavingtotrekallthewaysunny Spacelab TV, sothatyoucouldcatchtheGunsN’Roses the majorfestivalsarealsoincreasinglyembracingit. Live 8orPaul McCartney’s2012concertonAppleTV, but and largelimiteditsusetoshowcaseeventssuchas2005’s music. Untilnowtheproductioncostsinvolvedhaveby that liveconcertstreamingisthenextbigthingforonline of ourearswithoutvisualdistraction. been meticulouslycraftedinthestudiofordelectation hear somethingmoreculturedandsophisticatedthathas hunkered downonthesofa,formostpartIwantto make upforthelackofstudioqualitysound.ButwhenI’m recorded liveLPs onwhichtheatmosphereandenergy Wailers andJimiHendrixcometomindashaving at home;theGratefulDead,BobDylan,Marley&The audience andtosharethecommunalityofexperience. but totaste,touchandfeelthesynergybetweenartist to bethereandnotonlyseeheartheperformance donation tocharity. ButintheendIdidn’tbother. fee wasn’tacommercialtransactionbutsuggested£15 you might well feel short changed when you turn up and you mightwellfeelshortchanged whenyouturnupand However, the bandadmitsthatlivestreamingof Companies inthelive-streamingspacebelieve Three weeksaftertheBowietribute,Coachella– For adecadenow, industrypunditshavebeentellingus There areahandfulofconcertalbumsIenjoylisteningto Why? Becauseinmyworldtheonlypointoflivemusicis D was tempted, particularly as the subscription was tempted,particularlyasthesubscription York’s RadioCityMusicHallheldinApril?I concert streamedliveviaSkypefromNew id anybodywatchtheDavidBowietribute webcast via webcast via stream video offered onalive festival –wasbeing prestigious indie and most America’s biggest fi rst, then recording inhi- preferred tolistentheGeorgSoltiorOttoKlemperer collective experience.IfIhadstayedhome,I’dhave Giovanni Opera HouseofKasperHolten’sproduction I alsoenjoyedwatchingawebcastlivefromtheRoyal room, evenwithaGoogleCardboardviewer. Lastsummer replicate thatkindofscaleandgrandeurinyourliving as ifIwasonstagewiththeband.Butyou’renotgoingto IMAX cinemaandadmittedlyitwasfantastic;almostfelt I oncewatcheda Come together watched JosephLosey’ssumptuous1979 miss asingleballoftheT20cricket worldcupfromIndia mobile phone,andthensignedup toSkyGosoIdidn’t thing. After all,IsaidnobodywouldeverwatchTVona that liveconcertstreamingisguaranteed tobethenextbig terrifyingly close-upfootageofperformers”. Times friend LisaVerrico, whotrieditandwrotein virtual reality?Nothanks.I match sailingoutof excitement asaninjury-time are goingtoplayasanencoredoesn’tquitehavethesame not likeasportingevent.Wondering whatGunsN’Roses band beingwebcastliveintomylivingroom.Aconcertis not convincedIreallywanttowatchevenmyfavourite you cancatchitathomeisanattractiveone.ButI’mstill supposed tobeunique. major sellingpointsoftheliveexperienceisthatit fi nd the same set list played note for note. One of the nd thesamesetlistplayednotefornote.Oneof But what do I know? My opposition probably ensures But whatdoIknow?Myoppositionprobablyensures But livestreamingofrockconcertstomylivingroomin On thesurface,notionthatifyoucan’tmakegig, of a “strange combination of mild seasickness and ofa“strangecombinationmildseasicknessand Nigel Williamson Nigel Williamson on abigscreeninTrafalgar Square.Butitwasa fi quality on headphones or to have qualityonheadphones ortohave fi lm ofaRolling Stonesconcertinan the groundforsixtowingame. fi nd myself agreeing with my nd myselfagreeingwith my goal or the last ball of a cricket goal orthelastballofacricket sincerely not hopes fi lm onDVD. The Don Don
Sunday Sunday ●
JUNE 2016 to watch gigs? really theway viewer: isthis Cardboard Google’s Live and kicking WILLIAMSON NIGEL OPINION 87 RETRO
Three at last Quad’s bold and innovative 303 power amplifier finally made solid-state respectable, remembers David Price
an you imagine being a the charts in 1964 would deliver Claimed to be the world’s fi rst sixties audiophile? Back between fi ve and 10W, but this was low-distortion transistor amplifi er, C then, the everyday concern made up for because speakers were it arrived late to the transistor party for people interested in so much more sensitive. in 1967 – around the time of the hi-fi was power output. It was a time What people wanted was power, so-called summer of love. It’s fair to when technology simply didn’t permit and the invention of the transistor say that at £55, most hippies didn’t amplifi ers to push out large numbers in 1947 fi nally gave it to them. Of have the cash for one; that was a of watts. It’s hard to imagine now, course, it took a while for solid-state sizeable amount of money back then. when even a £200 integrated will do to work its way into the hi-fi world. When launched, Quad found itself on an easy 45W RMS per channel, but The fi rst designs were poor, and the defensive. Why hadn’t it made back in 1967 when Quad's 303 came contrary to expectations, unreliable. It this earlier, asked the hi-fi press? out claiming this fi gure, it was seen was only when Quad introduced the Founder Peter Walker stated: “We are as almost outlandishly powerful. 303 that the technology came of age. sometimes accused of being slow to A typical valve amplifi er bought This is arguably the fi rst truly modern take up transistors, but in fact early when A Hard Day’s Night was top of power amplifi er. transistor amplifi ers were inferior to The story of the 303 1947 1967 1969 1985 The transistor is invented, Quad's 303 is unveiled to the The 303 wins a Design Council Quad ceases production of the 303 as Live changing hi-fi forever, as world as is Sgt. Pepper's Lonely Award as Led Zeppelin release Aid (following on from Band Aid) becomes David Bowie is also born Hearts Club Band by The Beatles their eponymous debut album the biggest musical event of the year
88 JUNE 2016 RETRO
good valve amplifi ers and it has been Quad originally designed the 303 to be BUYING necessary to develop a fundamentally powered from the 33 preamplifi er, as new approach to circuit design to per the Quad 22/II pre-power combo, Ebay is your friend – there is always a good selection of these venerable classics listed, overcome this. The result is that the which is why the pin 4 output on the and of course they pop up on all manner Quad 303 is superior to the best of 33 is live and must not be connected of other classified ads listings. Prices are valve designs in every respect.” to anything. The small Bulgin socket at staggeringly low for what you get, for two reasons. First, Quad 303s are simply not The Quad II that was being replaced the bottom is where the 303 gets its fashionable, and second, there are loads was much loved, sweet sounding and mains power from. around. Prices start from £50 (yes, really), immensely popular over its 13-year but the best advice is to get the one in the very finest cosmetic condition you can life. Still, the 303 was revolutionary Mods and rockers (almost regardless of whether it’s working in some senses. Firstly, it had no Because it’s so easy to get at under or not) for up to £200, and then get it fully controls, being designed to hide away the hood, the amplifi er has become serviced at the factory for a couple of hundred pounds or less. That way, you’re inside a rack or installation. Second, popular with tweakers and there’s left with a mint, as-new sounding design – its styling was radically different to now quite an industry that’s grown what more could you wish for? anything around at the time, and for up around this. For example, Dada Whether you partner it with the 33 that reason it hasn’t really dated. The Electronics (dadaelectronics.eu) will preamplifier is your call, although 303s made from 1982 onwards would have come third and most original aspect of the sell you two brand new amplifi er with the 34 preamp which is an altogether 303 was its circuitry. At the time, boards for under £200, with new better device because it has replaceable conventional solid-state amps had high-quality passive components, input cards that give moving-coil cartridge or CD connectivity, with no electrical a tendency to suffer from thermal silver connectors and good PCBs. matching issues – and phono sockets are tracking problems with the transistors, Many other such mods are available fitted. Ultimately, both preamps are old which caused unreliability and elsewhere, but suffi ce to say an old and full of electrolytic capacitors, carbon potentiometers, switches and PCB instability. Walker came up with a Quad 303 has real potential. There’s connectors which all deteriorate over time. new output transistor confi guration also Quad’s own legendary aftersales Personally, I’d go for a good passive called ‘triples’, where the symmetrical servicing should you wish to keep preamp and use decent modern interconnect cables and a custom arrangement of the transistors your 303 standard, (tel: 01480 mains power lead. allowed effective control of the output 452561, email: [email protected]), current. Since the voltage was also which is still very reasonable. full service to give its best. This done, controlled, the transistors could only The earliest examples of the 303 the 303 is surprisingly fi ne sounding. will be nearly 50 years old, and if they There’s no mistaking it, because it’s The idea the design haven’t been properly serviced you’re quite valve-like. When running not going to get a clear example of comfortably inside its performance is over 50 years old what this venerable amp can do. As envelope, bass is quite strong and isn’t apparent when well as solder joints and connectors warm while the treble is surprisingly degrading, individual passive sweet and soft. It has an unexpectedly you're playing music components go out of spec over time, liquid midband and doesn’t sound as and this is particularly an issue with mechanical as many modern units. operate within their ratings, and the four electrolytic output capacitors. It’s surprisingly transparent too, and caused the quiescent current to be The 303 was never built for low images well. It’s an odd but alluring independent of output transistor impedance loudspeakers like some of combination of vintage and modern, temperature. This reduced the need the ones around today. It’s nominally with the only downside being just a for negative feedback, improving the 8ohm and doesn’t like straying too far slightly tinselly upper midband that sound, and also brought down lower than that. It can be bridged to reminds you that you’re listening to a distortion and improved reliability. run 4ohm, and produce a lot more transistor amplifi er. The idea that the In a wonderfully hyperbole-free power than the 45W RMS per design is over half a century old isn’t advertisement of the day, Quad channel which comes as standard, immediately apparent when you’re explained this under the title, “Good but sonically doesn’t quite sound as playing music, as it’s way more Engineering”. It won a Design Council sweet. So bear in mind that this contemporary sounding than the Award in 1969, and one magazine is vintage audio, and needs a Quad II valve amplifi er that preceded called it “the god of amplifi ers”. sympathetic environment as well as a it – yet still has some of its charm. The original 303’s chassis was made from diecast aluminium and its case Time traveller from sheet steel, both fi nished in stove- It must have been fascinating to have enamelled metallic beige and brown seen the reception the 303 got when with off-white detailing. Heat launched, especially from Quad fans dissipation was ably assisted by the of that time. Amazingly, it remained large fi ns at the rear of the case; this is in production from 1967 right up to why the design is effectively ‘back to 1985, by which time almost 100,000 front’ with the front panel adorned had been produced. That’s a with connectors. Aside from the remarkable number, and all the more voltage selector at the top left, and the so because so many still exist and are fuse at the top right, there’s a neon in regular use today. Beautifully built power indicator and a 4-pin DIN input and with near bomb-proof reliability socket (with the signal carried on pins The 'back to when properly serviced, this little front' design 1 and 3; left and right channels means that all slice of classic exotica is still respectively; with pin 2 being the sockets are on surprisingly affordable secondhand common return and pin 4 not used). the front panel – with prices starting at under £200 ●
JUNE 2016 89 DEALER VISIT OXFORD AUDIO CONSULTANTS Cultural OXFORD AUDIO CONSULTANTS exchange With a portfolio that matches traditional British with the best from overseas, Oxford Audio Consultants is as Cantay House, Park End Street, Oxford, OX1 1JD diverse as the city’s University. Ed Selley gets schooled 01865 790879 oxfordaudio.co.uk ne theme that continuously imported ones intended to create makes itself felt in HFC’s systems that achieves these varying O visits to dealers is that requirements. The result of this is a rega.co.uk, martinlogan.com, some of our most selection of products that founder Jon en.devialet.com, melco-audio.com, interesting systems come from those Harker and store manager Alistair michell-engineering.co.uk, that have a clear philosophy to their McDonald feel is unique and able to sme-audio.com, ortofon.com, brands and equipment. In the case of create systems at a variety of price kef.com, wilsonaudio.com, Oxford Audio Consultants, its 28-year points that encompass these values. dcsltd.co.uk, aurender.com, history has seen its lineup evolve into Many of the brands picked to do this audioresearch.com, chord.co.uk, something perfectly suited to Oxford have been fi xtures of Oxford Audio psaudio.com, quadraspire.co.uk and the surrounding area. The locale since the store opened. While keen is affl uent, but properties are frequently advocates of streaming, CD and vinyl compact and the clientele are keen are also well served and all will be audiophiles but want kit that requires on display here. Sat in the pleasant little in the way of fi ddling or tweaking. upstairs demo rooms, it is time to see And so its portfolio balances famous just what the Oxford Audio effect is British brands alongside a selection of on some well-known classics.
System test music
JOSEFIN ÖHRN + THE LIBERATION Horse Dance Vinyl
M83 Saturdays = Youth Vinyl
DAVID BOWIE Blackstar 24/96kHz FLAC
90 JUNE 2016 DEALER VISIT OXFORD AUDIO CONSULTANTS
System 1 – Simply ecstatic
IN MANY WAYS the fi rst system is aesthetics though, so what does this like being greeted by an old friend. It lot sound like? is fronted by a trio of electronics that In short, this combination takes both I’ve encountered a few times on my speakers and electronics to places you travels, but here they are being might not expect, but you’ll be presented with a twist – a pair of extremely happy that they do. Dunes, loudspeakers that I’ve never seen the opening track of Josefi n Öhrn + partnering them anywhere else and a The Liberation’s Horse Dance is a promise to take the performance in a rowdy, powerful piece of noisy different direction to what I might shoegazing rock that might not be the have experienced previously. obvious material for a speaker like the The electronics come courtesy of Electromotion. With the RP6 and Elicit Rega. Specifi cally designed to work with one another, the RP6 turntable, It is unusual for the Elicit-R integrated amplifi er and Saturn-R CD player are individually strengths of both 1 great, but cumulatively greater brands to be quite still. Like many Rega products, there is little truly radical about the so easily combined engineering that goes into these components, but thanks to careful working in partnership with it, 2 design and construction as well as though, the result is joyous. Rega’s considerable engineering The trademark MartinLogan expertise, they deliver excellent soundstage is present in all its glory; performance and a level of fl exibility a vast and utterly unforced three- that customers consistentlyene tlt y fi ndd didimensionalmem nsioonal spsspaceace in wwhich the enormously appealing.. peperformersrformem rsr aarerer aarrangedrrrrange with absolute asassurance. So far 3 Socket to me so conventional. The perfect mix of 4 UK electronics and The Elicit-R has a usefulful WWhere things start American speakers selection of inputs includingludding to take a slightly a cracking moving-magnetagnet ununexpected turn is phono stage while thee ththata this system only dream of. Her dulcet tones have a Saturn-R is equipped wwithitth a rereallya wants to texture and scale that create a reality choice of inputs that alallowlloow it rorock.c There is an that is absolutely vital to the way that to act as a capable digitalgitaal huhhubb ururgencyg and desire you perceive the recording. The as well as a seriously ttalentedallene ted too bbe on each beat greater radiating area of the CD player. Against this,s,s tthehhee to tthe picosecond Electromotion really does lend RP6 can seem more miminimalistnimam liists ththatat produces a everything a scale and ambience but you still get electroniconic lellevelve of excitement you’ll really miss when it’s gone. speed control and thatt mmostoso t ththathata is infectious. underrated of items, a llid.idd. SoSomem of the less Come together Partnering the collectiontion of wewell-knownl This then, might not be a partnership Regas is the smallest memembermber popositivesii traits of the of brands that you’d automatically of the MartinLogan hybridybrid ElElectromotionec come assemble, but it’s one that works electrostatic speakers. Of ccourse,ourse,e to ttheh fore at the exceptionally well. It is unusual for small is a relative termm fforor ttheheh sasameamem time too. That the strengths of both brands to be so Electromotion – it is overver fi vvee feetfeeet 8i8inn bbass driver has effortlessly combined without any tall and imposing withh iitt – bubutt rerealal slam and sense that they are working against these dimensions are nneededeee ded to imimpactpap to it and the one another, but that is what is allow for an electrostatictici ppanelanel inintegrationteeg with the happening here. These are great of suffi cient size to be uusefulsefuul papanelane is effortless. products in their own right, but this and to allow for the fi ttmentment CD is no less system has genuine star quality. of a conventional 8in bbabassss asassured.sus r A quick driver that handles thee bblblastast of Hollywood 1 REGA RP6 £1,098 low-end duties. As a frfromom Marina and 2 REGA SATURN-R £1,598 system, this is a good- ththehe DDiamonds’ The 3 REGA ELICIT-R £1,598 4 MARTINLOGAN ELECTROMOTION looking selection of FaFamilyamim ly Jewels gives £2,599 components. The tthehe MMartinLogan a CHORD EPIC TWIN 3M £396 Electromotions aren’t chchanceannc to show that CHORD CHAMELEON RCA 1M exactly shrinking violets,etts, evevenenn wwhen partying, £180 but their footprint is it ccananan still do things QUADRASPIRE Q4 EVO £330 compact and they wiwwithithh ttheh female voice complement the Regass nnicely.iccele y. ththathatt sspeakersp that cost TOTAL £7,799 We aren’t here to judgee mammanyny ttimes more can
JUNE 2016 91 DEALER VISIT OXFORD AUDIO CONSULTANTS
System 2 – The cutting edge
WE NOW TAKE a big jump in makes its presence felt in an overt or their disposal a copy of M83’s price and an equally signifi cant obvious fashion, but there’s a latent Saturdays = Youth and the result is step forward in capability and sense of force to even the gentle simply spellbinding. The dreamy desirability. While this setup uses piano on Kneel Down that suggests electronic of Skin Of the Night completely different brands to the this system is unfazed by the demands is utterly captivating with the fi rst system, some of the same tenets of giving a piano the scale it needs to shimmering, ephemeral vocals laid of the Oxford Audio Consultants’ actually sound like one. This sense of across a vast space of sound that philosophy are still very clearly effortlessness is aided by the bass on envelopes you entirely. present here. offer. Those 9in drivers under the The heart of the setup, providing leash of the Devialet are absolutely Blade runner both decoding and amplifi cation effortless, but produce the sort of low There’s no sense pretending this is a limited-edition Devialet. end that is felt as much as heard. system is cheap, but spend 30 Resplendent in gold casework, the Breaking down the division of minutes with it and I defy you not to ‘Edition Original d’Atelier’ is one of responsibilities between the Melco see why it costs what it does. This is 100 pieces and effectively represents and the decoding side of the Devialet music on a scale that rarely happens a best-of-everything entry from is almost impossible, but they with domestic audio systems and it Devialet that is hand fi nished and combine to give you digital that is important to stress that while the tuned. Packing an extraordinary is wonderfully detailed, utterly free Blade is hardly compact, its behaviour 900W into two slender chassis, it of any sense of processing and in the demo room is entirely benign. remains one of the sleekest and compellingly real. In a system at this For many dealer visits, this would be most elegant bits of hi-fi on the price point, even if the Melco was the a fi tting end to the day, but we’re market today. The Blade passive partner, its ability to deliver just getting into our stride here. delivers a performance a perfect signal from a silent and NAS the way I like it to match those beautifully assembled device is worth 1 MICHELL ORBE SE £3,090 Supplying a music library for the amazing looks the price of admission alone. 2 MELCO N1ZH £3,500 Devialet is a Melco N1ZH NAS. This Switch to the Orbe and the 3 DEVIALET EDITION ORIGINAL D’ATELIER £22,900 effectively combines the exceptional strengths of this extremely 4 KEF BLADE £20,000 casework of the fl agship N1Z with underrated deck compliment SME 309 £1,511 the non solid state drives of the the rest of the system 4 ORTOFON QUINTET BLACK £650 N1A. With 6TB of storage and the perfectly. The Michell is QUADRASPIRE X REF £3,000 usual Melco virtues, it ensures that a turntable that delivers AUDIOQUEST OAK 3M £3,060 the Devialet has a viceless signal to a wonderfully open and AUDIOQUEST DIAMOND USB work with. effortless presentation that is £599 Of course, the other source is still underpinned by a sense AUDIOQUEST CARBON COAX hardly fl awed. The Michell Orbe of drive and timing that is a £145 is less commonly seen than the hallmark of the brand. Give prettier Gyrodec, but while it might a pair of Blades with the TOTAL £58,455 look a little more sober this is a thick end of a kilowatt at tremendously capable turntable. Finished with an SME 309 tonearm and Ortofon Quintet Black moving- coil cartridge, it promises to try to keep analogue on a similar footing to digital. 1 For speakers Alistair has selected the KEF Blade. Part technical demonstrator, part fl agship, all sculpture, the Blade is designed around the principle of ‘Single Apparent Source’. This means that 2 sat in the listening position, only the front Uni-Q array is visible. The quartet of 9in bass drivers use a clever force-cancelling system to control the drivers in such a way 3 as the listener only receives bass information that is in phase. It’s a fi ttingly striking fi nish to a handsome system, but how does this selection work together? The 24-bit/96kHz FLAC of the Neil Cowley Trio’s Touch And Flee reveals a great deal about how this system Elegant aesthetics conceal a huge goes about making music. That performance prodigious power output never
92 JUNE 2016 DEALER VISIT OXFORD AUDIO CONSULTANTS
System 3 – Digital dreamland
THE FINAL SETUP of the day is a outstanding bass depth and detail, sizeable speaker with four drivers a single-source affair. When the source but it’s the speed that takes your side, it manages to do an uncanny in question is this good, it is diffi cult breath away. Of course, if the job of sounding like an impossibly to feel short changed – especially partnering electronics weren’t up to competent full-range driver. when it is partnered with a magical the job, the Wilson would simply be amplifi er and a pair of speakers that’s showing up problems further up the Why have cotton... a byword for obsessive engineering. stream, but there aren’t any. This is an unapologetically The digital front end is a pairing In fact, this relationship between expensive collection of equipment, of server and preamp, not entirely DCS and Audio Research is another but viewed objectively it is still unlike that seen in the second fi ne example of the Oxford Audio reasonably compact, impressively system. In the case of the Aurender Consultants team being able to fl exible and entirely simple to use. W20 and DCS Rossini Player and partner brands so that they become It also stands as the physical Clock, the relationship is more greater than the sum of their parts. embodiment of the Oxford Audio symbiotic. Amplifi cation is handled The incredible resolving power and Consultants’ philosophy and an by an Audio Research REF75SE scale of the Rossini is perfectly incredibly convincing one it is too. valve power amplifi er. Built around augmented by the Audio Research. an output stage of KT150 valves and Together they offer the ability to take 1 WILSON AUDIO SASHA 2 £34,998 JFET transistors, it produces 75W any recording at any scale and render 2 PS AUDIO P10 £4,999 of power with low distortion and it with an intoxicating blend of 3 DCS ROSSINI PLAYER £18,000 plenty of current delivery. Built into accuracy and sweetness. 4 AURENDER W20 £12,999 a hefty but sumptuously fi nished This means that even taking 5 DCS ROSSINI CLOCK £5,000 chassis, the Audio Research has a something less than stellar in 6 AUDIO RESEARCH REF75SE £8,698 presence in the room that even recording terms like Public Service CHORD SARUM 3M SPEAKER CABLE £3,300 more expensive components Broadcasting’s Sputnik is an utterly CHORD SARUM MAINS 1.5M X 4 struggle to rival. joyous experience. The way that the The Sasha 2 is an £8,600 But in terms of in-room presence, exceptional track builds and builds over the CHORD SARUM MAINS 16A £2,160 even it has to give ground to the piece of course of its seven minutes is always CHORD SARUM SUPER ARAY USB Wilson Audio Sasha 2. It seems engineering wonderful, but on a pair of valve-fed £1,000 absurd to describe a speaker that Wilsons it’s outstanding. From the CHORD SARUM XLR £2,750 costs £35,000 as ‘midrange’ but it 1 point where the threshold of CHORD SARUM BNC X2 £3,800 sits almost equidistant in the Wilson your hearing kicks in, to the AUDIOPHILE BASE QUADRABASE £3,000 roster. Built around a pair of 8in deepest reaches of the bass bass drivers, a 7in midrange unit response, the integration TOTAL £109,304 and 1in tweeter, each enclosure is is perfect and the tonality exquisitely fi nished. With Chord unfailingly convincing. For a Sarum cabling connecting everything together and a hefty PS Audio P10 Mains Regenerator handling power, it’s time to take this rig for a spin. 3 Straight down to it Some systems need a serious amount of time and listening to tell you what they’re all about. 4 This is not one of those. A minute of the 24-bit/96kHz FLAC of David 5 Bowie’s Girl Loves Me is pretty telling. The performance is dominated by the Wilson, which in some ways is an odd thing to say because it is incredibly transparent 6 and effortlessly able to reveal details about the connecting equipment. What it also brings to the system 2 A perfect synergy of brands makes for a is a sense of utterly unfl appable digital masterclass control. The Sasha 2 has truly
You might make the not unreasonable not be self evident at first, but deliver they possess sensible footprints point that with two systems that cost a results that are truly outstanding. and a surprising degree of room significant sum of money, it shouldn’t Furthermore, the ethos of flexibility friendliness. Oxford Audio Consultants SUMMING be too hard to turn out some staggering and user friendliness is also present seeks to produce systems that deliver UP performances, but that misses the point. throughout. These are systems that ask outstanding performance with little in What ties these systems together is that very little of the user while delivering the way of sacrifice from their owners and it they combine brands in a way that might performance that they do. Furthermore has unequivocally succeeded.
JUNE 2016 93 LABELLED WITH LOVE
MO’WAX Take a passion for hip hop, jazz and funk, throw in a love of Star Wars and you’ve got the makings of the genre that became trip hop. Simon Berkovitch explains all
o’Wax, like so many a column, Mo’Wax Please, in still very much a niche concern. Jean-Michel Basquiat painting. other era-defi ning infl uential underground All this changed in November Lavelle became a recording artist M labels, was very much magazine Straight No Chaser. 1993 with the release of DJ himself, with a rotating cast of the vision of its At this point, his ambition was Shadow’s seminal In/Flux single. collaborators, as UNKLE, with founder. Oxford-born James to work at Island Records as an Still startling, this 12-minute debut album Psyence Fiction Lavelle was a self-confessed A&R, but when his approaches instrumental hip-hop collage (1998). Arguably the label’s fanboy, obsessed with pop to them with US jazz outfi t was unlike anything released zenith, its all-star cast included culture, focusing particularly on Repercussions were rebuffed, he before, its new style dubbed trip Thom Yorke, Richard Ashcroft graffi ti, street style, hip-hop and borrowed £1,000 from his boss hop in a Mixmag article. The and Beastie Boy Mike D, plus a Star Wars. His childhood dream and put the record out himself. disc’s success, critically and cover by legendary graffi ti artist of working in the music industry Adapting his column’s name, commercially, freed Lavelle to Futura 2000. saw him commuting into London Mo’Wax Records was born. experiment. A string of great But it wouldn’t last. A&M was in his teens to work at hip record Lavelle pushed his releases releases from La Funk Mob, DJ swallowed by Universal Records stores Bluebird and Honest Jon’s. over the counter at the store and Krush, Attica Blues and Air in the label buyouts that hit At the latter, he began his ascent, road tested them in his DJ sets. quickly followed, with the the industry at the turn of the building up a personal clientele, He plugged his records in his landmark 1994 Headz triple millennium and Lavelle found making valuable artist contacts in column and the mag’s super-hip vinyl compilation providing the himself without most of his acts. the fertile West London scene and art director, Swifty, took on the soundtrack to many a student’s The name survives, and talk of a really expanding the range of label’s soon-to-be-iconic design. late-night sessions. rebirth resurfaced in 2014, but music sold. The driven teen For its fi rst dozen singles, A major deal with A&M for now Mo’Wax remains most combined this work with a Mo’Wax may have been hip and ensued: famously, part of the closely associated with the burgeoning DJ career and writing beautifully packaged, but it was deal-clincher was an original mid-nineties trip hop sound.
94 JUNE 2016 LABELLED WITH LOVE
DJ Shadow The king of the crate diggers created a musical patchwork of obscure samples and cuts
alifornia-born Josh Davis, standard James Brown and C AKA DJ Shadow, is pretty George Clinton sample sources, much everyone’s favourite Shadow dug deep into his vast Endtroducing’s hip-hop collage template Mo’Wax recording artist. He’d collection: most of the samples was widely replicated but never bettered been DJing on college radio and are still unknown, but many creating experimental hip-hop of the identifi able ones come tracks since his teens and had from unlikely sources such as made some inroads into the Metallica, Björk and Tangerine industry, but even in the era of Dream to name but a few. the Beastie Boys’ sample-delic Endtroducing was followed by a classic Paul’s Boutique his music couple of great singles – Dark was considered a little odd by most. Not by Lavelle though, Endtroducing broke who’d fallen in love with the handful of productions released the top 20 and sold on Hollywood BASIC Recordings over 100,000 copies he’d picked up on import 12ins and was desperate to sign him. Days, the soundtrack to a The fi rst release, In/Flux, went documentary about the homeless down a storm, and its Fleetwood who live in New York’s subway Mac and U2-sampling sequel Lost system, and High Noon, based on And Found consolidated this a baroque-sounding organ loop success. The main event was from a pre-disco Giorgio Moroder his debut album, Endtroducing – but it took six long years for a (1996). Enjoying rave reviews second album to hit the shelves. across the board, this was By the time of the release of The Mo’Wax’s fi rst real crossover, Private Press, Mo’Wax was no breaking the top 20 and selling more and both the scene and over 100,000 copies. Avoiding the his sound had moved on. UNKLE Lavelle gets creative with a cast including everyone from Ian Brown to Thom Yorke
NKLE’s history is far from Shadow was at the helm of the U straightforward: Lavelle debut album, too. On Psyence Fraught with tension, Psyence Fiction was DJ is the one constant, but an Fiction, his intricate soundscapes Shadow and James Lavelle’s last collaboration ever-changing cast surrounded provided the backing for an him. For the fi rst UNKLE all-star cast of vocalists who releases, he was joined by school pushed much of the album into friend and label co-founder Tim more rock-infl uenced territory. Goldsworthy and maverick The album was a huge success, Japanese hip hop producer reaching number four in the Kudo. The languid, loping, Sun Ra-sampling debut The Time Has Lavelle remains Come was followed by the arguably even better Berry the one constant in Meditation, a slow-burning UNKLE’s history classic based on a loop from Tonto’s Expanding Head Band’s charts, but it was to be the last sublime Riversong. time the two worked together – Sometime in 1997, Goldsworthy opposites attract, initially, but and Kudo departed and DJ they usually end up annoying the Shadow joined the line up. A hell out of each other after. promo-only 12in, Rock On, UNKLE has never stopped followed sounding like the making music: Lavelle has essence of the best of the label: subsequently collaborated with thunderous drums, a generous artists as broad as Mark Lanegan, helping of Silver Apples’ Josh Homme and Ian Astbury. Lovefi ngers, a few well-chosen Four further albums have hip-hop samples and the sound followed, each ploughing a of a Star Wars TIE fi ghter. unique, dark artistic furrow.
JUNE 2016 95 LABELLED WITH LOVE
Money Mark SHOPPING LIST Music and Video Exchange Greenwich’s senior dance buyer The Beastie Boys’ carpenter and keyboard player goes solo Jamie Upton turns in a vinyl-only Mo’Wax DJ set worth hunting down
avelle has never hidden his expanded and released in 1995 Second album Push The La Funk Mob admiration for the Beastie as Mark’s Keyboard Repair, a Button fared even better, but Motor Bass Get L Phunked Up Boys, and while he secured a really likeable set whose lo-fi the business politics at the “Richie Hawtin Mike D guest vocal on the fi rst sensibility was coupled with a demise of the label seemed to strips away all UNKLE album, he was never smart pop songwriting talent. halt his ascent at a key point. the fuss from this jazz-dance cut to going to be able to sign the produce a lean band to his label. So in 1995 funk classic.” he did the next best thing and recruited their ‘fourth Beatle’, RPM Mark Nishita – Money Mark. 2000 “My first Mo’Wax ‘Keyboard’ Money Mark had 12in. It’s the sound been heavily involved with the of cutting the cord band since 1992, helping them and drifting into space with your to build their studio and to Sony Walkman introduce a much greater live for company.” element to their sound. He played and co-wrote on their DJ Krush records and fi lled out the Strictly Turntablized “His in-demand sound of their live shows. In 1994 album his spare time, he’d recorded contains genre- a handful of demo tunes – defining classics wrapped in a wonderfully loose Sly sleeve designed Stone-inspired drum machine by Futura 2000.” and keyboard jams that sounded as if Timmy Thomas’ Rob D Why Can’t We Live Together had Clubbed To Death “Probably the gone out for the night and label’s most hadn’t made it home until familiar piece. It’s 8am. These demos were TV shorthand for ominous: if it’s playing, Sir Alan is going to fire you.”
Air Deborah Anderson Lonely Without You The French new-wave act, which came close to signing to Mo’Wax “The daughter of Yes’ Jon Anderson, ith no disrespect to label selling, smash hit album. The The Virgin Suicides. Highly this pink vinyl cut is a prime slice W stalwarts DJ Krush and group spawned an army of sought after on vinyl, the of 1997-vintage Blackalicious who released a imitators, but wisely took a seventies Pink Floyd infl uences vocal trip hop.” string of strong records on left turn with second LP, the are turned up to 11 on this Mo’Wax, we’re shining a light soundtrack to Sofi a Copolla’s highly recommended set. Dr Octagon on an act who only released Dr Octagon “Abstract hip- one single for the label… but hop from the that sole outing was a superb, Ultramagnetic zeitgeist-surfi ng gem, paving MCs leader. So good, it was also the way for the Gallic duo’s released as an subsequent chart dominance. instrumental.” Modular Mix (1996) was Air’s fi rst UK release. Arriving Innerzone on the crest of a French new Orchestra Bug In The Bass Bin wave but fi tting in perfectly “This jazzy Detroit with Mo’Wax’s aesthetic, it was breakbeat techno a huge underground hit. anthem is a great example of the Having heard their demos, scope of the Lavelle was desperate to sign label at its peak.” them, but was outbid by a bigger label, a repeat of his iO near miss signing Portishead. Claire/Libre “Brazilian- Air went on to put out two influenced and further singles on French sourced from independent Source before Vien-na, remixed by UK giants Mark releasing 1998’s all- Broom, Stasis and conquering Moon Safari, a Andrea Parker.” genuine top 10, platinum-
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100 M.A.K.U. 101 Deftones 101 Poulenc Soundsystem Gore Piano Concertos Mezcla
The National & Various Artists Day Of The Dead 5 CDs 4AD
THE GRATEFUL DEAD’S songbook represents a alternative rock, Barack Obama used their song names drawn from far beyond the realms of glittering treasure trove of vernacular American Fake Empire in ads during the 2008 presidential American indie, including Senegal’s Orchestra music. Although in the minds of many the band election campaign and the band’s last album, Baobab, composer Terry Riley, electronic artist Tim will forever be associated with acid-laced Trouble Will Find Me, made number three in the Hecker, Australian country sensation Courtney space-rock jams and cosmically freeform guitar British and American charts. But the band’s Aaron Barnett and jazz pianist Vijay Iyer. improvisations, the songwriting team of Jerry and Bryce Dessner are long-time Deadheads and in Although members of The National act as the Garcia and lyricist Robert Hunter provided the 2012 they began creating and curating a tribute to house band on many of tracks, the diversity in both group with an endless supply of exquisitely crafted their favourite band. The project wasn’t meant to material and performance is astounding. The compositions that drilled down deep into the take four years, but as they tapped into the Dead’s Dead’s back catalogue can be a vast and American psyche and ranged across rock, country, vast songbook and more artists expressed a desire intimidating proposition to the neophyte and when folk, jazz, blues and r&b – the songs which provide to come on board, they swiftly realised that they a young nephew asked me last year for some the mother lode on this ambitious four-disc tribute. could not do justice to the Dead’s cultural impact recommendations as a beginner’s guide, it was By the time The National formed in Cincinnati in and musical legacy in a single disc. By the time they diff icult to know where to start. For anyone too 1999, the Dead had already broken up, following the were satisfied, they had recorded an extraordinary young to have grown up on songs such as Dark death of guitarist Jerry Garcia four years earlier and 59 tracks , including contributions from Wilco, Star, Uncle John’s Band, Friend Of The Devil and on the surface the National’s epic chamber-pop Lucinda Williams, Bonnie ‘Prince' Billy, the Flaming Truckin’, and who has ever wondered why the makes them unlikely inheritors of their freewheeling Lips and members of Arcade Fire, Pavement, Bon Grateful Dead hold such a mystique for those of us mantle. Now one of the biggest acts in American Iver, Grizzly Bear and War On Drugs, as well as of a certain age, this is the perfect introduction. NW
JUNE 2016 99 MUSICREVIEWS
Eric Clapton Kristin Kontrol I Still Do X-Communicate
CD Bushbranch/Surfdog CD Sub Pop
NOW IN HIS early seventies, Clapton's voice has KRISTIN WELCHEZ (AKA Dee Dee Penny from never sounded so weathered, but his guitar playing Dum Dum Girls) has reverted back to her real name is still burnished and the dozen tracks make a (at least part of it) for her debut solo record. That's decent stab at covering most of the stylistic bases not all she's reverted to – Welchez has transposed that have sustained his career, from the gritty slide her undoubtedly strong songwriting skills into the guitar blues of Robert Johnson’s Stones In My eighties. We're talking synths, heavily filtered pads Passway to a heartfelt version of David Gray’s and chord progressions that wouldn't sound out of soft-rock ballad I Will Be There and a gloriously place on The Breakfast Club soundtrack. Part Pet bucolic cover of Dylan’s I Dreamed I Saw St Shop Boys, part Madonna and part New Order Augustine. The warm, analogue production by Glyn (with the odd whiff of yacht rock), X-Communicate Johns – working with Clapton for the first time is fun, very pop and, thanks to all the eff ects, will since 1978’s Backless – is airy and spacious and Sir test your system. Those of a certain age will Peter Blake has painted the cover portrait. NW recognise a lot here, but it still feels fresh. PH
M.A.K.U. Soundsystem Rick Wakeman Mezcla Journey To The Centre Of The Earth CD Glitterbeat Records
CD Universal HERE'S SOMETHING THAT should put both your WAKEMAN’S 1974 RECORDING of his hi-fi system and your mind and body through a full groove assault. Self-described as an "immigrant prog-rock landmark with the London band" and comprising of members mostly made Symphony Orchestra and the English up of Colombian musicians living in New York, Chamber Choir and David Hemmings Mezcla is full of upfront Latin grooves, tinged with narrating Jules Verne’s story, topped the some psychedelia and funk. As you'd imagine British charts and sold 15 million copies with such a heavily Latin-based framework, worldwide. Recorded live at London’s this collection of seven songs is full of driving percussion, horns and layered harmonies, featuring Festival Hall – when it was originally Do you agree with our reviewers? a healthy mix of both English and Spanish lyrics. Decide for yourself and listen to mixed there was no separation in the It's certainly uplifting, infectious stuff , and listening tracks – this new release now benefits some of this month’s tunes at www.hifichoice.co.uk to it on a good system should bring some hugely from today’s sophisticated much-needed sunshine into your life. PH remastering techniques, allowing Wakeman with some justification to AUDIOFILE VINYL
Prog-rock landmark with John Martyn the London Symphony Solid Air Orchestra and the 180g vinyl Island/Universal English Chamber Choir SOLID AIR IS the Dark Bundrick pulls out some glorious vibes from Side of the folk rock various keyboards, but they are just two of a describe the old and new versions as universe, a pinnacle of number of musicians that help to make Solid Air the style and of John quite so compelling. “chalk and cheese”. Presented in an Martyn’s output. He It’s one of several titles chosen for half-speed expanded four-disc edition, we also made a number of mastering by Miles Showell at Abbey Road (see get two previously unreleased live very fine albums in the page 60), to improve high-frequency resolution recordings of the work plus a quad early seventies, but by giving the cutting head more time to do its surround sound mix that flamboyantly this from 1973 really hit the spot. It centres on job. And it sounds good, very good considering fills out both the synth pyrotechnics Martyn’s voice and acoustic guitar playing both the vintage of the tapes. It’s a little full in the bass, and the orchestral grandeur. Epic but of which have an honesty that is hard to resist, but has good treble detail and an open, clear yet this is not smooth music, it’s gentle blues soundstage that makes space for the band to tuneful it maybe, but seldom has prog written and arranged with consummate skill. relax in and they are very chilled. The gatefold sounded quite so engaging. NW The backing is top notch too, Danny Thompson sleeve, light blue liner and pink Island label provides perfect double bass and John ‘Rabbit’ complete a very attractive package. JK
100 JUNE 2016 MUSICREVIEWS
HIGH RESOLUTION DOWNLOADS DEMO DISCS Mårten Sahlén, Peter Deftones Andrew Bird Cedmer and Daniel Gore Are You Serious Andersson from JAYS reveal the music they use to demo headphones
FLAC 24-bit/96kHz hdtracks.co.uk FLAC 24-bit/96kHz hdtracks.co.uk
YOU KNOW WHAT you're going to get with AS EVER WITH Bird, there's a bit of everything Deftones – solid, mathy, emo metal rock that here – some string-laden chamber pop, pushes the boundaries of the genre. They've shuff ling, plaintive ballads (Left Handed Kisses been together for over 20 years and have been features Fiona Apple) and the kind of multi- dubbed the 'metal Radiohead' and the first two instrumentalism that wouldn't sound out of a Kanye West Pete La Roca tracks start off in that vain. It's only when track place on a Sufjan Stevens or a Beirut album. Black Skinhead Lazy Afternoon three kicks in that they really let loose. It's a There's a lot going on here, and what this HD A raw production The whispering way satisfying listen, those tense riff s and pained deluxe edition really brings out well is the crisp where Kanye has mixed of playing those vocals explode, while the quieter moments percussion alongside the gorgeous strings. A sounds of distorted instruments really provide counterpoints to the mayhem. PH very satisfying, wide-ranging listen. PH breaths, screams and creates images in your unpolished beats with head and you can feel a result that is really how your equipment Poulenc unforgiving for and ears try to pick Piano Concertos Aubade bad headphones. out all the details. Louis Lortie, Hélène Mercier piano
CD Chandos
POULENC’S WORKS FOR piano(s) and orchestra contains some really lovely music, and – when played (as here) with sensitivity, a clear sense of purpose, and lashings of Gallic charm. The music Muddy Waters Tom Waits is beautifully phrased; the playing, intimate and Feels Like Take It With Me expressive. Each piece is confidently projected, yet Going Home That voice, need we with no sense of showing off . The recordings It feels as if you're say more... sound clear and focussed, with natural tonal quality sitting in the same and excellent balance between soloist(s) and room as it was If you own a big system, you really need to add this hybrid orchestra. While sonically not as spectacular as recorded in. With SACD to your collection Chandos’ Copland disc, the recording exudes a good speakers or quiet excellence that is very satisfying, taking it into headphones, the the ‘demonstration’ category. A gorgeous disc! JH music just flows.
Copland Randy Weston Hauschka Orchestral African Cookbook Room To Expand Works 1 –Ballets (Expanded) John Wilson BBC Philharmonic
Hybrid SACD Chandos 180g vinyl Pure Pleasure/Atlantic 180g vinyl FatCat
‘AWESOME’ IS RATHER over-used these days. RELEASED INDEPENDENTLY IN 1964 and picked ORIGINALLY RELEASED IN 2007 as a 12-track But what other word describes the massively up by Atlantic eight years later, African Cookbook CD-only album, this significantly expanded version thunderous bass drum/tam-tam stroke that followed a series of Africa-themed releases by of Hauschka's gorgeous compositions exploring launches Copland’s Fanfare for the Common Man? Weston that has continued throughout his long the possibilities of the 'prepared piano' was It shakes your room and rattles objects in it – such career as a jazz pianist. Weston is joined by Booker exclusively released on 180g vinyl for Record Store is the depth and power of the recording. The first in Ervin on sax and Ray Copeland on trumpet Day. If you missed it, fear not as it will be coming a new series of Copland’s orchestral works from alongside drums, percussion, congas and bass, a out on CD in July. Boasting a range of moods, each Chandos, Vol 1 contains popular favourites like the band that brews up a glorious and heady groove piece is animated with its own highly distinctive suites from Billy The Kid and Rodeo, plus El Salon on the title track in particular. The other standout is character – from the minimalist repetition of Sweet Mexico. John Wilson and the BBC Philharmonic Niger Mambo, an up tempo, swinging tune with a Spring Come to the slow build of One Wish. The play the music with idiomatic flare and great truly great ensemble riff that repeats throughout. result is a gorgeous collection that highlights Volker panache, and the recorded sound is outstanding Sound quality is par for the vintage so not too rich, Bertelmann's delicacy of touch, skill with accessible – rich, dynamic, and very detailed. JH but well separated and pretty clean. JK melodies and use of micro-details. Stunning. JDW
JUNE 2016 101 TURNTABLE ACCESSORIES £12-£55 Vinyl demands Fine tune your turntable’s performance with these aff ordable accessories. Spin doctor Neville Roberts will see you now
ecords require more Firstly, there is the issue of how you issue 384. Finally, the record needs to careful handling than any store your vinyl as this can affect how be properly supported on the platter R other form of physical long it stays in pristine condition. before lowering the stylus into the music media. In today’s Once you have chosen the music you groove. All in all, there is quite a ‘turn on and listen’ culture of digital want to listen to, you need to ensure disparate set of issues to consider audio, it’s easy to overlook the simple it’s in the best state for playing, and when spinning any discs, and each things that can make a big difference this is not just a matter of cleaning it performs an important function to the enjoyment you get from to remove dust and dirt, although this within its own fi eld, and if dealt with listening to your cherished vinyl is also very important. Of course, correctly can reap rewards for your collection, and here we look at four before you contemplate playing it, vinyl listening pleasure. The following accessories that can signifi cantly you will have ensured that all the four items address each of the contribute to the enjoyment of components of the turntable are set aforementioned areas and do a great music for LP junkies. up correctly – see our Guide to... in job in their own area of expertise.
Analogue Seduction Zomo VS-Box 100 Vinyl Record Storage
PRICE: £28 TELEPHONE: 01733 350878 WEBSITE: analogueseduction.net
DETAILS ON MANY OCCASIONS I have seen PRODUCT LPs laying in stacks alongside a hi-fi Analogue Seduction system. Alas, this is probably one of Zomo VS-Box 100 the worst ways of storing vinyl, as it Vinyl Record Storage is most likely to result in it warping. Furthermore, if the record that you ORIGIN Germany want to play is at the bottom of the TYPE pile, you have to move all the ones Record storage box stacked on top of it, and before very FEATURES long your entire collection is in Solid MDF complete disarray. laminated in a water-repellent decor; dowelled Record store day fi nished in black for storage of and the fi ve panels are pushed and clamped self- A far better solution is to have some approximately 100 LPs. together. The metal clips are then assembly unit; stores 100-120 LPs form of dedicated storage that allows The Zomo arrives fl at packed with turned to lock the assembly together DISTRIBUTOR LPs to be stood vertically, which is all the hardware required for and fi nally some decorative plastic Analogue Seduction where the Zomo comes in. This range assembly, including a screwdriver. covers are snapped into place over includes options for either LPs or 7in The fi ttings are of high quality and the clips. The result is a smart and singles in several different styles, similar to those found with good- solid storage unit that can be added including vertical storage and storage quality self-assembly furniture. To to as you record collection expands ● with a top tray. Made from MDF and build the unit, metal spigots are coated with a water-repellent screwed into threaded plastic inserts VERDICT laminate, it’s available in black, white, and rotating metal clips are inserted Easy to assemble unit providing a rigid and walnut effect or zebrano (a wood into holes in the panels. Next, smart storage box for around 100 LPs effect with a strong dark grain). The wooden dowels are pushed into other model reviewed here is a single unit holes to provide additional rigidity
102 JUNE 2016 TURNTABLE ACCESSORIES £12-£55 MINITEST
Milty Zerostat 3
PRICE: £55 TELEPHONE: 01279 501111 WEBSITE: goldring.co.uk
DETAILS A PERENNIAL PROBLEM facing PRODUCT the vinyl enthusiast is the static Milty Zerostat 3 charge found on a record. This causes ORIGIN it to attract dust and dirt like a China magnet. Furthermore, static causes TYPE annoying clicks as tiny sparks occur Antistatic gun during playback. This is most FEATURES apparent during dry weather and Neutralises static charges; ion in centrally heated houses, which indicator test tend to have a dry atmosphere. The device included solution is to make sure the static DISTRIBUTOR charges on a record are neutralised effect. When the trigger is squeezed test device, which is a neon bulb unit Armour Home Electronics before playing. This is where the slowly and smoothly, a stream of that clips on the front for checking Milty Zerostat 3 comes in. positive ions is sprayed from the that a high voltage is being produced. front, and a stream of negative ones I have used a Zerostat for many Eat static is produced as the trigger is slowly years and have found it to be very The Zerostat 3 works by producing a relaxed. To discharge a record, hold it effective indeed. It is certainly the high voltage that is fed to a small in mid-air with one hand and point best device I have come across for metal spike, causing ions to be the Zerostat 3 at the record from neutralising static ● produced that spray out from the about 30cm away. Now smoothly spike tip. The high voltage is squeeze and release the trigger in VERDICT produced by a crystal, and distorting order to produce the positive and Effective removal of static charges from a it by squeezing a trigger results in negative ions, which will discharge record make this a must have for vinylistas the voltage being produced, as a the surface of the record. A nice touch consequence of the piezoelectric is the inclusion of an ‘ion indicator’
Audio Origami Digital Stylus Scales
PRICE: £20 WEBSITE: audioorigami.co.uk
DETAILS OF ALL THE adjustments required of a turntable, one of the most critical PRODUCT Audio Origami is the stylus force. Unfortunately, Digital Stylus Scales many people simply rely on the ORIGIN ‘playing weight’ settings on the China tonearm, but these are notoriously TYPE inaccurate. In addition, they require Stylus balance that the arm is perfectly level, which FEATURES Accuracy of 0.01g is done by eye and by sliding the up to 5g; calibration counterbalance weight along the stub, weight and case before the zero point of the playing included; non- magnetic stainless weight is set. steel stylus platform DISTRIBUTOR Weigh to go Audio Origami A far better method is to use a stylus stylus onto the weighing platform. Audio Origami’s scales are suitable gauge to set the stylus force. These When the display has stabilised, the for all types of cartridges, are very days we have electronic stylus gauges, weight is read from the display. A 5g easy to use and more accurate than which are far more accurate and calibration weight is also supplied to a conventional balance. Which all easier to use than mechanical re-calibrate the scales if required, but adds up to make it a winning balances. This modestly priced digital I fi nd it to be spot on after checking. accessory for any vinyl collector ● gauge can measure to within 0.01g The stylus platform is made from and can weigh up to 5g – more than stainless steel and the gauge seems VERDICT enough for any modern cartridge. to be unaffected by the powerful An excellent digital stylus balance that is Using the device is simple. Place the magnets of my moving-coil cartridge, extremely accurate and easy to use gauge on the turntable, wait until which I have found to be problematic 0.00g is displayed and then lower the when used with other digital scales.
JUNE 2016 103 TURNTABLE ACCESSORIES MINITEST £12-£55
AnalogueWorks Black Neoprene Rubber Turntable Gimp Mat
PRICE: £12 TELEPHONE: 01536 762211 WEBSITE: divineaudio.co.uk
DETAILS THERE IS NO doubt that a platter PRODUCT mat can have a signifi cant impact AnalogueWorks on sound quality. AnalogueWorks Black Neoprene produces a range of turntable ‘Gimp’ Rubber Turntable Gimp Mat (Good Idea, Modestly Priced) mats made from a variety of materials ORIGIN UK to suit most situations, including TYPE lightweight foam, cork and nitrile, Platter mat silicone and the neoprene mat FEATURES reviewed here. What is best for your mat – to learn about this adjustment quality to be smooth and effortless Neoprene rubber needs will depend on the physical see Guide to... HFC 384. In general, with lovely clear highs. Vocals are well construction; 1.5mm thick construction of the turntable and turntable mats can help eliminate any positioned in the soundstage and the DISTRIBUTOR platter, as well as personal preference. slippage of the record during play and bass response is well controlled. Divine Audio this mat, being made from Neoprene, Listening to Laurent Garnier’s Back To Flexible friend has a high-friction surface to prevent My Roots, the driving bass line is The Black Neoprene Rubber Turntable such slippage. A record clamp should superbly tight and punchy. The overall Gimp Mat is extremely fl exible and not, therefore, be required once the impression is of a well-controlled lays smoothly on a hard platter mat has been fi tted. The choice of sound with a fi rm bass response ● surface. The 298mm diameter mat is rubber will certainly suit metal only 1.5mm thick. If no mat or one of platters as it helps dampen out any VERDICT a different thickness has previously potential for ringing. A superb-value platter mat that is well made been used, the VTA (Vertical Tracking With the mat installed on my acrylic and gives sonic rewards Angle) of the stylus will have to be platter and playing a variety of adjusted to accommodate the new musical genres, I fi nd the sound
Audio Origami’s Digital Stylus Scale is well made, Mini test verdict very accurate, easy to use and good value. It also seems to have been designed for the job, rather than just being a re-badged jewellery balance as WHEN REVIEWING A group of turntables, especially those with WINNER some other digital stylus scales appear to be. incongruent items such as the ones metal platters, as its rubber we have here, there is a feeling of construction neutralises any trying to compare apples with ringing. The mat offers a smooth oranges. However, in their own and refi ned sound overall and a right, everything here does an particularly tight bass response. excellent job. The Milty Zerostat 3 is the latest The Zomo VS-Box 100 Vinyl incarnation of a tried and tested Record Storage unit from Analogue product that has proved itself to be Seduction is very well made and is very effective at neutralising static supplied with good-quality fi ttings. charges on records over the years. It is easy to assemble and the end This new version includes an ion product is extremely rigid and very indicator, which allows you to see smart. The wipe-clean surface looks it working. It certainly beats my classy and the variety of colours and method of putting the Zerostat wood effects available will enable it near my face and squeezing the to fi t in well in a range of settings. trigger to feel the ion stream – a AnalogueWorks’ Black Neoprene practice I’m certainly not Rubber Turntable Gimp Mat is also advocating! It is extremely effective very well made and great value for at discharging LPs, even in a very money. It suits a wide range of dry atmosphere.
Setting up a tonearm and cartridge is one of the fiddlier jobs facing a vinyl The tracking force then needs to be rechecked and adjusted if necessary as enthusiast, but it is nevertheless one of the most important. Even with a even tiny movements of the cartridge will affect the tracking force. stylus force gauge, it is important to start with the arm horizontal with the Simply removing a record from its sleeve, especially on a dry day, is tracking force set to zero by adjusting the tonearm counterbalance weight. enough to induce a static charge on the surface, so it is always a good idea HELP & ADVICE Next, set the tracking force according to the cartridge spec. Now it should to discharge an LP after it has been placed on the platter. Also, don’t forget be carefully aligned in the headshell using a cartridge alignment protractor. to ensure the mat is clean beforehand as any dust will stick to the record.
104 JUNE 2016 Quality-Performance-Value-Service
,FRQ$XGLRKDYHDYDOYHDPSOLILHUWRVXLWDOOSXUSRVHV)URPZDWWVSHUFKDQQHOWRZLQWHJUDWHGRUZWR ZPRQREORFNV,PPHUVH\RXUVHOILQRXUZDUPHDV\OLVWHQLQJGHWDLOHGVRXQG'DYLG6KDZKDVEHHQPDNLQJ LQQRYDWLYHKLJKO\UHJDUGHGDPSOLILHUVIRU\HDUVZKLFKDUHDOOOHDGHUVLQWKHLUFODVVVRPHOLNHWKHXQLTXH 67RU+3KDYHQRHTXDODQGRWKHUVOLNHWKH67DQG67DUH³RXWVWDQGLQJ´LQSHUIRUPDQFHDQGYDOXH IRUPRQH\$OORXUDPSOLILHUVDUHKDQGPDGH³SRLQWWRSRLQW´ZLWKRXURZQKDQGZRXQGWUDQVIRUPHUVLQRXU RZQIDFWRU\DQGILQLVKHGLQ/HLFHVWHU%XLOWWRODVWDQGEHHDVLO\VHUYLFHG 9DULRXVXSJUDGHVDUHDYDLODEOHLQFOXGLQJFDSDFLWRUVDQGYDOYHV $VD8.FRPSDQ\ZHRIIHUUDSLGHFRQRPLFDOVHUYLFHRQDOORXUSURGXFWVERWKROGDQGQHZ &RPHIRUDOLVWHQDWRXU/HLFHVWHUVKRZURRPRURUGHUIURPRQHRIRXUDSSRLQWHGGHDOHUV )RUPRUHLQIRUPDWLRQVHHRXUZHEVLWHULQJRUHPDLOXVRUDVNIRURXUODWHVWEURFKXUHSULQWHGRQrealSDSHU %X\GLUHFWIURPXVRUWKURXJKRQHRIGHDOHUVRUZRUOGZLGHGLVWULEXWRUV UK only prices including 20% VAT and mainland delivery. Some models show upgraded valves. www.iconaudio.com [email protected] (+44) 0116 2440593 Leicester UK REAL HIFI FOR TODAY’S LIFESTYLES
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www.denon.co.uk EXTRAS
Rothwell Headspace moving coil head amp
IF YOU ARE the owner of a moving-magnet phono stage, cartridge choices are limited to moving magnet or high-output moving-coil designs. A low-output moving coil-cart simply won’t generate enough signal to work correctly with a moving-magnet only design. On the face of it, if you want to use one of these carts, your only option is to upgrade the phono stage. But there is another way... It has long been possible to boost the gain of a low-output cartridge by using a step-up transformer. These provide the necessary gain to allow for a connection directly into a moving-magnet phono stage. Transformers have traditionally been relatively pricey and often quite challenging to incorporate into connections all feel sturdy and input on the Cyrus shows that the a system correctly. Now Rothwell are usefully spaced out. Unlike Rothwell is a little noisier than the Audio has taken the principles of the transformer-based units, the exceptionally quiet Phono Signature step-up transformer and created the Headspace needs a mains connection and there is some loss in the Headspace to simplify the process. to function and power comes via a 24 incredible fi ne detail that the Cyrus volt wall-wart unit. The dip switches is able to fi nd in recordings. That Use your head are accessed by removing the lid, the £300 Headspace is in any way Instead of using transformers to which is a little involved but you comparable, however, is impressive. create gain, the Headspace uses shouldn’t have to do it too often. transistors. This means it not only Initially using the Headspace as a Head boy produces varying levels of gain to conventional step-up transformer Not, it must be said, as impressive as suit different cartridges, unlike a with a Goldring Legacy cartridge the performance of the Headspace conventional step-up, it is also reveals it has some very positive running in low gain mode with possible to adjust its impedance to performance attributes at the high-output moving-coil cartridges. work better with the cartridge in comparatively reasonable asking Used with the Hana EH (HFC 410), question. This adjustment is done price. The Goldring has a low output adding the Headspace is defi nitely via two banks of dip switches – one at just 0.2mv and the recommended better into the Pellar with the clarity per channel. The fi ve switches can 100ohm impedance is often tricky to and tonality improving and a greater be adjusted to produce levels of gain accommodate. With the Headspace sense of effortlessness apparent. between 10 and 27dB and impedance connected to an Avid Pellar phono Even with the Cyrus, it manages to can be adjusted between 55ohm stage (HFC 363) set to MM, there is provide an improvement over direct and 1.5kohm. As load and impedance plenty of gain on offer and low noise connection, suggesting that this is as adjustments are independent of one levels at the same time. It manages to much about being able to adjust the another, this means the Headspace do a reasonable job of avoiding impedance of the Hana as presented is unusually fl exible judged in putting too much of itself into the to the Phono Signature. comparison with a normal step-up. sonic signature of the Pellar, but there This is undoubtedly a specialist The Rothwell is supplied in the DETAILS is a very slight sweetness and piece of equipment, but one that same casework as the Simplex PRICE midrange emphasis added that is very makes a great deal of sense. If you phono stage reviewed in HFC 407. £299 welcome, giving Public Service have a high-quality moving-magnet This is relatively well fi nished for WEBSITE Broadcasting’s Sputnik a pleasant phono stage, its ability to add gain the asking price, but nothing to get rothwellaudio touch of life and energy. and set impedance in a fuss-free and products .co.uk too excited about. There are some Substituting Cyrus’ mighty Phono simple way is extremely useful and nice touches like the rubber feet that OUR VERDICT Signature (HFC 408) for the Avid and represents a very cost effective provide damping while avoiding trying the Goldring via the Headspace solution to the business of switching marking other devices and the and directly into a correctly set MC to moving coil. ES
JUNE 2016 107 Apprentice MM Phono stage HFC Recommended
SP2 floor standing Speakers - gloss HFC Recommended jan 2015
IA 1 & 2 Integrated amplifiers
TT2SE turntable Turntables:- from £250 - £900 HFC Recommended April 2016 Phono Stages:- from £90 - £1500 Headphone amplifiers:- from £120 - £650 Integrated amplifiers:- from £400 - £900 Loudspeakers:- from £400 - £1700 Interconnect cables:- from £65 per pair Speaker cables:- from £4 per metre TALK Electronics Ltd Unit 2 Stroude Farm Stroude Road NEW - MC1 Mk2 Virginia Water Phono stage Surrey GU25 4BY 01344 844204 www.talkelectronics. EXTRAS
String Suspension Concept SSC MagicPoint 100 isolation pucks
ONE NICE THING about isolation noticeable improvements pucks is that they are extremely easy in the soundstaging and to fi t as they just slide underneath dynamic realism. equipment. The MagicPoint 100 is one of a range of three that That’s magic is manufactured by SSC and is The pucks have felt designed for use with heavy audio contact pads on the top equipment and loudspeakers. and bottom of the foot. These new pucks are made with a They are designed to high-quality anodised aluminium contact the equipment housing containing the SSC string directly and should not be suspension element, which is placed underneath existing comprised of two rare earth feet. If existing screw-in magnets, aligned so that the poles feet are to be replaced, DETAILS are acting against each other. This then the MagicPoint 200 is there is a cleaner and clearer top end. PRICE is to allow for a higher weight load available with M4 threaded adapters. Vocals have a greater realism and the £60 for a box of 4 and ensure a signifi cantly improved Alternatively, the MagicPoint 300 is soundstage defi nitely seems greater TELEPHONE resonance control pattern. The fi tted with a spike top. All three pucks front to back. Bass response is tight 0203 5442338 vibrational energy generated by are 50mm in diameter, 16mm high and beautifully controlled. Overall, WEBSITE nunudistribution. the audio equipment that the and claim to have a weight capacity there is a noticeable improvement of co.uk MagicPoints support is dissipated of 20kg each. openness and spatiality. and so not transmitted into the Replacing the feet on my turntable These pucks are great value and OUR VERDICT equipment support, and vice versa. isolation platform with the should make a worthwhile addition to SSC claims the pucks will deliver MagicPoint 100 pucks, I discover that any serious audio system. NR
Lindy USB DAC and headphone amp
HI-RES AUDIO PLAYBACK for the price of a good night out seems like a bit of a stretch, but this is what Lindy claims its USB DAC offers. It has the choice of three digital inputs – coaxial, optical and USB-B. The USB input is a driverless USB 1-type that allows for the transfer of fi les up to 24-bit/96kHz, while the coaxial and reasonable amount of space and result of having to make do with the optical connections support 24/192. separation to the performance. Detail voltage from the USB connection, These inputs are made available to rendition is good rather than great it works best with sensitive a pair of RCA outputs and a 3.5mm and it is more of a ‘big picture’ style headphones and earphones and DETAILS headphone socket. The RCA is fi xed device and not unlikable for that. never completely shakes a slightly PRICE (and remains active with the hollow and hard-edged sound, £50 headphone socket plugged in), but Ear for detail which becomes more pronounced TELEPHONE the headphone is adjustable via a A spirited rendition of Dirty Epic by as you increase the volume. As an 01642 754000 small volume control. Underworld reveals that it doesn’t incredibly cost-effective means of WEBSITE lindy.co.uk Used via the RCA output, the Lindy have the most seismic bass, but the getting a computer to talk to your manages to sound lively and energetic low end that there is has good detail audio system, however, this is OUR VERDICT without tipping over into becoming and plenty of pace. an extremely capable piece of thin or bright. Voices and instruments As a headphone amplifi er, it is equipment and represents are well handled and there is a slightly less compelling. Possibly as a exceptional value for money. ES
JUNE 2016 109 Super Size Sound End user’s experience with Maximum Supertweeters in his system.
For me the best placement was dead music collection to get another playlist center top, in line with my tweeters, and at together. At which point I should also tell you that I the main speakers. night time listening levels, but it does need With cables, connections and positioning a few decibels to be "magical". sat down for a listen.. My 15W per channel Leak valve amps had no problems with the load on top of my ..Wow.. The sound had changed, and not a speakers and when using full range "horn" tiny change either, quite a discernible speakers, these Supertweeters are simply a change. The sound stage has grown, the must have item and being quite minimal whole sound has matured not just at the in operation they don't seem to destroy the high frequency range but across the whole single driver sound of a good Lowther or range! Vocals sound fuller and more Fostex, rather adding to it to give a fuller correct, breaths on wind instruments were sound so long as you are careful with the real, violin and strings in general sounds as volume level. Discretion is the key, and real as I’ve heard on my system to date and blending without over exuberance or atmosphere on live recordings were more understatement is a must and worth perceptible. Without exception one of the taking the time to tune in and get right best purchases I have made within Hi-Fi. If because when you do, the sound is simply I could compare Hi-Fi to food it would be stunning... like adding a little bit of salt to the food, I'm sure my hearing ...In conclusion, my humble opinion can doesn't extend much above 16kHz or so only be used as a guide because we all and yet the super tweeters work and work and adds a further dimension to the well for me. sound. The Townsend Maximum I think transients, atmosphere, detail, Supertweeters are well executed, well That's what the Maximum Supertweeters made, capable, very discrete super timbre between instruments, sounds and have done for my set up. Just as a well set tweeters. In my opinion in terms of user especially vocals within the hearing range up subwoofer adds to the fullness and friendliness and sound they are the best due to less distortion, less smearing and roundness of the sound, the Supertweeter passive super tweeters I have heard on the does the same also, just tailor the level to market today and the fact I have your preference and system matching and purchased a pair with my own hard away you go. earned money is testament to how good ..A worthwhile investment and I will not they are and the impact they have had on be returning them or selling them on. Removing them after a few days has made the sound of my system. I am not going to get into the "snake oil" debate because Many Thanks and keep the music musical.. dimensional. Was that really what I was they work within my hearing range and Patrick Thomas. calling decent quality Hi-Fi a couple of with all of the formats I use. Lossless on the weeks ago?! What I had thought was a MacBook, DAB, Cd and analogue, vinyl pretty good sound was now without the Supertweeters only mediocre in terms of more emotional sound. and day one. So obviously they were welcomed with open arms and re-instated into the system once I had established play the smile returned to my face and I earnestly started to rummage through my
For more information and best advice on all Townshend products, please visit: WWW.TOWNSHENDAUDIO.COM Email [email protected] or phone on +44 (0) 20 8979 2155. EXTRAS
Mark Grant Cables 15V Linear Power Supply Upgrade
IT IS A sad fact of life that many external power units supplied with components are not necessarily up to the job. This is sometimes where money is saved and it can often seem like a power supply has been included as a bit of an after thought. A low-cost switched-mode PSU will negatively affect the performance of an audio device due to the ripple and noise that it generates. Even higher-quality PSUs can still limit the ability of the equipment to perform at its absolute best. This leads many to replace their supplied PSU with a good-quality linear option. Enter Mark Grant Cables, which supplies a range of linear PSUs with different output voltages and connectors to suit a wide range of equipment, from the old Squeezebox range of music players to more modern devices, such as the 15V 2.5A model tailored for an Alpha Design Labs GT40a USB DAC/ADC (HFC 399) here. voltage for a Sbooster Ultra DC is more extended and tighter. Next conditioner (which drops about up, a 24-bit/192kHz FLAC recording Power and the glory 0.9V), and is available for an extra of JS Bach’s Mass in B Minor This linear PSU has been given the £40. The Sbooster Ultra is an active performed by the Dunedin Consort. snappy title of “BOTW Power & fi lter designed to reduce the ripple Switching to the linear PSU brings Precision ECO” or “Best of Two and noise of the linear PSU even a whole new level of clarity to the Worlds Power & Precision ECO”, further. As recommended by the performers’ voices and I feel they are referring to its dual-fi ltering design supplier, I set the switch to the mid more distinct and not at all like the and high effi ciency. It incorporates a position for use with the GT40a choral mush that I had previously dual-stage mains fi lter and an earth when the Sbooster Ultra is fi tted. experienced with this recording. I line choke to clean the incoming Kicking off with the Allegro from consider that the choir is not just a mains power from high-frequency Albinoni’s Concerto in C major for bland ensemble of musicians, but noise pollution before it reaches the Oboe and Strings Op.9 No.5 and rather a collection of soloists. transformer. This is a custom-made, swapping between the ADL power audio-grade toroidal design that supply and the Mark Grant linear Keeping it real incorporates high-quality electrostatic PSU, the sound with the linear PSU is To fi nish off, I turn to a fast-moving shielding. The voltage regulator more rounded and the soundstage is recording of The Brandt Brauer Frick inside is an energy-effi cient design, noticeably wider. The strings become Ensemble playing Bop. The pace of as is the whole unit. This is claimed smoother and better positioned. I all the instruments, especially the to make this linear PSU consume then fi t the Sbooster Ultra and fi nd piano, just goes up a notch and feels only slightly more electricity than this improves matters signifi cantly. It more real with the linear PSU. the standard factory-supplied PSU. makes the music more authoritative, This linear power supply upgrade On the output, a split-current fi lter DETAILS with greater clarity and realism and certainly steps things up and the system has been fi tted at the end of the playing of the oboe seems more Sbooster Ultra is an excellent PRICE the DC cable to provide extra fi ltering. £215 melodic and fl owing. accessory to pair it with. Used with The PSU comes with six DC plug TELEPHONE Moving on to a bit of techno in the ADL GT40a, music sounds tips and has three switch-selectable 01482 887717 the shape of a CD-quality remix of smoother and has signifi cantly better output voltages of 15V, 16V and WEBSITE Whispers by Deadmau5, the bass is imaging with a noticeably wider ‘ACC’ so the unit can power a wide markgrantcables. far better and all of the electronic soundstage. String instruments are co.uk range of 15-16V audio equipment. elements seem more in sync with the velvety smooth and bass lines are The actual measured voltages are OUR VERDICT linear PSU. As with the previous piece, full yet tight, making this a worthy 14.7V, 15.7V and 16.3V respectively. there seems to be more happening upgrade for many externally The ‘ACC’ setting provides the extra with the Sbooster fi tted and the bass powered audio devices. NR
JUNE 2016 111 HIGH-PERFORMANCE SOUND & VISION IN EVERY ISSUE: Kit reviews, movies and TV, accessories, systems, insight, opinion, competitions & more
Helping you make the most of your home cinema OUT NOW!
■ WWW.HOMECINEMACHOICE.COM ■ FACEBOOK.COM/HOMECINEMACHOICE ■ @HCCMAG EXTRAS
KLEI gZero3 interconnects
THESE SLENDER AND visually unassuming cables employ Keith Louis Eichmann’s gZero architecture, which is an evolution of his previous Ground nulling Circuitry (GnC). The gZero architecture is intended to reduce and control the effects of the earth wire on the signal wire. The design also allows the former to protect the latter from capacitive, inductive, EFI, EMF, RF and static charges. This is to facilitate a smooth and uninterrupted signal fl ow from one component to another. Unlike other designs where the earth and the signal conductors have identical characteristics, these cables are designed to have a calculated difference between the two. Understandably, exactly what this difference is, KL keeps under wraps, but the maker does say that each cable is comprised of conductors that have been hand wound to enhance the electron fl ow in the signal conductor without using any active components. phono stage and preamp and start English Chamber Orchestra is listening to see if I can discern any delicate and enchanting. The As time goes by improvement during the settling gZero3s can certainly whisper when KL states that the manufacturing period. The bass response seems required to and right from the very process requires precise calculation, to fi rm up a little and extend start I am drawn deep into the hours of hand fabrication and downwards. The instrument stunning performance. several days of run-in on a focus also slightly improves. professional cable burner. The Once they have settled in, I subject Feel the force latter point is very important since the interconnects to a wide range of Thelma Houston singing Got To Get at least 450 hours of burn-in is music. Vladimir Ashkenazy playing You Into My Life is forceful without recommended, so it is good that Prokofi ev’s Piano Concerto No.1 is being shouty in the slightest. The this is carried out at the factory. A superb and breathtaking. The piano instrumental backing is rhythmic settling time of at least 24 hours is always a challenging instrument with a well controlled bass line and and preferably 60 hours is also to reproduce well, but it is completely the timing is great. I sometimes feel recommended before the cables believable and realistic, and the the bass is almost too tight and perform at their best. According to energy of Ashkenazy’s playing is maybe a touch reigned in, but KL, this settling time is required beautifully conveyed. There is that could just be a case of getting each time the cables are unplugged excellent image placement and clarity used to the gZero3s. As with the and plugged back in. not only of the piano, but also the previous John Williams piece, the The conductors employ highly DETAILS entire orchestra. The crescendos are emotion in Houston’s voice is quite annealed, mil-spec OFHC (Oxygen PRICE full and open and the trumpet blasts splendidly conveyed. Free High Conductivity) copper and £320 for 1m pair are bright without sounding harsh. Overall, the gZero3s combine a pure silver wire. The cables are TELEPHONE The piano is perfectly positioned in very tight and well-textured bass fi tted with KLEI Silver Harmony 01536 762211 front of the orchestra, which itself is response with a lively top end. Vocal RCA plugs, which feature a thick WEBSITE spread evenly across the soundstage. performances are also clear and divineaudio.co.uk silver plating on the pure copper Getting a bit more intimate, John have a good presence in the room. signal pin and a solid silver earth OUR VERDICT Williams’ guitar performance playing To summarise, these cables are really pin single-point connection. I the second movement of Rodrigo’s good all-round performers and are connect the gZero3s between my Concierto De Aranjuez with the well worth an audition. NR
JUNE 2016 113 EXTRAS
Dust & Grooves By Eilon Paz
“A RECORD SHOULD captivate – although weighing in at a hefty you. It should elicit an emotion. It 2.6kg, you’ll need to make sure your should tell a story. There’s no better coffee table is reinforced. format for the dissemination of a Featuring a mixture of crate diggers, song than the 7in 45rpm record. DJs, musicians, producers and That will never change”. So says collectors from across the world, Dust Ben Blackwell from Nashville, & Grooves Adventures In Record Tennessee, as he proudly poses with Collecting serves as a fi tting his hand-painted copy of the White celebration of all that’s good about Stripes’ Lafayette Blues single – one the humble record and the joy that of only 15 produced in 1998, and comes from both collecting and his favourite from his collection. If listening to it. like me you love looking through other people’s record libraries, Picture perfect this beautifully compiled book – Israeli-born photographer Eilon Paz is consisting of photographs of some a self-confessed music nut, and his DETAILS of the world’s biggest vinyl passion for the black stuff is clear PRICE collectors with some of their to see in this glorious collection of $54 (£37 approx) favourite discs – will be right up photos that saw him embark on a WEBSITE dustandgrooves. your street. Consisting of just under fi ve-year journey so that we can Questlove and Colleen Murphy. com 450 pages of stunning colour snoop inside the record rooms of vinyl Throw in a selection of interviews photographs, this hardback monster champions such as Giles Peterson and about the joys of vinyl, and you’ve got OUR VERDICT is the perfect coffee table reading King Britt alongside musicians like an ideal visual accompaniment to an matter for vinyl lovers everywhere Mr Scruff, Cut Chemist, Four Tet, afternoon’s listening – perfect. JDW
One For All SV1820 Bluetooth music receiver
BLUETOOTH HAS BECOME a convenient way of wirelessly connecting devices to compatible speakers and even hi-fi amplifi ers. Only a few years ago the short-range wireless codec was considered too lo-fi in sound quality terms to be worthwhile for hi-fi fans, but the introduction of aptX has upped audio 24-bit/192kHz fi les. Optical digital Kristin Kontrol’s X-Communicate via quality standards considerably. and 3.5mm stereo jack analogue Tidal is clean and has plenty of One For All is perhaps best known outputs are provided along with drive, and I’m impressed by how for its programmable handsets, but a 3.5mm-jack-to-jack cable and a easy it is to unleash tracks and hear the SV1820 Bluetooth music receiver Y-cable with RCA-to-3.5mm-jack them through my hi-fi with no brings it to the attention of the audio socket adapter. audible sacrifi ces. Switch to optical DETAILS market for anyone wanting to add the digital and the audio quality is just PRICE connectivity to a music system and Hit and miss as strong. £50 listen to Spotify or Tidal music The SV1820 can memorise up to eight It’s not all good news, though. WEBSITE oneforall.co.uk streaming services, for example. Bluetooth devices and supports aptX. Bluetooth range is less than the The white plastic unit measures just Pairing is easy and ‘OFA Music claimed 10m and to ensure signals 94 x 22 x 62mm (WxHxD) and is Receiver’ promptly appears on my remains robust I am unable to move OUR VERDICT equipped with a Wolfson digital-to- smartphone. Wired to my amplifi er more than a few meters from the analogue chipset that supports using the analogue audio output, receiver in my setup. LD
114 JUNE 2016 GROUND-BREAKING TOWNSHEND SEISMIC PODIUM
The Seismic Podium is designed to brake the acoustic connection between the floor and the speaker.
The Podium, together with the speaker, forms a low pass mechanical filter that prevents the passage of deleterious vibrations both to and from the speaker cabinet.
Break this link and the result is simply magical, the sound is transformed for every speaker, everywhere, every time.
The effect on the sound quality is outstanding. Everything sounds much cleaner and clearer, but for me the best improvement is the purity of tone of the strings when listening to classical music. Previously I couldn’t enjoy listening to orchestral music because the violins sounded so ‘dirty’, and I have spent years trying to eliminate the problem by experimenting with different DACs, interconnects and speaker cables without any meaningful results. I only wish that I had bought them earlier! “ RM
WinnerWinner
INNOVATIONINNOVATION · Blocks ground borne vibration from enteringntering tthehe speaspeakers.kers. 20152015
· Blocks speaker generated vibration fromom enteenteringring the ffloor.loor.
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· Huge reduction in bass boom.
· Clearer and much more tuneful sound.d.
· Far deeper and wider sound stage.
· Suitable for wood, tile or carpeted floors.ors. NNoo more sspikes!pikes!
· Works on solid or suspended concretee anandd wwoodood ffloors.loors.
· Eliminates resonance between speaker-cabineter-cabinet mmassass aandnd floofloor.r.
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with and without Seismic Podium.
http://goo.gl/Hy4boC SHEFFIELD
DESTINATION: SHEFFIELD Steel City, this month’s port of call, has racks aplenty to browse, from local legends to new kids on the block. Simon Berkovitch reports
eading down the circuitous Snake music of The Smiths that drew attendees from darning needle – and you turned the fl exi with Pass, taking in some glorious as far as London, he recently moved to your fi nger to hear the animal noises from the H scenery along the way, HFC drops Sheffi eld from over the Pennines and has story. That sowed the seeds of my fascination down into Sheffi eld, launch pad swiftly acquainted himself with the city’s vinyl with the magic of the grooves.” for the pop glamour of ABC, Human League treasure troves. “I came to Sheffi eld from Gavin loves reading and writing about music and Pulp, the experimentalism of Cabaret Manchester in the summer of 2015,” he says, almost as much as he enjoys listening to it: Voltaire, legendary techno imprint Warp “and am still getting to know all the record “I grew up reading Mark Ellen and David records, global superstars Arctic Monkeys and shops here, so I can give you a fresh view of Hepworth in Smash Hits in the early eighties, songwriter extraordinaire Richard Hawley. the record scene.” progressed to the Record Mirror, NME, Mojo That’s just the tip of the iceberg – like its An occasional presenter on All FM’s Charity and then full circle, back to Ellen and Northern neighbours Manchester and Shop Classics show (HFC 401), Gavin fi nds it Hepworth with Word.” The latter is a Liverpool, Sheffi eld has an embarrassment impossible to resist a thrift store or table-top particular passion of Gavin’s who blogs about of home-grown talent. And, pleasingly this sale for the more esoteric additions to his the much-missed magazine at Whole Hogg supremely musical city is still home to plenty collection, but he still buys new releases, Blog (wholehoggblog.wordpress.com). “I have of vinyl emporia, providing inspiration for the mainly from Bear Tree Records or Record all 114 issues and am writing an overview of next generation of musicians and collectors. Collector (see opposite). It’s a habit that’s hard each one, interspersed with interviews with Our guide is occasional broadcaster, to kick, as many of us will empathise. “I’ve ex-writers, including Paul Du Noyer and Mark dedicated blogger and long-time crate-digger been in love with records for as long as I can Ellen, about their recollections.” Gavin Hogg. A regular fi xture of Glossop remember,” Gavin says. “As a toddler I had a With the clock ticking, our tour begins Record Club (HFC 382), at which Gavin storybook with a built-in fl exi-disc at the back. with one of Sheffi eld’s rite of passage vinyl curated a memorable evening celebrating the It came with a primitive stylus – basically a institutions: the legendary Record Collector.
116 JUNE 2016 SHEFFIELD
Record Collector
stablished in 1978, Record Collector E is the location for Richard Hawley’s interview in excellent documentary fi lm Last Shop Standing. Like Hawley, it’s also something of a local legend. “When I told friends from Sheffi eld I was moving here, they told me to check out it out,” says Gavin. The shop is in Broomhill, a fi ve-minute drive from the city centre and housed in two neighbouring stores: the smaller one is vinyl-only, while the adjacent space is fl oor-to-ceiling CDs and DVDs. Browsing either can be overwhelming, such is the amount of music on sale. Both sell a mixture of new and second-hand sounds and cover every genre. The record shop has a few boxes of cheap LPs for 99p, and there are more bargains to be found in the racks, with many half-price stickers on a range of releases. There’s a massive classical music section in the CD store, and everything else in between – from spoken word to rock and roll via jazz and local artists. “It’s so Everything from rock and roll to comprehensively stocked that it could be more contemporary sounds, new reopened as a museum,” Gavin observes. and second-hand is stocked here “Everything is priced competitively and I’ve not been able to visit once yet without Record Collector coming away with something I hadn’t 233-235 Fulwood Road, Sheffield, S10 3BA realised I wanted – whether it’s a Johnny CONTACT 0114 2668493 and the Hurricanes greatest hits or a live DETAILS recordcollectorsheffield.co.uk album by Preslav Literary School.” Bear Tree
estled away in a craft workshop in the N city centre’s Orchard Square, “You’ll fi nd a shop that’s even newer to Sheffi eld than I am,” says Gavin. As befi ts a shop with a framed Sun Ra poster on the wall, the excellent Bear Tree specialises in the more cultish and experimental areas of music. A carefully selected soundtracks section also sets it apart from rival enterprises: it’s the place to come and browse if you’re a fan of Italian horror movies directed by the likes of Mario Bava and Dario Argento. The standard genres of indie and classic rock have their sections, as do niche areas such as doom metal and library music, and every record has a description on the front, which makes spontaneous purchases easier. Bear Tree also sells records by local bands. “My recent album purchases have been David Bowie’s Blackstar and Ryley Walker’s Primrose Green,” Gavin says. “They also sell a small number of 7in singles, which are worth The selection of stock is carefully looking through. In the last few months I’ve curated and Bear Tree also boasts come back home with some Delia Derbyshire a rather natty line in T-shirts discs, a limited edition blue vinyl single by [UK sixties psych act] Kaleidoscope and the Bear Tree Records reissue of Jack Wood’s 1966 garage stomper Craft Workshop 5, Orchard Square (Upstairs), Sheffield, S1 2FB Born To Wander, on Third Man Records. If CONTACT 0114 2751309 you’re a fan of The White Stripes, you’ll fi nd a DETAILS beartreerecords.com lot of the band’s and Jack’s records in stock.”
JUNE 2016 117 SHEFFIELD
Spinning Discs ocated on the busy Chesterfi eld Road, L the fi rst thing that attracted me were the racks of cheap second-hand records. It’s defi nitely a shop for bargain-seekers as well as new vinyl junkies. The prices for second- hand records start at a very reasonable 25p for singles, where I found a great rockabilly MORE CRATES TO DIG EP, and £1 for albums,” says Gavin. OOurur guideguide GavinGavin HoggHogg aandnd SSheffieldheffield lladad SSimonimon Another relative newbie, the shop has been GGallalloowayway rrevealeveal mmoreore ffavavoouriteurite vvinylinyl eemporiamporia ppicksicks open since April 2015 and has started to iinn aandnd aaroundround SSteelteel CCity,ity, aalsolso hheadingeading ooutut ttoo nnearbyearby build a loyal base of regular customers. The Indie gems share CChesterfieldhesterfield andand BarnsleyBarnsley records in the racks cover a broad range of rack space with mainstream cuts Tonearm Vinyl classic rock, hip hop, metal, soul, Americana, “Tonearm in Walkley sells indie and pop and there are also crates second-hand records. A regularly updated Facebook dedicated to country, dance, classical and page informs followers of the reggae and dub. Four records next to each latest stock. There’s plenty of other in the ‘O’ section give a neat snapshot soul, indie, classic rock here, but most genres are covered.” of the stock: Roy Orbison, Orbital, Beth tonearmvinyl.co.uk Orton and Outkast. Spinning Discs also sells a lot of mainstream soundtrack albums, Vinyl Demand including several picture discs for Disney “Vinyl Demand occupies a fi lms as well as some more esoteric offerings small premises in Charter Square in the city centre. from the Death Waltz Recording Company. It’s packed with rock, pop, It also sells ‘Let’s Get Physical’ T-shirts, fresh indie, punk, metal, soul, ska coffee and Crosley portable turntables. and much more – it’s hard to know where to start.” “Spinning Discs is a great shop to browse 07597 629901 in,” assesses Gavin. “You may not fi nd much Spinning Discs Sheffield that will truly surprise you, but it has such Record Junkee a broad range that everyone should fi nd 55 Chesterfield Road, Sheffield, S8 0RL “In Sheffield’s centre, above something they like.” Our guide certainly Music Junkee, you’ll find CONTACT 07521 450111 spinningdiscssheffield.co.uk a large room with techno, did: on our visit, he fi nally got round to DETAILS house and dance records buying Tune-Yards’ Nikki Nack on red vinyl. aplenty. It’s the place to go if you are looking for any RSD 2015 products you missed.” Books on the Park recordjunkee.co.uk Rare and Racy ocated on the South side of Endcliffe “This book and record shop L Park is this essential port of call for vinyl opened in 1969 and is a great place to check out if junkies and bibliophiles. There are plenty of you want something a little bargain books and records to browse before more esoteric. Sadly, it’s even entering the shop, and once inside, be earmarked for demolition, so get there while you still can.” prepared to set aside an afternoon to get rareandracy.co.uk stuck into the bulging shelves and crates. All kinds of book genres are covered and The Nichols Building there’s a particularly well-stocked section on “Spread over two floors in music, handily placed with the records and Shalesmoor, this shrine to all CDs in one of the rooms. things vintage is well worth a Comedy LPs and visit for dedicated diggers, with Since moving across the road to its current spoken word vinyl lurking in unexpected location just over four years ago, it started oddities galore places from a number of different sellers.” stocking vinyl. “If you’re looking for thenicholsbuilding.co.uk/home affordable and offbeat records from around the world, this is a great place to visit,” says Tallbird Records Gavin. A deck with headphones enables “Just to the south of Sheffield customers to try before they buy. on Soresby Street in nearby Chesterfield. Named by its As well as plenty of music from around owner after her physical the globe, the shop’s stock leans to the folk, appearance, it opened in country, Americana, bluegrass, classical and 2013, and sells a mixture of new and used vinyl.” jazz end of the spectrum, although you can tallbirdrecords.co.uk also fi nd spoken word, rock, pop and prog. “There’s plenty to interest you, if you are Vinyl Underground looking for something unusual that you may “Just to the North of not have heard before,” says Gavin. “I also Sheffield, upstairs at Peel Street Emporium in Barnsley, Books on the Park spotted some long boxes of 7in singles under there’s this well-stocked 749 Ecclesall Road, the racks, which were too daunting to begin shop full of reasonably Sheffield, S11 8TG digging through on this visit.” The bulk of the priced used records and a CONTACT 0114 2666364 rarekindrecords.co.uk smattering of new releases.” CD selection is more mainstream but priced DETAILS 01226 872232 realistically, with many on sale for just £2.
118 JUNE 2016
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Meridian 551 Integrated, excellent used 399 NAIM CD5, recent new laser, upgradeable used 499 Project P2, arm and cart used 199 Proac D20r, excellent boxed, ex dealer demo dem 1899 Micromega IA100, great integrated, boxed REDUCED dem 449 NAIM CD5X, recent new laser, upgradeable used 649 Rega Planar 2, vgc+ boxed used 179 Proac D30r in Oak, just a few weeks old used 3499 Moon W7RS, excellent used 4499 NAIM CDS/CDPS, excellent example used 1199 Roksan TMS 2 with Reference PSU, boxed as new used 2899 Quad 25L Classic ex dealer demo boxed used 999 Musical Fidelity M6i, near mint boxed, REDUCED used 1099 NAIM NDS, current top model ex demo used 4757 SME 3009 improved, vgc+ used 199 Rega Ela, boxed excellent used 149 Musical Fidelity A308CR Preamplifi er, excellent boxed used 799 NAIM NDX, near mint ex demo used 2299 SME V, in rare silver, excellent, boxed used 1499 Revolver RW45, excellent boxed used 699 Musical Fidelity Pre 8 and 2 x MA65 chrome fronted used 799 NAIM HDX, upgradeable, as new dem 2599 SME V12, nr mint boxed used 2249 Revolver Music 1, excellent boxed used 299 Musical Fidelity M8 500S Power amplifi er, boxed superb used 2599 NAIM XPS2, excellent boxed used 1499 Thorens TD170 Auto excellent boxed REDUCED dem 229 Revolver Cygnis Gold in Black, £14k new dem 4995 NAD C320, excellent used 149 Olive 4HD, excellent boxed used 799 Ruark Etude, excellent in black used 179 Thorens TD150, fair condition, no arm, REDUCED used 79 NAIM NAP160, excellent original bolt down case used 449 Orelle CD100Evo, near mint REDUCED used 349 Sonus Faber Elipsa, superb boxed, REDUCED used 5699 Thorens TD160 original, boxed used 199 NAIM NAC122X/NAP150X combo used 899 Peachtree DACit, excellent dem 199 Sonus Faber Electa Amator 2, superb used 1749 Thorens TD209 turntable package REDUCED dem 649 NAIM NAP250 Olive, Avondale Service 2015 used 1199 Prima Luna Prologue 8, ex demo boxed, REDUCED dem 1199 Thorens TD2030 Blue turntable new 999 NAIM NAC202, excellent boxed REDUCED used 1099 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used 199 Usher N6361, excellent boxed dem Call Arcam Alpha 10DAB tuner, excellent used 149 Onix OA32 Integrated, excellent, REDUCED used 249 Usher Audio Be10DMD, ex demo dem 8999 Arcam T32 DAB Tuner, excellent boxed used 499 Pathos InPol Remix Hi Dac, ex dealer demo dem 2499 Usher S520, excellent boxed dem 249 Avi Lab Series DAB tuner, scarce fi nd used 349 Pathos Logos Integrated, excellent, REDUCED used 1499 Accessories/Cables Mitsubishi DA-F10, excellent used 249 Vandersteen Quattro, accessories, transformers etc used 2999 Elemental Audio speaker stands dem 499 Musical Fidelity A5DAB, sealed box used 499 Pioneer A50s, boxed near mint used 249 Veritas H3 (Lowthers) in gloss black, 100db, REDUCED dem 2499 Musical Fidelity M1 HPAB dem 399 NAIM NAT101 & SNAPS, excellent £500 NAIM service used 899 Quad 33/303, vgc, serviced used 299 Wilson Audio Sophia 3, excellent boxed, due in used Call Nakamichi BX125e, good condition used 99 Rotel Michi Pre/Power, good condition used 1199 NAIM Naxo 2-4 used 199 Wilson Benesch Actor fl oorstanders, REDUCED used 1599 Nakamichi ST7e, rare tuner used 199 Sugden A21a line Integrated dem 999 NAIM HiLine, boxed used 449 Pioneer RT707, just serviced, fantastic condition used 499 Wilson Benesch Square Two, excellent used 999 Sugden Masterclass Pre/Monos in Graphite REDUCED used 5749 NAIM XPS2, excellent boxed used 1499 Quad FM4, vgc, serviced used 149 NAIM Supercap Olive, boxed choice from used 799 Revox PR99, crated, REDUCED used 749 Sugden Masterclass Integrated in Titanium dem 2749 Revox H1, just serviced, great condition, REDUCED used 449 Talk Electronics Hurricane/Tornado Pre/Power used Call NAIM HiCap, various Olive/Chrome, starting at used 249 Special system deals Revox B77mk2, just serviced, great condition used Call Tandberg TPA3003 Power amplifi er, excellent! used 499 Nordost Heimdall, ex demo interconnects dem Call Luxman 300 series CD/Tuner/Pre/Power, ACE! used 999 Rotel RD865, vgc, decent little cassette deck used 49 Tannoy TA1400, excellent boxed REDUCED used 499 Nordost Flatline Gold speaker cable used 199 Naim SuperUniti, nr mint boxed dem 2999 Sony MDS JB940, excellent minidisc recorder used 199 TEAC Distinction A1000 Integrated, mint, REDUCED dem 549 Nordost Thor, distribution centre, boxed used 799 Naim UnitiQute, nr mint boxed dem 899 Tandberg TCD440a, superb! REDUCED used 449 ProAudio Bono Reference Platform dem 399 NAIM Uniti 2, excellent, ex demo, two from dem 2299 TEAC CDRW 890, brand new sealed, due in used Call Trio LO7C preamplifi er good condition used 249 TEAC X1000M, serviced, superb used 599 Vincent SAV200 6 Channel monster, REDUCED used 699 Stax 4070 closed system, excellent RARE! used 2499 NAIM Unitilite, excellent condition ex demo dem 1499 Technics RS1500 in fl ightcase near mint used 2499 XTC Pre 1 & Pow 2, Pre/Power combo, excellent used 799 Stax Omega 007 system, excellent boxed used 2499 Orelle EVO CD and Amp was £2700, REDUCED used 749 Tel: 01642 267012 or 0845 6019390 Email: choice@2ndhandhifi .co.uk COMPETITION
WIN: Yamaha MusicCast system and wireless speakers Bring the magic of multi-room music to your home with this prize worth £1,600
t wasn’t so long ago that the to assemble a multi-room setup that includes to other MusicCast products – of which there entire family would gather the elements you desire in the places you are many – for music around the home. I together to enjoy music in one want them. In principle this means that The most immediately apparent aspect of room, and while sitting and buying a system like the MCR-N870D the performance is that there is no shortage listening to a crackly rendition of the Glen (pictured above) isn’t just a way of fi lling of power and headroom on offer. The system Miller Orchestra as father smokes a pipe and one room with music, it’s potentially the fi rst has no trouble going impressively loud and mother frets about what the neighbours step to fi lling the entire house. sounding free of any strain or edginess as it think are very outdated concepts, individual Part of the ‘Grand Piano Craft’ line of small does so. There’s a refi nement and slight members of the family still enjoy listening to separates, the MCR-N870D comprises the midrange warmth that fl atters poor music, but in their own space. Up until fairly A-U670 integrated amplifi er and the recordings, allowing them to sound fuller recently this would’ve necessitated a CD-NT670D CD network receiver. At fi rst and smoother than they are – but tempers separate system for every room, but now glance, this pairing is just another fairly that with considerable treble energy that with the advent of multi-room one system ordinary amp and CD combo, but as we allows music to sound altogether more can stream music anywhere in the house that found out when we tested it back in HFC energetic. In short, we were impressed. you care to stick a set of speakers. All of 408, it’s so much more than that. And thanks to the good folk at Yamaha, which brings us rather neatly to Yamaha’s Featuring a USB input supporting sampling we’ve not only got a MCR-N870D system to answer to multi-room, MusicCast. Rather rates up to 24-bit/192kHz and DSD up to giveaway, but we’ll also throw in some than design a range of speakers to form a 5.6MHz, the A-U670 Class D amplifi er boasts wireless speakers in the shape of the £200 line of products, MusicCast is a feature set 2x 70W quoted power output. Meanwhile WX-030 and £400 ISX-80. Answer the that has been added to a selection of the CD-NT670D features a 24/192-capable fi endishly easy question online to be in with Yamaha’s audio components allowing you network streamer and the ability to connect a chance of winning this fantastic prize.
120 JUNE 2016 COMPETITION
MCR-N870 Comprising a CD player (CD-NT670D), amplifier A-U670 and standmount loudspeakers (NS-BP401), this system is worth £1,000. It works supremely well as a standalone setup, but really comes into its own when used with other MusicCast devices. WX-030 This compact wi-fi-enabled streaming speaker is worth £200 and can be tabletop or wall mounted. With its 90mm woofer, 30mm tweeter and a passive radiator, it has a surprisingly meaty sound considering its decidedly diminutive dimensions.
TO BE IN WITH A Restio ISX-80 CHANCE OF WINNING, Restio’s compact 302mm square form can be placed on a shelf or wall mounted and is worth ANSWER THIS SIMPLE £400. It features dual 30mm soft dome tweeters and dual 80mm subwoofers, along with a built-in QUESTION: tuner and claims 2x 15W power output. What is Yamaha’s innovative multi-room sound system called? A) MusicFast B) MusicLast C) MusicCast HOWH TO ENTER: Visit our website at www.hifichoice.co.uk/competitions and follow the instructions to enter To submit your entry to the Yamaha MusicCast competition, simply register using the online form and provide your answer to the question shown left. Please ensure TERMS & CONDITIONS you complete all required fields, including your email address, telephone number (including area code) and postal address. We regret we cannot take postal entrants. 1. No purchase is necessary to enter a Competition. 2. Entrants must be over 18 years old and resident in the United Kingdom. 3. Employees of AVTech Media Arrangements for the fulfilment of prizes may be made by a third-party sponsor. AVTech Media & or My Time Media and companies supplying My Time Media reserve the right in its sole discretion to substitute any and all prizes with prizes of competition prizes are not eligible to enter. 4. All comparable value. By entering a Competition, if you are a winner, you grant permission to use prizes are non-transferrable and no cash or credit alternatives will be offered. 5. The editor’s decision your name and likeness for advertising and future promotional purposes. For full privacy policy and is final. The closing date is 15 June 2016. terms and conditions, visit www.hifichoice.co.uk/terms
JUNE 2016 121 Reader Classified ads www.hifichoice.co.uk
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All boxed, remote and a free private ads service for buying and condition £1,950: 01243 manuals, mint condition, little 582411 (West Sussex) . use £650 each or £1,800 selling second-hand hi-fi components. for all three: 07917 591327 These pages are a must-read if you’re The simplest way to send your ad is via £1,000: 01934 521621 or (Abbey Wood, London). thinking about buying used kit, or if you email to: [email protected] or mail: email: [email protected]. DENSON Beat 400+ CD have hi-fi you want to sell. It’s free – simply Reader Classified, Hi-Fi Choice, MUSICAL FIDELITY player, Sony Professional submit your ad of up to 50 words (we will AVTech Media Ltd, Enterprise House, M6i amplifier, silver, mint Walkman cassette player edit them if not), remembering to include Enterprise Way, Edenbridge, Kent, condition, smoke/pet- recorder £120 ono: 01623 your email, phone number and county. TN8 6HF. free environment with all 230472 (Ashfield, Notts). This service is open to private advertisers only. Just one ad per household. packaging. Less than 100 PROAC Response 2.5 Images are for illustration only and do not represent what is for sale hours use. RRP £2,500, would speakers in mahogany, as like £1,125: 01902 884694 new with original boxes £790: FOR SALE or email: jukey39@yahoo. 07851 190312 (Stafford). co.uk (West Midlands). CYRUS 8VS & PSX-R in sensitivity. Slight paint marks B&W PV1D active 400W DSP NORDOST Blue Heaven 2m black. Both in excellent on both. Buyer collects: subwoofer, B&W CM two-way NAIM NAP 135 power amp pair of speaker cables, bargain condition. Owned from new 01132 933478 or email centre speaker 120W. Both pair. Olive. Consecutive at £100 ono: 01484 427426 and well looked after with julianbedford63@icloud. white satin finish, unmarked, serial number pair. (132xxx). (Huddersfield). remote controls and manuals. com (Leeds). factory boxes and instructions Superb condition. Original CREEK Evolution 5350 amp £850: 01908 376966 boxes, interconnects and £400: 07860 277177 YAMAHA AMP-501, Monitor £425 boxed, Creek Evolution (Buckingham). mains leads. Serviced 2011 or email johnflatman@ Audio BX2 speakers, Denon 2 CDP £175. Both silver, both (cost £550). Naim authorised. btinternet.com (Suffolk). DCD-F109 mini system, ART AUDIO Concerto Mk remotes, power leads. Superb Invoices. £1,825 ono: 01315 combination, selling due to QUADRAL Chromium Style Denon 520 amp. Buyer 2 valve power amp, 60W per channel, cost £3K new 380013 (Midlothian). upgradeitis: 07903578225 8 floorstanding loudspeakers collect, open to offers: 01977 £1,500. Quad 909 power ATC SCM12 high- or email: dibster1@yahoo. (black), 15 hours use £1,200 695385 (West Yorkshire). amp, boxed £550: 01225 performance passive co.uk (Salford, Manchester). (£1,750). Buyer collects: GARRARD 401, Rega 706783 (Wiltshire). monitors. Classic two-way KEF Q100 speakers. Walnut 07748 118310 or 0191 RB250 O/L rear stub, Linn NEAT Motive 1 floorstander sealed units. Capable finish. Brand new. £300. 2815482. (Newcastle upon K9 cartridge spare stylus. loudspeakers in cherrywood. of outstanding levels of Would prefer buyer to collect: Tyne) Assembled on plinth. £650. Excellent condition £550 ono: reproduction. Recommended 01702 520063 or email: TRIANGLE Zephyr XS Buyer collects: 01494 078167 58688 (London). power 50W to 300W. RRP [email protected] floorstanding speakers, 91dB 451089 (High Wycombe). £1,100 will sell for £800: FOCAL Electra 1027BE (Essex). 01243 528010 speakers (burgundy). YAMAHA NS10-M Studio (West Sussex). Excellent condition with loudpspeakers, VGC £350, original boxes (£4,000) REGA Planar 2 with Linn JBL L88 large monitors VGC £1,500 ono. Buyer collects: K9 cartridge. New drive belt £200, Thorens TD125-MK2, 07913 236601 or email: and boxed with all papers. SME 3009 MK Improved, [email protected] £75. Buyer collects. Email: Grado Prestige Black, (Essex). andrew.donald.smith@ great example £495, HEED Obelisk Si Mk3 gmail.com Pro-Ject Phono Box SE MM/ amplifier plus dedicated (South Hertfordshire). MC, mint £50. Buyer to Sx power supply. Latest KUBALA-SOSNA collect: 01371 850665 or version with increased Expression speaker cable. email: garyrobinson20@ power output. In 1.5m stereo pair. Locking btinternet.com. immaculate condition banana plugs at amp, spade SPENDOR SP2 (oiled CYRUS CD6 black, very good condition with remote £100: comes fully boxed .Cost connectors at speaker. Cost walnut) and stands. 07730 477564 (West Midlands). £2,000 new will accept new £1,840, asking £1,000. Downsizing of home very
BUYING TIPS BUYING SECOND-HAND can be a great way to pick up a bargain. A formerly expensive second-hand component might well prove a better long-term bet than a brand-new product if the price is right. DO SOME RESEARCH on which brands have a good service back up, so if something does go wrong, you can get it fixed. Unless you purchase from a dealer, you’re unlikely to get any warranty, so it’s up to you to ensure the fitness of any gear that you buy. USUALLY speakers should be less prone to breakdown than amps, and amps should be more reliable than CD players. But any abused component could be trouble – have a proper demo and judge the seller as well as the goods!
122 JUNE 2016 Reader Classified ads
reluctantly forces the sale or email: redeye@talktalk. RUARK Accolade of my much loved SP2s. net (Isle of Wight). floorstanding 3-way speakers, £350. Buyer collects: A.N.T. AUDIO Kora 3T in lovely condition and walnut 07814704344, or email Special Edition moving-coil finish, complete with original [email protected] phono preamplifier with boxes. They are very heavy. (South Yorkshire). upgraded Timestep power £1,250 ono: 02380 738935 WILSON BENESCH supply. Excellent condition or email: golf3385@ Square Two floorstanders. and original packaging. New series 2 with flush mount Selling due to recent upgrade. hotmail.co.uk . drivers – brand new, never Buyer to collect £295: 01257 MICHELL Orbe SE (DC used and still in unopened 450706 (Chorley, Lancs). version)/Rega RB1000/Lyra boxes. Beautiful burr walnut, LAVARDIN IS integrated Skala: £1,650. Krell S-350a CD and lovely detailed sound. List amplifier, purchased ex-demo player with Esoteric transport: £3,000, asking £2,300. Won’t from Audio Works Oct 2015. post – pick up or possible £1,500: 07748 485668 or Mint condition. £900. Chord delivery: 07740 961647. email: pbjernkl@yahoo. 2Qute DAC with Chord VEE3 GARRARD 401 with Rega BNC/RCA cable £700. All co.uk (London). RB300 and Goldring 1042. boxed: 01978769177 or SYSTEMDEK 920 Audio- Ready to use. £1,200. DIY email: cawarra@tiscali. Technica AT1130 tonearm. power supply for Class A co.uk (Wrexham). Excellent sounding: £250: amps ie JLH 1969/1996, QUAD 22L floorstanding £300: 0207 4998729. 0772 9620621 (Evesham). speakers, piano rosewood MUSICAL FIDELITY A3.2 gloss finish. Immaculate PRO-JECT 6 Perspex, RDS tuner £290. British built, condition as new. £250 ono: Ortofon Blue cartridge. boxed and without blemish. 07782 242190 or email: Arcam Solo: 2x 75W, CD, DAB. Covered and kept clean since [email protected] £550 each: 07866 334534 unboxing. Very carefully and (Dudley, West Midlands). (Hants). lightly used: 07500 804700 CAMBRIDGE AUDIO or email: imeldayates@ ROTEL RB-1080 power T55 tuner, silver, upgraded hotmail.com (Cheshire). amp x2 £800 ono. RC-1090 by Cambridge. Very good preamp £500 ono. RCD CD AUDIO PHYSIC Tempo III condition with box, manual, loudspeakers in light oak, no and circuit diagram. £35 plus player £300 ono. All boxed, visible marks, boxes available carriage: 01275 872777 as new and with manuals: and factory cards. £800. (North Somerset). 07766 415325 (Coventry). Buyer to collect: 07930 397120 or email: david. [email protected]. RESOLUTION AUDIO Cantata. Superb top-end digital hub with outstanding CD player, DAC, preamp, streamer. Mark 2 version with latest firmware. Hardly used, Asimi Ultra with remote, manual, leads, NAIM Nait XS amp, as new boxed, accept £800. boxed, mint. £6,000 new, Fatman iTube amp with dock, as new, boxed £100: accept £3,000. Can post Interconnect 07583 078744 (Derbyshire). ParcelForce: 07833 894242
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ALSO: REVIEWS Zemi Aria AirPlay speaker, Belles REGULARS Beautiful System, Music Legends, Aria integrated amplifier, Elipson Omega 100 Music Reviews, Audiofile news, High End Show turntable, plus Wharfedale Reva-2 standmount Report and all your hi-fi questions answered JULY ISSUE ON SALE 16 JUNE
If you don’t want to miss an issue PASSION FOR SOUND EDITORIAL TEAM SUBSCRIPTIONS MANAGEMENT TEAM Please reserve/deliver my copy of Hi-Fi Choice Editor Lee Dunkley Subscriptions Manager Kate Hall Group Editor Paul Miller Production Editor Jake Day-Williams UK – New, Renewals & Enquiries Group Art Editor John Rook on a regular basis, starting with issue: Art Editor Emily Hammond Tel: +44 (0) 1604 828 748 Group Advertising Manager Rhona Bolger Chief Executive Owen Davies Title First name Email: [email protected] CONTRIBUTORS Chairman Peter Harkness Simon Berkovitch, Simon Galloway, Surname USA & CANADA – New, Renewals & Enquiries Published by AVTech Media Ltd Paul Hirons, James Hughes, Jason Kennedy, Tel: 001 866 647 9191 David Price, Neville Roberts, Ed Selley, Enterprise House, Enterprise Way, Address Andrew Simpson, David Vivian, Edenbridge, Kent, TN8 6HF REST OF WORLD – New, Renewals & Enquiries Chris Ward, Nigel Williamson Phone: 0844 4122262 Tel: +44 (0) 1604 828 748 From outside the UK: +44 (0)1689 869840 ADVERTISING www.hifichoice.co.uk Sales Simon Dunn BACK ISSUES Postcode Tel: 01689 869853 Website: mags-uk.com Distributed in the UK by Seymour Email: [email protected] Contact: mags-uk.com/contacts/ Distribution Ltd. Telephone number
Published by AVTech Media Ltd. All rights reserved, 2015. ISSN 0955-1115. The Publisher’s written consent must be obtained before any part of this publication may be If you can’t always find a copy of this reproduced in any form whatsoever, including photocopiers, and information retrieval systems. All reasonable care is taken in the preparation of the magazine contents, but the publishers cannot be held legally responsible for errors in the contents of this magazine or for any loss however arising from such errors, including loss resulting magazine, help is at hand! Complete this form from negligence of our staff. Reliance placed upon the contents of this magazine is at reader’s own risk. and hand in at your local store, they’ll arrange Hi-Fi Choice, ISSN 0955-1115, is published monthly with an additional issue in July by AVTech Media Ltd, a division of MYTIMEMEDIA Ltd, Enterprise House, Enterprise Way, Edenbridge, Kent, TN8 6HF, UK. The US annual subscription price is 67GBP (equivalent to approximately 95USD). Airfreight and mailing in the USA by agent for a copy of each issue to be reserved for named Air Business Ltd, c/o Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes to Hi-Fi Choice, Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are you. Some stores may even be able to arrange maintained at dsb.net Ltd, 3 Queensbridge The Lakes Northampton NN4 7BF. Air Business Ltd is acting as our mailing agent. for it to be delivered to your home. Just ask!
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