DOCSLIB.ORG

1 the U. S. Department of Health and Human Services Public Health Service Centers for Disease Control and Prevention National

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 the U. S. Department of Health and Human Services Public Health Service Centers for Disease Control and Prevention National 1 THE U. S. DEPARTMENT OF HEALTH AND HUMAN SERVICES PUBLIC HEALTH SERVICE CENTERS FOR DISEASE CONTROL AND PREVENTION NATIONAL INSTITUTE FOR OCCUPATIONAL SAFETY AND HEALTH convenes the ADVISORY BOARD ON RADIATION AND WORKER HEALTH VOLUME I The transcript of the Meeting of the Advisory Board on Radiation and Worker Health before Debbie G. Williams, Certified Court Reporter and Notary Public; commencing at 8:30 a.m., Wednesday, February 5, 2003, at The DoubleTree Guest Suites, 181 Church Street, Charleston, South Carolina. ************************************* DEBBIE G. WILLIAMS, CCR, CVR CERTIFIED VERBATIM REPORTER 2515 Little John Court Cumming, Georgia 30040 (770) 886-9814 2 PARTICIPANTS BOARD MEMBERS CHAIR: PAUL L. ZIEMER, Ph.D., Professor Emeritus School of Health Sciences Purdue University West Lafayette, Indiana EXECUTIVE SECRETARY: LARRY J. ELLIOTT Director, Office of Compensation Analysis and Support National Institute for Occupational Safety and Health Centers for Disease Control and Prevention Cincinnati, Ohio MEMBERSHIP: HENRY A. ANDERSON, M.D. Chief Medical Officer Occupational and Environmental Health Wisconsin Division of Public Health Madison, Wisconsin ANTONIO ANDRADE, Ph.D. Group Leader/Manager Radiation Protection Services Group Los Alamos National Laboratory Los Alamos, New Mexico ROY LYNCH DeHART, M.D., M.P.H. Director, The Vanderbilt Center for Occupational and Environmental Medicine Professor of Medicine Nashville, Tennessee RICHARD LEE ESPINOSA Sheet Metal Workers Union Local #49 Johnson Controls Los Alamos National Laboratory Espanola, New Mexico MICHAEL H. GIBSON, President Paper, Allied-Industrial, Chemical, and Energy Union Local 5-4200 Miamisburg, Ohio 3 MARK A. GRIFFON, President Creative Pollution Solutions, Inc. Salem, New Hampshire JAMES MALCOLM MELIUS, M.D., Dr.P.H. Director, New York State Laborers' Health and Safety Trust Fund Albany, New York WANDA I. MUNN, Senior Nuclear Engineer (Retired) Richland, Washington ROBERT W. PRESLEY, Special Projects Engineer BWXT Y-12 National Security Complex Oak Ridge, Tennessee GENEVIEVE S. ROESSLER, Ph.D. Radiation Consultant Professor Emeritus University of Florida Elysian, Minnesota AGENDA SPEAKERS MS. MARTHA DiMUZIO, NIOSH MR. RUSH HENSHAW, NIOSH DR. JAMES MELIUS DR. SERGIO BUSTOS, SRSHES Chair STAFF/VENDORS CORI HOMER, Committee Management Specialist, NIOSH DR. JAMES NETON, NIOSH TERESA ROBINSON, Writer/Editor DEBBIE G. WILLIAMS, Certified Verbatim Court Reporter 4 I N D E X VOLUME I February 5, 2003 REGISTRATION AND WELCOME Dr. Paul Ziemer, Chair ................... Page 5 Mr. Larry Elliott, Executive Secretary.... Page 7 REVIEW AND APPROVAL OF SUMMARY OF CLOSED SESSION MEETING 10 .................................. Page 10 PROGRAM STATUS REPORT Ms. Martha DiMuzio, NIOSH............... Page 10 Dr. Jim Neton, NIOSH ................... Page 25 Mr. Richard Toohey, NIOSH .............. Page 29 IREP LATENCY ADJUSTMENT Mr. Russ Henshaw, NIOSH ................ Page 60 IREP SCIENTIFIC ISSUES WORKGROUP REPORT Dr. James Melius, Chairperson .......... Page 95 SAVANNAH RIVER SITE HEALTH EFFECTS SUBCOMMITTEE ACTIVITIES Dr. Sergio Bustos, SRSHES Chair ........ Page 132 BOARD DISCUSSION/WORKING SESSION Review Process of Dose Reconstructions.......................... Page 150 PUBLIC COMMENT PERIOD Mr. Hans Behling ........................ Page 225 Ms. Denise Brock ........................ Page 231 Mr. Richard Miller....................... Page 245 5 1 P R O C E E D I N G S 2 8:30 a.m. 3 DR. ZIEMER: Good morning, everyone. This 4 is the eleventh meeting of the Advisory Board on 5 Radiation and Worker Health. I'm Paul Ziemer, 6 Chairman of the Advisory Board. The Board members 7 are seated here at the table before me, and we're 8 not going to introduce them individually. You can 9 identify them by the placards in front of each 10 individual. 11 I would like to indicate for the record that 12 as best we know at the moment, Mike Gibson will be 13 unable to be with us for this meeting. It is our 14 understanding that Henry Anderson will be -- I'm 15 sorry, I said Mike Gibson. It's Leon, isn't it, 16 Leon Owens will be unable. I'm sorry. I hadn't 17 heard that Mike wouldn't be, so maybe Mike will be 18 joining us shortly. Leon Owens will be unable to be 19 here for this meeting. It is my understanding that 20 Henry Anderson will be joining the Board just a 21 little later. There was a conflict that will cause 22 him to arrive late. 23 I'd like to remind all of those in 24 attendance today, Board members, as well as staff 25 members from the various agencies, and members of 6 1 the public, to register your attendance with us in 2 the registration book that's at the table near the 3 entrance. If you are a member of the general public 4 and wish to address the Board during the public 5 comment period, we ask that you sign up to do so. 6 There is a sign-up sheet for commenting during the 7 public comment period, and that sign-up sheet is 8 also on the table near the entrance. 9 There are a number of handouts on the other 10 table in the rear of the room that includes copies 11 of today's Agenda, copies of Minutes of some of the 12 past meetings, and other documents that relate to 13 the presentations that we will have today, so please 14 avail yourself of those materials on the table. 15 We will proceed with the Agenda pretty much 16 as its there. There will be some shifting on the 17 times, as needed, depending on the length of 18 presentations and the Board discussion periods, but 19 in general we will proceed with the Agenda as 20 indicated. 21 I would like to point out that originally a 22 month ago when this meeting was confirmed there had 23 been the intent that at this meeting the Board would 24 discuss the provisions of the -- what we thought was 25 the -- going to be the materials in the Code of 7 1 Federal Regulations dealing with the Special 2 Exposure Cohorts. That material has not yet 3 appeared in the Federal Register and thus, it cannot 4 be included today as part of our discussion, and the 5 Board members are already aware that that item has 6 been removed from what was the original draft 7 Agenda. The revised Agenda was, of course, on the 8 web site and was promulgated accordingly. 9 I'm going to now turn the mike, or a mike 10 over to Larry Elliott, our Executive Secretary. And 11 Larry has some additional comments before we proceed 12 in the Agenda. 13 MR. ELLIOTT: Thank you, Dr. Ziemer. I just 14 wanted to welcome the Board to Charleston. I hope 15 you find this city to be very interesting, and it is 16 a very exciting city, so I hope you have some time 17 to spend walking through the streets here and enjoy 18 it. 19 As Dr. Ziemer said, the Notice of Proposed 20 Rulemaking on additions to the Special Exposure 21 Cohort has not gone completely all through the 22 clearance process, and thus, we have not been able 23 to put it into the Federal Register for public 24 comment. We hope to see that very soon. And 25 tomorrow we will have to take up in the Board's 8 1 housekeeping items your agendas for when we can meet 2 to discuss that. 3 On your Agenda today we have a few -- a 4 different -- a couple of different people to -- for 5 you to get to know. I know you've met Martha 6 DiMuzio in the past. Dave Sundin, who traditionally 7 and regularly gives the Program Status Report to you 8 all, is back home in Cincinnati minding the store. 9 And Martha DiMuzio is here today, she'll be giving 10 that Program Status Report to you. She's also 11 critical to today's and tomorrow's discussion on the 12 procurement and -- and task order development, so 13 that's why I asked her to be here today. 14 And with that, I think I'll turn it back to 15 -- to Dr. Ziemer. 16 DR. ZIEMER: Thank you, Larry. 17 You'll notice that the next item on our 18 Agenda is the Review and Approval of Draft Minutes 19 of Meeting 10. What I propose that we do is that we 20 address only the -- what we might call the Minutes, 21 it's the summary of the closed session, which was 22 the executive session. The Minutes of those are not 23 available to be made public, but the summary of the 24 closed section -- or closed session can be made 25 public, and is in the book and we will act on that. 9 1 The actual Minutes for the open portion of the 2 meeting have been, or are being distributed, and 3 they're rather lengthy. In fact, let me ask: Have 4 they been distributed? Or they will be today 5 sometime, if they're not already. 6 MR. ELLIOTT: I don't see Cori here right 7 now, but I -- I know she's having the copies made. 8 DR. ZIEMER: In any event, those Minutes are 9 thirty-some pages long, and I'm not going to ask you 10 to glance on them and approve them forthwith. We 11 will delay the action on those Minutes till tomorrow 12 morning. I know you all were wanting to have 13 something to do this evening, and that will -- that 14 will occupy your time. 15 So without objection, let's simply move to 16 the summary of the closed section -- closed session. 17 It's in the tab that says: Draft Minutes/Meeting 18 10.
Load more

Recommended publications
  • Contemporary Christian Music and Oklahoma
    - HOL Y ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS By BOBBI KAY HOOPER Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1993 Submitted to the Faculty of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE August, 2003 HOLY ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS Thesis Approved: ------'--~~D...e~--e----- 11 ACKNOWLEDGEMENTS My sincere appreciation goes out to my adviser. Dr. Jami A. Fullerton. for her insight, support and direction. It was a pleasure and privilege to work with her. My thanks go out to my committee members, Dr. Stan Kerterer and Dr. Tom Weir. ""hose knowledge and guidance helped make this publication possible. I want to thank my friend Matt Hamilton who generously gave of his time 10 act as the moderator for all fOUf of the focus groups and worked with me in analyzing the data. ] also want to thank the participants of this investigation - the Christian college students who so willingly shared their beliefs and opinions. They made research fun r My friends Bret and Gina r.uallen musl nlso be recognii'_cd for introducing me !(l tbe depth and vitality ofChrislian music. Finally. l must also give thanks to my parents. Bohby and Helen Hoopc,;r. whose faith ,md encouragement enabled me to see the possibilities and potential in sitting down. 111 - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION Overview ofThesis Research Problem 3 Justification Definition ofTerms 4 [I. LITERATURE REVIEW 5 Theoretical Framework 6 Uses and Gratifications 6 Media Dependency 7 Tuning In: Popular Music Uses and Gratifications 8 Bad Music, Bad Behavior: Effects of Rock Music 11 The Word is Out: Religious Broadcasting 14 Taking Music "Higher": ('eM 17 Uses & Gratifications applied to CCM 22 111.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • The Lost Journals of Sylvia Plath
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2005 The Lost Journals of Sylvia Plath Kimberly Dawn Knutsen Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the English Language and Literature Commons Recommended Citation Knutsen, Kimberly Dawn, "The Lost Journals of Sylvia Plath" (2005). Dissertations. 1040. https://scholarworks.wmich.edu/dissertations/1040 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE LOST JOURNALS OF SYLVIA PLATH by Kimberly Dawn Knutsen A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan August 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE LOST JOURNALS OF SYLVIA PLATH Kimberly Dawn Knutsen, Ph.D. Western Michigan University, 2005 Wilson A. Lavender is a doctoral candidate and instructor of women’s studies who is beginning to thing he knows nothing about women. His wife, Katie, is a recent graduate and stay-at-home mother of three—sexy, bored, and plagued by a violent past. Her sister, January, newly pregnant and obsessed with 80s rocker, Stevie Flame, arrives unexpectedly from New Mexico. As Wilson writes in the dissertation he fears will never be done: “Things begin to devolve.” Reproduced with permission of the copyright owner.
    [Show full text]
  • Sethluker Story Final 12.26 Compressed.Pages
    2 How Love Beat Cancer My name is Seth Luker. I am a simple man from a tiny, unknown place called Voss, Texas. As you will read, my life got very complicated in ways that a simple man from the desert of West Texas couldn’t comprehend. Refecting back at the many chance encounters that later saved my life, I was driven to something that was far beyond my dreams of playing football at the college level. I was destined to impact the lives of people I would never meet in person. I want to share my story because of the profound lessons it has taught me about life, death, love and one thing we all take for granted – our body. Medical statistics or accepted odds would have told you that there is no way I could be around to share my story. Te fact is, that by all indications, I should not be alive today. But, as you stay with me on this wild adventure, you will understand why I consider myself a very lucky guy – and as you will learn quickly, in more ways than just beating the odds. I had been saved by modern medicine, or so it seemed at frst. Surgery and chemo improved the odds of survival and I am eternally grateful to the doctors who helped me. But the real reason I am alive today has little to do with medicine and a lot to do with family, friendship and one aspect of the human spirit that knows no bounds. When it is all said and done, I am here today because of the power of love.
    [Show full text]
  • Language-Of-The-Blues.Pdf
    ` ` Ebook published February 1, 2012 by Guitar International Group, LLC Editors: Rick Landers and Matt Warnock Cover Design: Debra Devi Originally published January 1, 2006 by Billboard Books Executive Editor: Bob Nirkind Editor: Meryl Greenblatt Design: Cooley Design Lab Production Manager: Harold Campbell Copyright (c) 2006 by Debra Devi Cover photograph of B.B. King by Dick Waterman courtesy Dick Waterman Music Photography Author photograph by Matt Warnock Additional photographs by: Steve LaVere, courtesy Delta Haze Corporation Joseph A. Rosen, courtesy Joseph A. Rosen Photography Sandy Schoenfeld, courtesy Howling Wolf Photos Mike Shea, courtesy Tritone Photography Toni Ann Mamary, courtesy Hubert Sumlin Blues Grateful acknowledgment is made to the following for permission to reprint previously published material: 6DPXHO&KDUWHUV³7KH6RQJRI$OKDML)DEDOD.DQXWHK´H[FHUSWIURPThe Roots of the Blues by Samuel Charters, originally published: Boston: M. Boyars, 1981. Transaction Publishers: Excerpt from Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia by Roger Abrahams. Warner-7DPHUODQH3XEOLVKLQJ&RUSRUDWLRQ6NXOO0XVLF/\ULFIURP³,:DON2Q*XLOGed 6SOLQWHUV´E\0DF5HEHQQDFN Library of Congress Control Number: 2005924574 All rights reserved. No part of this publication may be reproduced or used in any form or by any means- graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage-and-retrieval systems- without the prior permission of the author. ` Guitar International Reston, Virginia ` Winner of the 2007 ASC AP Deems Taylor Award for Outstanding Book on Popular Music ³:KDWDJUHDWUHVRXUFH«DVfascinating as it is informative. Debra's passion for the blues VKLQHVWKURXJK´ ±Bonnie Raitt ³(YHU\EOXHVJXLWDULVWQHHGVWRNQRZWKHLUEOXHVKLVWRU\DQGZKHUHWKHEOXHVDUHFRPLQJ IURP'HEUD¶VERRNZLOOWHDFK\RXZKDW\RXUHDOO\QHHGWRNQRZ´± Joe Bonamassa ³7KLVLVDEHDXWLIXOERRN$IWHUKHDULQJµ+HOOKRXQGRQ0\7UDLO¶LQKLJKVFKRRO,ERXJKW every vintage blues record available at the time.
    [Show full text]
  • The Universal Music Group/Emi Merger and the Future of Online Music
    S. HRG. 112–550 THE UNIVERSAL MUSIC GROUP/EMI MERGER AND THE FUTURE OF ONLINE MUSIC HEARING BEFORE THE SUBCOMMITTEE ON ANTITRUST, COMPETITION POLICY AND CONSUMER RIGHTS OF THE COMMITTEE ON THE JUDICIARY UNITED STATES SENATE ONE HUNDRED TWELFTH CONGRESS SECOND SESSION JUNE 21, 2012 Serial No. J–112–83 Printed for the use of the Committee on the Judiciary ( U.S. GOVERNMENT PRINTING OFFICE 76–045 WASHINGTON : 2012 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON THE JUDICIARY PATRICK J. LEAHY, Vermont, Chairman HERB KOHL, Wisconsin CHUCK GRASSLEY, Iowa DIANNE FEINSTEIN, California ORRIN G. HATCH, Utah CHUCK SCHUMER, New York JON KYL, Arizona DICK DURBIN, Illinois JEFF SESSIONS, Alabama SHELDON WHITEHOUSE, Rhode Island LINDSEY GRAHAM, South Carolina AMY KLOBUCHAR, Minnesota JOHN CORNYN, Texas AL FRANKEN, Minnesota MICHAEL S. LEE, Utah CHRISTOPHER A. COONS, Delaware TOM COBURN, Oklahoma RICHARD BLUMENTHAL, Connecticut BRUCE A. COHEN, Chief Counsel and Staff Director KOLAN DAVIS, Republican Chief Counsel and Staff Director SUBCOMMITTEE ON ANTITRUST, COMPETITION POLICY AND CONSUMER RIGHTS HERB KOHL, Wisconsin, Chairman CHUCK SCHUMER, New York MICHAEL S. LEE, Utah AMY KLOBUCHAR, Minnesota CHUCK GRASSLEY, Iowa AL FRANKEN, Minnesota JOHN CORNYN, Texas RICHARD BLUMENTHAL, Connecticut CAROLINE HOLLAND, Democratic Chief Counsel/Staff Director DAVID BARLOW, Republican General Counsel (II) C O N T E N T S STATEMENTS OF COMMITTEE MEMBERS Page Kohl, Hon. Herb, a U.S. Senator from the State of Wisconsin ...........................
    [Show full text]
  • Every Lasting Legacy Remains Rooted in an Undying Urge to Grow. After Two Decades at the Forefront of All Things Guitar, a GRAMM
    Every lasting legacy remains rooted in an undying urge to grow. After two decades at the forefront of all things guitar, a GRAMMY® Award win, 40 million-plus units sold between Alter Bridge, Creed, and his eponymous Tremonti, and countless other accolades, Mark Tremonti once again summited an uncharted creative peak in 2018… For the very first time, the guitarist and singer crafted an immersive concept and accompanying novel for Tremonti’s fourth full-length album and first for Napalm Records, A Dying Machine. As passionate about authors like Gene Wolfe and George R.R. Martin as he is about hard rock and heavy metal, the multitalented musician architected a big screen-worthy tale amplified by his most cohesive sonic vision to date. “I’ve never done anything like this,” he admits. “I had the vision in mind the entire time. Some songs directly relate to the narrative, while some of them are more ambiguous. Even with the concept, it’s very personal. At it’s core, this is a human story, but with a twist.” Since emerging in 2012, he and his bandmates—Eric Friedman [guitar, bass] and Garrett Whitlock [drums]—have built the foundation for such an ambitious statement. Their full-length debut All I Was and the follow up records Cauterize and Dust have earned the band a very strong following. The band has supported these records with extensive headlining gigs and festival appearances everywhere from Rock on the Range to Shiprocked. In the minutes leading up to an Alter Bridge show in Hungary, the idea for this opus serendipitously arrived.
    [Show full text]
  • Invisible Man by Ralph Ellison
    Invisible Man By Ralph Ellison Back Cover: Winner of the National Book Award for fiction. Acclaimed by a 1965 Book Week poll of 200 prominent authors, critics, and editors as "the most distinguished single work published in the last twenty years." Unlike any novel you've ever read, this is a richly comic, deeply tragic, and profoundly soul-searching story of one young Negro's baffling experiences on the road to self-discovery. From the bizarre encounter with the white trustee that results in his expulsion from a Southern college to its powerful culmination in New York's Harlem, his story moves with a relentless drive: -- the nightmarish job in a paint factory -- the bitter disillusionment with the "Brotherhood" and its policy of betrayal -- the violent climax when screaming tensions are released in a terrifying race riot. This brilliant, monumental novel is a triumph of storytelling. It reveals profound insight into every man's struggle to find his true self. "Tough, brutal, sensational. it blazes with authentic talent." -- New York Times "A work of extraordinary intensity -- powerfully imagined and written with a savage, wryly humorous gusto." -- The Atlantic Monthly "A stunning blockbuster of a book that will floor and flabbergast some people, bedevil and intrigue others, and keep everybody reading right through to its explosive end." -- Langston Hughes "Ellison writes at a white heat, but a heat which he manipulates like a veteran." -- Chicago Sun-Times TO IDA COPYRIGHT, 1947, 1948, 1952, BY RALPH ELLISON All rights reserved under International and Pan-American Copyright Conventions. For information address Random House, Inc., 457 Madison Avenue, New York, New York 10022.
    [Show full text]
  • Rock Candy Magazine
    MOSCOW MUSIC PEACE FESTIVAL STRICTLY OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION EXCUSE OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION STRICTLY FESTIVAL MUSIC PEACE MOSCOW COLLECTORS REMASTERED ISSUE EDITIONS & RELOADED 2 OUT NOW June–July 2017 £9.99 HARD, SWEET & STICKY LILLIAN AXE - ‘S/T’ LILLIAN AXE - ‘LOVE+WAR’ WARRANT - ‘CHERRY PIE’ WARRANT - ‘DIRTY ROTTEN FILTHY MOTHER’S FINEST - ‘IRON AGE’ STINKING RICH’ ROCK CANDY MAG ISSUE 2 JUNE – JULY 2017 ISSUE 2 JUNE – JULY MAG CANDY ROCK MAHOGANY RUSH - ‘LIVE’ FRANK MARINO - ‘WHAT’S NEXT’ FRANK MARINO FRANK MARINO - ‘JUGGERNAUT’ CREED - ‘S/T’ SURVIVOR ‘THE POWER OF ROCK AND ROLL’ ‘EYE OF THE TIGER’ KING KOBRA - ‘READY TO STRIKE’ KING KOBRA 707 - ‘S/T’ 707 - ‘THE SECOND ALBUM’ 707 - ‘MEGAFORCE’ OUTLAWS - ‘PLAYIN’ TO WIN’ ‘THRILL OF A LIFETIME’ “IT WAS LOUD – LIKE A FACTORY!” LOUD “IT WAS SAMMY HAGAR SALTY DOG TYKETTO - ‘DON’T COME EASY’ KICK AXE - ‘VICES’ KICK AXE KICK AXE - ‘ROCK THE WORLD’ ‘ALL NIGHT LONG’ ‘EVERY DOG HAS IT’S DAY’ ‘WELCOME TO THE CLUB’ NYMPHS -’S/T’ RTZ - ‘RETURN TO ZERO’ WARTHCHILD AMERICA GIRL - ‘SHEER GREED’ GIRL - ‘WASTED YOUTH’ LOVE/HATE ‘CLIMBIN’ THE WALLS’ ‘BLACKOUT IN THE RED ROOM’ MAIDEN ‘84 BEHIND THE SCENES ON THE LEGENDARY POLAND TOUR TARGET - ‘S/T’ TARGET - ‘CAPTURED’ MAYDAY - ‘S/T’ MAYDAY - ‘REVENGE’ BAD BOY - ‘THE BAND THAT BAD BOY - ‘BACK TO BACK’ MILWAUKEE MADE FAMOUS’ COMING SOON BAD ENGLISH - ‘S/T’ JETBOY - ‘FEEL THE SHAKE’ DOKKEN STONE FURY ALANNAH MILES - ‘S/T’ ‘BEAST FROM THE EAST’ ‘BURNS LIKE A STAR’ www.rockcandyrecords.com / [email protected]
    [Show full text]
  • Björk Reaches Beyond the Binaries
    COMMUNICATOR BETWEEN WORLDS: BJÖRK REACHES BEYOND THE BINARIES Edwin F. Faulhaber A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Kimberly Coates, Advisor Robert Sloane ii ABSTRACT Kimberly Coates, Advisor Icelandic pop star Björk has spent her career breaking down boundaries, blurring lines, and complicating binaries between perceived opposites. Examining a variety of both primary and secondary sources, this study looks at the ways that Björk challenges the binary constructions of “high” and “low” art, nature and technology, and feminism and traditional femininity, and also proposes that her uniquely postmodern approach to blurring boundaries can be a model for a better society in general. This study contends that Björk serves as a symbol of what might be possible if humans stopped constructing boundaries between everything from musical styles to national borders, and as a model for how people can focus on their commonalities while still respecting the freedom of individual expression. This is particularly important in the United States of America, a place where despite its infinite potential for cultural pluralism and collaboration, there are as many (or more) divisions between people based upon race, class, gender, and religion as anywhere else in the world. iii Dedicated to Morgaine iv ACKNOWLEDGMENTS I would like to thank my committee, Dr. Kim Coates and Rob Sloane, for all of their suggestions and encouragement while I wrote this thesis. I would also like to thank Dr. Don McQuarie and Gloria Enriquez Pizana for their support and assistance, as well as a host of wonderful professors who laid the groundwork for this thesis by inspiring me along the way: Rob, Kim, Drs.
    [Show full text]
  • DJ Music Catalog by Title
    Artist Title Artist Title Artist Title Dev Feat. Nef The Pharaoh #1 Kellie Pickler 100 Proof [Radio Edit] Rick Ross Feat. Jay-Z And Dr. Dre 3 Kings Cobra Starship Feat. My Name is Kay #1Nite Andrea Burns 100 Stories [Josh Harris Vocal Club Edit Yo Gotti, Fabolous & DJ Khaled 3 Kings [Clean] Rev Theory #AlphaKing Five For Fighting 100 Years Josh Wilson 3 Minute Song [Album Version] Tank Feat. Chris Brown, Siya And Sa #BDay [Clean] Crystal Waters 100% Pure Love TK N' Cash 3 Times In A Row [Clean] Mariah Carey Feat. Miguel #Beautiful Frenship 1000 Nights Elliott Yamin 3 Words Mariah Carey Feat. Miguel #Beautiful [Louie Vega EOL Remix - Clean Rachel Platten 1000 Ships [Single Version] Britney Spears 3 [Groove Police Radio Edit] Mariah Carey Feat. Miguel And A$AP #Beautiful [Remix - Clean] Prince 1000 X's & O's Queens Of The Stone Age 3's & 7's [LP] Mariah Carey Feat. Miguel And Jeezy #Beautiful [Remix - Edited] Godsmack 1000hp [Radio Edit] Emblem3 3,000 Miles Mariah Carey Feat. Miguel #Beautiful/#Hermosa [Spanglish Version]d Colton James 101 Proof [Granny With A Gold Tooth Radi Lonely Island Feat. Justin Timberla 3-Way (The Golden Rule) [Edited] Tucker #Country Colton James 101 Proof [The Full 101 Proof] Sho Baraka feat. Courtney Orlando 30 & Up, 1986 [Radio] Nate Harasim #HarmonyPark Wrabel 11 Blocks Vinyl Theatre 30 Seconds Neighbourhood Feat. French Montana #icanteven Dinosaur Pile-Up 11:11 Jay-Z 30 Something [Amended] Eric Nolan #OMW (On My Way) Rodrigo Y Gabriela 11:11 [KBCO Edit] Childish Gambino 3005 Chainsmokers #Selfie Rodrigo Y Gabriela 11:11 [Radio Edit] Future 31 Days [Xtra Clean] My Chemical Romance #SING It For Japan Michael Franti & Spearhead Feat.
    [Show full text]
  • Metronome March
    •Our 33rd Year Proudly Promoting The Music Scene• FREE March 2018 Trust Me Not Mark Stepakoff Mark Nomad Kirsten Manville Metro•Scene ATWOOD’S TAVERN 3/16- No Shoes Nation; Karaoke with Kimba 3/18- The Fabulous Thunderbirds w/ Kim Wilson IRON HORSE MUSIC HALL Cambridge, MA. 3/17- Marybeth Maes St. Patricks Day Celebration; Wildfire St 3/23- Invisible Sun - Police Tribute Band Northampton, MA. (617) 864-2792 Patricks Day Celebration 3/24- Jeff Pitchell’s Legends w/Michael Allman, Tyrone Vaughan (413) 584-0610 3/18- Jimmy Allen Band; Karaoke with Kimba & Claudette King 3/1- Magen Tracy & the Missed Connections; Box Of Birds 3/20- Open Mic with Brian Maes 3/31- Brooks Williams (Ballroom) 3/1- Little Shop of Horas 3/3- The Vinegar Flies; Jamie McLean Band CD Release 3/23- Wildfire; Karaoke with Kimba 3/2- The Low Anthem; Mega Bog 3/4- Amy Rigby Trio 3/24- Tangerine; Musical Bingo 3/3- Garland Jeffries 3/5- Monday Night Bluegrass feat. Sean Staples, Eric Royer, 3/25- Jimmy Allen Band; Karaoke with Kimba CLUB CASINO BALLROOM 3/8- Sunshine Brothers Inc.; Snowhaus Dave Westner & special guests 3/27- Open Mic with Brian Maes Hampton Beach, N.H. 3/10- Hey Nineteen (Steely Dan tribute); Peter J. Newland (Fat); 3/6- Carson McHone, Tyler-James Kelly 3/30- Eleventh Hour; Karaoke with Kimba (603) 929-4100 RadioXile 3/7- Sawyer Lawson Band 3/31- Maiden (Iron Maiden tribute); ShirleyTemple Pilots (STP 3/11- John Gorka 3/10- Possum; Vapors Of Morphine tribute); Musical Bingo 3/30- One Night of Queen by Gary Mullen & The Works 3/14- The Bad Plus; Reid Anderson; Orrin Evans; David King 3/12- Monday Night Bluegrass feat.
    [Show full text]