THE REAL SAPPHIRES Macrae and He Changed His Name Cummeragunja Mission, in 1939

Total Page:16

File Type:pdf, Size:1020Kb

THE REAL SAPPHIRES Macrae and He Changed His Name Cummeragunja Mission, in 1939 REVEILLE INTERVIEW REVEILLE INTERVIEW suited to US Forces, whose large black in Melbourne, she’s chairman of an to the country. Now it’s more common contingent would be most receptive to their Aboriginal boarding school, but we all to have these things recognised. Like exciting blend of soul and jazz, which was keep in contact. Our eldest sister Naomi having the Welcome to Country. But we so much like the music of The Supremes, runs the Aboriginal Medical Service in were doing it back then, as ambassadors, The Ronettes, and The Crystals. Redfern and Beverly works there too, meeting black Americans at Pastor Doug And how right he was ... which is why we’re meeting here. Nicholls’ church. He had a church in Yet the real story is very different in so Reveille: When was the last time you sang Fitzroy in Melbourne. It was a gathering many ways. To find out how, I recently together? place for Aboriginal people. There we caught up with Laurel in her lunch break Laurel: We sing a lot together . would meet visitors to the church and make from the Aboriginal Medical Service in Lois: Yes, as family we do. But we don¹t them feel welcome. At that time we met Redfern, along with big sister Lois, on sing to entertain in public, because when Matawilda Dobbs, Winifred Atwell, Arthur holiday from her job as Director of an we split up after Vietnam I married a GI Ashe, Ray Charles . Aboriginal college in Melbourne to spend and we went to live in America. Laurel Reveille: So we’re talking about before the festive season with her sisters. married an American airman and lived you went to Vietnam. I started off by asking about the family in the United States and then in England. Lois: Yes. Meeting these people from that produced the girls who became The Beverly lived in New Zealand. We’ve all America, their music became our music, Sapphires and just who of the sisters had different lives. soul, jazz, blues . we became aware of actually went to Vietnam. Reveille: Where were you all born? all these young black men going to fight in Lois: Shepparton. Well, we say Vietnam. The scene in the movie of going Laurel, Beverly and Naomi rehearsing Reveille: Laurel, I understand the Cummeragunja, that’s our ancestral home, to sing for them in the hospital was very script was written by your son, on the border of NSW and Victoria. It was touching for us. Tony Briggs. So is the family an Aboriginal reserve. They used to give Reveille: Then you went for an audition name Briggs? concerts many, many years back on the where they were looking for people to Lois: To cut a long story short: mission just to be together as a community. entertain in Vietnam . our grandfather’s name was Then they had a walk-off from the Laurel: Beverly and I were working in THE REAL SAPPHIRES Macrae and he changed his name Cummeragunja Mission, in 1939 . Melbourne as telephonists in the PMG. when he was 14. Reveille: Long before you were born Lois was modelling – she was the first It was the pick of the movies produced was based on the real life experiences of Laurel: So my son decided to Lois: Yes; then most moved off the Aboriginal model in Australia; Naomi was in Australia last year, a hit not just here, his mother Laurel Robinson and her big use Macrae ... mission to the Victoria side, down on to nursing. We started singing at this club, just but even more so on the international sister Lois Peeler. He fictionalised the story Reveille: If your son wrote it I the river banks. But we always maintained trying out. scene, where the stars were feted at all the in certain ways to capture other aspects guess you would have approved the singing. The children would put on Reveille: So you’d actually been singing major film festivals. And now it’s taken of Indigenous life, but in the main the of the end result? How true to concerts for the family in the backyards. together for quite some time before out most of this year’s major awards at narrative was as told him by his mother. life was it? That’s how we began. Vietnam? the Australian Academy of Cinema and Now that the film has proved so popular Laurel: The movie had to be Reveille: And it seemed like there were Laurel: We did a couple of shows at Television Arts. The Sapphires tells the worldwide we’re well aware of the fictional changed quite a bit. three sisters and the younger one who Puckapunyal the army camp . Then 12 story of four Aboriginal girls who went version, but the real life story behind it Reveille: But you are two of wanted to join . and had a problem months later we were offered this chance to to Vietnam for three months in 1968 to is little known. We’re all familiar with four sisters? because she was too young? go to Vietnam. entertain the Allied troops and had the the exploits of Little Pattie, Sylvia Rae Lois: Yes, the Aboriginal way: Lois: It was her [pointing at Laurel]! Reveille: What year was that? experience of a lifetime. et al, who did such a wonderful job of we are the children of two Reveille: And in the end you had to push Lois: 1968 Reveille editor Graham Barry writes: I entertaining the boys at the height of the brothers who married two your way in . Reveille: Which was when the big build-up first saw The Sapphires as a stage play/ Vietnam War. Indeed Sylvia Rae wrote the sisters. So actually we are first Lois: She was the baby ... of American troops was happening. musical at Sydney’s Belvoir Theatre: story for us in Reveille and those ladies are cousins. We two [Laurel and Laurel: I was almost 16! Lois: Yes. But Naomi and Beverly didn’t exciting, funny, full of great songs, it still active, enthusiastic participants in RSL Lois] are actual sisters ... and Reveille: So at that time the oldest was . want to go – they were protestors, Naomi managed to capture the feeling of four girls life. the other two [Naomi and Lois: Twenty-one . At that time, the ’60s, was very much against the war, so she entertaining the troops, literally on active But the real story of The Sapphires has Beverly] are actual sisters. being Aboriginal, we were involved in a lot refused to go. Then 12 months later we got service, and subject to all the dangers been neglected, for the simple reason that Lois and Laurel today Reveille: And you all still link of politics, because of the White Australia the offer. inherent in such a situation. the promoter of their tour thought that their up? policy. It was a social movement too. We Reveille: That was changed on stage and The play was written by Tony Briggs, and appeal, and their music, would be most Laurel: Oh yes! Lois lives used to work with black people who came in the movie, to show all four going. How REVEILLE 28 REVEILLE 29 REVEILLE INTERVIEW REVEILLE INTERVIEW suited to US Forces, whose large black in Melbourne, she’s chairman of an to the country. Now it’s more common contingent would be most receptive to their Aboriginal boarding school, but we all to have these things recognised. Like exciting blend of soul and jazz, which was keep in contact. Our eldest sister Naomi having the Welcome to Country. But we so much like the music of The Supremes, runs the Aboriginal Medical Service in were doing it back then, as ambassadors, The Ronettes, and The Crystals. Redfern and Beverly works there too, meeting black Americans at Pastor Doug And how right he was ... which is why we’re meeting here. Nicholls’ church. He had a church in Yet the real story is very different in so Reveille: When was the last time you sang Fitzroy in Melbourne. It was a gathering many ways. To find out how, I recently together? place for Aboriginal people. There we caught up with Laurel in her lunch break Laurel: We sing a lot together . would meet visitors to the church and make from the Aboriginal Medical Service in Lois: Yes, as family we do. But we don¹t them feel welcome. At that time we met Redfern, along with big sister Lois, on sing to entertain in public, because when Matawilda Dobbs, Winifred Atwell, Arthur holiday from her job as Director of an we split up after Vietnam I married a GI Ashe, Ray Charles . Aboriginal college in Melbourne to spend and we went to live in America. Laurel Reveille: So we’re talking about before the festive season with her sisters. married an American airman and lived you went to Vietnam. I started off by asking about the family in the United States and then in England. Lois: Yes. Meeting these people from that produced the girls who became The Beverly lived in New Zealand. We’ve all America, their music became our music, Sapphires and just who of the sisters had different lives. soul, jazz, blues . we became aware of actually went to Vietnam. Reveille: Where were you all born? all these young black men going to fight in Lois: Shepparton. Well, we say Vietnam. The scene in the movie of going Laurel, Beverly and Naomi rehearsing Reveille: Laurel, I understand the Cummeragunja, that’s our ancestral home, to sing for them in the hospital was very script was written by your son, on the border of NSW and Victoria.
Recommended publications
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • The Sapphires
    Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion.
    [Show full text]
  • Darkemu-Program.Pdf
    1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
    [Show full text]
  • Oedipus Schmoedipus
    Presented by Arts House, Belvoir and post post Oedipus Schmoedipus Arts House, Warning: Violence, blood, death and suicide scenes, loud noises, strobe lighting and coarse language. North Melbourne Town Hall Suitable for ages 16+ Oedipus Schmoedipus has been supported by the Australian Wed 6 – Sun 10 May 2015 Government through the Australia Council for the Arts, its arts funding and advisory body; Belvoir; Performing Lines; and the 1hr 10min, no interval City of Melbourne through Arts House. Post-Show Q&A Thu 7, 8.50pm artshouse.com.au postpresentspost.com Creative Team post Written by post Zoë Coombs Marr, post‘s work often deals with the political; Mish Grigor & Natalie Rose it attempts to engage with issues of control, after Aeschylus, Anon, Barrie, Behn, gender, identity and politics in ways that Boucicault, Büchner, Chekhov, Euripides, are funny, engaging and accessible (but not Gogol, Goldsmith, Gorky, Hugo, Ibsen, always). post are concerned with the moment Jonson, Marlowe, Mayakovsky, Molière, of theatre, live connection and the truly Pirandello, Plautus, Racine, Seneca, absurd, drag, imposters, impressions, bad Shakespeare, Sophocles, Strindberg, Voltaire, acting, boy genii, The Biggest Loser, birth, Wedekind, Wilde et al death, auditions, shamans, epitaphs, avatars, and those nightmares where you have to give Directors Zoë Coombs Marr & Mish Grigor a speech, but haven’t got any pants on. Set & Costume Designer Robert Cousins Lighting Designer Matthew Marshall post’s works include Oedipus Schmoedipus Lighting Realiser/Head Electrician
    [Show full text]
  • BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
    our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY.
    [Show full text]
  • © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
    © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.
    [Show full text]
  • Shari Sebbens Looks at 'The Horrible Side' of the Country in Australia Day Garry Maddox 2 June 2017
    Shari Sebbens looks at 'the horrible side' of the country in Australia Day Garry Maddox 2 june 2017 Shari Sebbens is no fan of Australia Day. A Bardi Jabirr Jabirr woman who grew up in Darwin, the Sapphires star thinks of it as Invasion Day and prefers to take time to reflect with her "mob" – family and friends – rather than celebrate. So Sebbens was surprised to hear she had been invited to audition for a new film called Australia Day. Shari Sebbens: "Why would I want to audition for a film called Australia Day?" Photo: Nic Walker "I laughed," she says. "I said 'why would I want to audition for a film called Australia Day?' As an Aboriginal woman, it conjures up that it's going to be some bogan Cronulla riots type thing." But when she read the script, Sebbens was delighted to see the provocative territory the drama was covering – a potent examination of race and identity. "It's taking a look at the horrible side to Australia that people don't like to acknowledge exists, especially on nice summer days when you can just pop on the Hottest 100 and enjoy a tinnie," she says. Sebbens plays an Aboriginal police officer, Senior Constable Sonya Mackenzie, who is caught up in interwoven dramas as three teenagers run away on the national day: a 14- 2 year-old Indigenous girl fleeing a car crash, a 17-year-old Iranian boy running from a crime scene and a 19-year-old Chinese girl escaping sexual slavery. Directed by Kriv Stenders with a cast that includes Bryan Brown, Matthew Le Nevez, Isabelle Cornish and such newcomers as Miah Madden, Elias Anton and Jenny Wu, the topical drama has its world premiere at Sydney Film Festival this month.
    [Show full text]
  • The Homosexuals Q U Homose S H T
    Fringe, the 2016 Outstanding performing arts as an actor, production. She was in the Access Award at Melbourne singer and producer. London and Sydney seasons The Farce is popular enough, when it comes to revivals. In This is where I’ve wound up setting my BIOGRAPHIES Darwin Festival: Highway of State Theatre Company and National Studio program; for Fringe, and a 2015 Nominee of Working Title’s production the last few years in Australia we’ve seen plays like Noises farce: square in the cross-fire of a culture Declan Greene Lost Hearts; for the National Belvoir: The Sapphires, which Jetpack Theatre Collective: for GLOBE LGBTI Artist of the Simon Corfield of Billy Elliot, for which she Off, A Flea In Her Ear, and One Man, Two Guvners hit stages war where outrage is currency, feelings are Playwright Institute of Dramatic Art: Big toured nationally,BIOGRAPHIES and to South How. Dare., co-written for Declan Greene is a theatre- Love, Shopping and Fucking, Korea and London’s Barbican Sydney Fringe Festival; Year. Mama has worked with Kim received a Helpmann Award to mass delight. But as far as new playwriting goes, over facts, sensitivities are ignored, atonement Brook Andrew, Phillip Adams Simon’s acting credits include: for Best Female Actor in a maker based in Melbourne. His After Dinner and The Winter’s Theatre; with Melbourne for Montague Basement: BalletLab, is a proud alumni of for Griffin: Motortown, Orestes Musical, the Sydney Theatre GRIFFIN THEATRE COMPANY IN ASSOCIATION the last few decades the Farce has gone the way of the is impossible, and simplistic buzz- words previous works as a playwright Tale; and for the Western Theatre Company: National Kaleidoscope, Telescope; Monash Uni Student Theatre, 2.0, Tattoo; for Belvoir: Bliss; for Critics Award for the Judith WITH MALTHOUSE THEATRE PRESENTS Passion Play, the Verse Drama, and Commedia dell’Arte..
    [Show full text]
  • Sebbens, Shari Biography
    A.B.N: 27225097402 SHARI SEBBENS At 19 Shari was one of ten young artists chosen for “SPARK”, the Australia Council for the Arts first theatre mentorship program. From there she was accepted into the Western Australian Academy of Performing Arts (WAAPA) where she completed a one year, certificate 3 course in Theatre. At the end of the year she auditioned for and was accepted into NIDA. Shari has always had a passion for Indigenous theatre and through her training and opportunities’ at NIDA and exposure to Sydney’s art scene she has (further) developed her love for Shakespeare and film and television. In 2019 she was named Sydney Theatre Company’s new Richard Wherrett Fellow, a prestigious career pathway opportunity for emerging and developing directors AWARDS 2012 Logie Awards - GRAHAM KENNEDY AWARD FOR MOST OUTSTANDING NEW TALENT (Redfern Now) FILM 2020 THE MOOGAI (SF) Sarah Dir: TBC 2019 TOP END WEDDING Ronelle Dir: Wayne Blair 2017 AUSTRALIA DAY Sonja Dir: Kriv Stenders/ Hoodlum/Foxtel 2017 THOR: Ragnarok Mother Dir: Taika Waititi /Marvel Studios 2016 OnO (SF) Olivia Dir: Lauren Brunswick 2014 TEENAGE KICKS Annuska Dir: Craig Boreham 2012 THE DARKSIDE Naomi Dir: Warwick Thornton 2012 THE SAPPHIRES Kay (Lead) Dir: Wayne Blair/Goalpost Pictures TELEVISION 2020 AMAZING GRACE ELIZA PLAYMAKER TV 2019 THE HEIGHTS S2 LEONIE MATCHBOX PICTURES 2018 THE LET DOWN 2 MUM Dir: Trent O'Donnell 2018 THE HEIGHTS LEONIE MATCHBOX PICTURES 2017 A CHANCE AFFAIR Aviante Webseries Dir: Tracey Rigney TA DA! Season 1 Ep #2 Lemon Aid Guest ABC Kids 2016 BLACK
    [Show full text]
  • Angels in America
    Angels in America Part One Millennium Approaches Part Two Perestroika Belvoir presents Angels in America A Gay Fantasia on National Themes Part One Millennium Approaches Part Two Perestroika By TONY KUSHNER Director EAMON FLACK This production of Angels in America opened at Belvoir St Theatre on Saturday 1 June 2013. It transferred to Theatre Royal, Sydney, on Thursday 18 July 2013. Set Designer With MICHAEL HANKIN The Angel / Emily Costume Designer PAULA ARUNDELL MEL PAGE Louis Ironson Lighting Designer MITCHELL BUTEL NIKLAS PAJANTI Roy M. Cohn Associate Lighting Designer MARCUS GRAHAM ROSS GRAHAM Harper Amaty Pitt Composer AMBER McMAHON ALAN JOHN Prior Walter Sound Designer LUKE MULLINS STEVE FRANCIS Rabbi Isidor Chemelwitz / Hannah Assistant Director Porter Pitt / Ethel Rosenberg / Aleksii SHELLY LAUMAN ROBYN NEVIN Fight Director Belize / Mr Lies SCOTT WITT DEOBIA OPAREI American Dialect Coach Joseph Porter Pitt PAIGE WALKER-CARLTON ASHLEY ZUKERMAN Stage Manager All other characters are played by MEL DYER the company. Assistant Stage Manager ROXZAN BOWES Angels in America is presented by arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd of London. Angels in America was commissioned by and received its premiere at the Eureka Theatre, San Francisco, in May 1991. Also produced by Centre Theatre Group/ Mark Taper Forum of Los Angeles (Gordon Davidson, Artistic Director/Producer). Produced in New York at the Walter Kerr Theatre by Jujamcyn Theatres, Mark Taper Forum with Margo Lion, Susan Quint Gallin, Jon B. Platt, The Baruch-Frankel-Viertel Group and Frederick Zollo in association with Herb Alpert. PRODUCTION THANKS José Machado, Jonathon Street and Positive Life NSW; Tia Jordan; Aku Kadogo; The National Association of People with HIV Australia.
    [Show full text]
  • The Sapphires Educational Resources DOWNLOAD
    The Sapphires Wayne Blair, 103 mins, Australia, 2012 Education Resource 1 The Nightingale Philippe Muyl, 100 Mins, China/France, 2013 Education Resource 2 CONTENTS About this resource ...........................................................2 THE SAPPHIRES 3 Some Background: Filling in the Gaps ................. 3 History and Stories of the Past ......................................... 3 Aboriginal History after Colonisation ................................. 4 Australian and International History .................................. 6 The Sapphires: Exploring the Film ........................ 7 Initial Response to the Film ............................................... 7 The Message ....................................................................7 Narrative ...........................................................................8 Character ........................................................................11 Themes ...........................................................................12 The Production Context .................................................. 13 Film Analysis in the Classroom ........................... 17 Reading the Film .............................................................17 Characterisation ..............................................................17 Narrative .........................................................................20 Close Analysis: Production Elements ............................. 21 1 About this resource This resource has been written by ACMI educator Susan Bye to
    [Show full text]
  • Sweet-Country-Presskit Lo.Pdf
    A Film by Warwick Thornton US PRESS Producers K2 Publicity BUNYA PRODUCTIONS Kevin McLean, [email protected] Greer Simpkin Kara MacLean, [email protected] E [email protected] P:323-545-0337 M +61 417 762 756 David Jowsey Samuel Goldwyn Films E [email protected] Ryan Boring, [email protected] P: 310-860-3113 M +61 419 445 374 Press Site: http://www.samuelgoldwynfilms.com/press- detail/?filmname=sweet-country SWEET COUNTRY is produced by Bunya Productions, with major production investment and development support from Screen Australia’s Indigenous Department, in association with the South Australian Film Corporation, Create NSW, Screen Territory and the Adelaide Film Festival. International sales are being handled by Memento and the Australian release by Transmission Films. © 2017 Retroflex Lateral Pty Ltd, Screen NSW, South Australian Film Corporation, Adelaide Film Festival and Screen Australia SYNOPSIS Sam, a middle-aged Aboriginal man, works for a preacher in the outback of Australia’s Northern Territory. When Harry, a bitter war veteran, moves into a neighbouring outpost, the preacher sends Sam and his family to help Harry renovate his cattle yards. But Sam’s relationship with the cruel and ill-tempered Harry quickly deteriorates, culminating in a violent shootout in which Sam kills Harry in self-defence. As a result, Sam becomes a wanted criminal for the murder of a white man, and is forced to flee with his wife across the deadly outback, through glorious but harsh desert country. A hunting party led by the local lawman Sergeant Fletcher is formed to track Sam down.
    [Show full text]