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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Music of Ghana and Tanzania
MUSIC OF GHANA AND TANZANIA: A BRIEF COMPARISON AND DESCRIPTION OF VARIOUS AFRICAN MUSIC SCHOOLS Heather Bergseth A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERDecember OF 2011MUSIC Committee: David Harnish, Advisor Kara Attrep © 2011 Heather Bergseth All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis is based on my engagement and observations of various music schools in Ghana, West Africa, and Tanzania, East Africa. I spent the last three summers learning traditional dance- drumming in Ghana, West Africa. I focus primarily on two schools that I have significant recent experience with: the Dagbe Arts Centre in Kopeyia and the Dagara Music and Arts Center in Medie. While at Dagbe, I studied the music and dance of the Anlo-Ewe ethnic group, a people who live primarily in the Volta region of South-eastern Ghana, but who also inhabit neighboring countries as far as Togo and Benin. I took classes and lessons with the staff as well as with the director of Dagbe, Emmanuel Agbeli, a teacher and performer of Ewe dance-drumming. His father, Godwin Agbeli, founded the Dagbe Arts Centre in order to teach others, including foreigners, the musical styles, dances, and diverse artistic cultures of the Ewe people. The Dagara Music and Arts Center was founded by Bernard Woma, a master drummer and gyil (xylophone) player. The DMC or Dagara Music Center is situated in the town of Medie just outside of Accra. Mr. Woma hosts primarily international students at his compound, focusing on various musical styles, including his own culture, the Dagara, in addition music and dance of the Dagbamba, Ewe, and Ga ethnic groups. -
Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
1997Festivalofameric00festival.Pdf
,j iVJ I t n 3 o ri i a r \j ;J ^_ j. r\ r\ r \ 1 r r -1 L_ U > \J j_ Members of the Ethiopian Christian community participate in an annual candlelight ceremony called Maskal (cross finding) at Malcolm X Park in the District of Columbia. Photo by Harold Dorwin, © Smithsonian Institution 6 Smithsonian Institution Festival of American Folklife On the National Mall WASHINGTON, D.C. June25— 29&July2— Cosponsored by the National Park Service 1997 Festival of American Folklife Hazel Dailey from Columbia, Louisiana, works with the insert to the pressure cooker she uses in canning produce. Photo by Sylvia Frantom Tradition-based social occasions like this coffee ceremony at the Washing- On the Cover ton, D.C., home ofHermela Kebede reinforce ties between generations of At this baptism at Lake Providence, Louisiana, in the Delta region, the minister Ethiopian women living in the United repeats a prayer as each candidate, dressed in traditional robe and headgear, States. Photo by Harold Dorwin, is immersed. The baptized are then received by members of the church and ©Smithsonian Institution taken away to change. Photo © Susan Roach At a gathering of the lion Christian Church in South Africa's northern province ofMoria, the men of Site Map on the Back Cover Mokhukhu dance as an expression of faith. Photo © T. J. Lemon The Carolina Tar Heels (left to right, Clarence [Torn! Ashley, Doc Walsh, Owen Foster), ca. 1930. Photo courtesy CFPCS Archive Crop dusting cotton fields in the Mississippi Delta. L Photo © Maida Owens 27 1997 Festival of American Folklife -
Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a Mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and More… Digwyddiadau’R Tymor/Season Events
Rhaglen Ddigwyddiadau Ionawr – Ebrill 2019 Events Programme January – April 2019 Ffilm/Cerddoriaeth/Theatr/Celf/Dawns/Sgyrsiau/Comedi a mwy… Film/Music/Theatre/Art/Dance/Talks/Comedy and more… Digwyddiadau’r Tymor/Season Events Digwyddiad/Event Dyddiad/Date Amser/Time Digwyddiad/Event Dyddiad/Date Amser/Time Andre Rieu’s 2019 New Year’s Concert 05.01.19 19:00 Sgriblo a Sgetsio 09.02.19 11:00–12:00 06.01.19 15:00 Estyneto 10.02.19 13:30–15:00 Cerdd Dafod yn y Doc (gwersi cynganeddu) o/from: 19:30–21:30 Cainc 10.02.19 15:00–17:00 08.01.19–02.07.19 Olwyn Lliw: Lliw/Colour 14.02.19 10:30–12:30 Olwyn Lliw: Creu Marciau/Mark-making 10.01.19 10:30–2:30 Kendal Mountain Festival UK Tour 2019 15.02.19 19:30 TONIC: Math Roberts 10.01.19 14:30–15:30 Blasu Crefft: Breichled weiren a gleiniau/ 19.02.19 18:30–20:30 Y Ffrog/The Dress 11.01.19–24.02.19 Bead & wire bracelet arddangosfa Kristina Banholzer exhibition Lovecraft (Not the Sex Shop in Cardiff) 20.02.19 19:30 Sgriblo a Sgetstio 12.01.19 11:00–12:00 TONIC: Doniau Cudd 21.02.19 14:30–15:30 Metropolitan Opera Live: 12.01.19 17:55 Cyngerdd Meistri a Disgyblion CGWM 22.02.19 19:00 Adriana Lecouvreur (Cilea) Estyneto 24.02.19 13:30–15:00 NT Live: 15.01.19 19:00 The Tragedy of King Richard the Second [12A] Gwˆyl Ffilm PICS 2019 Film Festival 22.02.19–03.03.19 Michael Clarke: Felt & Crybabies 19.01.19 19:30 Cwrs Creu Ffilm 22.02.19–26.02.19 10:00–16:00 P’nawn yn y Pictiwrs 20.01.19 14:30 Creu Eitem Ffeithiol 25.02.19 12:00–17:00 Blasu Crefft: Sgraffito (ar wydr/on glass) 22.01.19 18:30–20:30 Gweithdy -
Danu Study Guide 11.12.Indd
SchoolTime Study Guide Danú Friday, March 9, 2012 at 11 a.m. Zellerbach Hall, University of California, Berkeley Welcome to SchoolTime! On Friday, March 9, 2012 at 11 am, your class will a end a performance by Danú the award- winning Irish band. Hailing from historic County Waterford, Danú celebrates Irish music at its fi nest. The group’s energe c concerts feature a lively mix of both ancient music and original repertoire. For over a decade, these virtuosos on fl ute, n whistle, fi ddle, bu on accordion, bouzouki, and vocals have thrilled audiences, winning numerous interna onal awards and recording seven acclaimed albums. Using This Study Guide You can prepare your students for their Cal Performances fi eld trip with the materials in this study guide. Prior to the performance, we encourage you to: • Copy the student resource sheet on pages 2 & 3 and hand it out to your students several days before the performance. • Discuss the informa on About the Performance & Ar sts and Danú’s Instruments on pages 4-5 with your students. • Read to your students from About the Art Form on page 6-8 and About Ireland on pages 9-11. • Engage your students in two or more of the ac vi es on pages 13-14. • Refl ect with your students by asking them guiding ques ons, found on pages 2,4,6 & 9. • Immerse students further into the art form by using the glossary and resource sec ons on pages 12 &15. At the performance: Students can ac vely par cipate during the performance by: • LISTENING CAREFULLY to the melodies, harmonies and rhythms • OBSERVING how the musicians and singers work together, some mes playing in solos, duets, trios and as an ensemble • THINKING ABOUT the culture, history, ideas and emo ons expressed through the music • MARVELING at the skill of the musicians • REFLECTING on the sounds and sights experienced at the theater. -
Traditional Fiddle Music of the Scottish Borders
CD Included Traditional Fiddle Music of the Scottish Borders from the playing of Tom Hughes of Jedburgh Sixty tunes from Tom’s repertoire inherited from a rich, regional family tradition fully transcribed with an analysis of Tom’s old traditional style. by Peter Shepheard Traditional Fiddle Music of the Scottish Borders from the playing of Tom Hughes of Jedburgh A Player’s Guide to Regional Style Bowing Techniques Repertoire and Dances Music transcribed from sound and video recordings of Tom Hughes and other Border musicians by Peter Shepheard scotlandsmusic 13 Upper Breakish Isle of Skye IV42 8PY . 13 Breacais Ard An t-Eilean Sgitheanach Alba UK Taigh na Teud www.scotlandsmusic.com • Springthyme Music www.springthyme.co.uk [email protected] www.scotlandsmusic.com Taigh na Teud / Scotland’s Music & Springthyme Music ISBN 978-1-906804-80-0 Library Edition (Perfect Bound) ISBN 978-1-906804-78-7 Performer’s Edition (Spiral Bound) ISBN 978-1-906804-79-4 eBook (Download) First published © 2015 Taigh na Teud Music Publishers 13 Upper Breakish, Isle of Skye IV42 8PY www.scotlandsmusic.com [email protected] Springthyme Records/ Springthyme Music Balmalcolm House, Balmalcolm, Cupar, Fife KY15 7TJ www.springthyme.co.uk The rights of the author have been asserted Copyright © 2015 Peter Shepheard Parts of this work have been previously published by Springthyme Records/ Springthyme Music © 1981 A catalogue record of this book is available from the British Library. The writer and publisher acknowledge support from the National Lottery through Creative Scotland towards the writing and publication of this title. All Rights Reserved. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
The Challenge of African Art Music Le Défi De La Musique Savante Africaine Kofi Agawu
Document generated on 09/27/2021 1:07 p.m. Circuit Musiques contemporaines The Challenge of African Art Music Le défi de la musique savante africaine Kofi Agawu Musiciens sans frontières Article abstract Volume 21, Number 2, 2011 This essay offers broad reflection on some of the challenges faced by African composers of art music. The specific point of departure is the publication of a URI: https://id.erudit.org/iderudit/1005272ar new anthology, Piano Music of Africa and the African Diaspora, edited by DOI: https://doi.org/10.7202/1005272ar Ghanaian pianist and scholar William Chapman Nyaho and published in 2009 by Oxford University Press. The anthology exemplifies a diverse range of See table of contents creative achievement in a genre that is less often associated with Africa than urban ‘popular’ music or ‘traditional’ music of pre-colonial origins. Noting the virtues of musical knowledge gained through individual composition rather than ethnography, the article first comments on the significance of the Publisher(s) encounters of Steve Reich and György Ligeti with various African repertories. Les Presses de l’Université de Montréal Then, turning directly to selected pieces from the anthology, attention is given to the multiple heritage of the African composer and how this affects his or her choices of pitch, rhythm and phrase structure. Excerpts from works by Nketia, ISSN Uzoigwe, Euba, Labi and Osman serve as illustration. 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this article Agawu, K. (2011). The Challenge of African Art Music. Circuit, 21(2), 49–64. https://doi.org/10.7202/1005272ar Tous droits réservés © Les Presses de l’Université de Montréal, 2011 This document is protected by copyright law. -
Norge Ignorerer Avlytting
dagsavisvenstresidas Lørdag 1. april 2000 • Nr. 78 • Uke 13 • Årgang 32 • Kroner 20 A-avis www.klassekampen.no Norge ignorerer avlytting II Norske myndigheter bryr seg ikke om II I EU-parlamentet har 200 av de 626 II På tross av at en tidligere CIA-sjef har påstandene om amerikansk avlytting av representantene skrevet under på kravet om stått fram og forsvart avlyttinga, benekter Europa. Ingen i Justisdepartementet en granskningskommisjon, og EU- amerikanske myndigheter at europeisk undersøker påstandene om kommisjonen varsler bruk av sterkere næringsliv er noe mål for overvåking. avlyttingsnettverket Echelon. elektronisk kryptering. SIDE 5 Eineståande skoproduksjon Så ulike kan to sko til same person vera. Berre solid handverksarbeidarbeid kan skaffa skotøy til dei som ikkje har «standardføter». Klassekampen har besøkt Sophies Minde Ortopediteknisk Senter på Hamar, der sko framleis blir laga på gamlemåten. SIDE 8 og 9 FOTO: REBEKKA WESTGAARD MAGASINET Starter dugnad for Klasse- kampen SIDE 6 og 7 Politikk og porno Politisk korrekthet fulgte aidsen, men en sannhet sto ved lag: Begjæret lar seg ikke kue. Homofile som Med et annet heterofile vil alltid fortsette å ha sex. Allen Gassman syn på saken tok konsekvensen av dette Det eneste spesialverk- med filmen The «O» Boys: sted for kikkerter og Parties, Porn and Politics. sikter. Dykkemasker for SIDE 30 og 31 brillebrukere er en Alt om Joni Mitchell SIDE 28 og 29 annen spesialitet. 2 Lørdag 1. april 2000 KLASSEKAMPEN ÅPENT FORUM Utgitt av Klassekampen AS Ansvarlig redaktør: Jon Michelet Kampen om fremtidens Daglig leder: Marga van der Wal © Klassekampen A/S Ettertrykk og elektronisk videredistribusjon forbudt uten etter særskilt avtale. -
Sakspapirer Og Årsrapport NOPAS GENERALFORSAMLING 25
Sakspapirer og årsrapport NOPAS GENERALFORSAMLING 25. MAI 2020 Foto: Marthe Vee 4 INNHOLD [Innholdslisten er klikkbar] SAKSLISTE 7 Forretningsorden 8 ÅRSBERETNING 2019–2020 9 1. Styret og generalforsamling 12 2. Administrasjon 13 3. Medlemmer 14 4. Tillitsvalgte 16 5. Musikkpolitisk arbeid 16 6. Samarbeidspartnere 26 7. Faglige møteplasser 28 8. Priser 38 9. Tilskudd til skapende virksomhet 42 10. For medlemmer 44 11. Forvaltningsselskaper og andre virksomheter 46 12. Regnskap 50 13. Lister (tillitsvalgte, bevilgninger, arrangementer osv.) 52 ÅRSOPPGJØR 2019 78 ANDRE SAKER 88 Desisorrapport 89 Medlemskontingent for 2020 91 Honorar for NOPAs styre og komiteer 92 Valg og nominasjoner til styrer og utvalg 93 Kriterier for medlemskap i NOPA 103 Forslag til vedtektsendringer 104 ORIENTERINGSSAKER 119 NOPAs budsjett 2020 120 Stiftelsen Cantus. Årsberetning og regnskap for 2019 126 Komponistenes vederlagsfond. Årsberetning og regnskap for 2019 132 Tekstforfatterfondet. Årsberetning og regnskap for 2019 150 ORDLISTE 168 4 Lars Bremnes Foto: Martin Bremnes 6 TIL NOPAS MEDLEMMER Innkalling til digital generalforsamling MANDAG 25. MAI 2020 | KL. 14.00–18.00 SAKSLISTE SAK 1. KONSTITUERING A. Godkjenning av innkalling B. Godkjenning av saksliste C. Godkjenning av forretningsorden D. Valg av møteleder. Styrets forslag: Hans Marius Graasvold, NOPAs advokat E. Valg av referent. Styrets forslag: Tine Tangestuen, administrativ leder i NOPA F. Valg av to medlemmer til å undertegne protokollen G. Valg av tellekorps SAK 2. GODKJENNING AV NOPAS ÅRSBERETNING 2019–2020 SAK 3. GODKJENNING AV NOPAS ÅRSREGNSKAP 2019 SAK 4. GODKJENNING AV DESISORRAPPORT SAK 5. FASTSETTELSE AV MEDLEMSKONTINGENT FOR 2020 SAK 6. FASTSETTELSE AV HONORAR FOR NOPAS STYRE OG KOMITEER SAK 7.