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Flores, Juan. “Creolité in the 'Hood: Diaspora As Source and Challenge
Centro Journal City University of New York. Centro de Estudios Puertorriqueños [email protected] ISSN: 1538-6279 LATINOAMERICANISTAS 2004 Juan Flores CREOLITÉ IN THE ‘HOOD: DIASPORA AS SOURCE AND CHALLENGE Centro Journal, fall, año/vol. XVI, número 002 City University of New York. Centro de Estudios Puertorriqueños New York, Latinoamericanistas pp. 282-293 Flores(v12).qxd 3/1/05 7:55 AM Page 282 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Creolité in the ‘Hood: Diaspora as Source and Challenge* JUAN FLORES ABSTRACT This article highlights the role of the Puerto Rican community in New York as the social base for the creation of Latin music of the 1960s and 1970s known as salsa, as well as its relation to the island. As implied in the subtitle, the argument is advanced that Caribbean diaspora communities need to be seen as sources of creative cultural innovation rather than as mere repositories or extensions of expressive traditions in the geographical homelands, and furthermore as a potential challenge to the assumptions of cultural authenticity typical of traditional conceptions of national culture. It is further contended that a transnational and pan- Caribbean framework is needed for a full understanding of these complex new conditions of musical migration and interaction. [Key words: salsa, transnationalism, authenticity, cultural innovation, New York music, musical migration] [ 283 ] Flores(v12).qxd 3/1/05 7:55 AM Page 284 he flight attendant let out became the basis of a widely publicized other final stop of the commute, -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music. -
Rumba Rhythms, Salsa Sound
MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A THE SALSA SOUND MATT DOEDEN This Page Left Blank Intentionally MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A HE SALSA SOUND T MATT DOEDEN TWENTY-FIRST CENTURY BOOKS MINNEAPOLIS NOTE TO READERS: some songs and music videos by artists discussed in this book contain language and images that readers may consider offensive. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Doeden, Matt. American Latin music : rumba rhythms, bossa nova, and the salsa sound / by Matt Doeden. p. cm. — (American music milestones) Includes bibliographical references and index. ISBN 978–0–7613–4505–3 (lib. bdg. : alk. paper) 1. Popular music—United States—Latin American influences. 2. Dance music—Latin America—History and criticism. 3. Music— Latin America—History and criticism. 4. Musicians—Latin America. 5. Salsa (Music)—History and criticism. I. Title. ML3477.D64 2013 781.64089’68073—dc23 2012002074 Manufactured in the United States of America 1 – CG – 7/15/12 Building the Latin Sound www 5 Latin Fusions www 21 Sensations www 33 www The Latin Explosion 43 Glossary w 56 Source Notes w 61 Timeline w 57 Selected Bibliography w 61 Mini Bios w 58 Further Reading, w Websites, Latin Must-Haves 59 and Films w 62 w Major Awards 60 Index w 63 BUILDING THE Pitbull L E F T, Rodrigo y Gabriela R IG H T, and Shakira FAR RIGHT are some of the big gest names in modern Latin music. -
Milton Cardona
Milton Cardona Milton Cardona, a Puerto Rican percussionist who was a mainstay of New York salsa, a studio musician on hundreds of albums and a Santeria priest who introduced sacred traditional rhythms to secular audiences, died on Sept. 19 in the Bronx. He was 69. The cause was heart failure, said his wife, Bruni. In Latin bands and at recording sessions led by David Byrne, Paul Simon, Herbie Hancock and many others, Mr. Cardona primarily played conga drums — generally not as a flashy soloist but as the kinetic foundation and spark of a percussion section. He was an authoritative advocate for some of Latin music’s deepest traditions; he was also a vital, innovative participant in many ambitious fusions. Mr. Cardona worked with the trombonist and bandleader Willie Colón on and off through four decades and was a member of the singer Hector Lavoe’s band from 1974 to 1987. He also recorded two albums as a leader and led the Santeria group Eya Aranla. Mr. Cardona was a santero, a priest of Santeria, the Afro- Caribbean religion rooted in the Yoruba culture of West Africa. Santeria invokes a pantheon of African deities with rhythms and songs that have filtered into the popular music of Latin America and the world. Mr. Cardona studied the Yoruba language to understand the traditional prayers he was singing. “I always said, ‘Why should I learn the prayer if I don’t know what it means?’ ” he explained in an interview with Drum magazine. The rhythms of Santeria are traditionally played on batá drums, a family of three hand drums. -
Hã©Ctor Lavoe Hector Lavoe Live Songs Download Album Free HéCtor Lavoe Greatest Hits Download Album Free RAR
héctor lavoe hector lavoe live songs download album free Héctor lavoe Greatest Hits Download Album Free RAR. 2020/05/29 Download sheet music for Héctor Lavoe. Choose from Héctor Lavoe sheet music for such popular songs as Che Che Colé, Mi Gente, and Aguanile. Print instantly, or sync to our free PC, web and mobile apps. Download sheet music for Héctor Lavoe. Choose from Héctor Lavoe sheet music for such popular songs as Che Che Colé, Mi Gente, and Aguanile. Print instantly, or sync to our free PC, web and mobile apps. LPCatalog: Linkin Park collection guide What's In The Eye / CD / United States, LVR01014 Amends / CD / Austria, 00888072158993, Limited Edition Mediabook Amends / CD / European Union, 00888072155404 Amends / Vinyl / United States, LVR00984, Picturedisc #1 Grey Daze Amends / Vinyl / United States, LVR00983, Picturedisc #2 Amends … 2018/03/22 OCLC Number: 502058248 Language Note: Sung in Spanish. Notes: Selections originally released 1967-1976. Compact disc. Program notes in English and Spanish ([14] p. : ill. (some col.)) inserted in container. Performer(s): Héctor 2017/08/07 New Album Releases – download full albums, daily updates! Artist: Belle And Sebastian Album: Days Of The Bagnold Summer Released: 2019 Style: Indie Pop Format: MP3 320Kbps Size: 106 Mb Tracklist and Download links » 2020/07/01. New Album Releases – download full albums, daily updates! Artist: Belle And Sebastian Album: Days Of The Bagnold Summer Released: 2019 Style: Indie Pop Format: MP3 320Kbps Size: 106 Mb Tracklist and Download links » Greatest Hits [Full Album] Jaime Del Baron 38 videos 4,055 views Last updated on Dec 15, 2013 Play all Share Loading Save Sign in to YouTube Sign in [Deleted video] [Deleted video] [Deleted video] Air Supply by by 43:43 Archive: RAR Description EXILE TRIBE launched the ambitious HiGH & LOW project which encompasses various creative productions including a film, a TV drama, a live tour and an album involving different artists from the label. -
Redalyc.SALSA with COCONUT: CHALLENGES FOR
Ambiente & Sociedade ISSN: 1414-753X [email protected] Associação Nacional de Pós-Graduação e Pesquisa em Ambiente e Sociedade Brasil GARRIDO-PÉREZ, EDGARDO I. SALSA WITH COCONUT: CHALLENGES FOR CONSERVATION BIOLOGY, FOOD EMPHASIS, AND ETHNO-ECOLOGY OF AFRO-CARIBBEAN DANCE MUSIC Ambiente & Sociedade, vol. XVIII, núm. 4, octubre-diciembre, 2015, pp. 173-194 Associação Nacional de Pós-Graduação e Pesquisa em Ambiente e Sociedade Campinas, Brasil Disponible en: http://www.redalyc.org/articulo.oa?id=31743850011 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto SALSA WITH COCONUT *: CHALLENGES FOR CONSERVATION BIOLOGY, FOOD EMPHASIS, AND ETHNO-ECOLOGY OF AFRO-CARIBBEAN DANCE MUSIC EDGARDO I. GARRIDO-PÉREZ1 Introduction Even before the 1980s, the efforts for the conservation of wildlife and the introduc- tion of environmental topics started to get into the mass media (BOYKOFF and BOYKOFF, 2007), school and pre-school education (PERALES and GARCÍA GRANADA, 1999, and the political and business arenas (MEFFE and VIEDERMAN, 1995) in order to reach both the great majority of people and the decision makers. Encouraging results have been obtained, such as the addition of three million hectares of land for conserving forests in Latin America; yet high rates of deforestation remain as a challenge there (FAO, 2012). Problems of the agricultural sector interrupted the links between nature on the one hand and the millions of people previously related to it on the other hand (e.g. -
Willie Colón the Player Mp3, Flac, Wma
Willie Colón The Player mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin / Funk / Soul Album: The Player Country: US Released: 2007 Style: Salsa MP3 version RAR size: 1395 mb FLAC version RAR size: 1538 mb WMA version RAR size: 1514 mb Rating: 4.4 Votes: 805 Other Formats: VQF AAC MPC WMA DMF MIDI MOD Tracklist Hide Credits The Hustler 1-1 6:34 Piano – Mark DimondTimbales – Nicky Marrero El Malo 1-2 4:00 Featuring – Héctor Lavoe* El Titan 1-3 5:22 Featuring – Héctor Lavoe* Che-Che Colé 1-4 3:31 Chanter – Johnny PachecoFeaturing – Héctor Lavoe* Panameña 1-5 5:55 Featuring – Héctor Lavoe* La Murga 1-6 5:35 Cuatro – Yomo ToroFeaturing – Héctor Lavoe* Piraña 1-7 5:19 Featuring – Héctor Lavoe*Piano – Prof. Joe Torres* Soñando Despierto 1-8 4:04 Featuring – Héctor Lavoe* Calle Luna Calle Sol 1-9 3:47 Featuring – Héctor Lavoe* La Banda 1-10 3:04 Featuring – Héctor Lavoe* Junio 73 1-11 7:11 Timbales – Louie RomeroTrombone – Barry Rogers Pena De Amor 1-12 4:32 Requinto Guitar [Quinto] – Kako Vocals – Mon Rivera MC2 (Theme Realidades) 1-13 3:44 Bongos – José Mangual Jr.Cuatro – Yomo ToroGuitar – Elliott Randall Apartamento 21 1-14 3:50 Bongos – José Mangual Jr.Congas – Milton CardonaTimbales – Louie Romero Juancito 1-15 Cuatro – Yomo ToroFlute – Mauricio SmithRecorded By [Live] – Willie ColónVocals, 7:01 Recorded By [Live] – Jon Fausty Chinacubana 2-1 4:44 Trumpet [Bass] – Willie Colón Zambúllete 2-2 5:46 Trumpet [Bass] – Willie ColónVocals – Celia Cruz Pedro Navaja 2-3 7:22 Vocals – Rubén Blades* Siembra 2-4 5:24 Vocals – Rubén Blades* Biata 2-5 5:18 Congas, Bata – Milton CardonaVocals – Ismael Miranda 2-6 Amor Verdadero 7:24 2-7 Toma Mis Manos 6:04 Juanito Alimaña 2-8 7:37 Featuring – Héctor Lavoe* Corazón Guerrero 2-9 7:51 Flute – Mauricio SmithSaxophone – John Purcell Callejón Sin Salida 2-10 7:27 Flute – Mauricio SmithGuitar – Ted Perlman Un Bembe Pa' Yemayá 2-11 5:50 Vocals – Celia Cruz 2-12 Nunca Se Acaba 4:57 Companies, etc. -
Exclusive Behind the Scenes Video of Martin Cohen’S 76Th
Exclusive Behind The Scenes Video Of Martin Cohen’s 76th Birthday Party 2015 Definitely one of the best parties anywhere, every year, I’m always honored to attend and sometimes perform with the band. Here’s some exclusive video. Sadly, I had to leave early, to perform with The Mambo Legends Orch and Tito Nieves at West Gate, which is fortunate for me. Check out the videos as I give a little tour and talk to some special people in attendance including the birthday boy. By Pete Nater Harvey Averne, Producer, Musician and Living Legend Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the “New York Sound”, commonly referred to as “Salsa”. Averne’s gift for identifying and bringing together new and established musical talent, along with the careful management of his artists’ public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. Averne personally ran the label from 1972 until 1979. His only rival was Fania Records, the leading Latin music label at the time and for whom Averne had previously been employed. He incorporated his new company (in partnership with Sam Goff, previously of Scepter/Wand Records) and quickly became one of the leading record producers in the Latin music field. -
Seccion 06 Tu
1 SECCION 06 T TABENITO Ver: Orquesta Sensación CUARTETO TABÚ (pr) Un cuarteto dirigido porJohnny Goicuría, muy en el estilo clásico originado por Machín de dos guitarras, trompeta y cantante y seguido después por tantos cuartetos importantes de Puerto Rico. Tabú es el sobreviviente de esta estirpe, y aún se le escucha. Lp Clubman 100 igual en Alma K48 “Epoca de Oro del Marcano” Interpretado por el Cuarteto Tabú. Son retozón ER La mulata rumbera Alej. Rod. El vendedor que no fía GD Lp Lirio 201 “Johnny Goicuría y su cuarteto Tabú” Higinio, Benny, Arturo, Peraza y Johnny. Para que sufras / b OF CUARTETO TAICUBA Ver: Trío Taicuba AM – Avelino Muñoz, org. 610 1950 P 1279 CU Dicen que soy borracho / b 611 1950 P 1279 CU Dónde estás / b 652 1950 P 1298 CU Quinto patio / b LA 653 1950 P 1298 CU Amor color de rosa / b Baz Tabranes 741 1950 P 1349 CU Te llaman mala / b Baz Tabranes PF30-0065 742 1950 P 1349 CU Lástima y desdén / b Baz Tabranes PF30-0065 * Nota: Los Panarts fueron grabados como Cuarteto Taicuba. 195_ Fama 45 CU Santa Cecilia / c MC 35 195_ Bell 501 Yo quiero verle esta noche/tonpan AM AM 35 Alejandrin/ tam Y. Chanis AM 2 TRÍO TAICUBA Fundado originalmente en 1947 (aunque algunos señalan antecedentes) por Baz Tabrane, 1922 (escrito como Tabranes a veces) requinto y director, Héctor Leyva, (Cienfuegos, 5/22/1926) Segunda guitarra y primera voz y Alfredo Cataneo, segunda voz y maracas, debutan en el programa Noche Cubana de la radio.