HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 32 Number 1 Ladakh: Contemporary Publics and Article 16 Politics No. 1 & 2 8-2013 Songs, Cultural Representation and Hybridity in Ladakh Noe Dinnerstein John Jay College of Criminal Justice, CUNY,
[email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Dinnerstein, Noe. 2013. Songs, Cultural Representation and Hybridity in Ladakh. HIMALAYA 32(1). Available at: https://digitalcommons.macalester.edu/himalaya/vol32/iss1/16 This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact
[email protected]. Songs, Cultural Representation and Hybridity in Ladakh Acknowledgements I would like to thank my lama, Geshe Lozang Jamspal, for all his guidance, and for his first bringing me ot his homeland of Ladakh. Special thanks to the staff at All India Radio, Leh: Tsering Angchuk Ralam, Ali Mohammed, Tsering Chorol, Yangchen Dolma and others for singing songs for me and allowing me to record AIR studio sessions. I owe so much to my dissertation adviser at CUNY Graduate Center, Prof. Stephen Blum, who has helped me crystallize my thoughts This research article is available in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies: https://digitalcommons.macalester.edu/himalaya/vol32/iss1/16 NOÉ DINNERSTEIN JOHN JAY COLLEGE OF CRIMINAL JUSTICE, CUNY LADAKHI LU: SONGS, CULTURAL REPRESENTATION AND HYBRIDITY IN LITTLE TIBET This article examines how Ladakhi songs represent cultural self-images through associated musical, textual, and visual tropes.