Proquest Dissertations

Total Page:16

File Type:pdf, Size:1020Kb

Proquest Dissertations Writing in a crowded place: Peers collaborating in a third-grade writer's workshop Item Type text; Dissertation-Reproduction (electronic) Authors Israel, Archer Johnston Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 17:08:36 Link to Item http://hdl.handle.net/10150/289085 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon ttie quality of the copy submitted. Brolcen or indistinct print, colored or poor quaTity iHustrations and photographs, print bieedthrough, substendard margins, and improper alignment can adversely aftact reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawirigs, charts) are reproduced t>y sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have t)een reproduced xerographically in this copy. Higher quality 6* x 9" t>lack arKj white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contect UMI directly to order. Bell & Howell Information and Learning 300 North Zdeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0000 WRITING IN A CROWDED PLACE: PEERS COLLABORATING IN A THIRD GRADE WRITER'S WORKSHOP By Archer Johnston Israel Copyright:(^Archer Johnston Israel 1999 A Dissertation Submitted to the Faculty of the DEPARTMENT OF LANGUAGE, READING AND CULTURE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 1999 UMI Number 9960285 Copyright 1999 by Israel, Archer Johnston All rights reserved. UMI' UMI Microform9960285 Copyright 2000 by Bell & Howell Information and Leaming Company. All rights reserved. This microform edKion is protected against unauthorized copying under Title 17. United States Code. Bell & Howell Information and Leaming Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 THE UNIVERSITY OF ARIZONA ® GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Archer Israel entitled Writing in a Crowded Place: Peer Collp-horati on in WT-^•^gT^'g Workshop and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Luxs Moil Date Dat Richard Ruiz Date Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend thac it be accepted as fulfilling Che dissercacion requiremenc. I. Inlf'i Dissercacion Direcj^or Luis Moll Dace 3 STATEMENT BY AUTHOR This disseitation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under the rules of the Library. Brief quotations from this dissertation are allowable without fecial permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by copyright holder. SIGNED: 4 ACKNOWLEIXXMENTS I came to the University of Arizona in search of great teachers, and I was not disappointed. Ihave learned so much fiomthe professors I have been fortunate to woric with. Dr. Carol Evans, I thank you for your friradsh^ and siqiport when I was struggling to understand what I ccmceivably might have to add to the enormous body of work in literacy research. You were first mentor, and like one's first true love, 1 will never forget you. Dr. Dana Fox, I thank you for being safe haven, for helping me re-vision my writing until I found my own voice, for hewing me cross that bridge from writing to display, to writing to discover. Thank you for your own process as a reflective practitioner, on wiiich Ihave modeled own process. Dra. Arminda Fuentevilla, I thank you for sharing your tremendous passion and energy with me, for getting me started and seeing me througlLn^ preliminary examinatiaas. DrXuis Moll, I thank you for your mentoiing, but mostly I thank you for your own sdiolarsh^, for making accessible the worics of Vygotsky and opening for me a world of thought and research in sociocultural theory in education. Dr. Richard Ruiz, Ithank you for hewing me understand the politics ofbilingual education, and the complex issues of race, language and ontological status that frame minority children. If I have learned anything through this study, it has been truly to understand the collaborative nature of print. The words that appear in the final draft of this manuscript I only came to know as I shared my thoughts, drafts and intentions for this dissertation with others. My dissertati<m has been a coUaborative efifort from beginning to end, and what a community it has taken to raise this child! The community of people I have been hicky to know has included many of fellow students at the University of Arizona. So many of you ini^ired me ^en I didn't know i^ut I wanted to say, or how to say it. Sheila Rando^h Bacon, who kept me laughing, Steven Bialostok, >^0 read so conscientiously, Josefina Castillo, ^o took me out to hmch the day I had decided to quit, Jeanne Favela, ^o tracked down that last elusive citation, and Christine Ward and Duin Payne, w^o he^ed me understand so much about voice, and whose feces are always in the audience I write for. From the bottom of my heart I am endlessly gratefiil to my beloved Tucson sisters, Debra Summers and E)enice Angerhofer, and my 'niece' and 'nephew' Vincent and Vanessa, whose ftith never feded that I would indwd one day be their Dr.sister. Ruth Kartchner, mi hermana del alma Miho has been there with me shoulder to shoulder through thick and thin, and whose friendshq) enriches me daily. Unally, I thank Dr. Thomas New^irk, who supported me through the final stages of writing my dissertation. Your interest in my study and insightfiil commentary buoyed my ^irits and kq>t me opoi to inquiry. Without your guidance I truly believe tliis dissertation would not have been completed. 5 DEDICATION I dedicate this dissertation to my students, to 'Rico', 'Tenaya', and 'Marco' who taught me so much about being a member of a caring, learning community. I rest my hopes for them and their possible lives on the notion of the indefatigability of critical consciousness. I dedicate this also to my family, my own caring community which I so often take for granted, on which I so rely, and which is un^eakably precious to me. Without you, Harold, Aurora, Caleb, and Bana, there would be no story to tell. TABLE OF CONTENTS 6 LIST OF TABLES 13 ABSTRACT 14 PROLCXBUE 15 Autobkxiiaohicai Background. 17 CHAPTER ONE: INTRODUCTION 21 Ratkmaie for the Study. 21 Intentions of ttie Riwnnich Study. 21 Context of the Rofeoroh Study 22 Consideialionsfitam an Earfier Case Study 23 Defining Criticai Uteiacy 25 Situating Myself as the Researcher. 26 The Conflicts of Role as a Teacher Researcher 30 OvefvieMT of the FoioiMing Chapters 32 CHAPTER TWO: RESEARCH REVIEW. 35 A VvaotslapnThaniyofLeaminQ 35 Vygotsky in Critical Opposition to Piaget 36 Vygotsk/s Zone of Proximal Devetopment: Socially Mediated Learning 37 Dynamic Assessment in the ZPD: Explanation versus Description 38 Research in a Wootskian Fmmewioik 39 Reorienting the Research: A Move Away From Universals 39 The Irrteraction of the Affect and Cognitive Devetopment 40 A SociocuituTal Perspective of Learning: Cultural Contexts. Social Interactnns. and the Notton of ChiMren 42 Conflicting Paradigms: Unexpected Orthodoj^ in ChikJ- Centered Study(Applying Piaget in A Vygotskian Framework) 42 The Zone of Proximal Devetopment as a Research Construct 44 Discourse as an Element of SoctocuiuralContods in Learning 46 RedefininQ Uteracv: Whose Voice. Words. Powier? 49 From Monolthic Literacy to MuUple Uteracies: Creating Room for Voices 49 The Probtenri of Auttientkatv 51 Rnnnntino Whole Lanauane in a CriHRHi Pedaooov 54 The Central Concepts of a Critical Pedagogy 54 How Does Whole Language Fit WNh a CrMical Pedagogy? 55 TABLE OF CO^fTE^^'&Co^ti^ued 7 Personal Histories as Social Histoiy. 58 The Inteisection oT Whole Language and Critical Pedagogy; Critical Literacy. 60 Considerations of Race. 62 Multiculturai Education: A Fonim for Al Voices? 62 ideotooical Differences in Approaches to MuBcuMural Cuniculum 63 Pfobtomatizing f^ace 65 CHAPTER THREE: RESEARCH DESIGN AND DATA rm i Prnnw 66 Situating the Classrooni: Weicome to Room 209. 66 Research Questions 69 Research Support for the Research Design 70 Date Collection 71 Challenges: Adjusting Hie Plan* to Realily 71 Data Collection Strategies: Selection of Case Study Subjects 72 Rekfnotes 72 Taped Reflections and Anecdotal Record 73 Student Writing Samples 73 informal Interviews 74 Formal Interviews 74 Videotape 74 Table of D^ Collected 75 rtota Analytic 75 F>racesses of Analysis 76 Unit of Analysis 77 Selection of Case Study Sutiiects 77 Table Two: Peer CoNaboialions 78 Unanticipated Circumstarices 78 CHAPTER FOUR: FRAMEWORK FOR UNDERSTANDING THE CASES 80 Introduction 80 Areas of Discussion 80 Enterino the Uteracv Club ttwouoh the WriBna Door.
Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Technician Cancer Victim Receives Degree IA
    Wednesday, May 24, 1995 Technician ~...—c...nm-—u —_~—— Raleigh. North Carolina North Carolina State University‘s Newspaper Since 1920 Volume 75. Number 77 College Cancer costs could Victim increase receives I A proposed tuition surcharge has students degree from NCSL' and other schools up in arms. I A graduate student who BY Ros Barrio died weeks before i' .- also» graduation is remembered with a posthumous diploma in recent sears, students liase heeii accused or not caring ahotit and a scholarship fund. what goes on around them Almost as rt a plague ot apathy spread Br Josiiii I) on ST across N.(‘. State and other N. t tllll\L‘l'slllL‘s ill the state like a (hilt a select numher ot people deadly \irus. reccl\e graduate rli‘glct's trom lltc N (‘ State 1 ni\ersit) School ot Design (in \la_\ I‘. one ot its hest ”They are placing students. Rohelt ('hase. was money before the awarded postliuinousl) a inaster ot architecture degree education of young (‘llase was oill} tire weeks short adults,” ot' earning his degree when he died H . r. a/S'nw April 4 He died of lung cancer. New alumnus Betsy McLean gets a gift from her ~——Shaw'na McCaden. although triends said he was a set) grandaughter (left). Some of the cast of thousands .icti\ e. normally health} none gathered to walk their final steps as NC. State president. N. C. Black smoker. students (top). For some, graduation is a Student Government Thomas (hase accepted the regressive. not progressive. event (above). degree till his son at the School ol' Association Design s coininencenient c‘c'l‘c'lllitlh.
    [Show full text]
  • DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
    DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).
    [Show full text]
  • Hallo Zusammen
    Hallo zusammen, Weihnachten steht vor der Tür! Damit dann auch alles mit den Geschenken klappt, bestellt bitte bis spätestens Freitag, den 12.12.! Bei nachträglich eingehenden Bestellungen können wir keine Gewähr übernehmen, dass die Sachen noch rechtzeitig bis Weihnachten eintrudeln! Vom 24.12. bis einschließlich 5.1.04 bleibt unser Mailorder geschlossen. Ab dem 6.1. sind wir aber wieder für euch da. Und noch eine generelle Anmerkung zum Schluss: Dieser Katalog offeriert nur ein Bruchteil unseres Gesamtangebotes. Falls ihr also etwas im vorliegenden Prospekt nicht findet, schaut einfach unter www.visions.de nach, schreibt ein E-Mail oder ruft kurz an. Viel Spass beim Stöbern wünscht, Udo Boll (VISIONS Mailorder-Boss) NEUERSCHEINUNGEN • CDs VON A-Z • VINYL • CD-ANGEBOTE • MERCHANDISE • BÜCHER • DVDs ! CD-Angebote 8,90 12,90 9,90 9,90 9,90 9,90 12,90 Bad Astronaut Black Rebel Motorcycle Club Cave In Cash, Johnny Cash, Johnny Elbow Jimmy Eat World Acrophobe dto. Antenna American Rec. 2: Unchained American Rec. 3: Solitary Man Cast Of Thousands Bleed American 12,90 7,90 12,90 9,90 12,90 8,90 12,90 Mother Tongue Oasis Queens Of The Stone Age Radiohead Sevendust T(I)NC …Trail Of Dead Ghost Note Be Here Now Rated R Amnesiac Seasons Bigger Cages, Longer Chains Source Tags & Codes 4 Lyn - dto. 10,90 An einem Sonntag im April 10,90 Limp Bizkit - Significant Other 11,90 Plant, Robert - Dreamland 12,90 3 Doors Down - The Better Life 12,90 Element Of Crime - Damals hinterm Mond 10,90 Limp Bizkit - Three Dollar Bill Y’all 8,90 Polyphonic Spree - Absolute Beginner -Bambule 10,90 Element Of Crime - Die schönen Rosen 10,90 Linkin Park - Reanimation 12,90 The Beginning Stages Of 12,90 Aerosmith - Greatest Hits 7,90 Element Of Crime - Live - Secret Samadhi 12,90 Portishead - PNYC 12,90 Aerosmith - Just Push Play 11,90 Freedom, Love & Hapiness 10,90 Live - Throwing Cooper 12,90 Portishead - dto.
    [Show full text]
  • Song List by Artist
    song artist album label dj year-month-order sample of the whistled language silbo Nina 2006-04-10 rich man’s frug (video - movie clip) sweet charity Nayland 2008-03-07 dungeon ballet (video - movie clip) 5,000 fingers of dr. t Nayland 2008-03-08 plainfin midshipman the diversity of animal sounds Nina 2008-10-10 my bathroom the bathrooms are coming Nayland 2010-05-03 the billy bee song Nayland 2013-11-09 bootsie the elf bootsie the elf Nayland 2013-12-10 david bowie, brian eno and tony visconti record 'warszawa' Dan 2015-04-03 "22" with little red, tangle eye, & early in the mornin' hard hair prison songs vol 1: murderous home rounder alison 1998-04-14 phil's baby (found by jaime fillmore) the relay project (audio magazine) Nina 2006-01-02 [unknown title] [unknown artist] cambodian rocks (track 22) parallel world bryan 2000-10-01 hey jude (youtube video) [unknown] Nina 2008-03-09 carry on my wayward son (youtube video) [unknown] Nina 2008-03-10 Sri Vidya Shrine Prayer [unknown] [no album] Nina 2016-07-04 Sasalimpetan [unknown] Seleksi Tembang Cantik Tom B. 2018-11-08 i'm mandy, fly me 10cc changing faces, the best of 10cc and polydor godley & crème Dan 2003-01-04 animal speaks 15.60.76 jimmy bell's still in town Brian 2010-05-02 derelicts of dialect 3rd bass derelicts of dialect sony Brian 2001-08-09 naima (remix) 4hero Dan 2010-11-04 magical dream 808 state tim s. 2013-03-13 punchbag a band of bees sunshine hit me astralwerks derick 2004-01-10 We got it from Here...Thank You 4 We the People...
    [Show full text]
  • The History of Rock Music: the 2000S
    The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Tunesmiths (These are excerpts from my book "A History of Rock and Dance Music") Emo-smiths TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. The long, long tide of emocore did not recede in the 2000s. Continuing the cross-pollination begun in the previous decade, New York's Coheed And Cambria, fronted by vocalist-guitarist Claudio Sanchez, carried out a historical fusion of the progressive-rock tradition and the emo-core tradition on their sci-fi tetralogy, notably In Keeping Secrets Of Silent Earth (2003). Pioneers of "progressive emocore" were also Breaking Pangaea in Philadelphia, who crafted the lengthy progressive emo psychodrama Turning on A Cannon To A Whisper (2001). The same city later witnessed the ascent of Circa Survive, whose fusion of hardcore, pop, metal and prog-rock peaked with Juturna (2005). Minus The Bear rejuvinated emo-core in Seattle by stretching Fugazi's original aesthetic to accommodate progressive jamming driven by guitarist Dave Knudson and keyboardist Matt Bayles, best on the EP This Is What I Know About Being Gigantic (2001) and partially on the album Highly Refined Pirates (2002). Oregon's 31 Knots were perhaps the most versatile and erudite in fusing progressive-rock and melodic/melodramatic emocore, starting with A Word Is Also A Picture Of A Word (2002).
    [Show full text]
  • Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
    Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
    [Show full text]
  • Carl Azuz, Cnn Student News Anchor
    CNN Student News - 1/18/11 CARL AZUZ, CNN STUDENT NEWS ANCHOR: I'm Carl Azuz and this is CNN Student News! We're back from the long weekend and ready to kick off 10 minutes of commercial- free headlines. We start in the U.S. state of Arizona. Junior Theater Festival AZUZ: This weekend, here in Atlanta, a cast of thousands got together for the Junior Theater Festival. The event celebrates the performing arts. It takes place the same weekend as Martin Luther King Day. In recognition of his dream, students at the festival had the chance to talk about their dreams. Listen to what they had to say. KATE HILSCHER, STUDENT: I have a dream that some day kids will have a bigger voice in their communities. I feel like kids have a lot to say, but it's often not heard by the adults around them. QWANIKWIA HICKLEN, STUDENT: My dream is to become an endangered species specialist and help save a kind that's dying off slowly. ELIZABETH RENEGAR, STUDENT: A few of my dreams are to adopt a child from a foreign country and give them a home, a lot better home than they could've had. CASEY TAYLOR, STUDENT: One of my dreams is to possibly design and run lighting for large theatrical productions. Martin Luther King Jr. was a great man and inspired me and many other people for wonderful dreams. AZUZ: Not the only way that people paid tribute to the civil rights leader this weekend. As Samantha Hayes reported yesterday, Americans all across the country took part in community service projects and honored Dr.
    [Show full text]
  • The Job Guarantee: Gatekeeping and Popularization
    Working Paper No. 127 May 2020 The Job Guarantee: Gatekeeping and Popularization Alex Williams Research Fellow, Global Institute for Sustainable Prosperity Graduate Student, Levy Economics Institute of Bard College The views expressed in this paper are solely those of the author(s) and not necessarily those of the Global Institute for Sustainable Prosperity. Copyright © Global Institute for Sustainable Prosperity 2020 All rights reserved ISSN 2374-6475 Global-ISP.org @GISP_Tweets The Job Guarantee and Cultural Equity: Gatekeeping and Popularization Alex Williams Research Fellow, Global Institute for Sustainable Prosperity Graduate Student, Levy Economics Institute of Bard College Abstract: Among DIY musicians, one often hears support for a Universal Basic Income on the logic that if rent and food are covered, one could spend more time on music. In some formulations, a cultural job guarantee aims at this explicitly: liberation of creative energies through guaranteed employment. However, technological innovations that allow the nearly zero cost creation and transmission of recordings have moved gatekeeping downstream from production to publicity and audience development. In order to address this, and implicitly challenge the anti-democratic notion that individual preferences are best expressed through markets, any culturally-focused Federal job guarantee must include provision for popularization. Starting from both Michal Kalecki’s proposition of a “political business cycle” and Alan Lomax’s idea of “cultural equity,” I argue that a cultural job guarantee must be a self-consciously left project to restructure the social system of cultural production. I follow Fred Lee’s assertion that consumers choose from available goods, rather than making production decisions. I also affirm Modern Monetary Theory’s vision of money as a boundless public utility.
    [Show full text]
  • Artist Title Label Format E.G. LP / 7" Format Details E.G. Colour Or
    Artist Title Label Format e.g. LP / 7" Format details e.g. colour or download code UK QTY Supplier Shipped by / DistributorCatalogue Number 13th Floor Elevators You're Gonna Miss Me Charly Records 10" Picture Disc. Exclusive cover art + French EP mixes. 500 Snapper Music Proper Music IA20161 808 STATE PACIFIC Music On Vinyl 12 inch, 180g, 45 RPM 12”, The2000 "Pacific on blue State" & black single mixed was vinyl released by Electronic Acid House group 808 State in 1989. The song charted for 9 weeks in450 the LittleUnited Amber Kingdom Fish peakingLittle Amber at #10 Fish on theMOV12004 UK Singles Chart. There are several versions of the song, of which 3 remixes and the original are featured on this limited edition 45RPM 12”. This is a Limited Worldwide Edition of 2000 numbered copies on blue / black vinyl, just 750 copies will be available in the UK! Adverts, The Cast of Thousands Fire Records LP 12" coloured LP includes Download 1500 Cargo Cinram FIRELP144RSD Adverts, The Crossing the Red Sea Fire Records LP 12" Red LP includes Download 500 Cargo Cinram FIRELP143RSD African Head Charge Super Mystic Brakes On-U Sound 10" 500 [PIAS] Cinram ONUDP59 Alan Partridge Knowing Me Knowing You Demon Records Picture Disc Exclusive picture disc 1000 Demon Music GroupSony DADC DEMREC138 Alan Vega & Marc Hurtado Sniper Munster LPX2 Double black vinyl 500 Shellshock DistributionShellshock / SRD MR362 Alanis Morissette The Demos 1994-1998 Rhino LP Col Vinyl 12" LP Translucent splatter vinyl 10 demos never been on vinyl before. 500 Warner Music GroupWMG
    [Show full text]
  • Plants Are Us
    HHMI BULLETIN N OV. ’0 6 VOL .1 9 • N O . 0 4 • Howard Hughes Medical Institute HHMI BULLETIN P lants are Us • A shared biochemistry makes www.hhmi.org plants a beautiful model for studying human health and disease. IN THI*S ISSUE Sperm Secrets/A Parent’s Perspective Drosophila Envy Phototake/ Revy © Jean-Claude ALTHOUGH THIS SMALL, WEEDY PLANT HAS LITTLE AGRICULTURAL VALUE, Superhero IT HAS HUGE FANS AMONG PLANT BIOLOGISTS AND GENETICISTS (SEE PAGE 14). ARABIDOPSIS THALIANA IS VALUED FOR ITS EASE OF GROWTH (HERE IT GROWS WITHOUT SOIL IN A PETRI DISH) AND SMALL GENOME. AT LEAST 139 of the Plant World OF ITS GENES ARE SIMILAR TO HUMAN GENES LINKED TO DISEASES SUCH AS HEREDITARY DEAFNESS, BLINDNESS, AND CANCER. NONPROFIT ORG. US POSTAGE PAID 4000 Jones Bridge Road HYATTSVILLE, MD Chevy Chase, Maryland 20815-6789 PERMIT NO. 61 www.hhmi.org Change Service Requested vol. 19 / no. 04 12 A close-up view within a focal adhesion— a footprint of a cell—as seen by overlaying images from a conventional microscope (blue) and images from the new photoactivated localization microscope (magenta) developed by Janelia Farm scientists Eric Betzig and Harald Hess and their colleagues. Image courtesy of Eric Betzig and Harald Hess (HHMI) and Michael Davidson (Florida State University) Image courtesy of Eric Betzig and Harald Hess (HHMI) Michael vol. 19 november ’o6 no. o4 DEPARTMENTS PRESIDENT’S LETTER 0 3 A Transforming Energy CENTRIFUGE 0 4 A Cast of Thousands 0 5 Dreams About Science and Hoops in America 0 6 A Family Grows in Baltimore UPFRONT 0 8 When
    [Show full text]
  • Top 10 Hotel Songs: Hotels.Com Chimes in with a Music Roundup Ahead of the Grammies
    Top 10 hotel songs: Hotels.com chimes in with a music roundup ahead of the Grammies January 29, 2015 Sydney, 29 January 2015: With the 57th annual Grammy awards fast approaching, the travel experts at Hotels.com dusted off their record collection to find the top 10 songs that have a hotel theme or feature a hotel name in the title. With tunes from Elvis to The Sugarhill Gang, hotels have always been a popular theme for artists from all generations and genres. 1. Hotel California – The Eagles “You can check out any time you like, but you can never leave” Arguably the most famous song about a hotel, and what many consider to be one of the greatest rock songs of all time. Hotel California was released in 1976 and is often described as a metaphor for America’s decline into materialism. 2. Chelsea Hotel – Leonard Cohen “I remember you well in the Chelsea Hotel, you were famous, your heart was a legend” The Chelsea Hotel in New York City was Cohen’s home away from home. The song is about an evening he spent with fellow musician Janis Joplin. He later regretted admitting the song was about Joplin, due to the nature of the lyrics. 3. Heartbreak Hotel – Elvis Presley “Just take a walk down lonely street to Heartbreak Hotel” Heartbreak Hotel was the King’s first US number one pop single and it was the most successful song of 1956. Written by Mae Boren Axton and Tommy Durden, the lyrics are based on a newspaper article about a lonely man who jumped from a hotel window.
    [Show full text]