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Specific Rules: Traditional Heavy Events at Amateur Highland Games
Suggested Update for Specific Rules Relating to Traditional Scottish Heavy Events at Amateur Highland Games The rules for the traditional Heavy Events at Amateur Highland Games have not been updated for many years. They are contained in Appendix H of the 2014 UKA rules for competition. scottishathletics propose that the following be adopted as guidelines to these rules and that an addendum be added to the forthcoming rule book to enable the various Amateur Highland Games to continue. Where rule numbers are included, they refer to those contained in the current 2016 UKA rules for competition. These guidelines should be read in conjunction with the current UKA rule book and will require to be updated when a new rule book is produced. Specific UKA domestic rules (2016 rule book) are highlighted in blue. Specific Rules Relating to Traditional Scottish Heavy Events at Amateur Highland Games Promoters of “Highland” Gatherings or Games may make it a condition of entry that competitors in the heavy events traditionally associated with such promotions must wear the kilt, but this condition must be clearly stated on the entry form and in the programme and competitors will not be allowed any option. Athletes must not wear track suit bottoms or similar covering when the kilt is being worn and the wearing of Highland hose should be encouraged. FIELD EVENTS Rule 180 GENERAL CONDITIONS – FIELD EVENTS (RULE 120 - 2014 UKA Rule Book) Practice Trials at the Competition Area (1) At the competition area and before the beginning of the event, each athlete may have practice trials. In the case of throwing events, the practice trials will be in draw order and always under the supervision of the Judges. -
Ithaca College Concert Band Ithaca College Concert Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-14-2016 Concert: Ithaca College Concert Band Ithaca College Concert Band Jason M. Silveira Justin Cusick Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band; Silveira, Jason M.; and Cusick, Justin, "Concert: Ithaca College Concert Band" (2016). All Concert & Recital Programs. 1779. http://digitalcommons.ithaca.edu/music_programs/1779 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band "Road Trip!" Jason M. Silveira, conductor Justin Cusick, graduate conductor Ford Hall Thursday, April 14th, 2016 8:15 pm Program New England Tritych (1957) William Schuman I. Be Glad Then, America (1910–1992) II. When Jesus Wept 17' III. Chester More Old Wine in New Bottles (1977) Gordon Jacob I. Down among the Dead Men (1895–1984) II. The Oak and the Ash 11' III. The Lincolnshire Poacher IV. Joan to the Maypole Justin Cusick, graduate conductor Intermission Four Cornish Dances (1966/1975) Malcolm Arnold I. Vivace arr. Thad Marciniak II. Andantino (1921–2006) III. Con moto e sempre senza parodia 10' IV. Allegro ma non troppo Homecoming (2008) Alex Shapiro (b. 1962) 7' The Klaxon (1929/1984) Henry Fillmore arr. Frederick Fennell (1881–1956) 3' Jason M. Silveira is assistant professor of music education at Ithaca College. He received his Bachelor of Music and Master of Music degrees in music education from Ithaca College, and his Ph. -
Firehouse Jig
Kjos String Orchestra Grade 4 Full Conductor Score SO405F $7.00 Kirt Mosier Firehouse Jig SAMPLE Neil A. Kjos Music Company • Publisher 2 The Composer Internationally known composer and conductor, Kirt Mosier was director of orchestras at Lee’s Summit West High School in Lee’s Summit, Missouri. He has also taught orchestration and arranging as an adjunct professor at University of Missouri-Kansas City Conservatory of Music in Kansas City, Missouri. Mr. Mosier has many published orchestral works and has twice won national composition awards. His first occurred in 1993 with his original work, Baltic Dance, which won the National School Orchestra Association Composition Contest. In 2004, American Reel, won the 2004 Merle J. Isaac National Composition Contest. In the professional performance arena, the Portland Ballet Company of Portland, Maine, commissioned Mr. Mosier to write an original score to their production of The Legend of Sleepy Hollow (2010). The Kansas City Symphony premiered one of Mosier’s holiday arrangements in December of 2017. From 1990 to present, Kirt Mosier has conducted numerous orchestras and served as keynote speaker throughout the United States and abroad. He conducted the National High School Honors Orchestra as well as the National Junior High School Honors Orchestra at Carnegie Hall in 2016. In 2017, he traveled throughout the United States, including two trips to Carnegie Hall, and had two world premiere performances at the Midwest International Clinic in Chicago. Internationally, Mr. Mosier conducted the 2015 International Strings Festival in Bangkok, Thailand and the 2017 International Strings Festival in Jakarta, Indonesia. He has also conducted in Reykjavik, Iceland and continues to have conducting appearances throughout the United States, Singapore, the Netherlands, and Sydney, Australia. -
College of Piping and Drumming Bass & Tenor Drum Booklet 1
Royal New Zealand Pipe Bands’ Association EDUCATION GROUP College of Piping and Drumming Bass & Tenor Drum Curriculum and Guidelines December 1999 Booklet 1 Intermediate & Advanced INTERMEDIATE CERTIFICATE BASS AND TENOR DRUMMING SYLLABUS SECTION ONE -THEORYAND KNOWLEDGE (a) Requirements for Preliminary and Elementary Theory. (b) Understand the use of (i) accent and (ii) rhythm. (c) Understand (i) tempo and (ii) time. (d) Recognise time signatures of tunes played by the examiner which may include;2 4 (e) march, 2 4 hornpipe, 4 4 march, 4 4 strathspey, 3 4 march, 2 2 reel, 6 8 march, 6 8 jig. (e) Identify written up beats and down beats. (f) Present three tunes (of four parts each) written correctly by the candidate, in 2/4 march 4/4 strathspey 2/2 reel time signatures respectively, which incorporate the embellishments and groups of the Preliminary, Elementary and Intermediate Certificates. In addition present a 6 8, 9 8, or 12 8 march (also of four parts, and also written out by the candidate). SECTION TWO -PRACTICAL (a) Correctly play exercises on a hard surface. The candidate will be asked to perform one of the two intermediate exercise sheets chosen by the examiner from Bass & Tenor Drumming Booklet 3 (Intermediate Certificate). (b) Demonstrate how to tune a bass drum. (c) Play by memory the 68' 98, or 128 march, and the march strathspey and reel presented above (on the drum). OPTIONAL SECTION THREE -FLOURISHING (a) Swing notation to be understood and performed: - alternate figure 3 - forward cartwheel - forward cartwheel with flicks - figure of 8 - double forte variation (b) Correctly play exercises on a hard surface. -
Thesis- Pedagogical Concepts for Marching Percussion
PEDAGOGICAL CONCEPTS 1 Running head: PEDAGOGICAL CONCEPTS PEDAGOGICAL CONCEPTS FOR MARCHING PERCUSSION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC EDUCATION: STUDIO PEDAGOGY EMPHASIS THOMAS JOHN FORD UNIVERSITY OF WISCONSIN-STEVENS POINT MAY, 2019 PEDAGOGICAL CONCEPTS 2 Abstract This document serves as a guide for recent music education graduates who are put in the position of having to teach marching percussion to students who have joined the marching band, specifically in the drumline. To have a well-rounded understanding of the drumline, teachers will need to know the instruments of the drumline, and the associated sticks and mallets. This document also discusses pedagogical concepts for all of the instruments, including playing techniques required to achieve a balanced sound throughout the ensemble, and how to properly care for marching percussion equipment. Keywords: marching percussion, drumline, battery, snare drums, tenor drums, bass drums, crash cymbals PEDAGOGICAL CONCEPTS 3 Table of Contents Abstract 2 Acknowledgements 5 List of Figures 8 Introduction 9 Chapter I: Marching Percussion Equipment 12 Snare Drums 12 Tenor Drums 14 Bass Drums 16 Crash Cymbals 17 Other Equipment 18 Chapter II: Pedagogical Concepts for Marching Percussion 21 Posture 21 Playing Positions 21 Grips and General Playing Techniques 25 Stroke Types and Dynamics 31 The Exercise and Technical Development Program 32 Timing Strategies 37 Chapter III: Marching Percussion Care and Maintenance 39 Changing and Replacing Heads 39 Repairing Broken and Loose Drum Equipment 40 Cymbal Straps 42 Cleaning and Storing Equipment 43 PEDAGOGICAL CONCEPTS 4 Conclusion 45 References 46 Appendix A 49 PEDAGOGICAL CONCEPTS 5 ACKNOWLEDGEMENTS There are so many people who I want and am obligated to thank for helping me in this whole process of graduate school and writing my thesis. -
Scotland's Epic Highland Games
Your guide to Scotland’s epic Highland games history & tradition :: power & passion :: colour & spectacle Introduction Scotland’s Highland games date back almost a thousand years. Held across the country from May to September, this national tradition is said to stem from the earliest days of the clan system. Chieftains would select their best fighters and nothing can compare to witnessing the spectacle of a household retainers after summoning their traditional Highland games set against the backdrop clansmen to a gathering to judge their athleticism, of the stunning Scottish scenery. strength and prowess in the martial arts, as well as their talent in music and dancing. From the playing fields of small towns and villages to the grounds of magnificent castles, Highland games Following the suppression of traditional Highland take place in a huge variety of settings. But whatever culture in the wake of the failed Jacobite rebellion their backdrop, you’ll discover time-honoured heavy under Bonnie Prince Charlie, the games went into events like the caber toss, hammer throw, shot put decline. It was Queen Victoria and her love for all and tug o’ war, track and field competitions and things Scottish which brought about their revival in tartan-clad Highland dancers, all wrapped up in the the 19th century. incredible sound of the marching pipes and drums. Today the influence of the Highland games reaches A spectacular celebration of community spirit and far beyond the country of its origin, with games held Scottish identity, Highland games are a chance to throughout the world including the USA, Canada, experience the very best in traditional Highland Australia, New Zealand and South Africa. -
The 29Th Canmore Highland Games
The 29th Canmore Highland Games Labour Day Long Weekend – Aug 31 – Sept 1 2019 Centennial Park, Canmore Alberta Massed Bands The Canmore Highland Games draws 4,000 to 5,000 spectators and 700 to 1,000 participants to Canmore. The Canmore Highland Games has four primary elements: Highland Dance competition Pipe and Drum bands and individual competition Heavy Sports competition Festival Tent and Field Entertainment Highland Dance Competition 80 ft stage in front of Stan Roger’s stage. Covered with a tent for safety – rain, snow etc. 350 dancers from 6 to 21 years old. Scot Dance Canada dictates entry fees, cash prizes and governs the judging. Requires 3 or 4 judges. CHG pays judges’ fees, airfare, transfers, hotel accommodation & meals. Two pipers are needed. CHG pays fees, hotel accommodation and meals. Competition from 9am to 4pm. 5 levels of dancers and ten dance forms. Cash prizes for up to 6th place. Sponsor Levels: o Primary, Beginners, Novice, Intermediate $600 each for four or five dance forms o Premier $1,000 each for five dance forms Canmore Highland Games 29th Annual Aug 31- Sept 1 2019 Page 1 Pipe and Drum Competition Main playing field plus around the front of Lawrence Grassi School. Sanctioned by the Alberta Society of Piping and Drumming. Between 10 and 15 Pipe and Drum bands. CHG has to subsidize travel expenses for some bands. Requires 8 to 10 judges. CHG pays judges fees, airfare, transfers, hotel accommodation & meals. Solo competitions in piping and drumming take place in the morning, drum major competitions at noon and bands compete in the afternoon. -
2002 Scottish Games
Try our Lindsay's 80/- (Shilling) Brewed Especially for the St. Louis Scottish Games. Schlafly Beer 2t DO Locust, Saint Louis, MO 63 t 03 3t 4-24t -BEER www.schlafly.com CeudMile Failtel ~ ~ "A Hundred Thousand Welcomes!" Table of Contents Greetings, and welcome to our Second Annual l Scottish Games & Cultural Festival of the 21st Ceud Mile Failte century! CEO's Message. 2 Ceremonies .. 3 It seems almost like yesterday when we were at the Help ....... ... 4 fun-filled 2001 Games, rain and all. Although a lot has Animals & Birds . ... 5 changed around us, other traditions have been revived Athletics. ...... 6 and solidified. The modern Scottish Games are a British Car Show & Clubs ...... 10 celebration of the deep and rich cultural heritage that Children's Activities .. ..... 11 originated in Scotland and is recognized throughout Entertainment 12 America. We are pleased to continue to present such Overview Schedule ........._.... .... 17 a festive and exciting occasion within Forest Park. Site Map ..................................... 18 The uplifting spirits of Scotland and America will again be intertwined with History/Storytelling 20 culture, heritage, and celebration during the St. Louis Games. We encourage Scottish Genealogy . ..22 you to take the opportunity to be entertained by the wonderful skills of Photo Opportunity ..... ... _.23 competing dancers, athletes, pipers, and drummers. Listen to the folk musicians, Highland Dancing .. 24 storytellers, and Clan historians. View some classics at the British car show, Piping & Drumming ..... 26 and watch the sheepdogs perform. Sample some great food and find unique Clan History ... .... _28 gifts. I guarantee that the assembled tartans of the Clans and the full force of Gaelic .............._....... -
Winter 2015 Newsletter
THE SCOTTISH SOCIETY OF INDIANAPOLIS-""Gach ni Albanach!" Winter Edition, December 2015 - January 2016 2016 Board of Trustees Robin Jarrett, President, [email protected] Steven Johnson, Treasurer [email protected] Elisabeth Hedges, Secretary From the desk of the President [email protected] Fellow Scots, Carson C Smith, Trustee [email protected] State of Society Address: 2015 has been an amazing year for the Scottish Society of Indianapolis. If 2014 was a year of healing, Andy Thompson, Trustee than 2015 was a year of re-building. It’s would be safe to say that [email protected] never in our history have we executed our mission in as many places and to as many people as we have in the past twelve months. I stood Samuel Lawson,Trustee before you a year ago and proclaimed the Society healthy and [email protected] solvent. I can say with great pleasure and satisfaction that we are that, and more, in 2015. Armand Hayes, Trustee [email protected] Let’s review: The year started with a radio interview on Hoosier History Live, a program produced by one of our members, Molly Head. It featured past presidents Lee Cloe and Carson Smith. Committee Chairpersons As the year progressed, we were represented by one or more of our members at IUPUI International Festival, three separate Kilt Nights at Deneice Jarrett, Games the Claddagh Irish Pub, The St Patrick’s Day Parade, The Ben Davis Committee Co-Chair [email protected] University International Festival, The International Festival at Lynnhurst Middle School, The 500 Festival Parade, The Latino Festival, The Southport Street Fair, The Fourth of July Parade in Lise Douglass, Games Carmel, Indiana, The German American Klub Oktoberfest, The Committee Co-Chair [email protected] Columbus Highland Games, Indy Irish Fest, our own Indianapolis Scottish Highland Games and Festival, and The Indy International Festival. -
Acknowledgments
ACKNOWLEDGMENTS I would like to acknowledge and express my sincerest thanks to the many people without whom the completion ofthis document would have been impossible: My wife, Amy, whose patience, support, and encouragement was unending, and whose proofreading, word processing, and taping skills were invaluable. My children, Charlie, Will, and Mary Emma, for willingly giving up many, many hours of "quality time" with their dad, which rightfully belonged to them. Professor Richard Blatti of The Ohio State University for his priceless knowledge of the wind-band repertoire, and for the guidance, suggestions, and time (of which he has very little) he was willing to give me and this project. Dr. James L. Moore, for his kindness, support, and willingness to proofread parts of this document, and for donating valuable materials from his own research which concerned this topic. Dr. A Peter Costanza, for his willingness to proofread parts of this document during a time in which he could have devoted all available time and energy into overseeing the 1995 OMEA State Convention. Craig Young, for the many times he helped me find what I needed in the OSU Band Music Library. Professor H. Robert Reynolds of the University of Michigan, for making that university's band music library available to me, and to Ms. Maggie St. Clair and Mr. Bill Kellerman for their wonderful hospitality and professionalism in assisting me while on campus. The many percussionists and conductors who responded to my surveys, submitting valuable suggestions ofpieces which represented the core ofmy research. My father-in-law, Dr. L. R. -
Issue 333 Fall 2004
B.C. PIPERS’ ASSOCIATION NewsletterNewsletter Simon Fraser University Pipe Band 2004 World Drum Corps Champions FALL 2004 ISSUE NO. 333 BC Pipers’ Association Newsletter • Fall 2004 1 B.C. PIPERS’ ASSOCIATION B.C. Pipers’ Association Newsletter FALL 2004 Newsletter ISSUE NO. 333 Robert MacNeil Editor • Bonnie Ridout Design Editor • An Affiliated Association of the Jan Mattock Royal Scottish Pipe Band Association Contributing Editor and Member of the • Alliance of North American Pipe Band Associations Sharon Hampson Advertising • FALL 2004 Melissa Maxwell Cover Design • FEATURES Bob Dunsire World Pipe Band Championships Results ....................................................................... 4 Webmaster BCPA Developmental Grants .......................................................................................... 7 • BCPA 2004 Grand Aggregate Standings ....................................................................... 10 Summer Journal - Piping Hot Summer Drummer ........................................................ .13 International Solo Results ............................................................................................. 15 Newsletter Distribution Promotions List ............................................................................................................. 16 Bill and Sharyn Elder Keith Highlanders Trip to Scotland ............................................................................... 18 • CD Review - 90 Years on the Beat - Vancouver Police Pipe Band ............................. -
PTH Autumn 2018
AUTUMN 2018 The Pine Tree Highlander A Publication of the St. Andrews Society of Maine A Clan’s Eye View of the Maine Games by George Newell, Clan Secretary Saturday morning showed signs of rain, but once again, the Lord provided us with a mere sprinkle Well, the 40th Annual Maine Highland Games & (just to remind us who’s really in charge), and the Scottish Festival has come and gone. It seems to day proceeded to warm up. The crowds began to take forever for the Games to be upon us, and yet form, and the clan tents were busy with visitors; just a fleeting moment for the event to pass into especially the kids, who were all looking to get their memory. I would like to take a moment to thank passports stamped. Clan MacBean for being our Honored Clan for The Parade of Clans was led by Clan MacBean, 2018. Honored guests included Col. J. Peter and representatives from all 25 clans/organizations McIllwain (USA, Ret’d), President of Clan present were available to shout their battle cry. Due MacBean Association (Worldwide), Inc. and his to various personal and family emergencies, a hand- wife, Beverly, who were up from North Carolina. They brought with them the piece of MacBean tar- Continued on Page 5 tan cloth that the late astronaut Alan Bean took to 1718-2018 Ulster Diaspora Reunion the moon with him on Apollo 12. They also brought one of Alan’s paintings with them, entitled “Clan and Conference Smashing Success MacBean Arrives On The Moon”. It was a great by John Mann honor to have these treasured items on display.