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Bearcat Festival.Pdf IN THE WINGS Saturday, April 10, 4 p.m. PRESENTS Faculty Artist Series Awadagin Pratt, piano, conductor Featuring Mozart’s Piano Concerto, K. 414 in A Major, Barber’s Adagio for Strings and world premiere works by student composers with the WIRED STRING BAND. Location: Robert J. Werner Recital Hall Admission: FREE ____ Saturday, April 17, 3 p.m. CCM Preparatory Department 1st annual BearcAT Gino DiMario Scholarship Recital CCM Preparatory students and friend of the family perform in recital for the scholarship fund. Piano FeSTIVAL Location: Robert J. Werner Recital Hall Admission: FREE with donations being accepted Monday, March 29-Wednesday, March 31, 2010 Robert J. Werner Recital Hall ____ Ian HoBSon, piano Sunday, April 18, 7 p.m. Pianopalooza V ROBERt WeiricH, piano Featuring performances by distinguished guests and the entire piano faculty, as well as Bengals Offensive Line Coach Paul Alexander with his teacher, Albert Muhlbock. NELITa TRUE, piano Master of Ceremonies: Jack Atherton of WLWT Location: Corbett Auditorium CCM Piano MajorS, piano Tickets: $15 general admission, $10 non-UC students, UC students FREE For tickets and the latest performance information, please call the CCM Box Office at 513-556-4183. 3/29/10 “Schumann-y Beautiful Pieces” 11:00a.m. Weirich Masterclass: Chopin Etudes 4:00 p.m. Ian Hobson Recital 8:00 p.m. 3/30/10 Ian Hobson Masterclass 10:00 a.m. Chopin Etude Competition 1:00 p.m. Robert Weirich Recital 8:00 p.m. 3/31/10 Nelita True Masterclass 10:00 a.m. “Schumann-y Beautiful Pieces” Marathon 7:00 p.m. Awadagin Pratt, festival coordinator “Schumann-y Beautiful Pieces” Ian Hobson, piano 3/29/10 @ 11:00 a.m. 3/29/10 @ 8:00 p.m. Ballade No. 1, Op, 23 Frédéric François Chopin Abegg Variations, Op. 1 Robert Schumann (1810-1849) (1810-1856) Mazurka, Op.59, No. 1 Frédéric François Chopin Rachel Bletstein Mazurka, Op.59, No. 2 Mazurka, Op.59, No. 3 Blumenstuck, Op. 19 Robert Schumann Yukiko Kaneko Barcarolle, Op. 60 Frédéric François Chopin Kinderszenen, Op. 15 Robert Schumann Young Eun Song Waltz, Op. 69, No. 1 Frédéric François Chopin Waltz, Op. 34, No. 1 — Intermission — — Intermission — Nocturne, Op. 62, No. 1 Frédéric François Chopin Arabesque, Op. 18 Robert Schumann Nocturne, Op. 62, No. 2 Ed Choi Fantasie, Op. 17 Robert Schumann Sonata No. 3 in B Minor Frédéric François Chopin 1. 1. Allegro Maestoso Tianjao Wang 2. Scherzo: Molto Vivace 2. 3. Largo 3. 4. Finale: Presto non tanto; Agitato Bret Blasius Pianist and conductor Ian Hobson is recognized — Intermission — internationally for his masterly performances of the Romantic repertoire, his deft and idiomatic readings of neglected piano music old and new, and Three Romances, Op. 28 Robert Schumann his assured conducting from both the piano and the Connor Chee podium. In addition to being a lauded performer, Mr. Hobson is a dedicated scholar and educator Davidsbundlertanze, Op. 6, Bk1 Robert Schumann who has pioneered renewed interest in the music Hyun Min Kee of such lesser known masters as Ignaz Moscheles and Johann Hummel. He has also been an effective advocate of works written expressly for him by a Robert Weirich Masterclass: number of today’s noted composers, including Benjamin Lees, John Gardner, David Liptak, Alan Chopin Etudes Ridout, and Roberto Sierra. Hobson is an artist 3/29/10 @ 4:00 p.m. of prodigious energy and resource, having to date amassed a discography of some 60 releases, Op. 10, No. 3 Frédéric François Chopin including the complete piano sonatas of Beethoven and Schumann and a complete (1810-1849) edition of Brahms’s variations for piano. Susan Ha One of the youngest ever graduates of the Royal Academy of Music, Mr. Hobson began his international career in 1981 when he won First Prize at the Leeds International Op. 10, No. 4 Piano Competition, after having earned silver medals at both the Arthur Rubinstein Weiting Yin and Vienna-Beethoven competitions. Born in Wolverhampton, England, he studied at Op. 25, No. 1 Cambridge University (England), and at Yale University, in addition to his earlier studies Sarah Gillespie at the Royal Academy of Music. A professor in the Center for Advanced Study at Op. 25, No. 8 the University of Illinois (Urbana-Champaign), Hobson received the endowed chair of Swanlund Professor of Music in 2000. Mikael Darmanie Find Mr. Hobson on the web at awadablog.typepad.com/bearcatpianofestival Ian Hobson Masterclass Robert Weirich, piano 3/30/10 @ 10:00 a.m. 3/30/10 @ 8:00 p.m. Berceuse Frédéric François Chopin The Goldberg Variations, BWV 988 Johann SebastianBach (1810-1849) Aria (1685-1750) Yoon Sook Song 1. Two-part Invention 2. Three-part Sinfonia from Sonata No. 3 Frédéric François Chopin 3. Two-part Canon at the unison with free bass 1. 4. Four-part imitative movement, quasi Passepied 5. Two-part Invention for two manuals with crossing of hands Kara Huber 6. Two-part Canon at the second with free bass 7. Two-part Gigue Partita in C Minor, BWV?? Johann SebastianBach 8. Two-part Invention for two manuals with crossing of hands (1685-1750) 9. Two-part Canon at the third with free bass Hye Eun Suh 10. Four-part Fughetto 11. Two-part Gigue for two manuals with crossing of hands 12. Two-part Canon at the fourth in contrary motion with free bass Rondo Frédéric François Chopin 13. Aria descant movement with two-part accompaniment Assaf Sommer 14. Two-part Arabesque with crossing of hands and elaborate figuration 15. Two-part Canon at the fifth in contrary motion with free bass (Minore) 16. French Overture Chopin Etude Competition 17. Two-part Arabesque, similar to number 14 Robert Weirich, adjudicator 18. Two-part Canon at the sixth with free bass 3/30/10 @ 1:00 p.m. 19. Three-part Minuet 20. Two-part Arabesque for two manuals with elaborate hand-crossing Op. 10, No. 10, Op. 10, No. 3 Frédéric François Chopin 21. Two-part Canon at the seventh with free chromatic bass (Minore) (1810-1849) 22. Three-part Fugato over a free bass in the style of a Ricercar 23. Two-part Arabesque for two manuals with elaborate hand-crossing Susie Ha 24. Two-part Canon at the octave over a free bass, quasi Gigue Op. 10, No. 6, FROM Trois Nouvelle Etudes, No. 3 25. Aria descant movement with two-part chromatic accompaniment (Minore) Yukiko Kaneko 26. Chordal Sarabande with elaborate flowing accompaniment, two manuals Op. 10, No. 2, Op. 10, No. 6 27. Two-part Canon at the ninth (without free bass) Connor Chee 28. Four-part Arabesque with trills and double trills 29. Toccata with alternating chords and passage work Op. 25, No. 11, Op. 10, No. 6 30. Three-part Quodlibet over a free bass Minji Kim Aria da Capo Op. 10, No. 1, Op. 10, No. 3 Robert Weirich has performed in musical centers Edward Choi throughout the United States, including Alice Tully Hall, the Kennedy Center, Chicago’s Orchestra Op.25, No. 9, Op. 10, No. 6 Hall, and at such summer festivals as Tanglewood, Young Eun Song Ravinia and Marlboro. Recent performances include Op. 10, No. 6, Op. 10, No. 7 solo recitals in Florida, New York, Illinois, Ohio and Hyun Min Kee the dedicatory recital of the Choukas Performing Op. 10, No. 6, Op. 10, No. 9 Arts Center at Vermont Academy. Since 2004 he has been the convention artist for the Music Eun Hye Lee Teachers National Association state organizations Op. 10, No. 6, Op. 25, No. 8 in Massachusetts, North Carolina, California, Mikael Darmanie Arkansas, and Indiana. Chamber performances Op. 10, No. 3, Op. 10, No. 5 include a tour of Thailand and Hong Kong with Rachel Bletstein UMKC colleague Carter Enyeart, a presentation on Op. 25, No. 1, Op. 10, No. 3 four-hand piano with wife and colleague Karen Kushner at the 2005 MTNA national convention in Seattle, and a boundary- Sarah Gillespie breaking lecture-recital with several UMKC colleagues on Bartok’s Sonata for Two Op. 25, No. 12, Op, 10, No. 6 Pianos and Percussion given at UMKC and at the 2006 national meeting of the College Bret Blasius Music Society in San Antonio. Find Mr. Weirich on the web at awadablog.typepad.com/bearcatpianofestival Nelita True Masterclass “Schumann-y Beautiful Pieces” Marathon 3/31/10 @ 10:00 a.m. 3/31/10 @ 7:00 p.m. Ballade in G Minor Frédéric François Chopin from Faschingsswank Aus Wien, Op. 26 Robert Schumann (1810-1849) 1. Allegro (1810-1856) Jeongin Kim Sarah Gillespie Fantasiestuck, Op. 12 Partita in E Minor, BWV?? Johann SebastianBach Susan Ha (1685-1750) Bora Kim — Intermission — Prelude,Chorale and Fugue (fugue) César Franck Papillons, Op. 2 Robert Schumann (1822-1890) Eun Hye Lee Anastasia Solomatina Kreisleriana, Op. 16 Mikael Darmanie Barcarolle Frédéric François Chopin — Intermission — Weiting Yin Symphonic Etudes, Op. 13 Robert Schumann Since Nelita True made her debut at age seventeen Jae Won Kim with the Chicago Symphony in Orchestra Hall and Carnaval, Op. 9 her New York debut with the Juilliard Orchestra Minji Kim in Avery Fisher Hall, her career has taken her to the major cities of Western and Eastern Europe, Indonesia, Korea, Japan, Mexico, Iceland, New Widmung Robert Schumann Zealand, Brazil, Australia, Canada, and to Hong arr. Franz Liszt Kong and Singapore, as well as to all fifty states Awadagin Pratt in America. She was a visiting professor at the St. Throughout his childhood, Awadagin Pratt Petersburg Conservatory in Russia, performing devoted his time to piano, violin and tennis, but and conducting master classes and has been in the eventually determined music to be his passion as he People’s Republic of China more than 20 times for began college at age 16 at the University of Illinois.
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