2018 Program Booklet
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Gershwin, from Broadway to the Concert Hall SONGS
Gershwin, from Broadway to the Concert Hall americaSONGS | RHAPSODY IN BLUE | CONCERTO IN F | SUMMERTIME . ! Volume 1 Volume 2 GEORGE GERSHWIN (1898-1937) ORCHESTRAL MUSIC PIANO SOLO 1 “I Got Rhythm” Variations for Piano and Orchestra (1934) 8’29 Original orchestration by George Gershwin Song Book (18 hit songs arranged by the composer) 2 4’05 1 The Man I Love. Slow and in singing style 2’25 Summertime George Gershwin, DuBose Heyward. From Porgy and Bess, 1935 2 I’ll Build a Stairway to Paradise. Vigorously 0’44 3 ‘s Wonderful. Liltingly 1’00 3 Rhapsody in Blue (1924) 15’31 4 I Got Rhythm. Very marked 1’05 Original ‘jazz band’ version 5 Do It Again. Plaintively 1’38 © Warner Bros. Music Corporation 6 Clap Yo’Hands. Spirited (but sustained) 0’56 Lincoln Mayorga, piano (1-3) 7 Oh, Lady Be Good. Rather slow (with humour) 1’04 8 Fascinating Rhythm. With agitation 0’51 Harmonie Ensemble / New York, Steven Richman 9 Somebody Loves Me. In a moderate tempo 1’17 10 My One and Only. Lively (in strong rhythm) 0’51 11 That Certain Feeling. Ardently 1’36 Piano Concerto in F 12 Swanee. Spirited 0’38 4 I. Allegro 13’18 13 Sweet and Low Down. Slow (in a jazzy manner) 1’05 5 II. Adagio 12’32 14 Nobody But You. Capriciously 0’53 6 III. Allegro agitato 6’48 15 Strike Up the Band. In spirited march tempo 0’56 7 Cuban Overture 10’36 16 Who Cares? Rather slow 1’30 © WB Music Corp. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Tchaikovsky Competition 1982 a Diary by Peter Donohoe1
TCHAIKOVSKY COMPETITION 1982 A DIARY BY PETER DONOHOE1 1 The footnotes in this diary are restrospective notes from 2012 – 30 years later... 08 June 1982 Recital at Charlotte Mason College in Ambleside in the British Lake District Program: Tchaikovsky Sonata 2 in G Major (1st Movement) Tchaikovsky November (from The Seasons) Tippett Sonata 2 Prokofiev Sonata 6 ---- Scriabin Etude Op65/3 Chopin Etude Op10/8 Rachmaninov Etude Tableau Op39/5 E flat Minor Bach Prelude and Fugue Book 2 No. 3 Flierkovsky – Prelude and Fugue in G minor Stravinsky Three Movements from Petrushka A very nice, but knowing guy came up to me after the concert, and said “That was a very unusual program. It is almost as if you are preparing to enter the Tchaikovsky Competition.” I asked him to keep it under his hat – it is never good for people to know in advance of your competition efforts, in case it doesn’t work out. Set off home at 11.00 p.m. The car –a Vauxhall Viva borrowed from my parents-in-law – broke down after about 10 miles of a 120 mile journey to my in-laws on the Wirral. Still in the Lake District countryside. The weather was appallingly wet. I had to get to the Wirral, and then the next morning to Manchester for an early flight to London to connect with the Aeroflot flight to Moscow. 09 June 1982 Thank God for the AA Relay service. They got me to the Wirral in the cab of one of their trucks, with the car on the back. -
Connecting Analysis and Performance: a Case Study for Developing an Effective Approach
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 6 Issue 1 Article 8 October 2013 Connecting Analysis and Performance: A Case Study for Developing an Effective Approach Annie Yih University of California, Santa Barbara Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Theory Commons Recommended Citation Yih, Annie (2013) "Connecting Analysis and Performance: A Case Study for Developing an Effective Approach," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 6 : Iss. 1 , Article 8. Available at: https://trace.tennessee.edu/gamut/vol6/iss1/8 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part IV), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. CONNECTING ANALYSIS AND PERFORMANCE: A CASE STUDY FOR DEVELOPING AN EFFECTIVE APPROACH ANNIE YIH ne of the purposes of teaching music theory is to connect the practice of analysis with O performance. However, several studies have expressed concern over a lack of connec- tion between the two, and they have raised questions concerning the performative qualities of traditional analytic theory.1 If theorists are to achieve one of the objectives of analysis in provid- ing performers with information for making decisions, and to develop what John Rink calls “informed intuition,” then they need to understand what types of analysis—and what details in an analysis—can be of service to performers.2 As we know, notation is not music; notation must be realized as music, and the first step involves score study. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
A Successful Season--So Far a P a PLACE for JAZZ O R
A P A PLACE FOR JAZZ O R J Website: http://www.timesunion.com/communities/jazz/—Updated daily A Successful Season--so far by Tim Coakley The 2005 season is rolling Dan Levinson and his along, and so far the con- Summa cum Laude Or- certs have been as suc- chestra re-created some cessful as they have been Bud Freeman Chicago- Inside this issue: varied. In addition, we style classics with verve attracted reviewers from and precision. Dan played Metroland and the Times both clarinet and sax, and M and M’s 3 Union, as well as The Daily Randy Reinhart led the Gazette. Here's a brief run- way with some sparkling down of the series to date: Calendar 4-5 cornet. Features 9 & 11 Dynamic pianist Hilton Ruiz and his Quintet pro- vided a mixture of Latin Jazz Times 6-7 music and bebop that got some members of the audi- Who IS this youthful drum- ence mer? (see page 3 for his dancing. Drummer Sylvia identity) Cuenca captured every- one's attention with her percussionistic pyrotech- nics. John Bailey & Gregg August VOLUNTEER HELP with kids at HHAC WANTED Hilton also worked with (photo by Jody Shayne) student musicians at SCCC, and showed We need help: Hamilton Hill youngsters Labeling newsletters (1 hour every how different styles of jazz 3 months…can be done at home) Bassist Gregg August and his sextet challenged us piano sounded. Musician John Bailey shows his Writing music reviews horn to young people at HHAC with some original and pro- Working on a young people’s (photo by Jody Shayne) project at the Hamilton Hill Art vocative compositions, At press time, we were get- Center along with fiery solos by ting ready to enjoy the vo- Check out our update monthly saxophonists Myron Wal- cal stylings of Roseanna calendar. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
13-404 International Piano Festival Program 13.Indd
4th San Marcos Hotel, Spa & Conference Center Julian Martin 1001 E. McCarty Lane, San Marcos, TX 78666 The Juilliard School 512.392.6450 www.sanmarcos.embassysuites.com Services and Amenities: 283 Two-Room Suites Complimentary Cooked-to-Order Breakfast Boris Slutsky Marina Lomazov Complimentary Manager’s Reception The Peabody Institute University of South Carolina Outdoor Heated Pool 78,000 Square Feet of Meeting Space Complimentary Transportation to and from Outlet Centers Washington García Jason Kwak Anton Nel Festival Founder and Director Festival Associate Director University of Texas at Austin Texas State University Texas State University June 1–9, 2013 4th Annual Texas State International Piano Festival | 36 1 | 4th Annual Texas State International Piano Festival ,1$*5($7$0(5,&$168&&(666725<%(*$1 7+$76725<&217,18(672'$< The Planets on Your Radio ,Q*HUPDQLPPLJUDQW+HQU\(6WHLQZD\ LQ1HZ<RUN&LW\6WHLQZD\ 6RQVFRQWLQXHV IRXQGHG6WHLQZD\ 6RQVLQ1HZ<RUN&LW\ WRHPSOR\DVNLOOHGORFDOZRUNIRUFHWKDWXVHV ZLWKWKHJRDORIEXLOGLQJWKHEHVWSLDQRSRVVLEOH PDQ\WHFKQLTXHVZKLFKKDYHEHHQSDVVHG ,QWKHSXUVXLWRIWKDWJRDOKHEHJDQRQHRIWKH GRZQIRUJHQHUDWLRQVLQFUHDWLQJWKHVH JUHDW$PHULFDQVXFFHVVVWRULHV0DQ\WKLQJV PDJQLƂFHQWLQVWUXPHQWV7KHRULJLQDOYLVLRQ KDYHFKDQJHGuLQ1HZ<RUNDQGDURXQGWKH DQGJRDORI+HQU\(6WHLQZD\WR ZRUOGuRYHUWKHFRXUVHRIPRUHWKDQDFHQWXU\ EXLOGWKHEHVWSLDQRSRVVLEOH DQGDKDOI+RZHYHUDW6WHLQZD\ 6RQVPDQ\ FRQWLQXHVRQDVWKHJRDODQGYLVLRQ LPSRUWDQWWKLQJVUHPDLQHGWKHVDPH6WHLQZD\ RIPDQ\7KHJUHDW$PHULFDQ SLDQRVFRQWLQXHWREHKDQGFUDIWHGZLWKSULGH VXFFHVVVWRU\FRQWLQXHV 72/($51025($%2877+(67(,1:$<6725<9,6,767(,1:$<&20 -
2016 Program Booklet
Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p. -
The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, Pianist
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 9-28-1999 The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist Angela Hewitt Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Hewitt, Angela, "The Rachel S. Thaler Concert Pianist Series, Angela Hewitt, pianist" (1999). All Concert & Recital Programs. 7773. https://digitalcommons.ithaca.edu/music_programs/7773 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Since her triumph in the 1985 international Bach piano competition in Toronto, and her subse- quent Bach recording for Deutsche Grammophon, Angela Hewitt has been hailed as "one of the outstanding Bach pianists of our time" (Sunday Times [London], 1997). In 1994 she embarked on a 10-year project to record all the major keyboard works by Bach for the Hyperion label. She has performed throughout North America and Europe, as well as in Japan, Australia, China, Mexico, and the former Soviet Union. Born into a musical family, Hewitt began her piano studies at the age of 3, performing in public at 4 and a year later winning her first scholarship. She also studied violin, recorder, singing, and classical ballet. At 9, she gave her first recital at Toronto's Royal Conservatory of Music, where she studied from 1964 to 1973. Hewitt then studied with French pianist Jean-Paul Sevilla at the University of Ottawa, from which she earned her bachelor of music degree at the age of 18. -
Overture November December 2018 2018 9/19/18 2:09 PM Page 1
NOVEMBER–DECEMBER 2018 TURANGALÎLA-SYMPHONIE MARIN ALSOP AND THE BSO TAKE ON ONE OF THE 20TH CENTURY’S MOST MONUMENTAL SYMPHONIC WORKS MARIN ALSOP AND THE BSO NEW PROGRAM WIN OPUS KLASSIK FOR MAKES FREE TICKETS BERNSTEIN RECORDING AVAILABLE TO CHILDREN 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 YULETIDE AT WINTERTHUR Open for holiday tours • November 17, 2018–January 6, 2019 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical performances, and a full season of festive celebrations. Tickets at 800.448.3883 or visit winterthur.org/yuletide. Included with admission. Members free. Open New Year’s Day. Closed Thanksgiving and Christmas Day. Presented by r e i n r u o F n e B Winterthur is nestled in Delaware’s beautiful Brandywine Valley on Route 52, just minutes from I-95, Exit 7. 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 NOVEMBER/ CONTENTS DECEMBER 2018 2 From the President 4 In Tempo: News of Note 6 BSO Live: Calendar of Events 7 Orchestra Roster 8 Turangalîla-symphonie Marin Alsop and the BSO take on one of the 20th century’s most monumental symphonic works 10 Poulenc Concerto for Two Pianos NOV 9–11 16 Copland Symphony No. 3 YULETIDE AT WINTERTHUR NOV 15 & 18 Off The Cuff: Copland Open for holiday tours • November 17, 2018–January 6, 2019 Symphony No. 3 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s NOV 16 & 17 magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical 20 Violinist Joshua Bell performances, and a full season of festive celebrations.