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The Portrayal of Tourette Syndrome in Film and Television Samantha Calder-Sprackman, Stephanie Sutherland, Asif Doja
ORIGINAL ARTICLE COPYRIGHT ©2014 T HE CANADIAN JOURNAL OF NEUROLOGICAL SCIENCES INC . The Portrayal of Tourette Syndrome in Film and Television Samantha Calder-Sprackman, Stephanie Sutherland, Asif Doja ABSTRACT: Objective: To determine the representation of Tourette Syndrome (TS) in fictional movies and television programs by investigating recurrent themes and depictions. Background: Television and film can be a source of information and misinformation about medical disorders. Tourette Syndrome has received attention in the popular media, but no studies have been done on the accuracy of the depiction of the disorder. Methods: International internet movie databases were searched using the terms “Tourette’s”, “Tourette’s Syndrome”, and “tics” to generate all movies, shorts, and television programs featuring a character or scene with TS or a person imitating TS. Using a grounded theory approach, we identified the types of characters, tics, and co-morbidities depicted as well as the overall representation of TS. Results: Thirty-seven television programs and films were reviewed dating from 1976 to 2010. Fictional movies and television shows gave overall misrepresentations of TS. Coprolalia was overrepresented as a tic manifestation, characters were depicted having autism spectrum disorder symptoms rather than TS, and physicians were portrayed as unsympathetic and only focusing on medical therapies. School and family relationships were frequently depicted as being negatively impacted by TS, leading to poor quality of life. Conclusions: Film and television are easily accessible resources for patients and the public that may influence their beliefs about TS. Physicians should be aware that TS is often inaccurately represented in television programs and film and acknowledge misrepresentations in order to counsel patients accordingly. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
Ancient Mysteries Revealed on Secrets of the Dead A
AUGUST 2019 Ancient Mysteries A Heartwarming Revealed on New Season of Secrets of the Dead Call the Midwife PAGE XX PAGE X CONTENTS 2 3 4 5 7 22 PERKS + EVENTS NEWS + NOTES RADIO SCHEDULE RADIO SPECIALS + TV LISTINGS PASSPORT PODCASTS Special events Highlights of What’s airing Your monthly guide What’s new and and member what’s happening when New and what’s going away benefits recommended PERKS + EVENTS On Common Ground: Economic Inequality and the Future of Work Thursday, October 10 San Francisco What will the future hold for working people? The potential for finding meaningful, lucrative work grows more uncertain with the rise of the “gig economy,” automation and Artificial Intelligence (AI). KQED’s Mina Kim hosts a conversation on the structural changes facing tomorrow’s workforce and what we can do to ensure the dignity of workers and living wages for all. Register at kqed.org/events. KQED Member Days at the Asian Art Museum Friday, October 11, and Saturday, October 12 San Francisco Discover how two artists, seeking a new direction for modern art after World War II, found inspiration in Japanese tradition. At Changing and Unchanging Things, trace the friendship, ideas and mutual influence of Isamu Noguchi and Saburo Hasegawa, who both sought to balance tradition and modernity, Japanese culture and foreign influences, and the past and present. Admission is free for KQED members plus one guest with a current KQED Member card or membership information on On KQED plus a valid ID. Tickets are based on day-of availability only. asianart.org The Great 14th: Tenzin Gyatso, The 14th Dalai Lama in His Own Words, directed by Rosemary Rawcliffe. -
Twin Peaks at Twenty-Five
IN FOCUS: Returning to the Red Room—Twin Peaks at Twenty-Five Foreword by DAVID LAVERY or Twin Peaks (ABC, 1990–1991), 2015 was a damn fine year. The last annum has seen the completion of a new collection of critical essays ( Jeffrey Weinstock and Catherine Spooner’s Return to “Twin Peaks”: New Approaches to Theory & Genre in Television), an international conference in the United Kingdom (“ ‛I’ll See You Again Fin 25 Years’: The Return of Twin Peaks and Generations of Cult TV” at the University of Salford), and the current In Focus.1 Not coincidently, this has transpired alongside the commissioning of the return of the series on the American premium cable channel Showtime for a 2017 debut. Long before this Twin Peaks renaissance, the place of David Lynch and Mark Frost’s “quirky quality” series in TV history was, however, already secure.2 As the creator of the iconic series Mad Men, Matthew Weiner, now fifty years old, put it definitively: “I was already out of college when Twin Peaks came on, and that was where I became aware of what was possible on television.”3 Twin Peaks has played a central role as well in our understanding of what is possible in television studies. As I have written and spoken about elsewhere, the collection Full of Secrets: Critical Approaches to “Twin 1 See Jeffrey Weinstock and Catherine Spooner, eds., Return to “Twin Peaks”: New Approaches to Materiality, Theory, and Genre on Television (Basingstoke, UK: Palgrave Macmillan, 2015). For a review of the conference, see Ross Garner, “Conference Review: “‘I’ll See You Again in 25 Years’: The Return of Twin Peaks and Generations of Cult TV”: University of Salford, 21–22 May 2015,” Critical Studies in Television Online, June 5, 2015, http://cstonline.tv/twin-peaks. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
For Programming One Hour Or More
Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network -
A Storypath Exploring the Lasting Legacy of Celilo Falls
Living in Celilo – A Storypath Exploring the Lasting Legacy of Celilo Falls By Shana Brown Office of Native Education/Office of Superintendent of Public Instruction Washington State In cooperation with Trillium Publishing, Inc. Acknowledgements Shana Brown would like to thank: Carol Craig, Yakama Elder, writer, and historian, for her photos of Celilo as well as her expertise and her children’s story, “I Wish I Had Seen the Falls.” Chucky is really her first grandson (and my cousin). The Columbia River Inter-tribal Fish Commission for providing information about their organization and granting permission to use articles, including a piece from their magazine, Wana Chinook Tymoo. HistoryLink.org for granting permission to use the article, “Dorothea Nordstrand Recalls Old Celilo Falls.” The Northwest Power and Conservation Council for granting permission to use an excerpt from the article, “Celilo Falls.” Ritchie Graves, Chief of the NW Region Hydropower Division’s FCRPS Branch, NOAA Fisheries, for providing information on survival rates of salmon through the dams on the Columbia River system. Sally Thompson, PhD., for granting permission to use her articles. Se-Ah-Dom Edmo, Shoshone-Bannock/Nez Perce/Yakama, Coordinator of the Indigenous Ways of Knowing Program at Lewis and Clark College, Columbia River Board Member, and Vice- President of the Oregon Indian Education Association, for providing invaluable feedback and guidance as well as copies of the actual notes and letters from the Celilo Falls Community Club. The Oregon Historical Society for granting permission to use articles from the Oregon Historical Quarterly. The Oregon Historical Society Research Library Moving Image Collections for granting permission to use video material. -
Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment Erin Lucas
University of Portland Pilot Scholars Graduate Theses and Dissertations 2014 Woman vs. Machine: Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment Erin Lucas Follow this and additional works at: http://pilotscholars.up.edu/etd Part of the Film and Media Studies Commons, and the Fine Arts Commons Recommended Citation Lucas, Erin, "Woman vs. Machine: Directing Machinal, Sophie Tredwell's Expressionistic Outcry Against the Male Establishment" (2014). Graduate Theses and Dissertations. 17. http://pilotscholars.up.edu/etd/17 This Master Thesis is brought to you for free and open access by Pilot Scholars. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. CONTENTS Chapter 1: Introduction 4 Chapter 2: Research 8 Historical Context – American Women in the 1920s 8 Technological Advancement 13 Treadwell Background and Views 16 Source Material – Ruth Snyder Murder Case 20 Expressionism 22 Chapter 3: Analysis 27 Given Circumstances 28 Theatrical Contract 29 Conflict 30 Genre 33 Characters 34 Theme – Female Identity in a Male-Dominated, Mechanized Society 44 Conclusion 48 Chapter 4: Production Approach 49 Scenery 50 Props 54 Lighting 54 Costumes 54 Sound 57 Acting Style 58 Special Problems 60 Conclusion 61 Chapter 5: Auditions, Casting and Rehearsals 63 Auditions 63 Casting 64 Character Meetings 66 First Rehearsal 67 Table Work 68 Style Work 68 The Jury 73 Prologue 73 Transitions 74 Conclusion 74 Chapter 6: Design Process 75 Scenic 76 Costumes 77 Sound 77 2 Lighting 79 Conclusion 79 Chapter 7: Post-Production Response 80 Chapter 8: Conclusion 90 Appendices Appendix A: Audition Notice 92 Appendix B: Production Photos 95 Works Cited 106 3 Chapter 1 Introduction Machinal, French for mechanical or automatic, is Sophie Treadwell’s groundbreaking expressionist play, written in 1928. -
Serial Podcast Season One Every Episode, from 1 to 12, Combined in One Easy-To-Search File
1 Complete Transcripts for Serial Podcast Season One Every episode, from 1 to 12, combined in one easy-to-search file These transcripts are based on the Serial Podcast produced by This American Life and WBEZ Chicago. Original audio files can be found on www.serialpodcast.org, iTunes, and other podcast distribution sites. Producing the transcripts was a crowd sourced effort by some users of the the /r/serialpodcast subreddit during the original release period of the podcast from October to December 2014. Please note they may not be an exact, verbatim record - contributors were told "don't worry about getting every um, and, er. Just try to get the point of the sentence as clear as possible." Particular thanks to /u/JakeProps, organizer of the transcriptions and a founding moderator of the subreddit. Link Title Original release date Episode 1 The Alibi 3 October 2014 Episode 2 The Breakup 3 October 2014 Episode 3 Leakin Park 10 October 2014 Episode 4 Inconsistencies 16 October 2014 Episode 5 Route Talk 23 October 2014 Episode 6 The Case Against Adnan Syed 30 October 2014 Episode 7 The Opposite of the Prosecution 6 November 2014 Episode 8 The Deal with Jay 13 November 2014 Episode 9 To Be Suspected 20 November 2014 Episode 10 The Best Defense is a Good Defense 4 December 2014 Episode 11 Rumors 11 December 2014 Episode 12 What We Know 18 December 2014 This file was downloaded from the Undisclosed Wiki website https://www.adnansyedwiki.com/serial/ where you can find out about aspects of this case that were not covered by Serial, including original case files from both police and the defense, photos, trial transcripts, and other evidence which has come to light since the podcast was made. -
Distribution Agreement in Presenting This Thesis As A
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Anjali Maya Mahesh Patel April 2nd, 2018 Streaming the Sitcom: The Minority Experience in Netflix’s Dear White People, Master of None and Chewing Gum by Anjali Maya Mahesh Patel Dr. Michele Schreiber Adviser Department of Film and Media Studies Dr. Michele Schreiber Adviser Dr. Beretta Smith-Shomade Committee Member Dr. Cynthia Willett Committee Member 2018 Streaming the Sitcom: The Minority Experience in Netflix’s Dear White People, Master of None and Chewing Gum By Anjali Maya Mahesh Patel Dr. Michele Schreiber Adviser An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of Film and Media Studies 2018 Abstract Streaming the Sitcom: The Minority Experience in Netflix’s Dear White People, Master of None and Chewing Gum By Anjali Maya Mahesh Patel Since its founding in 1997, Netflix has been the pioneer of streaming television, creating interesting, successful shows using data analytics. -
"Amped About Hell": Representations of the Suburban Gothic in Serial Television Simone Marjorie Perry Lake Forest College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lake Forest College Publications Lake Forest College Lake Forest College Publications Senior Theses Student Publications 4-28-2014 "Amped About Hell": Representations of the Suburban Gothic in Serial Television Simone Marjorie Perry Lake Forest College, [email protected] Follow this and additional works at: http://publications.lakeforest.edu/seniortheses Part of the American Studies Commons, Critical and Cultural Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Perry, Simone Marjorie, ""Amped About Hell": Representations of the Suburban Gothic in Serial Television" (2014). Senior Theses. This Thesis is brought to you for free and open access by the Student Publications at Lake Forest College Publications. It has been accepted for inclusion in Senior Theses by an authorized administrator of Lake Forest College Publications. For more information, please contact [email protected]. "Amped About Hell": Representations of the Suburban Gothic in Serial Television Abstract Derived from the work of Bernice M. Murphy, "Suburban Gothic" is a subgenre in popular culture providing continuous commentary on American society. Though she writes extensively about depictions of Suburban Gothic throughout the last several decades, Murphy’s research has shown little interest in television. The advent of complex narrative in serial television, particularly over the last twenty-five years, is crucial to homing in on the format. Viewing the Suburban Gothic as a "genre television,” we can see it evolving into a higher art form. Using essays in aesthetics and film theory to enhance the understanding of Suburban Gothic, three shows are using a combination of these theories. -
PATRON NETWORK DVD LIBRARY Patron DVD Library WNET New York Public Media 825 Eighth Avenue New York, NY 10019-7435
PATRON NETWORK DVD LIBRARY Patron DVD Library WNET New York Public Media 825 Eighth Avenue New York, NY 10019-7435 Dear Patron, I am delighted to present you with Patron DVD Library Catalog, featuring over 1,000 DVDs of your favorite public television programs. We are continually refreshing our catalog with great programming, like NATURE, AMERICAN MASTERS, and GREAT PERFORMANCES, films from REEL .13 ; and complete series like DOWNTON ABBEY. For the most up-to-date catalog of titles, and the ability to electronically search, you can always visit www.thirteen.org/patronlibrary. To borrow DVDs from the Library, simply call or email our volunteer manager, Doris B. Hirsch, at 212.560.4983 or [email protected]. Doris will then promptly send your requested DVDs. You may borrow as many as four discs at a time for up to two weeks. And, to simplify returns, we also include a postage-paid return envelope. Providing our Patrons with exclusive access to copies of THIRTEEN and WLIW21 programs is just one of the ways we express our appreciation for your incredible generosity. For more information on Patron benefits, please call our dedicated Patron line at 212.560.2828. Thank you so much for your continued commitment to public television. Sincerely, Tyson D. Ford Director of Patron Programs Table of Contents Page Numbers Art 3 Children's 4 Comedy 4 Dance 6 Documentary 7 Drama 13 History 18 Humanities 22 Jewish Interests 24 Mystery 25 Nature 28 New York 31 News & Public Affairs 33 Opera 35 Performance 38 REEL 13 43 Science 45 Theatre 47 Travel 48 Alphabetical Index 50 Updated in June 2014 Patron DVD Library Page 3 of 81 Art Art in the Twenty-First Century - Disc 1 - Parts 1 - 4 (2001-06) Art in the Twenty-First Century - Disc 2 - Parts 5 - 8 Artist Toolbox: Hugh Newell Jacobsen (2011) Barnes Collection: PBS Arts (Dr.