Body Modification Mind Control Manga
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April 5, 2021
APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja -
WARNING: a Note from the Author
Author: Saitou Nanami Title: Love in the Time of the Vespa Part: 1 of ? Summary: When my parents return to Japan, I decide to remain in the U.S. Living with the family of my best friend. The story follows events as our relationship deepens into a ro mantic entanglement. Keywords: hs, ff, rom, pett, nosex Language: English Revision: 24a WARNING: This story contains adult situations and homosexual themes involving relationships between minors. If you have not reached the age of majority in your jurisdiction (usually 18 or 21), if the content contained within is considered contraband in your jurisdiction, or if access to such materials is counter-indicated in the Terms of Service provided to you by your Internet Service Provider, please read no further than this paragraph prior to discard ing and heuristically, or physically destroying this file. A note from the author: Be a patriot of the human condition and commit a thought crime daily, you may have less time than you think left to do so. I want to thank Moloko, IAMX, and Goldfrapp for keeping me focused, and to thank Konno Oyuki, and Yazawa Ai for bringing depth to a shal low genre, but most importantly I want to thank my friend and confidant Summer for poking her fingers through my massive plot holes. This was written in Notepad++ using the speech plug-in to aid in revision. Spell checking, was done with GNU Aspell. I encourage, welcome, appreciate, and intend to respond to: comments, questions, criti cism, praise, flattery, encouragement, and abuse, just not necessarily very rapidly (this includes correcting my crappy romanji, as I am the first to admit I suck at Japanese XD). -
Japanese Cinema at the Digital Turn Laura Lee, Florida State University
1 Between Frames: Japanese Cinema at the Digital Turn Laura Lee, Florida State University Abstract: This article explores how the appearance of composite media arrangements and the prominence of the cinematic mechanism in Japanese film are connected to a nostalgic preoccupation with the materiality of the filmic image, and to a new critical function for film-based cinema in the digital age. Many popular Japanese films from the early 2000s layer perceptually distinct media forms within the image. Manipulation of the interval between film frames—for example with stop-motion, slow-motion and time-lapse techniques—often overlays the insisted-upon interval between separate media forms at these sites of media layering. Exploiting cinema’s temporal interval in this way not only foregrounds the filmic mechanism, but it in effect stages the cinematic apparatus, displaying it at a medial remove as a spectacular site of difference. In other words, cinema itself becomes refracted through these hybrid media combinations, which paradoxically facilitate a renewed encounter with cinema by reawakening a sensuous attachment to it at the very instant that it appears to be under threat. This particular response to developments in digital technologies suggests how we might more generally conceive of cinema finding itself anew in the contemporary media landscape. The advent of digital media and the perceived danger it has implied for the status of cinema have resulted in an inevitable nostalgia for the unique properties of the latter. In many Japanese films at the digital turn this manifests itself as a staging of the cinematic apparatus, in 1 which cinema is refracted through composite media arrangements. -
Economic Contribution of the Japanese Film and Television Industry
Economic Contribution of the Japanese Film and Television Industry Report October 2015 Mitsubishi Research Institute, Inc. This report has been commissioned by The Motion Picture Association (MPA) in collaboration with Japan and International Motion Picture Copyright Association, Inc. (JIMCA). JIMCA represents the interests in Japan of major motion picture companies and the MPA. Acknowledgements This report required gathering data from number of sources, including publicly available data from domestic industrial organizations. We would like to thank the organizations below for their help in our understanding of the data, as well as their cooperation with our interviews and discussions. Japan Satellite Broadcasting Association (JSBA) Foreign Film Importer - Distributors Association of Japan (FFIDAJ) Motion Picture Producers Associations of Japan, Inc. (MPPAJ) Japan Video Software Association (JVA) Japan Cable and Telecommunication Association (JCTA) The Association of Japanese Animation (AJA) Japan Association of Theatre Owners (JATO) Compact Disc & Video Rental Commerce Trade Association of Japan (CDV-J) (Japanese alphabetical) Contents 1. Executive Summary ................................................................................................................... 1 1.1 FRAMEWORK AND METHODOLOGY .................................................................................................... 1 1.2 RESULTS FOR ECONOMIC CONTRIBUTION AND MARKET OUTLOOK ....................................................... 1 2. Framework -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Aniplex Online Fest 2021 Returns This Summer Announcing First Round of Programming Line-Up
To view or embed the Aniplex Online Fest 2021 commercial via YouTube, please visit: https://youtu.be/WIgyVu38ULg FOR IMMEDIATE RELEASE MAY 27, 2021 Aniplex Online Fest 2021 Returns this Summer Announcing First Round of Programming Line-Up Dive into the world of anime as the online event hosted by Aniplex returns! SANTA MONICA, CA (MAY 27, 2021) – Aniplex of America is thrilled to announce the return of Aniplex Online Fest 2021 on Saturday, July 3, 2021 (PDT). After the successful inaugural event in July 2020, which welcomed over 800,000 viewers from all over the world, Aniplex Online Fest is scheduled to feature programming from popular Aniplex shows, performances from the biggest musical acts, and more, streaming worldwide for free this summer. Aniplex Online Fest 2021 is also proud to reveal the main visual illustrated by Saki Takahashi and the first round of the programming line-up, which includes Demon Slayer: Kimetsu no Yaiba, Sword Art Online the Movie -Progressive- Aria of a Starless Night, Fate/Grand Order ANIME PROJECT, and Puella Magi Madoka Magica 10th Anniversary Project x Magia Record: Puella Magi Madoka Magica Side Story. For more information on Aniplex Online Fest 2021, visit: https://aniplex-online-fest.com/en/ ABOUT [ ANIPLEX ONLINE FEST 2021 ] Event Name: Aniplex Online Fest 2021 Date: Saturday July 3, 2021, 6 PM – Midnight (PDT)* Organizer: Aniplex Inc. Co-sponsored by: Sony Music Entertainment (Japan) Inc. Streaming: YouTube Cost: Free Website: https://aniplex-online-fest.com/en/ *Streaming time is subject to change. -
1 WHAT's in a SUBTITLE ANYWAY? by Katherine Ellis a Thesis
WHAT’S IN A SUBTITLE ANYWAY? By Katherine Ellis A thesis Presented to the Independent Studies Program of the University of Waterloo in fulfillment of the thesis requirements for the degree Bachelor of Independent Studies (BIS) Waterloo, Canada 2016 1 剣は凶器。剣術は殺人術。それが真実。薫どのの言ってる事は...一度も自分 の手血はがした事もないこと言う甘えだれ事でござる。けれでも、拙者は真実よ りも薫どのの言うざれごとのほうが好きでござるよ。願あくはこれからのよはそ の戯れ言の真実もらいたいでござるな。 Ken wa kyouki. Kenjutsu wa satsujinjutsu. Sore wa jijitsu. Kaoru-dono no itte koto wa… ichidomo jishin no te chi wa gashita gotomonaikoto iu amae darekoto de gozaru. Keredomo, sessha wa jujitsu yorimo Kaoru-dono no iu zaregoto no houga suki de gozaru yo. Nega aku wa korekara no yo wa sono zaregoto no jujitsu moraitai de gozaru na. Swords are weapons. Swordsmanship is the art of killing. That is the truth. Kaoru-dono ‘s words… are what only those innocents who have never stained their hands with blood can say. However, I prefer Kaoru- dono’s words more than the truth, I do. I wish… that in the world to come, her foolish words shall become the truth. - Rurouni Kenshin, Rurouni Kenshin episode 1 3 Table of Contents Abstract……………………………………………………………………………………………………………….5 Body Introduction………………………………………………………………….……………………………………..6 Adaptation of Media……………………………………………….…………………………………………..12 Kenshin Characters and Japanese Archetypes……………………………………………………...22 Scripts Japanese………………………………………………………………………………………………….29 English……………………………………………………………………………………………………35 Scene Analysis……………………………………………………………………………………………………40 Linguistic Factors and Translation………………………………………………………………………53 -
Adult Comics
9780415606899.c:Layout 1 22/8/10 20:00 Page 1 ISBN 978-0-415-60689-9 90000 9 780415 606899 Adult Comics In a society where a comic equates with knockabout amusement for children, the sudden pre-eminence of adult comics, on everything from political satire to erotic fantasy, has predictably attracted an enormous amount of attention. Adult comics are part of the cultural landscape in a way that would have been unimaginable a decade ago. In this first survey of its kind, Roger Sabin traces the history of comics for older readers from the end of the nineteenth century to the present. He takes in the pioneering titles pre-First World War, the underground 'comix' of the 1960s and 1970s, 'fandom' in the 1970s and 1980s, and the boom of the 1980s and 1990s (including 'graphic novels' and Viz.). Covering comics from the United States, Europe and Japan, Adult Comics addresses such issues as the graphic novel in context, cultural overspill and the role of women. By taking a broad sweep, Sabin demonstrates that the widely-held notion that comics 'grew up' in the late 1980s is a mistaken one, largely invented by the media. Adult Comics: An Introduction is intended primarily for student use, but is written with the comic enthusiast very much in mind. Roger Sabin is a freelance arts journalist, living and working in London. He has written about comics for several national news- papers and magazines, including The Guardian, The Independent and New Statesman and Society. THE NEW ACCENT SERIES General Editor: Terence Hawkes Alternative Shakespeares 1, ed. -
Comic Books: Superheroes/Heroines, Domestic Scenes, and Animal Images
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1980 Volume II: Art, Artifacts, and Material Culture Comic Books: Superheroes/heroines, Domestic Scenes, and Animal Images Curriculum Unit 80.02.03 by Patricia Flynn The idea of developing a unit on the American Comic Book grew from the interests and suggestions of middle school students in their art classes. There is a need on the middle school level for an Art History Curriculum that will appeal to young people, and at the same time introduce them to an enduring art form. The history of the American Comic Book seems appropriately qualified to satisfy that need. Art History involves the pursuit of an understanding of man in his time through the study of visual materials. It would seem reasonable to assume that the popular comic book must contain many sources that reflect the values and concerns of the culture that has supported its development and continued growth in America since its introduction in 1934 with the publication of Famous Funnies , a group of reprinted newspaper comic strips. From my informal discussions with middle school students, three distinctive styles of comic books emerged as possible themes; the superhero and the superheroine, domestic scenes, and animal images. These themes historically repeat themselves in endless variations. The superhero/heroine in the comic book can trace its ancestry back to Greek, Roman and Nordic mythology. Ancient mythologies may be considered as a way of explaining the forces of nature to man. Examples of myths may be found world-wide that describe how the universe began, how men, animals and all living things originated, along with the world’s inanimate natural forces. -
Patch's London Adventure 102 Dalmations
007: Racing 007: The World Is Not Enough 007: Tomorrow Never Dies 101 Dalmations 2: Patch's London Adventure 102 Dalmations: Puppies To The Rescue 1Xtreme 2002 FIFA World Cup 2Xtreme ok 360 3D Bouncing Ball Puzzle 3D Lemmings 3Xtreme ok 3D Baseball ok 3D Fighting School 3D Kakutou Tsukuru 40 Winks ok 4th Super Robot Wars Scramble 4X4 World Trophy 70's Robot Anime Geppy-X A A1 Games: Bowling A1 Games: Snowboarding A1 Games: Tennis A Bug's Life Abalaburn Ace Combat Ace Combat 2 ok Ace Combat 3: Electrosphere ok aces of the air ok Acid Aconcagua Action Bass Action Man: Operation Extreme ok Activision Classics Actua Golf Actua Golf 2 Actua Golf 3 Actua Ice Hockey Actua Soccer Actua Soccer 2 Actua Soccer 3 Adidas Power Soccer ok Adidas Power Soccer '98 ok Advan Racing Advanced Variable Geo Advanced Variable Geo 2 Adventure Of Little Ralph Adventure Of Monkey God Adventures Of Lomax In Lemming Land, The ok Adventure of Phix ok AFL '99 Afraid Gear Agent Armstrong Agile Warrior: F-111X ok Air Combat ok Air Grave Air Hockey ok Air Land Battle Air Race Championship Aironauts AIV Evolution Global Aizouban Houshinengi Akuji The Heartless ok Aladdin In Nasiria's Revenge Alexi Lalas International Soccer ok Alex Ferguson's Player Manager 2001 Alex Ferguson's Player Manager 2002 Alien Alien Resurrection ok Alien Trilogy ok All Japan Grand Touring Car Championship All Japan Pro Wrestling: King's Soul All Japan Women's Pro Wrestling All-Star Baseball '97 ok All-Star Racing ok All-Star Racing 2 ok All-Star Slammin' D-Ball ok All Star Tennis '99 Allied General -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
Report Artist Release Tracktitle Streaming 2017 1Wayfrank Ayegirl
Report Artist Release Tracktitle Streaming 2017 1wayfrank Ayegirl - Single Ayegirl Streaming 2017 2 Brothers On the 4th Floor Best of 2 Brothers On the 4th Floor Dreams (Radio Version) Streaming 2017 2 Chainz TrapAvelli Tre El Chapo Jr Streaming 2017 2 Unlimited Get Ready for This - Single Get Ready for This (Yar Rap Edit) Streaming 2017 3LAU Fire (Remixes) - Single Fire (Price & Takis Remix) Streaming 2017 4Pro Smiler Til Fjender - Single Smiler Til Fjender Streaming 2017 666 Supa-Dupa-Fly (Remixes) - EP Supa-Dupa-Fly (Radio Version) Lets Lurk (feat. LD, Dimzy, Asap, Monkey & Streaming 2017 67 Liquez) No Hook (feat. LD, Dimzy, Asap, Monkey & Liquez) Streaming 2017 6LACK Loyal - Single Loyal Streaming 2017 8Ball Julekugler - Single Julekugler Streaming 2017 A & MOX2 Behøver ikk Behøver ikk (feat. Milo) Streaming 2017 A & MOX2 DE VED DET DE VED DET Streaming 2017 A Billion Robots This Is Melbourne - Single This Is Melbourne Streaming 2017 A Day to Remember Homesick (Special Edition) If It Means a Lot to You Streaming 2017 A Day to Remember What Separates Me from You All I Want Streaming 2017 A Flock of Seagulls Wishing: The Very Best Of I Ran Streaming 2017 A.CHAL Welcome to GAZI Round Whippin' Streaming 2017 A2M I Got Bitches - Single I Got Bitches Streaming 2017 Abbaz Hvor Meget Din X Ikk Er Mig - Single Hvor Meget Din X Ikk Er Mig Streaming 2017 Abbaz Harakat (feat. Gio) - Single Harakat (feat. Gio) Streaming 2017 ABRA Rose Fruit Streaming 2017 Abstract Im Good (feat. Roze & Drumma Battalion) Im Good (feat. Blac) Streaming 2017 Abstract Something to Write Home About I Do This (feat.