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OC REGIONAL FILM STARS UNENDING TRAIN OF TRAGEDY 18 `60 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED TO FARIDABAD/05/2017-19 POST WITHOUT PREPAYMENT REGISTERED NO. RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? DIGITAL EDITION OC FREE WITH YOUR REGIONAL FILMFILM STARS UNENDING TRAIN OF TRAGEDYTRAGED www.indiatoday.in NOVEMBER 5, 2018 `60 9 9 DIGITAL EDITION MAY 8, 2017 OCTOBER 2018 WEAVESOF WONDER Making a difference WHAT TO EAT BEFORE YOUR WORKOUT WHY MAMMOGRAMS MATTER The Tre dsetters 50 INFLUENTIAL WOMEN UNDER 50 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED FARIDABAD/05/2017-19 TO POST WITHOUT REGISTEREDPREPAYMENT NO. Anshu Jamsenpa, first Festive Spirit Indian woman to scale the Everest five times CELEBRATE THE SEASON IN STYLE RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? EXCLUSIVE MULTIMEDIA CONTENT ONLY FOR IPAD AYODHYA THE MANDIR MOMENTUM BOOK REVIEW BLIGHTLY ON OUR LAND COVER STORY WHAT A MESS BIG STORY BLOOD ON THE TRACKS #CBIWar SUBSCRIBE NOW www.indiatoday.in/digitalmagazines FROM THE www.indiatoday.in EDITOR-IN-CHIEF EDITOR-IN-CHIEF: Aroon Purie GROUP EDITORIAL DIRECTOR: Raj Chengappa heCBI’sinitialshavelongbeenthe tampering with evidence and worse. GROUP CREATIVE EDITOR: Nilanjan Das; GROUP PHOTO EDITOR: Bandeep Singh butt of alternative interpretati- Our cover story this week, by Deputy MANAGING EDITORS: Kai Jabir Friese, Rajesh Jha CONSULTING EDITOR: Ajit Kumar Jha (Research) on—from Narendra Modi’s 2013 Editor Uday Mahurkar, digs deep into the EXECUTIVE EDITORS: Damayanti Datta, S. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Signatory ID Name CIN Company Name 02700003 RAM TIKA
Signatory ID Name CIN Company Name 02700003 RAM TIKA U55101DL1998PTC094457 RVS HOTELS AND RESORTS 02700032 BANSAL SHYAM SUNDER U70102AP2005PTC047718 SHREEMUKH PROPERTIES PRIVATE 02700065 CHHIBA SAVITA U01100MH2004PTC150274 DEJA VU FARMS PRIVATE LIMITED 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 02700076 BHARATI GHOSH U85110WB2007PTC118976 ACCURATE MEDICARE & 02700087 JAIN MANISH RAJMAL U45202MH1950PTC008342 LEO ESTATES PRIVATE LIMITED 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700126 GUPTA JAGDISH PRASAD U74210MP2003PTC015880 GOPAL SEVA PRIVATE LIMITED 02700155 KRISHNAKUMARAN NAIR U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700157 DHIREN OZA VASANTLAL U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700183 GUPTA KEDAR NATH U72200AP2004PTC044434 TRAVASH SOFTWARE SOLUTIONS 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES LIMITED 02700216 JAIN MANOJ U15400MP2007PTC020151 CHAMBAL VALLEY AGRO 02700222 BHAIYA SHARAD U45402TN1996PTC036292 NORTHERN TANCHEM PRIVATE 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING HOSPITALITY 02700266 KUMARI POLURU VIJAYA U60221PY2001PLC001594 REGENCY TRANSPORT CARRIERS 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS PRIVATE 02700322 GOPAL KAKA RAM U01400UP2007PTC033194 KESHRI AGRI GENETICS PRIVATE 02700342 ASHISH OBERAI U74120DL2008PTC184837 ASTHA LAND SCAPE PRIVATE 02700354 MADHUSUDHANA REDDY U70200KA2005PTC036400 -
Margarita, with a Straw
E-KIT Margarita, With a Straw Table of contents: Synopsis Cast & Crew Press releases Images Synopsis Laila is a young romantic, a secret rebel in a wheelchair. Undeterred by cerebral palsy, she embarks on a journey of sexual discovery. Her exhilarating adventures cause a rift both within herself and with those she is closest to. Ultimately, it is in the intensity of these bonds that she finds the strength to be truly herself. Cast Laila Kalki Koechlin Shubhangini (Mother) Revathy Khanum Sayani Gupta Jared William Moseley Dhruv Hussain Dalal Nima Tenzing Dalha Balraj (Father) Kuljeet Singh Monu (Brother) Malhar Khushu Crew Writer/Director Shonali Bose Co-Writer/Co-Director Nilesh Maniyar Produced by Viacom18 Motion Pictures and Ishan Talkies Co-produced by Jakhotia Group and ADAPT Cinematographer Anne Misawa Composer Mikey McCleary Sound Design Resul Pookutty (CAS, MPSE), Amrit Pritam Editor Monisha Baldawa Production Design Somenath Pakre, Prasun Chakraborthy Costume Design Niharika Bhasin, Maria Tharakkan, Nikia Nelson Hindi Lyrics Prasoon Joshi Directors note This my second film - is inspired by my cousin sister Malini who has acute cerebral palsy. That’s a condition where the part of your brain that controls your motor skills is damaged at birth. But your emotional and intellectual abilities are intact. When I was 40 and Malini was 39 – we were having a drink in a London pub. I was passing through on my way from America to India and she was getting a second Masters degree there. I said – what are we going to do for your 40th? It’s absolutely the best birthday. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
The Songs Refer to the History and Heritage of Delhi
the story so far About NalandaWay Putting Art in Every Classroom Nalandaway Foundation uses visual and performing Arts to help children from disadvantaged communities in India. Our endeavor is to improve learning abilities, reinforce positive behavior and help children soar high by enabling them to be creative and express through Arts. Founded in 2005, Nalandaway has been helping children raise their voices and issues through theatre, visual arts, music, dance, radio and films. This here is a look at all our projects through the years. INDEX S.No Projects 01 Art in Education 02 Art Labs 03 NalandaWay Scholars 04 Project Hope 05 Art for Well-being 06 Take It Easy 07 Ready Joot! 08 Chennai Children’s Choir 09 Delhi Children’s Choir 10 Fundango 11 Gutar Goo 12 Art for Healing 13 Kannavu Pattarai 14 Children’s Media Project 15 “Shout It Out” – Music Album 16 Children & Youth Radio Project 17 Art, Arattai, Aarpattam 18 Theatre Productions 19 Percussion Band in Ongole 20 Youth Speak Summit 21 Murals 22 Awards Top With the help of education experts from around the world we have designed an age appropriate art curriculum that aligns with the state board syllabus. The curriculum consists of Art Cards and Art Projects. Every term the teachers are expected to facilitate classes using at least five art cards. These Art cards contain instructions, pictures and notes for teachers. We also provide art materials and mentorship to teachers and students. Children learn by doing. For example first standard students who are learning about parts of a plant - learn to draw the trunk of a tree using the letters Y and V. -
Portrayal of Female Identity in Digital Media: an Investigation Based on Selected Indian Web Series
www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 3 March 2021 | ISSN: 2320-2882 Portrayal of Female Identity in Digital Media: An Investigation Based on Selected Indian Web Series Vaishnav V. S. Assistant Professor on Contract Dept. of Journalism and Mass Communication Sree Narayana College, Kollam Abstract: With the introduction of digital media platforms like Netflix, Amazon Prime, Disney Hotstar and other digital streaming services, the web series is viewed as an ideal platform for narrating female stories, reflecting their realities. What makes the internet so popular as an informative and entertainment medium is that it is comparatively free from censorship and budget clutches, providing the creators with much-needed independence with content, genre, forms, and narratives. This study aims to analyse the portrayal of the ideology of feminism in the selected Indian web series. The researcher has chosen some web series in Indian media for this analysis and examines how they represent feminism philosophy through their stigma breaking content. Index Terms - Feminism, Web series, Textual analysis, Stereotypes, Empowerment. I. INTRODUCTION Over the years, through increasing coverage of the internet facilities and cellular devices, the Indian urban society became more and more enabled with modern appliances of communication like smart TVs and smartphones, which became the new means of content consumption. This ushered in a new era of digital opportunities, erasing many ‘laws’ regulating content selection on traditional TV channels. Ironically, as screen sizes shrank, they liberated women from the saas-bahu dichotomy. Fresh and youthful stories were telecasted that mirrored modern lifestyles and their problems with realism and honesty. -
Women Achievers 2011
Women Achievers i TABLE OF CONTENTS Introduction iii Message v Foreword vi NEELAM DHAWAN 1 PRIYA CHETTY RAJAGOPAL 2 SUCHITRA K ELLA 4 SUDHA IYER 5 ANURADHA SRIRAM 6 AKILA KRISHNAKUMAR 8 KIRAN MAZUMDAR SHAW 9 DEEPTI REDDY 10 REKHA M MENON 11 REVATHI KASTURI 13 SANDHYA VASUDEVAN 15 Dr VILLOO MORAWALA PATEL 16 AMUKTA MAHAPATRA 18 Dr REKHA SHETTY 19 YESHASVINI RAMASWAMY 21 BEENA KANNAN 23 BINDU ANANTH 24 PARVEEN HAFEEZ 25 MALLIKA SRINIVASAN 26 SUSHMA SRIKANDTH 27 SHEELA KOCHOUSEPH 29 HASTHA KRISHNAN 30 HEMALATHA RAJAN 31 HEMA RAVICHANDAR 32 KAMI NARAYAN 34 UMA RATNAM KRISHNAN 35 SHALINI KAPOOR 37 PREETHA REDDY 38 ii Women Achievers Dr. THARA SRINIVASAN 40 AKHILA SRINIVASAN 42 RAJANI SESHADRI 43 SHOMA BAKRE 44 SANGITA JOSHI 45 GAYATHRI SRIRAM 46 JAYSHREE VENKATRAMAN 48 GEETANJALI KIRLOSKAR 49 KALPANA MARGABHANDU 50 SHARADA SRIRAM 51 SAMANTHA REDDY 53 SHOBHANA KAMINENI 54 VINITA BALI 56 RAJSHREE PATHY . 58 GEETHA VISWANATHAN 59 VALLI SUBBIAH 60 RANJINI MANIAN 62 VANITA MOHAN 63 TILISA GUPTA KAUL 64 SHARAN APPARAO 65 SUNEETA REDDY 66 VANAJA ARVIND 67 Dr. KAMALA SELVARAJ 69 SAKUNTALA RAO 70 NEETA REVANKER 71 MAURA CHARI 73 HAMSANANDHI SESHAN 75 MAHIMA DATLA 77 Dr. NIRMALA LAKSHMAN 78 NANDINI RANGASWAMY 79 PRITHA RATNAM 81 Dr. THARA THYAGARAJAN 82 REVATHY ASHOK 83 SANGITA REDDY 85 GEEHTA PANDA 87 Women Achievers iii INTRODUCTION In the last two decades Indian women have entered work force in large numbers and many of them hold senior positions now Gone are the days when we hardly saw women in lead- ership positions in organizations Some of India’s -
Tamil Nadu Government Gazette
© [Regd. No. TN/CCN/467/2009-11. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2010 [Price: Rs. 19.20 Paise. TAMIL NADU GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY No. 39] CHENNAI, WEDNESDAY, OCTOBER 6, 2010 Purattasi 20, Thiruvalluvar Aandu–2041 Part VI—Section 4 Advertisements by private individuals and private institutions CONTENTS PRIVATE ADVERTISEMENTS Pages Change of Names .. 1881-1928 Notices .. .. 1928 NOTICE NO LEGAL RESPONSIBILITY IS ACCEPTED FOR THE PUBLICATION OF ADVERTISEMENTS REGARDING CHANGE OF NAME IN THE TAMIL NADU GOVERNMENT GAZETTE. PERSONS NOTIFYING THE CHANGES WILL REMAIN SOLELY RESPONSIBLE FOR THE LEGAL CONSEQUENCES AND ALSO FOR ANY OTHER MISREPRESENTATION, ETC. (By Order) Director of Stationery and Printing. CHANGE OF NAMES My son, Jithin Jacob, born on 3rd November 1995 I, Syed Ghousia Banu, wife of Thiru G. Rafi Khan, born (native district: Kottayam-Kerala), residing at Old No. 3, on 22nd May 1968 (native district: Chittoor-Andhra Pradesh), New No. 4, 2nd Cross Street, 1st Main Road, Thendral residing at No. 359/1, Vijaya Nagar 1st Street, Nagar, Thirumullaivoyal West, Chennai-600 062, shall Kalampalayam, Coimbatore-641 010, shall henceforth be henceforth be known as J. JITHIN. known as SHIREEN RAFI. N.L. JACOB. SYED GHOUSIA BANU. Chennai, 27th September 2010. (Father.) Coimbatore, 27th September 2010. My son, M. Harishguptta, born on 2nd July 2000 My son, Mohammed Suhail Khan alias R. Sohel Khan, (native district: Virudhunagar), residing at No. 41A, born on 13th September 1993 (native district: Erode), residing Chokkan Street, Idayankulam, M.P.K. Kulam Post, at No. 359/1, Vijaya Nagar 1st Street, Kalampalayam, Virudhunagar-626 110, shall henceforth be known Coimbatore-641 010, shall henceforth be known as N.T. -
Bogan Songs Mp4 Download Starmusiq Tamilmass Bogan Songs Mp4 Download Starmusiq Tamilmass
bogan songs mp4 download starmusiq tamilmass Bogan songs mp4 download starmusiq tamilmass. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e144f4ef06c447 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Navarasa. Starring: Suriya, Anjali, Atharvaa, Revathi, Siddharth, Vijay Sethupathi, Prakash Raj, Vikranth, Aishwarya Rajesh, Prasanna, Bobby Simha, Ashok Selvan Music: A.R.Rahman, Karthik, Sundaramurthy KS, Govind Vasantha, Justin Prabhakaran Director: Priyadarshan, Vasanth, Gautham Vasudev Menon, Bejoy Nambiar, Karthik Subbaraj, Sarjun KM, Karthick Naren, Arvind Swami, Rathindran R. Prasad. Viswasam BGM (Original Background Score) Starring: Ajith Kumar, Nayanthara, Vivek Music: D.Imman Director: Siva. Netrikann. Starring: Nayanthara , Ajmal, Manikandan, Saran Music: Girishh Gopalakrishnan Director: Milind Rau. Valimai. Starring: Ajith Kumar, Huma Qureshi, Kartikeya Gummakonda Music: Yuvan Shankar Raja Director: H. Vinoth. Tamil Bgm Ringtones. Today, a wide variety of ringtones in different types and forms draw the attention of modern youth. With a mobile phone at hand, everyone has access to their favorite Tamil ringtones to be set on their mobile phones. -
Country's First Visually Impaired Woman IAS Officer Takes Charge
All the world's a stage, and all the men and women merely players: TUESDAY they have their exits and their OCTOBER 15, 2019 entrances; and one man in his CHANDIGARH time plays many parts, his acts being seven ages. VOL. XXIII, NO. 246 PAGES 12 Rs. 2 William Shakespeare YUGMARGYOUR REGION, YOUR PAPER Dada to start new innings PM Modi is loudspeaker of Ambani- 'Dream Girl' becomes Ayushmann's highest- as BCCI Prez Adani: Rahul Gandhi grossing film, earns 140 cr ...PAGE 12 .... PAGE 3 ...PAGE 10 Indian-origin Banerjee, wife Duflo win Nobel for Economics RBI enhances withdrawal limit for PMC Bank depositors Abhijit studied at Calcutta University and JNU AGENCY to Rs 40,000 NEW DELHI, OCT 14 NEW DELHI: The Reserve Bank of India (RBI) has enhanced the Indian-American Abhijit Banerjee, his wife withdrawal limit for depositors of Esther Duflo and Michael Kremer were Punjab and Maharashtra Coop- awarded the 2019 Nobel Economics Prize on erative (PMC) Bank Ltd to Rs Monday for their approach to alleviate glob- 40,000. al poverty. Post-paid mobile phone On October 3, the RBI had per- mitted the depositors of the bank Fifty-eight-year-old Banerjee was born to withdraw up to Rs 25,000 of in 1961. He studied in Calcutta University’s the total balance in their ac- Presidency College and Jawaharlal Nehru counts. University and then did a PhD from Harvard services restored in "The RBI, after reviewing the in 1988. bank's liquidity position and its Duflo, 46, is the second woman to win ability to pay its depositors, has the economics prize after Elinor Ostrom got decided to further enhance the it in 2009, and is also the youngest ever to re- Kashmir without internet limit for withdrawal to Rs 40,000, ceive the economics award. -
Now Or Never Progressive Thought Rajan Anandan
February 16-28, 2013 Volume 1, Issue 19 `100 36 INTERVIEW Rajan Anandan Google India’s MD on mobiles, SMEs and digital. 34 With the launch of three channels in quick succession, the children’s genre is suddenly bursting with excitement. AXIS BANK Progressive Thought March together to success, is the message. 12 PEPSI Now or Never ‘Youthful irreverence’ gets a new platform. OBITUARY Fabian Gonsalves 22 CNBC-TV 18 Dream Big 32 IRS Q3 2012 Progress Report 43 28 VIA.COM Vying for Attention 47 EDITORIAL This fortnight... Volume 1, Issue 19 here are two ways of looking at the explosion of interest in the children’s genre EDITOR T on television: Sreekant Khandekar February 16-28, 2013 Volume 1, Issue 19 `100 PUBLISHER 36 Reaction One: Is there place for so many channels? Prasanna Singh Reaction Two: How come this didn’t happen earlier? SENIOR LAYOUT ARTIST Vinay Dominic INTERVIEW Rajan Anandan Google India’s MD on It seems to me that considering the several hundred million children in India, mobiles, SMEs and digital. 34 PRODUCTION EXECUTIVE With the launch of three channels in quick succession, the number of channels trying to tempt them will only grow. Digitisation has made Andrias Kisku the children’s genre is suddenly bursting with excitement. a number of special interest genres viable in business terms and the children’s slot is ADVERTISING ENQUIRIES AXIS BANK Progressive Thought among the most interesting. Rahul Puri, (0120) 4077833, 4077866 March together to success, is the message. Noida 12 The share of the children’s genre inched up in 2012 and as the content offering Arunima Bhattacharya, (022) 40429702-5 keep widening, we can expect that trend to continue for at least the next couple of Mumbai PEPSI Now or Never years.