BHC-MSS 0093 Guide to the Records of Editor A.H. Saxon for the Autobiography of Mrs
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Tom Thumb Comes to Town
TOM THUMB COMES TO TOWN By Marianne G. Morrow The Performance Tom Thumb had already performed twice in Hali- ver the years, the city of Char- fax, in 1847 and 1850, O lottetown has had many exotic but he had never come visitors, from British royalty t o gangsters. to Prince Edward Perhaps the most unusual, though, was Island. His visit in 1868 the celebrated "General" Tom Thumb probably followed a set and his troupe of performers. On 30 July pattern. The group's 1868, Tom Thumb, his wife Lavinia "Director of Amuse- Warren, her sister Minnie, and "Commo- ments" was one Sylvester dore" Nutt arrived fresh from a European Bleecker, but advance pub- tour to perform in the Island capital's licity was handled by a local Market Hall. agent, Ned Davies. There Tom Thumb was a midget, as would be five performances were the other members of his com- spread over a two-day period. pany. Midgets differ from dwarfs in "Ladies and children are con- that they are perfectly proportioned siderately advised to attend the beings, "beautiful and symmetri- Day exhibition, and thus avoid cally formed ladies and gentlemen the crowd and confusion of the in miniature," as the ads for evening performances." Thumb's performance promised. S The pitch was irresistible. What society considered a disability, \ "The Smallest Human Beings of Tom Thumb had managed to turn 1 Mature Age Ever Known on the into a career. By the time he arrived S Face of the Globe!" boasted one on Prince Edward Island, he had been 4 ad. -
He Tiarral= Wheeler House SMITHSONIAN STUDIES in HISTORY and TECHNOLOGY J NUMBER 18
BRIDGEPORT'S GOTHIC ORNAMENT / he tiarral= Wheeler House SMITHSONIAN STUDIES IN HISTORY AND TECHNOLOGY J NUMBER 18 BRIDGEPORT'S GOTHIC ORNAMENT / he Harral= Wheeler Hiouse Anne Castrodale Golovin SMITHSONIAN INSTITUTION PRESS { CITY OF WASHINGTON \ 1972 Figure i. An 1850 map of Bridgeport, Connecticut, illustrating in vignettes at the top right and left corners the Harral House and P. T. Barnum's "Oranistan." Arrow in center shows location of Harral House. (Courtesy of the Library of Congress.) Ems^m^wmy^' B m 13 ^»MMaM««^fc mwrtkimmM LMPOSING DWELLINGS in the Gothic Revival style were among the most dramatic symbols of affluence in mid-nineteenth-century America. With the rise of industrialization in this periods an increasing number of men from humble beginnings attained wealth and prominence. It was impor tant to them as well as to gentlemen of established means that their dwell ings reflect an elevated social standing. The Harral-Wheeler residence in Bridgeport, Connecticut, was an eloquent proclamation of the success of its owners and the excellence of the architect Alexander Jackson Davis. Al though the house no longer stands, one room, a selection of furniture, orig inal architectural designs, architectural fragments, and other supporting drawings and photographs are now in the collections of the Smithsonian Institution. These remnants of Bridgeport's Gothic "ornament" serve as the basis for this study. AUTHOR.—Anne Castrodale Golovin is an associ ate curator in the Department of Cultural History in the Smithsonian Institution's National Museum of History and Technology. B>RIDGEPORT, , CONNECTICUT, was fast be speak of the Eastern glories of Iranistan, we have coming a center of industry by the middle of the and are to have in this vicinity, many dwelling- nineteenth century; carriages, leather goods, and houses worthy of particular notice as specimens of metal wares were among the products for which it architecture. -
Barnum Museum, Planning to Digitize the Collections
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/grants/preservation/humanities-collections-and-reference- resources for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Planning for "The Greatest Digitization Project on Earth" with the P. T. Barnum Collections of The Barnum Museum Foundation Institution: Barnum Museum Project Director: Adrienne Saint Pierre Grant Program: Humanities Collections and Reference Resources 1100 Pennsylvania Ave., N.W., Rm. 411, Washington, D.C. 20506 P 202.606.8570 F 202.606.8639 E [email protected] www.neh.gov The Barnum Museum Foundation, Inc. Application to the NEH/Humanities Collections and Reference Resources Program Narrative Significance Relevance of the Collections to the Humanities Phineas Taylor Barnum's impact reaches deep into our American heritage, and extends far beyond his well-known circus enterprise, which was essentially his “retirement project” begun at age sixty-one. -
A Description of the Main Characters in the Movie the Greatest Showman
A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN A PAPER BY ELVA RAHMI REG.NO: 152202024 DIPLOMA III ENGLISH DEPARTMENT FACULTY OF CULTURE STUDY UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am ELVA RAHMI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : ……………. Date : 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name: ELVA RAHMI Title of Paper: A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN. Qualification: D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Faculty of Culture Studies University of North Sumatera on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : ………….. Date : 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is DESCRIPTION OF THE MAIN CHARACTERS IN THE GREATEST SHOWMAN MOVIE. The purpose of this paper is to find the main character. -
Circus and the City New York, 1793–2010
Circus and the City New York, 1793–2010 Libsohn–Ehrenberg. “April Manhattan.” Cue, the Weekly Magazine of New York Life (April 1945), 16. On view September 21, 2012– February 3, 2013 Exhibition From September 21, 2012, to February 3, 2013, the Bard Graduate Center: Decorative Arts, Design History, Mate- rial Culture (BGC) will present Circus and the City: New York, 1793–2010, an exhibition that uses New York City as a lens through which to explore the extraordinary de- velopment and spectacular pageantry of the American circus. Through a wide variety of ephemera, images, and artifacts, the exhibition documents the history of the circus in the city, from the seminal equestrian displays of the late eighteenth century through the iconic late nineteenth-century American railroad circus to the Big Apple Circus of today. From humble beginnings, the circus grew into the most popular form of entertain- “Nixon & Co.’s Mammoth Circus: The Great Australian ment in the United States. By the turn of the twentieth Rider James Melville as He Appeared Before the Press of New York in His Opening Rehearsal at Niblo’s Garden,” century, New York City was its most important market 1859. Poster, printed by Sarony, Major, & Knapp, New and the place where cutting-edge circus performances York. Courtesy, American Antiquarian Society. and exhibitions were introduced to the nation. “Circus and the City promises to be one of the grandest and it offers a compelling look at how New York City exhibitions about the American circus ever mounted, influenced and inspired this iconic form of American popular entertainment,” said curator Matthew Witt- mann, a curatorial fellow at the BGC. -
Come Follow the Band and Join the Circus! Friday And
COME FOLLOW THE BAND AND JOIN THE CIRCUS! Music by Cy Coleman Book by Mark Bramble Lyrics by Michael Stewart FRIDAY AND SATURDAY, FEBRUARY 15-16, 2013 AT 7:30pm AND SUNDAY, FEBRUARY 17, 2012 AT 2:00pm (Snow Dates: February 22-24, 2013) AUDITION DATES: OCTOBER 29, 30 AND NOVEMBER 1, 2012 "Barnum's the name. PT. Barnum. And I want to tell you that tonight you are going to see bar none -every eight, wonder and miracle that name stands for!" Here is the show that traces the career of America's greatest, showman from 1835 to the year he joined with James A. Bailey to form The Greatest Show On Earth. We’re going to be looking for all sorts of talents when we transform MNMS into the Greatest Show on Earth! Actors, Singers, Dancers, Tumblers, Jugglers, Acrobats and Gymnasts as well as an AMAZING crew are all needed! CAST INFORMATION Phineas Taylor Barnum - The Prince of Humbug Chairy Barnum - His wife Joice Heth oldest woman alive Tom Thumb - Smallest man in the world Julius Goldschmidt - Jenny Lind's manager Jenny Lind - Swedish soprano Blues Singer - female alto James A Bailey - Small circus owner 2 Ringmasters - Circus performers Chester Lyman - Joice Heth's manager Amos Scudder - Owner of the American Museum Sherwood Stratton - Tom Thumb's father Mrs Sherwood Stratton - Tom Thumb's mother Wilton - Barnum's assistant on the Jenny Lind tour Edgar Templeton - Political party boss Humbert Morrisey - Political party boss Plus a host of extras in a huge selection of parts Tumbers, jugglers, clowns aerialists, acrobats, gymnasts, bricklayers, passersby, museum patrons, strongmen, beefeaters, the "crowd" in general, the Bridgeport Pageant Choir and bands of every size, shape and description! SYNOPSIS To start we. -
Volume 25, Number 4 Winter 2013
ISSN 1059-1249 The Magic Lantern Gazette Volume 25, Number 4 Winter 2013 The Magic Lantern Society of the United States and Canada www.magiclanternsociety.org The Editor’s Page 2 Professor Cromwell in Buffalo “They are truly beautiful,” said a lady who was one of the large and delighted audience that left the Court Street theatre last eve- ning at the close of Prof. Cromwell’s tour through the varied scenery of different parts of Germany, and particularly the Rhine. The remark was directed in praise of the splendid series of views selected by Prof. Cromwell to illustrate his well-timed, semi- descriptive and quasi-humorous allusions to the many attractions which the scenery of the Rhine, the quaint architecture of such venerable German cities as Cologne, Coblenz, Mayence, and Frankfort...present to the traveler in that most interesting portion of the old world. A trip down the Rhine with Prof. Cromwell and his potent if not absolutely “magic” lantern, is indeed a most de- lightful journey…. “Court Street Theatre,” Buffalo Daily Courier, Oct. 21, 1884. This double-size issue of the Gazette is devoted entirely to Please check out the Magic Lantern Research Group at my own article on the lecturing career of Professor George www.zotero.org/groups/magic_lantern_research_group. Reed Cromwell. I have been doing research on Cromwell In the Group Library, you will find links to all back issues of for several years and previously presented some of this The Magic Lantern Gazette and Magic Lantern Bulletin work at one of our society conventions. Since then, I have online through the San Diego State University Library. -
"The Greatest Showman on Earth"
"THE GREATEST SHOWMAN ON EARTH" Written by Jenny Bicks Revisions by Jordan Roberts Bill Condon Jonathan Tropper Current Revisions by: M.A. April 20th, 2015 Draft The Greatest Showman On Earth 4/20/15 Draft 1. 1-3 OMITTED 1-3 A strummed BANJO begins... A BASS DRUM joins, beating time. 4 INT. CIRCUS TENT - NIGHT 4 Absolute darkness. Then, a single narrow spotlight goes on, revealing a RINGMASTER, with top hat, his back to us, alone. With his head bowed, the top hat casts his face in shadow. As the MUSIC picks up, he sings in a hushed, dramatic voice: RINGMASTER [BARNUM SINGS] [BARNUM SINGS] QUICK CUTS -- CLOSE UPS of the RINGMASTER, seen from behind, in fast-passing shots. The iconic top hat; the cane; red swallowtail coat; shiny black boots; sawdust... RINGMASTER (CONT’D) [BARNUM SINGS] [BARNUM SINGS] The Ringmaster (from behind) looks upward. Another spotlight goes on. Way up high in the darkness, a beautiful African- American aerialist, ANNE WHEELER, is spinning on a rope. RINGMASTER (CONT’D) [BARNUM SINGS] [BARNUM SINGS] The Ringmaster looks the other way -- a new spotlight hits a beautiful TIGHTROPE WALKER, way up high, seemingly walking on air through the vast darkness. RINGMASTER (CONT’D) [BARNUM SINGS] A cannon FIRES -- sending a HUMAN CANNONBALL flying through the darkness, spotlight following, til he lands in a netting. RINGMASTER (CONT’D) [BARNUM SINGS] The Ringmaster turns, into the light. It is P.T. BARNUM. Handsome. Confident. Exuberant. At the height of his powers. A showman’s smile; a scoundrel’s wink. BARNUM [BARNUM SINGS] [BARNUM SINGS] * (CONTINUED) The Greatest Showman On Earth 4/20/15 Draft 2. -
Ringling Bros. and Barnum & Bailey Circus, 1924
Ringling Bros. and Barnum & Bailey Circus, 1924 “Be cautious and bold … there’s a sucker born every minute.” —P.T. Barnum Dear Delegates, Hello and welcome to WUMUNS 2018! My name is Miranda Reed Twiss and I am thrilled to be your committee director for the Ringling Brothers and Barnum & Bailey majoring in Psychology and Islamic Studies with a minor in Arabic. As a former circus performer who almost went pro (I went to circus camp for a few summers in middle school), I’m extremely excited to kick off our very first circus committee! The committee begins in September of 1924. You are all members of the Ringling Bros. and Barnum & Bailey Combined Shows circus troupe, and you as a committee have full control over the circus. As both performers and administrators of the troupe, you are taxed with working together to make your traveling circus troupe as successful as possible. Your collective goal is to keep your circus running and successful and to increase profits both as a whole and individually. From traveling choices to split loyalties, from questionable motives to financial managing, the challenges you face stand to be a real three-ring circus. If you navigate the politics and inner workings of circus life well, you will find yourselves rich and powerful. If you fall into disarray, you could lose your jobs and your futures. Every delegate in the committee has equal voting power but varying access to individual resources, including money, outside connections, and specific abilities within the circus. Note that this is the circus, a business built around big personalities; ability to portray a character both in interests and in personality will be a key component to success in this committee. -
The Exceptionalism of General Tom Thumb, the Celebrity Body, and the American Dream
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2017 Self-Made Freak: The Exceptionalism of General Tom Thumb, The Celebrity Body, and the American Dream Megan Sonner College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Material Culture Commons, American Popular Culture Commons, Cultural History Commons, Other American Studies Commons, Other History Commons, Social History Commons, and the United States History Commons Recommended Citation Sonner, Megan, "Self-Made Freak: The Exceptionalism of General Tom Thumb, The Celebrity Body, and the American Dream" (2017). Undergraduate Honors Theses. Paper 1121. https://scholarworks.wm.edu/honorstheses/1121 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Self-Made Freak: The Exceptionalism of General Tom Thumb, The Celebrity Body, and The American Dream A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William & Mary by Megan Sonner Accepted for __________________________________ (Honors, High Honors, Highest Honors) _______________________________________ Kara Thompson, Director _______________________________________ Charles McGovern _______________________________________ -
Life of Hon. Phineas T. Barnum
Life of Hon. Phineas T. Barnum Joel Benton Life of Hon. Phineas T. Barnum Table of Contents Life of Hon. Phineas T. Barnum..............................................................................................................................1 Joel Benton.....................................................................................................................................................1 i Life of Hon. Phineas T. Barnum Joel Benton A UNIQUE STORY OF A MARVELLOUS CAREER. LIFE OF Hon. PHINEAS T. BARNUM. −−−− COMPRISING HIS BOYHOOD, YOUTH, ... CHAPTER I. IN THE BEGINNING. FAMILY AND BIRTH−−SCHOOL LIFE−−HIS FIRST VISIT TO NEW YORK CITY −−A LANDED PROPRIETOR−−THE ETHICS OF TRADE−−FARM WORK AND KEEPING STORE−−MEETING−HOUSE AND SUNDAY SCHOOL−−"THE ONE THING NEEDFUL." Among the names of great Americans of the nineteenth century there is scarcely one more familiar to the world than that of the subject of this biography. There are those that stand for higher achievement in literature, science and art, in public life and in the business world. There is none that stands for more notable success in his chosen line, none that recalls more memories of wholesome entertainment, none that is more invested with the fragrance of kindliness and true humanity. His career was, in a large sense, typical of genuine Americanism, of its enterprise and pluck, of its indomitable will and unfailing courage, of its shrewdness, audacity and unerring instinct for success. Like so many of his famous compatriots, Phineas Taylor Barnum came of good old New England stock. His ancestors were among the builders of the colonies of Massachusetts and Connecticut. His father's father, Ephraim Barnum, was a captain in the War of the Revolution, and was distinguished for his valor and for his fervent patriotism.