THE GOLDEN MAN by Phillip K
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Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
The Right to an Artificial Reality? Freedom of Thought and the Fiction of Philip K
Michigan Technology Law Review Article 6 2021 The Right to an Artificial Reality? rF eedom of Thought and the Fiction of Philip K. Dick Marc Jonathan Blitz Oklahoma City University Follow this and additional works at: https://repository.law.umich.edu/mtlr Part of the Entertainment, Arts, and Sports Law Commons, First Amendment Commons, Law and Society Commons, and the Science and Technology Law Commons Recommended Citation Marc J. Blitz, The Right to an Artificial Reality? rF eedom of Thought and the Fiction of Philip K. Dick, 27 MICH. TECH. L. REV. 377 (2021). Available at: https://repository.law.umich.edu/mtlr/vol27/iss2/6 This Special Essay is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Technology Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE RIGHT TO AN ARTIFICIAL REALITY? FREEDOM OF THOUGHT AND THE FICTION OF PHILIP K. DICK Marc Jonathan Blitz* Table of Contents INTRODUCTION...................................................................................... 377 I. Self-Deception and the Argument Against First Amendment Coverage of Artificial Reality....................... 380 II. The First Amendment Value of Artificial Reality ........... 383 III. Artificial Reality as an Enhancement of Brain-Generated Reality ....................................................... 387 IV. The Harms to Oneself and -
{Download PDF} Selected Stories of Philip K. Dick
SELECTED STORIES OF PHILIP K. DICK PDF, EPUB, EBOOK Philip K Dick,Jonathan Lethem | 466 pages | 16 Apr 2013 | HOUGHTON MIFFLIN | 9780544040540 | English | Boston, United States Selected Stories of Philip K. Dick PDF Book It quickly becomes clear that Terra lost the war, the woman is from Prox, and that everything he has been seeing is an illusion. Nolfi seem attracted to Philip K. Even "The Adjustment Team" which gave us "The Adjustment Bureau" and "We'll Remember it for You Wholesale" which gave us "Total Recall" are only slightly interesting concept-wise and utterly ridiculous writing, character and dialog-wise. He rarely writes a character who has a real, genuine drive or personality. Other Editions Dick, Philip K. The war continues, however, among the scattered remains of humanity. Surprisingly, the short story version does not feature any drug use, altered consciousness, or meeting an alien being that may be a lonely god, but instead focuses on the idea of people escaping into fantasy role-playing in the aftermath of a devastating war. So many of the stories involve paranoia, warping of reality, or a complete disbelief in reality. About Philip K. A hot noonday sun glared down on brown fields, rows of neat plastic houses, the distant line of mountains to the west. Highly recommended! Start your review of Selected Stories of Philip K. A fabulous collection. It comes, leaves off its load and goes on -- there's no contact between us and it. Instead of taking communion, you get eaten. It's also very, very weird. Adjustment Team. -
Politics, Religion, and Philosophy in the Fiction of Philip K. Dick
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2005 How Much Does Chaos Scare You?: Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] How Much Does Chaos Scare You? Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow Shakespeare’s Sister, Inc. Brooklyn, NY & lulu.com 2005 © Aaron Barlow, Creative Commons Attribution-NonCommercial-ShareAlike Foreword n 1989, while I was serving in Peace Corps in West Africa, II received a letter from an American academic publisher asking if I were interested in submitting for publication the doctoral dissertation I had completed the year before at the University of Iowa. “Why would I want to do that?” I asked. One disserta- tion on Philip K. Dick had already appeared as a book (by Kim Stanley Robinson) and Dick, though I loved his work, just wasn’t that well known or respected (not then). Plus, I was liv- ing in a mud hut and teaching people to use oxen for plowing: how would I ever be able to do the work that would be needed to turn my study from dissertation to book? When I defended the dissertation, I had imagined myself finished with studies of Philip K. -
'Fhe UNIVERSITY of HULL 3Litology and Ethics in the Writings of Philip K
'fHE UNIVERSITY OF HULL 3litology and Ethics in the Writings of Philip K Dick being a Thesis submitted for the Degree of Phd. in the University of Hull by Andrew Mark Butler, B.A. (Wons) October 1995 Contents Acknowledgements A Note on References, Abbreviations and Editions vii Introduction 1 Chapter One: "Possible maybes" Realism and the Fantastic 6 Realism 7 Literary Realism 9 Author and Reader 15 Realism vs The Fantastic 19 Sf ,20) The "New Wave" (26) Realism or the Fantastic: In Milton Lumky Territory 29 Familiarization 31 Character Types 32 Conclusion Chapter Two: "Life is turning into a Philip K. Dick Novel": Ontology and its Discontents The Real 38 Access to the Real: Philosophical Realism 45 Access to the "Real": Dick's use of viewpoint 48 Postmodernism Fredric Jameson on Dick Jean Baudrillard on Dick 57 Other Postmodern Readings of Dick 60 Cyberpunk 63 Dick as postmodern icon 65 Conclusion 68 Chapter Three: "Can a person hallucinate without being psychotic?": Hallucinatory Environments 69 Basic Plots 69 Eye in the Sky 70 The Left and McCarthyism 72 Black Politics 76 Return to Reality? 77 Flow My Tears, the Policeman Said 79 The Left by 1970 81 The Position of Blacks 82 The Nature of the Conditional Environment 86 Conclusion 94 ii Chapter Four: "Skim milk masquerades as cream": Attempts to penetrate the veil 96 Time Out of Joint 96 Representing the 1950s 98 Misrepresenting the 1950s 101 From Time Out of Joint to The Man in the High Castle 105 The Man in the High Castle 106 Alternate Worlds 106 The "reality" of the conditional environment 108 False Identities 111 The 1-Ching - 113 "Inner Truth" 118 Fiction and Reality 121 Conclusion 125 Chapter Five: "Where are we really?": The Failure of Authenticity 126 Lies, Inc. -
The Colonization of Mars in Dick's Martian Time-Slip
APOCALYPTIC VISIONS FROM THE PAST: THE COLONIZATION OF MARS IN DICK’S MARTIAN TIME-SLIP Elena Corioni Catholic University of Milan ABSTRACT In recent years, climate change has emerged as a dominant theme in literature, with writers trying to find new ways to express how the alteration of climate affects people. Even though it was published before climate change was so pressing an issue, Philip K. Dick’s Martian Time-Slip (1964) deals with the worries caused by an Earth that is becoming increasingly inhospitable, pushing people to migrate to Mars. This article explores how Dick expresses the challenges that immigrants must face in trying to adapt to a new environment and how he uses Martian society to criticize the degeneration of the capitalistic society that marginalizes people who are acutely able to empathize with both the human and the nonhuman world. Among these marginalized people there is Manfred, a child who suffers from autism. Dick depicts Manfred’s mind as an instrument that disrupts people’s linear sense of time and that denies the principle of cause and effect. Keywords: Philip K. Dick; Martian Time-Slip; migration; climate change. INTRODUCTION n the foreword of the anthology American Earth: Environmental Writing Since I Thoreau, Al Gore writes that “environmentalism, while inevitably a source of conflict, is inherent in our national character, a fundamental part of our heritage as Americans” (2008, xviii). While literary studies began focusing on the relationship between literature and the environment as recently as the early 1990s, American literature has always produced eco-fiction, a subgenre aimed at scrutinizing the story of people in the natural world. -
MAMOLA-DISSERTATION-2020.Pdf (788.1Kb)
SPACE OPERA: THE AESTHETICS OF PERSONHOOD IN THE WORKS AND WORLDS OF PHILIP K. DICK by GABRIEL FRANCIS MAMOLA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Richardson, Supervising Professor Neill Matheson Timothy Morris ABSTRACT Space Opera: The Aesthetics of Personhood in the Works and Worlds of Philip K. Dick Gabriel Mamola The University of Texas at Arlington, 2020 Supervising Professor: Timothy Richardson In this dissertation, I examine the major novels of science fiction writer Philip K. Dick in light of his non-fictional and speculatively mystical writings. After establishing an approach to science fiction in general and Dick in particular, grounded in the Aristotelian mimetic theory of Stephen Halliwell and the ambient rhetorical theory of Thomas Rickert, I argue that Dick came more and more, as his career progressed and his body of work developed, to understand his oeuvre as a unified art-work—unified not only by its themes but by the fictional world it portrayed and the artistic experiments it contained. More to the point, I argue that Dick’s non- fictional, speculative writings collectively known as the Exegesis make up an integral part of this overarching mimesis. I go on to attempt a description of the causal structures that unify Dick’s mimetic world. In doing so, I identify a concern with the ontological and ethical status of relationship in worlds undergoing such scientifictional collapse as have made Dick an exemplar of postmodern fiction. -
Arxiv:1806.01322V1 [Cs.AI]
Past Visions of Artificial Futures One Hundred and Fifty Years under the Spectre of Evolving Machines Tim Taylor1,2 and Alan Dorin1 1Faculty of Information Technology, Monash University, Australia 2Independent Researcher, Edinburgh, Scotland [email protected] Abstract Manchester, the narrator raises the idea of machines mak- ing machines and alludes to the profound potential of such a The influence of Artificial Intelligence (AI) and Artificial Life development (see quote above). (ALife) technologies upon society, and their potential to fun- damentally shape the future evolution of humankind, are top- During the same period, the scientific understanding of ics very much at the forefront of current scientific, govern- the complexity of biological life was undergoing a rev- mental and public debate. While these might seem like very olution, in the theories being developed by Charles Dar- modern concerns, they have a long history that is often dis- win and Alfred Russell Wallace. Both theories were regarded in contemporary discourse. Insofar as current de- first presented at the Linnean Society of London in 1858 bates do acknowledge the history of these ideas, they rarely look back further than the origin of the modern digital com- (Darwin and Wallace, 1858), with a greatly extended pre- puter age in the 1940s–50s. In this paper we explore the ear- sentation of Darwin’s theory appearing a year later with the lier history of these concepts. We focus in particular on the publication of The Origin of Species (Darwin, 1859). idea of self-reproducing and evolving machines, and poten- At this time, the intellectual elite of England were a richly tial implications for our own species. -
Collection on Philip K. Dick
http://oac.cdlib.org/findaid/ark:/13030/kt0c6034t4 No online items Collection on Philip K. Dick Finding aid prepared by Julianna Gil, Student Processing Assistant. Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2017 The Regents of the University of California. All rights reserved. Collection on Philip K. Dick MS 199 1 Descriptive Summary Title: Collection on Philip K. Dick Date (inclusive): 1952-1992, undated Collection Number: MS 199 Extent: 2.50 linear feet(2 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: The Collection on Philip K. Dick consists of press clippings, publications, short stories and manuscripts regarding Philip K. Dick, an American novelist who has published almost entirely in the science fiction genre. His works have been published in numerous literary magazines, such as Galaxy, Amazing Stories, and Fantasy and Science Fiction. The collection also consists of newsletters from the Philip K. Dick Society, and photographs and press booklets from the film Blade Runner. Languages: The collection is in English, French, and German. Access The collection is open for research. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights. -
The Library of America Interviews Laura Leslie and Jonathan Lethem About Philip K
The Library of America Interviews Laura Leslie and Jonathan Lethem about Philip K. Dick In connection with the publication in July 2008 of Philip K. Dick: Five Novels from the 1960s and 70s , Rich Kelley conducted this exclusive interview for The Library of America e-Newsletter with Laura Leslie, Philip K. Dick’s daughter, and volume editor Jonathan Lethem. Sign up for the free monthly e-Newsletter at www.loa.org . Laura Leslie, as Philip K. Dick’s eldest daughter, you serve as the trustee of the Philip K. Dick Estate. What kind of decisions do you make about your father’s work in this role? Leslie : My sister, Isa , my brother, Chris , and I created the Philip K. Dick Testamentary Trust to keep our father’s works together rather than divide them among the three of us. Each of us owns one-third of our father’s collective body of work. We work collaboratively on every important decision—and in the 26 years since our father died, we have never had a disagreement. Recently, Isa has been the catalyst to propel us to develop a production company, Electric Shepherd Productions (ESP ), which is dedicated to promoting and developing adaptations of our father’s work across media. Russ Galen in the U .S. and Danny Baror internationally have done a fan - tastic job not only in keeping PKD in print worldwide but also in developing and perpetuating PKD publishing programs. Since my father’s death there have been many people who have been involved with us in stewardship of the legacy of Philip K. -
Breaking Down the Reflex-Machine in Three Works by Philip K. Dick
Breaking Down the Reflex-Machine in Three Works by Philip K. Dick Sara Gaarn-Larsen English Studies – Literary Specialization BA Thesis 15 Credits Summer-2018 Supervisor: Cecilia Björkén-Nyberg Gaarn-Larsen i Abstract This thesis expands upon Philip K. Dick’s philosophy surrounding ‘androidization’, a process of degradation leading to the devolution of individuals into what he termed as ‘reflex- machines’. Often used interchangeably with Dick’s reference to the human-android, existing criticism has applied the ‘reflex-machine’ label broadly to characters throughout his work. This thesis aims to clarify the implications of such a state through a close reading of his three works, The Three Stigmata of Palmer Eldritch, A Maze of Death, and A Scanner Darkly while detailing the processes that comprise the androidization which produces it. In doing so, it proposes that androidization is made up of a series of stages. This distinction is vital for understanding what Dick suggests for the potential recovery of the individual from the state of a reflex-machine and his hope for humanity at large. Split into two parts, this essay first examines the production of the reflex-machine with the support of theories by Louis Althusser, Max Horkheimer and Theodor Adorno, Michel Foucault, and Jean Baudrillard. It then considers the solutions that Dick proposes for the individual undergoing androidization by referencing theories by Carl Jung, as well as Gilles Deleuze and Felix Guattari. Gaarn-Larsen ii Table of Contents 1. Introduction ............................................................................................................................. 1 2. Part One: The Production ........................................................................................................ 4 2.1 Mass Production of Simulacra within The Three Stigmata................................................... 5 2.2 Self-Delusion and Perceptual Occlusion within A Maze of Death.....................................