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The Music Academy, Madras 115-E, Mowbray’S Road
Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages. -
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applica Ons For
12/4/2020 Form9_AC51_04/12/2020 ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applicaons for inclusion received in Form 6 Designated locaon identy (where Constuency (Assembly/£Parliamentary): Uthangarai Revision identy applicaons have been received) From date To date @ 2. Period of applicaons (covered in this list) 1. List number 01/12/2020 01/12/2020 3. Place of hearing* Serial Name of Father / $ Date of Date of Time of number Name of claimant Mother / Husband and Place of residence of receipt hearing* hearing* (Relaonship)# applicaon 1 01/12/2020 Aruna Tamilarasan (H) 00, Bommadasampa, Bommadasampa, , Krishnagiri 41/9B, Bommadhsampa 2 01/12/2020 Anitha Rajesh (H) , Bommadhasampa, , Krishnagiri 3 01/12/2020 SUBASH SELVAM SELVAM (F) 76, ELAVAMPADI , ELAVAMPADI , , Krishnagiri 4 01/12/2020 Arunkumar Kasiyammal (M) 5/193, Bommadasampa, Bommadasampa, , Krishnagiri 5 01/12/2020 Yuvasree Srinivasan (F) 1, Kamaraj nagar, Uthangarai, , Krishnagiri 6 01/12/2020 Ishwariya saravanan (F) 314, mallupa, mallupa, , Krishnagiri 101- 7 01/12/2020 Suvitha Rajini (F) A, Kariyaperumalvalasai, Chinnakavundanur, , Krishnagiri 8 01/12/2020 Naveen Palani (F) 215, Indira nagar, Uthangarai, , Krishnagiri 9 01/12/2020 Ynmuna Subashsandhirabosh (F) 189g, Indhra nagar, Uthangarai, , Krishnagiri 10 01/12/2020 Arthi Kaviarusu (H) 1, Kuchur, Madrahalli, , Krishnagiri 11 01/12/2020 Theerthagiri Vadivu Muniraj (M) 82a, Kamaraj nagar, Uthangarai, , Krishnagiri 12 01/12/2020 Appas Ganesan (F) 1, Kamarajnagar, Uthangarai, , Krishnagiri 13 01/12/2020 Pavithra Ramasamy -
Discographie
698 DISCOGRAPHIE Dans cette discographie, nous avons essayer de recenser, de manière aussi complète que possible, tous les enregistrements commerciaux réalisés jusqu'à ce jour par les musiciens que nous avons étudiés au cours de notre travail, ainsi que ceux de quelques autres artistes qui leur sont très directement affiliés (Karaikudi S. Subramaniam, Jayanthi R. Kiran (anciennement Jayanthi R. Krishnan), K.S. Narayanaswamy, Catherine Zalay & Anandi Roy, Muthulakshmi Ranganathan, Kalyani Lakshminarayana et Pappu Chandrasekhar). L'ordre adopté ici correspond à celui employé dans la première partie de cet ouvrage, procédant par écoles, b別-s et générations. Les disques de compilation, réalisés avec des enregistrements extraits d'albums de nombreux artistes différents, ne sont pas pris en compte. Cette liste a été constituée à partir des discographies rédigées par Alain Danielou, Elise B. Barnett et Michael S. Kinnear1, du catalogue de la collection privée de V.A.K. Ranga Rao à Madras, des catalogues des firmes H.M.V., Sangeetha, Vani, A.V.M. audio, et de nos propres recherches personnelles2. Les orthographes des titres des oeuvres figurant sur ces documents sonores, souvent approximatives sur les pochettes qui leur sont jointes, sont rectifiées dans la mesure du possible en suivant celles indiquées par l'Index of Songs in South Indian Music3, ou parfois en se référant à la partition originale. Certains renseignements que nous n'avons pu retrouver (date de parution, råga, tå¬a, compositeur) sont néanmoins absents dans quelques cas limités, et nous prions le lecteur de nous en excuser. 1 Cf. DANIELOU (Alain) : Catalogue de la musique Indienne classique et traditionnelle enregistrée, Paris, UNESCO, 1952, 236 p. -
Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali -
Civil Engineering Likely Date of Research Topic Serial No Department Name of the Supervisor Name of the Ph.D
Faculty of Civil Engineering Likely Date of Research Topic Serial No Department Name of the Supervisor Name of the Ph.D. Scholar Registeration No. Reg. Period Completion of Ph.D. Availing Fellowship DEVELOPMENT OF IN-SITU AND REMOTE SENSING METHODS TO ESTIMATE THE MAJOR NUTRIENT CONCENTRATIONS FROM SURFACE 1 Department of Civil Engineering Jayalakshmi S A Ambica 19231191155 JAN-2019 WATER BODIES Dec-2022 SHORELINE MANAGEMENT FOR CHENNAI COAST 2 National Centre for Coastal Research Tune Usha Aarthi N 18241991173 JAN-2018 Jan-2021 PERFORMANCE EVALUATION OF SERVICE PILE 3 Department of Civil Engineering Karthigeyan S Abhirami B 19251191112 JAN-2019 DUE TO ADJACENT EXCAVATION Jan-2022 CLIMATE INDUCED STORM SURGE IN COASTAL Centre for Climate Change and Adaptation URBAN AREA AND EVOLVING SYNERGETIC 4 Research Saravanan R Abinaya B 19241191104 JAN-2019 ADAPTIVE STRATEGIES Dec-2021 CARBON FOOTPRINT ASSESSMENT OF CONSTRUCTION PROJECTS IN AND AROUND 5 Department of Civil Engineering Shanthi V.M Abinaya S 18231591144 JAN-2018 COIMBATORE Apr-2021 CYCLIC LOADING BEHAVIOUR OF FIBER REINFORCED CONCRETE COLUMNS AND FRAMES PARTIALLY REPLACED WITH BOTTOM ASH AGGREGATES SUBJECTED TO CHLORIDE INDUCED CORROSION : EXPERIMENTAL AND NUMERICAL Department of Civil Engineering Dec-2021 6 Chitra S Abinayaa A 19241691144 JAN-2019 INVESTIGATION BIOLOGICAL TREATMENT OF TANNIN CONTAINING WASTEWATER GENERATED FROM 7 Environmental Technology Division Sri Bala Kameswari K Abirami B 1524129112 JAN-2015 TANNERIES Jan-2020 STUDY ON STRENGTH AND DURABILITY 8 Div. of Structural Engg; Umarani C Abirami M 18241191115 JAN-2018 PROPERTIES ON REPAIR MATERIALS Jun-2021 FRP STRENGTHENED R.C PILES (PRE-CAST/CAST-IN- SITU) SUBJECTED TO STATIC AND CYCLIC 9 Department of Civil Engineering Murugesan R. -
Tyagaraja Aradhana 2007 S R U T I the India Music & Dance Society
SRUTI, The India Music & Dance Society Board of Directors President Ramana Kanumalla 610-277-8955 President-elect C. Nataraj 610-687-4565 Treasurer Venkat Kilambi 610-631-2291 Tyagaraja Aradhana Secretary Sridhar Santhanam 2007 610-831-1806 Director, Resources & Development Uma Prabhakar 215-616-0486 Director, Publications & Outreach Vidyasankar Sundaresan 215-310-1783 Director, Marketing & Publicity Srinivas Pothukuchi 215-364-2089 Director 1 Revathi Sivakumar 215-661-8521 Director 2 Ravi Pillutla 610-539-8686 COMMITTEES Resources & Development Publications & Outreach Uma Prabhakar Vidyasankar Sundaresan 215-616-0486 215-310-1783 C. Nataraj Raman Visweswaran 610-687-4565 610-647-7822 Ramaa Nathan Rungun Nathan 610-668-3691 610-668-3691 Usha Balasubramanian S R U T I 215-699-2827 Venkat Kilambi The India Music & Dance Society 610-631-2291 Philadelphia, PA About the Artistes of the Evening Jayalakshmi Sekhar learnt music from her father, C. S. Krishnaswamy, and formally trained on the Veena under Pudukkottai Jayarama Iyer. Since 1994, to enhance her vocal CONTENTS (Gayaki) style of Veena playing, she has been receiving ad- vanced training from Sangita Kalanidhi Sripada Pinakapani. Editor’s Note 1 She is also proficient on the violin and flute and over the last ten years, has performed at major venues in India, USA, Es- Program 2 tonia, Germany, Australia, Malaysia and Singapore. She re- ceived the 1998 Gottuvadyam Narayana Iyengar Award from Acknowledgements 3 the Krishna Gana Sabha in Chennai in 1998 and the 2000 prize for Veena at the Sri Tyagaraja Festival in Tirupati. A Sloka on Tyagaraja Walajapet Venkataramana Bhagavatar 4 Suresh Ramachandran (Mridangam) is a disciple of Tiru- vaiyaru V. -
Andhra University 1 Year Diploma in (Music) Syllabus
SCHOOL OF DISTANCE EDUCATIN – ANDHRA UNIVERSITY 1st YEAR DIPLOMA IN (MUSIC) SYLLABUS (BOS approved and modified syllabus to be implemented from the admitted Batch 2012-13) Theory 100 Marks Paper I : Technical aspects of South Indian Classical Music 1. Technical Terms: a) Nada b) Sruti c) Swaras d) Swarasthanas e) Sathayi 2. Tala System: Sapta Talas, 35 Talas, Tala Dasa Prans, Chapu Tala Varieties Desadi and Madhyadi Talas 3. Musical Forms and their Lakshnas: Gitam, Varnam, Kritis, Kirtana, Padam, Ragamalika, Jasti Swaram, Swarajati, Tillana and Javali. 4. Lakshanas and Sancharas of the following Ragas: A a) Todi, b) Mayamalavagoula, c) Bhairavi, d) Kambhoji, e) Sankarabharanam f) Kalyani, g) Kharaharapriya, h) Mohana, i) Madhyamavathi j) Bilahari B. a) Dhanyasi, b) Saveri e)Vasanta d) HIndola e) Ananda Bhairavi f) Mukhari g) Kanada h) Khamas i) Begada j) Poorikalyani Paper II : Theoretical Aspects of South Indian Classical Music 100 Marks 1. Raaga and raga Lakshanam: a) Definition and Classification of ragas. b) Study of 13 Lakshanas c) ragalapana Padhathi 2. Musical Instruments and their classification 3. Special study of Tambura, Veena, Violin, Flute, Nagaswaram and Mridangam. 4. Characteristics of a composer. 5. Short biographical sketches of the following: a) Jayadeva b) Annamayya, c) Purandhara Dasa d) Narayana Tirtha e) Ramadasa f) Kshetrayya. Practical (First year) 100 Marks Paper III (Practical I) Fundamentals of Classical Music 1. a. Saraliswaras 6 b. Janta swaras 8 c. Alankaras 7 2. Gitas - 7 (Two Pillari Gitas, Two Ghanaraga Gitas, one Dhruva and one Lakshana gitam) 3. One Swarapallavi and one Swarajati 4. Five Adi Tala Varnas. -
University of Kerala Ba Music Faculty of Fine Arts Choice
UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABUS FOR BACHELOR OF ARTS DEGREE IN MUSIC BA MUSIC UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) Outcome Based Teaching, Learning and Evaluation (2021 Admission onwards) 1 Revised Scheme & Syllabus – 2021 First Degree Programme in Music Scheme of the courses Sem Course No. Course title Inst. Hrs Credit Total Total per week hours credits I EN 1111 Language course I (English I) 5 4 25 17 1111 Language course II (Additional 4 3 Language I) 1121 Foundation course I (English) 4 2 MU 1141 Core course I (Theory I) 6 4 Introduction to Indian Music MU 1131 Complementary I 3 2 (Veena) SK 1131.3 Complementary course II 3 2 II EN 1211 Language course III 5 4 25 20 (English III) EN1212 Language course IV 4 3 (English III) 1211 Language course V 4 3 (Additional Language II) MU1241 Core course II (Practical I) 6 4 Abhyasaganam & Sabhaganam MU1231 Complementary III 3 3 (Veena) SK1231.3 Complementary course IV 3 3 III EN 1311 Language course VI 5 4 25 21 (English IV) 1311 Language course VII 5 4 (Additional language III ) MU1321 Foundation course II 4 3 MU1341 Core course III (Theory II) 2 2 Ragam MU1342 Core course IV (Practical II) 3 2 Varnams and Kritis I MU1331 Complementary course V 3 3 (Veena) SK1331.3 Complementary course VI 3 3 IV EN 1411 Language course VIII 5 4 25 21 (English V) 1411 Language course IX 5 4 (Additional language IV) MU1441 Core course V (Theory III) 5 3 Ragam, Talam and Vaggeyakaras 2 MU1442 Core course VI (Practical III) 4 4 Varnams and Kritis II MU1431 Complementary -
COMMUNICATOR the Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message from Editor-In-Chief
COMMUNICATOR The Journal of Indian Institute of Mass Communication Volume LIII, Number-4, October-December, 2018 ISSN: 0588-8093 Message From Editor-in-Chief At the outset, I wish to express my gratitude to all the academicians and scholars who participated and presented papers at the National Seminar on “The State of Indian Language Journalism and Training” organised by IIMC with support from Indian Council of Social Sciences and Research (ICSSR) on October, 29 and 30, 2018 at IIMC Campus. K. G. Suresh The conference was organised to Editor-in-Chief commemorate the silver jubilee of Director General, IIMC our Eastern Regional Campus at Dhenkanal, Odisha from where we started our first language journalism programme in Odia. In the last three years, we have given a major push to language journalism launching a Malayalam Journalism programme at our Kottayam, Kerala campus and Marathi Journalism programme at Amravati, Maharashtra campus. This apart, we have upgraded the Certificate programme in Urdu Journalism to a full fledged Diploma programme. We have even started a three months Advanced Certificate Programme in Sanskrit Journalism in collaboration with the Shri Lal Bahadur Shastri Rashtriya Sanskrit Vidyapeeth besides setting up the Department of Indian Language Journalism. Future plans include starting Hindi and Urdu Journalism programmes from our Jammu campus and Bangla from our Odisha campus. Apart from the papers presented at the conference, many eminent academicians have also contributed to this volume. I am confident that this special issue on the state of Indian language journalism and training would be a collector’s issue for both students and scholars as also media persons across the country and would help them in better understanding of the issues at stake and take requisite steps to improve the quality and standard of both language journalism and training at a time when language journalism is growing by leaps and bounds. -
Innovations in Marketing Strategies of Study
INNOVATIONS IN MARKETING STRATEGIES OF NEWS PAPER INDUSTRY IN INDIA - A CASE STUDY OF TIMES OF INDIA GROUP Dr M. K. Sridhar t A. R. Sainath t Newspapers have become products like any other consumer, industrial or service products. They have unique features which other products do not have. The newspaper industry in India is witnessing intense competition from within and from outside like electronic and internet media. This has tremendous bearing on circulation and advertisement revenues. The industry has responded proactively to these challenges. There is more and more focus on marketing and innovations in marketing strategies. Reviews of some of these strategies are focused in the paper. The authors have presented a case study of TIMES OF INDIA GROUP for innovations in marketing strategies, which are product, price, promotion and distribution related. A survey has been conducted by the authors on a recent innovation in marketing strategy of TRIMMING and SLIMMING the size of the newspaper. The data collected from 357 readers of Bangalore are analysed. The readers in general are not only positive to these changes but also have observed them keenly. Such understanding of sensitivity of readers is crucial for the success of marketing strategies. Newspapers play a critical role in informing the positive developments, achievements and general public about news and events. Their experiments. Journalism has been the core of views on these would mould the opinions and newspaper in India. Of late, they are emerging attitudes of the people. The print media, in more as product rather than instruments of particular the newspapers have not only exposed journalism. -
Carnatic Music Primer
A KARNATIC MUSIC PRIMER P. Sriram PUBLISHED BY The Carnatic Music Association of North America, Inc. ABOUT THE AUTHOR Dr. Parthasarathy Sriram, is an aerospace engineer, with a bachelor’s degree from IIT, Madras (1982) and a Ph.D. from Georgia Institute of Technology where is currently a research engineer in the Dept. of Aerospace Engineering. The preface written by Dr. Sriram speaks of why he wrote this monograph. At present Dr. Sriram is looking after the affairs of the provisionally recognized South Eastern chapter of the Carnatic Music Association of North America in Atlanta, Georgia. CMANA is very privileged to publish this scientific approach to Carnatic Music written by a young student of music. © copyright by CMANA, 375 Ridgewood Ave, Paramus, New Jersey 1990 Price: $3.00 Table of Contents Preface...........................................................................................................................i Introduction .................................................................................................................1 Swaras and Swarasthanas..........................................................................................5 Ragas.............................................................................................................................10 The Melakarta Scheme ...............................................................................................12 Janya Ragas .................................................................................................................23 -
Mukherji-Handout-0056.Pdf
Rāga as Scale 42nd Annual Conference of the Society for Music Theory November 7, 2019 Columbus OH USA Sam Mukherji University of Michigan, Ann Arbor ([email protected]) 2 Example 1. Two theorists of North Indian classical music Vishnu Narayan Bhatkhande (1860–1936) Omkarnath Thakur (1897–1967) 3 phrases (1 and 3 performed by Amjad Ali Khan, 2 and 4 performed by Buddhadev Das Gupta) Ali2 and by Khan, (1 and Amjad 4 performed 3 performed phrases rāga Example 2. Four Example 2. Four 4 Example 3. Bhatkhande’s list of ten tḥāṭs, from his Hindustānī Sangīta Paddhatī (1909-32) Tḥāṭ Scale structure (centered on C) Western equivalent Pūrvī C Db Eb F# G Ab Bb C Mārvā C Db Eb F# G Ab Bb C Kalyān Lydian C Db Eb F# G Ab Bb C Bilāval Major, or Ionian C Db Eb F# G Ab Bb C Khamāj Mixolydian C Db Eb F# G Ab Bb C Kāfi Dorian C Db Eb F# G Ab Bb C Āsāvari Natural minor, or Aeolian C Db Eb F# G Ab Bb C Bhairavī Phrygian C Db Eb F# G Ab Bb C Bhairav C Db Eb F# G Ab Bb C Tōdī C Db Eb F# G Ab Bb C Example 4. Thakur’s list of six pedagogical rāgas, from his Sangītānjalī (1938-62) Name Rāga scale (centered on C) Forbidden scale degrees Bhoop C D E F G A B C 4 and 7 Hamsadhvanī C D E F G A B C 4 and 6 Durgā C D E F G A B C 3 and 7 Sārang C D E F G A B C 3 and 6 Tilang C D E F G A B C 2 and 6 Bhinna-shadạj C D E F G A B C 2 and 5 5 Example 5.