ICCU-AIT Mappings

Total Page:16

File Type:pdf, Size:1020Kb

ICCU-AIT Mappings ARIADNE – AAT Mappings Istituto Centrale per il Catalogo Unico Source URI Source Label Target Label Target URI Match ABBAZIA abbeys http://vocab.getty.e exact match (monasteries) du/aat/300000642 ABBIGLIAMENTO E costume (mode of http://vocab.getty.e exact match ORNAMENTI fashion) du/aat/300178802 PERSONALI ACCESSORI DI costume accessories http://vocab.getty.e exact match ABBIGLIAMENTO du/aat/300209273 ACCETTA hatchets http://vocab.getty.e exact match du/aat/300023767 ACCETTA RITUALE ceremonial axes http://vocab.getty.e close match du/aat/300253574 ACCIARINO firesteels http://vocab.getty.e exact match du/aat/300266523 ACQUAMANILE aquamaniles http://vocab.getty.e exact match du/aat/300045667 ACQUASANTIERA holy water stoups http://vocab.getty.e exact match du/aat/300111961 ACROLITO acroliths http://vocab.getty.e exact match du/aat/300184577 ACROTERIO acroteria http://vocab.getty.e exact match du/aat/300002214 ACROTERIO acroteria http://vocab.getty.e narrow match ANGOLARE du/aat/300002214 ACROTERIO acroteria http://vocab.getty.e narrow match CENTRALE du/aat/300002214 ACROTERIO acroteria http://vocab.getty.e narrow match LATERALE du/aat/300002214 AFFILATOIO whetstones http://vocab.getty.e close match du/aat/300023299 AGO [CUCITO] needles (piercing http://vocab.getty.e exact match tools) du/aat/300024789 AGO [MEDICINA E surgical instruments http://vocab.getty.e narrow match CHIRURGIA] du/aat/300080597 AGO [PESCA] hooks (object genre) http://vocab.getty.e exact match du/aat/300400821 AGO CHIRURGICO surgical instruments http://vocab.getty.e narrow match du/aat/300080597 AGO CRINALE hairpins http://vocab.getty.e close match du/aat/300046042 AGO DA CUCITO needles (piercing http://vocab.getty.e narrow match tools) du/aat/300024789 AGO DA LANA knitting needles http://vocab.getty.e close match du/aat/300023523 AGO DA RETE hooks (object genre) http://vocab.getty.e narrow match du/aat/300400821 AGORAIO needle cases http://vocab.getty.e exact match du/aat/300023451 ALABARDA halberds http://vocab.getty.e exact match Source URI Source Label Target Label Target URI Match du/aat/300037010 ALABASTRON alabastra http://vocab.getty.e exact match du/aat/300198887 ALAMARO frogs http://vocab.getty.e exact match du/aat/300247475 ALARE andirons http://vocab.getty.e exact match du/aat/300161848 ALBARELLO albarelli http://vocab.getty.e exact match du/aat/300198823 ALTARE altars http://vocab.getty.e exact match du/aat/300003725 ALTARE FUNERARIO altars http://vocab.getty.e narrow match du/aat/300003725 ALTORILIEVO high reliefs http://vocab.getty.e exact match (sculpture) du/aat/300184782 AMO DA PESCA fishhooks http://vocab.getty.e exact match du/aat/300024418 AMPOLLA ampullae http://vocab.getty.e exact match du/aat/300198899 AMPOLLA OLEARIA ampullae http://vocab.getty.e narrow match du/aat/300198899 AMULETO amulets http://vocab.getty.e exact match du/aat/300266585 ANCONA anconas http://vocab.getty.e exact match du/aat/300298798 ANCORA anchors (watercraft http://vocab.getty.e exact match equipment) du/aat/300219429 ANELLO rings (object genres) http://vocab.getty.e broad match [FERRAMENTA] du/aat/300263678 ANELLO [GIOIELLO] rings http://vocab.getty.e exact match du/aat/300046012 ANELLO APICALE rings (object genres) http://vocab.getty.e broad match du/aat/300263678 ANELLO CRINALE hair ornaments http://vocab.getty.e broad match du/aat/300209287 ANELLO DA anklets http://vocab.getty.e exact match CAVIGLIA du/aat/300209294 ANELLO DA PRESA rings (object genres) http://vocab.getty.e broad match du/aat/300263678 ANELLO DA rings (object genres) http://vocab.getty.e broad match SOSPENSIONE du/aat/300263678 ANELLO DIGITALE rings http://vocab.getty.e narrow match du/aat/300046012 ANELLO rings (object genres) http://vocab.getty.e broad match DISTANZIATORE du/aat/300263678 ANELLO hair ornaments http://vocab.getty.e broad match FERMATRECCE du/aat/300209287 ANELLO wedding rings http://vocab.getty.e exact match MATRIMONIALE du/aat/300312100 ANELLO PETTORALE rings http://vocab.getty.e narrow match du/aat/300046012 ANELLO strigils http://vocab.getty.e narrow match PORTASTRIGILI du/aat/300343767 ANELLO REGGISPIEDI rings (object genres) http://vocab.getty.e broad match du/aat/300263678 Source URI Source Label Target Label Target URI Match ANFORA amphorae (storage http://vocab.getty.e exact match vessels) du/aat/300148696 ANFORA "NECK- neck amphorae http://vocab.getty.e exact match ANFORA" du/aat/300198850 ANFORA DA MENSA amphorae (storage http://vocab.getty.e narrow match vessels) du/aat/300148696 ANFORA DA transport amphorae http://vocab.getty.e exact match TRASPORTO du/aat/300264921 ANFORA OLEARIA amphorae (storage http://vocab.getty.e narrow match vessels) du/aat/300148696 ANFORA PER USO amphorae (storage http://vocab.getty.e narrow match FUNERARIO vessels) du/aat/300148696 ANFORA VINARIA amphorae (storage http://vocab.getty.e narrow match vessels) du/aat/300148696 ANFORISCO amphoriskoi http://vocab.getty.e exact match du/aat/300264915 ANGONE angons http://vocab.getty.e exact match du/aat/300036975 ANSA handles http://vocab.getty.e broad match du/aat/300024927 ANTEFISSA antefixes http://vocab.getty.e exact match du/aat/300002217 ANTEPAGMENTUM gable components http://vocab.getty.e broad match du/aat/300002309 ANTITHEMA frieze components http://vocab.getty.e broad match du/aat/300001823 ANTONIANO antoniniani http://vocab.getty.e exact match du/aat/300191357 APPICCAGNOLO rings (object genres) http://vocab.getty.e broad match du/aat/300263678 APPLIQUE decorative arts http://vocab.getty.e broad match du/aat/300054168 ARA arae http://vocab.getty.e exact match du/aat/300007633 ARA arae http://vocab.getty.e narrow match BRUCIAPROFUMI du/aat/300007633 ARA COMPITALE arae http://vocab.getty.e narrow match du/aat/300007633 ARA FUNERARIA arae http://vocab.getty.e narrow match du/aat/300007633 ARA VOTIVA arae http://vocab.getty.e narrow match du/aat/300007633 ARATRO plows (agricultural http://vocab.getty.e exact match equipment) du/aat/300233317 ARAZZO tapestries http://vocab.getty.e exact match du/aat/300205002 ARCERA four-wheeled http://vocab.getty.e broad match carriages du/aat/300215684 ARCERA DA VIAGGIO four-wheeled http://vocab.getty.e broad match carriages du/aat/300215684 ARCHIPENDOLO plumb lines http://vocab.getty.e narrow match du/aat/300163338 ARCHITRAVE architraves http://vocab.getty.e exact match (entablature) du/aat/300001780 ARCHIVOLTO archivolts http://vocab.getty.e exact match Source URI Source Label Target Label Target URI Match du/aat/300001152 ARCO bows (weapons) http://vocab.getty.e exact match du/aat/300036999 ARGENTEO coins (money) http://vocab.getty.e exact match du/aat/300037222 ARIETE battering rams http://vocab.getty.e exact match du/aat/300036965 ARMA weapons http://vocab.getty.e exact match du/aat/300036926 ARPIONE harpoons http://vocab.getty.e close match du/aat/300037011 ARPIONE hinge components http://vocab.getty.e broad match [FERRAMENTA] du/aat/300033554 ARREDI furnishings (artifacts) http://vocab.getty.e exact match du/aat/300037336 ARULA arulae http://vocab.getty.e exact match du/aat/300404060 ARYBALLOS aryballoi http://vocab.getty.e exact match du/aat/300198885 ASCIA axes (tools) http://vocab.getty.e exact match du/aat/300024664 ASCIA BIPENNE axes (tools) http://vocab.getty.e narrow match du/aat/300024664 ASCIA DA BATTAGLIA axes (weapons) http://vocab.getty.e close match du/aat/300036982 ASCIA DA ceremonial axes http://vocab.getty.e exact match CERIMONIA du/aat/300253574 ASCIA DA LAVORO axes (tools) http://vocab.getty.e narrow match du/aat/300024664 ASCIA VOTIVA ceremonial axes http://vocab.getty.e close match du/aat/300253574 ASKOS askoi http://vocab.getty.e exact match du/aat/300198863 ASKOS DA PARATA askoi http://vocab.getty.e broad match du/aat/300198863 ASPERSORIO aspergilla http://vocab.getty.e broad match du/aat/300298908 ASSE asses (coins) http://vocab.getty.e broad match du/aat/300191358 ASTA rods (object genre) http://vocab.getty.e broad match du/aat/300014669 ASTA DI BILANCIA beams (balance http://vocab.getty.e exact match components) du/aat/300195832 ASTRAGALO dice http://vocab.getty.e broad match du/aat/300211084 ASTRAGALO astragals http://vocab.getty.e exact match [CAPITELLO] du/aat/300003506 ASTUCCIO cases (containers) http://vocab.getty.e exact match du/aat/300045659 ASTUCCIO PER tefillin http://vocab.getty.e exact match FILATTERIO du/aat/300386653 ASTUCCIO cases (containers) http://vocab.getty.e narrow match PORTAMULETI du/aat/300045659 ASTUCCIO cases (containers) http://vocab.getty.e narrow match PORTAPENNELLI du/aat/300045659 Source URI Source Label Target Label Target URI Match ATTINGITOIO ladles http://vocab.getty.e exact match du/aat/300200095 ATTINGITOIO DA ladles http://vocab.getty.e narrow match BAGNO du/aat/300200095 ATTIZZATOIO pokers (equipment) http://vocab.getty.e exact match du/aat/300298928 AUREO aurei http://vocab.getty.e exact match du/aat/300192871 BACILE basins (vessels) http://vocab.getty.e exact match du/aat/300045614 BACILE VOTIVO basins (vessels) http://vocab.getty.e narrow match du/aat/300045614 BACINELLA basins (vessels) http://vocab.getty.e narrow match du/aat/300045614 BACINETTO basnets http://vocab.getty.e exact match du/aat/300036802 BAGLIO watercraft http://vocab.getty.e broad match components du/aat/300212614 BALAUSTRA balustrades http://vocab.getty.e exact match du/aat/300001989 BALESTRA crossbows http://vocab.getty.e exact match du/aat/300037000 BALSAMARIO unguentaria http://vocab.getty.e narrow match du/aat/300264947 BALTEUS sword belts http://vocab.getty.e broad match du/aat/300210007 BAMBOLA dolls
Recommended publications
  • A Geometric Cemetery on the Areopagus: 1897, 1932, 1947*
    A GEOMETRIC CEMETERY ON THE AREOPAGUS: 1897, 1932, 1947* with Appendices on the Geometric Graves found in the Dorpfeld Excavations on the Acropolis West Slope in 1895 and on Hadrian Street ("Phinopoulos' Lot") in 1898 (PLATES 65-80) I. Introduction and the Problem a. The D6rpfeld Excavations p. 325 b. The Agora Excavations and the Search p. 327 c. Disiecta Membra p. 328 II. The Areopagus Cemetery a. General Remarks and Conclusions p. 329 b. Catalogue of Graves and Finds p. 334 Appendix A: Sources for the D6rpfeld Geometric Graves p. 365 Appendix B: The Two Geometric Graves on the Acropolis West Slope: 1895 p. 372 Appendix C: Two Geometric Graves in Phinopoulos' Lot at No. 3, Hadrian Street: 1898 p. 374 Appendix D: A Note on Poulsen's "Akropolisvasen" p. 385 Appendix E: List of Known Finds from the D6rpfeld Geometric Graves p. 387 Appendix F: The Submycenaean Child's Grave South of the Amyneion: 1892 p. 389 I. INTRODUCTION AND THE PROBLEM' A. THE DORPFELD EXCAVATIONS For seven seasons between 1892 and 1899 the German Archaeological Institute, under the general supervision of Wilhelm Dorpfeld, carried out regular excavations in * Professor Penuel P. Kahane died suddenly on February 13, 1974 in Basel. This paper is dedicated to his memory. 1 I am deeply grateful to Professor Homer A. Thompson and to the American School of Classical Studies for the opportunity to study the Agora material; to the German Archaeological Institute in Athens and to Professor Emil Kunze for permission to use the Daybook material; to Dr. Ulf Jantzen for permission to publish the vases in the Institute, and to reproduce the photographs from the Photoabteilung; and to Dr.
    [Show full text]
  • History and Drafting of Hose By: Adelheid Holtzhauer
    History and Drafting of Hose By: Adelheid Holtzhauer Introduction Leg coverings of some sort have been worn throughout history by both men and women. For the purposes of this class, the hose we will be looking at are fitted, closed footed and made of woven fabric. There are many garments called Hose and Hosen worn throughout history. Extant examples have been found dating back to the 2nd century such as the footed hose found a Martres-de- Veyre. Image 1: Womens woollen twill hose excavated at Martres-de-Veyre Although there are many different garments that could be referred to as hose, in this class we will be focusing on "Single Hose" and "Attached Hose". Single hose cover one leg and can vary in length/height. Attached hose are essentially tight fitted trews. Over the course of time, single hose went from knee length and gartered with trim, to full fitted "pants" to thigh high and attached with to a belt at the waist, to detached and gartered under the knee to the full legging style common in the late 161h century. Image 2 shows a pair of attached hose which are carbon dated to 1355 AD and were found in the Damendorf Bog. Image 2: Susan Moller- Image 4: After a photo in Wlering: War and worship, p Nockert: 114 Bockstenmannen och Image 3: Margareta hans drakt Nockert: Bockstenmannen och hans drakt. pg 61 The knee high hose in image 3 were found on the Bocksten Bog Man generally dated to the th 14 century but were carbon dated between 1290 and 1430.
    [Show full text]
  • BRAND NAME PRODUCTS Branded Male Marketing to Men.Pdf
    Branded Male hb aw:Branded Male 15/1/08 10:10 Page 1 BRANDED MALE Mark Tungate is the “Tungate dissects the social trends that have been shaping the male consumer across a Men are not what they were. In article after author of the variety of sectors in recent years… Provides insights on how brands can tackle the article we’re told a new type of man is bestselling Fashion business of engaging men in a relevant way – and the influential role that the women in abroad – he’s more interested in looking Brands, as well as the their lives play.” good and he’s a lot keener on shopping. highly acclaimed Carisa Bianchi, President, TBWA / Chiat / Day, Los Angeles Adland: A Global Branded Male sets out to discover what History of Advertising, “Finally a book that uses humour, examples and clever storytelling to shed a new light on makes men tick as consumers and how both published by male trends. Helps us approach male consumers as human beings and not simply as products and services are effectively Kogan Page. Based in marketing targets.” branded for the male market. Using a day Photography: Philippe Lemaire Paris, he is a journalist in the life of a fictional “branded male”, specializing in media, marketing and Roberto Passariello, Marketing Director, Eurosport International Mark Tungate looks at communication. Mark has a weekly column BRANDED male-orientated brands and their in the French media magazine Stratégies, “Ideas, advice and insights that will help anyone aiming to get messages across marketing strategies in areas as diverse as: and writes regularly about advertising, style to men.” and popular culture for the trends David Wilkins, Special Projects Officer, Men’s Health Forum • grooming and skincare; intelligence service WGSN and the • clothes; magazine Campaign.
    [Show full text]
  • Banchetele Tracilor Ca Expresie a Contactelor Interculturale
    Studia Universitatis Babeş-Bolyai, Historia Volume 59, Number 1, June 2014 Banquets of Gods, Banquets of Men. Conviviality in the Ancient World I. Archaeology 1 JOHN BAINES Not only with the dead: banqueting in ancient Egypt 35 FLORIN GOGÂLTAN Drinking with the gods? The problem of Bronze Age pot deposits in Transylvania 83 DRAGOŞ MNDESCU The banquets of Thracians as an expression of intercultural contacts. A quick glance through the strainer's holes 96 FRANCK PERRIN Des coupes-crânes chez les anciens Celtes ? 106 GELU FLOREA Quel type de festin en Dacie, à la fin de l’âge du Fer? Ustensiles à servir la viande 115 CTLIN CRISTESCU Feasting with the king. The tableware of Sarmizegetusa Regia 153 MARIANA EGRI, AUREL RUSTOIU Sacred conviviality in the Lower Danube region. The case of the Sâncrieni hoard 189 MANUEL FIEDLER Bankette für Liber Pater in Apulum 204 CONSTANZE HÖPKEN Ein Bankett für Sabazios in Straubing ii Cuprins 215 SILVIA MUSTA, SZILÁMÉR-PÉTER PÁNCZEL, DÁVID PETRU, KATALIN SIDÓ Drinking and gaming in the Roman fort of Porolissum. Preliminary data offered by the excavation at building C3 239 VIORICA RUSU BOLINDE Pottery in funerary contexts – some aspects of conviviality in Roman Dacia II. History and epigraphy 285 JUAN RAMÓN CARBÓ GARCÍA Perspectives on the phenomenon of ritual sacrifice, sacralization of food and conviviality in the Classical world 308 ANGUS BOWIE Krater and kratos: the politics of Greek dining 322 GYÖRGY NÉMETH Two banquets of Socrates 334 VICTOR COJOCARU Ladung zu Opfer und Bankett als Auszeichnung der Fremde im pontischen Raum und der Pontikoi in der Fremde 345 MADALINA DANA « Le banquet des sophistes » : représentation funéraire, représentation sociale sur les stèles de Byzance aux époques hellénistique et impériale 372 LIVIO ZERBINI Le banquet en tant que forme de sociabilité et l’évergétisme romain 380 FRITZ MITTHOF Epulum dedit: Öffentliche Bankette in den lateinischen Inschriften Cuprins iii 391 IRINA NEMETI, SORIN NEMETI I banchetti religiosi nella Dacia romana.
    [Show full text]
  • Chapter One Pottery Other Than Transport Amphorae Philip M. Kenrick
    . chapter one . Pottery Other Than Transport Amphorae Philip M. Kenrick INTRODUCTION THE potterY fabrics The rescue excavations of 2000 took place alongside par- The pottery is arranged primarily by fabric, in order to dis- allel investigations at Zeugma by French and Turkish tinguish where possible the various sources from which teams. When I was first invited to participate there was Zeugma was supplied. Since there is also a high degree of also understood to be a possibility of a further long-term correlation between fabrics and the functions for which the research excavation on the site to study the pottery.1 At the vessels were intended, the following conceptual structure time, it seemed premature to embark upon a compre­­hen- was found useful. sive description of the pottery of Zeugma: It was there fore . Table wares. Vessels for serving and consuming food: agreed that I should concentrate on a few contexts that plates, dishes, small bowls, drinking cups, together with could be reasonably well dated and that might be used to lids intended for use with such forms; also some small characterize the major chronological phases identified in flagons and jugs intended for use at the table. These are the trenches for which Oxford Archaeology was respon- generally made in fine fabrics with smooth surfaces, sible: these were Trenches 1, 2, 4, 5, 7, 9, 10, 11, 12, 13, 15, 18, mostly with a distinctive surface finish such as a slip or and 19. glaze. The briefest of notes were made upon the entire pottery collection, and these were then used in conjunction with .
    [Show full text]
  • From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale**
    International Journal of Cultural Property (2006) 13:311–331. Printed in the USA. Copyright © 2006 International Cultural Property Society DOI: 10.1017/S0940739106060206 From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale** Abstract: The return of 13 classical antiquities from Boston’s Museum of Fine Arts (MFA) to Italy provides a glimpse into a major museum’s acquisition patterns from 1971 to 1999. Evidence emerging during the trial of Marion True and Robert E. Hecht Jr. in Rome is allowing the Italian authorities to identify antiquities that have been removed from their archaeological contexts by illicit digging. Key dealers and galleries are identified, and with them other objects that have followed the same route. The fabrication of old collections to hide the recent surfacing of antiquities is also explored. In October 2006 the MFA agreed to return to Italy a series of 13 antiquities (Ap- pendix). These included Attic, Apulian, and Lucanian pottery as well as a Roman portrait of Sabina and a Roman relief fragment.1 This return is forming a pattern as other museums in North America are invited to deaccession antiquities that are claimed to have been illegally removed from Italy. The evidence that the pieces were acquired in a less than transparent way is beginning to emerge. For example, a Polaroid photograph of the portrait of Sabina (Appendix no. 1) was seized in the raid on the warehousing facility of Giacomo Medici in the Geneva Freeport.2 Polaroids of two Apulian pots, an amphora (no. 9) and a loutrophoros (no. 11), were also seized.3 As other photographic and documentary evidence emerges dur- ing the ongoing legal case against Marion True and Robert E.
    [Show full text]
  • Epilykos Kalos
    EPILYKOS KALOS (PLATES 63 and 64) N TWO EARLIERPAPERS, the writerattempted to identifymembers of prominent Athenian families in the late 6th century using a combinationof kalos names and os- traka.1 In the second of these studies, it was observed that members of the same family occurredin the work of a single vase painter,2whether praised as kalos or named as partici- pant in a scene of athletics or revelry.3The converse,i.e. that the same individual may be namedon vases by painterswho, on the basis of stylistic affinities,should belong to the same workshop,seems also to be true.4The presentpaper tries to demonstrateboth these proposi- tions by linking membersof another importantfamily, the Philaidai, to a circle of painters on whose vases they appear. The starting point is Epilykos, who is named as kalos 19 times in the years ca. 515- 505, 14 of them on vases by a single painter, Skythes.5Of the other 5, 2 are cups by the Pedieus Painter, whom Beazley considered might in fact be Skythes late in the latter's career;61 is a cup linked to Skythes by Bloesch,7 through the potter work, and through details of draughtsmanship,by Beazley;8 1 is a cup placed by Beazley near the Carpenter Painter;9and the last is a plastic aryballos with janiform women's heads, which gives its name to Beazley's Epilykos Class.10 The close relationshipof Epilykos and Skythesis especiallystriking in view of Skythes' small oeuvre, so that the 14 vases praising Epilykos accountfor fully half his total output.
    [Show full text]
  • Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
    CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc.
    [Show full text]
  • Is a Set of Guidelines on the Historical Costume of Duke Siemovit’S Mazowiecka Banner
    The following "Red Booklet" is a set of guidelines on the historical costume of Duke Siemovit’s Mazowiecka Banner. All of the information contained therein relate to what is required internally in our camp, and they are the choice of iconography and sources from the vast information about costumes from the period of our interest – i.e. 1390-1410. All kinds of questions and uncertainties related to the discrepancies between the guidelines of the Siemovit Banner and other Grunwald banners – should be cleared up within own camp, with persons involved in the control of the historical costume and with their costumography choices. Commander of the Siemovit’s Banner Małgorzta Rekosz-Piekarska, Red Booklet II Introduction to the reconstruction of the costume Reconstructing dresses of the bygone era we must rely on historical sources. The most reliable, are of course clothes preserved to our days, which we can, which we can freely examine and take to pieces. Unfortunately, the fabric does not stand up well to the passage of time, therefore from the late Middle Ages a little survived to our times. We therefore need to supplement our knowledge both with iconography as well as written sources. In the art of the turn of the 14th and 15th century there are plenty of depictions, which may become useful in reconstruction of the mediaeval clothing. Unfortunately there also is a lot of confusion and traps. Firstly, all depictions mainly show the higher society (founders and their entourage). Secondly the artists of this period often simplified the look of the clothing; there also was a custom of borrowing whole compositions or types of presentations from other artists (famous medieval patterns).
    [Show full text]
  • The Classic Suit of Armor
    Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Object List (Draft)
    OBJECT LIST Colors of Clay: Special Techniques in Athenian Vases at the Getty Villa (June 8 - September 4, 2006) 1. Signed by Andokides 4. Signed by Nikosthenes Attributed to Psiax Storage Jar with Courtesans, Dogs, and Tripods Storage Jar with Apollo, Artemis, Leto, Ares, and Neck-Amphora of Nicosthenic Type, 525 B.C.– Dionysos and His Followers 520 B.C. Bilingual Amphora of Type A, 515 B.C.–510 B.C. Object: H: 32 cm (12 5/8 in.) Object (approx.): H: 61.2 x Diam.: 35 cm Musée du Louvre. Paris, France, F114 (24 1/8 x 13 3/4 in.) Cat. 15 Museo Arqueológico Nacional. Madrid, Spain, 11.008 5. Attributed to the Kleophrades Painter Cat. 1 Mixing Vessel with the Adventures of Herakles Attic Red-Figure Volute Krater, about 480 B.C. 2. Attributed to the Amasis Painter Object (body, top of volutes): 56.7 to 56.9 x Storage Jar with a Wine-Making Scene and 37.4 cm (22 5/16 to 22 3/8 x 14 3/4 in.) Dionysos The J. Paul Getty Museum at the Getty Villa. Black-Figured Amphora of Type B, about Malibu, California 540 B.C. Cat. 13 Object: H: 44 x Diam. (foot): 17 cm (17 5/16 x 6 11/16 in.) 6. Attributed to the Phiale Painter Antikenmuseum Basel und Sammlung Ludwig. Mixing Vessel with the Infancy of Dionysos Basel, Switzerland, Kä420 White-Ground Calyx-Krater, 440 B.C.–435 B.C. Cat. 43 Object: H: 32.8 cm (12 15/16 in.) Vatican Museums. Vatican City, 16586 3.
    [Show full text]